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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #563672 it is the complementary color #A9C98D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #563672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #563672 shade: #5B366D, #6C4880, #7D5A93, #8E6CA6 and #9F7EB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #563672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #563672 shade: #563672, #45245F, #34124C, #230039 and #120026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #563672 shade: #563572, #663572, #72356E, #72355D and #72354D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #563672 shade: #563572, #453572 and #353572

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #563672 shade matches the following richer shades: #563572, #572880, #571A8D and #580D9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #563672 shade: #563572, #554364, #545157, #535E49 and #526C3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #563672 shade: #353572, #463572, #563572, #663572 and #72356E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #563672 shade: #2B1B3A, #412856, #563572, #6B438E and #8050AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #563672 shade: #563672, #723546 and #35723D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #563672 shade: #563672, #725635 and #357256

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #563672 shade: #563672, #723546, #527235 and #357262

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #563672 shade: #563672, #723735, #527235 and #357072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 53 / 0 / 55

HEX #563672

RGB 86 54 114

HSL 272, 0.36%, 0.33%

LAB 28.98, 26.99, -29.31

 

Complementary color

CMYK 16 / 0 / 30 / 21

HEX #A9C98D

RGB 169 201 141

HSL 92, 0.36%, 0.67%

LAB 77.36, -21.4, 26.56

 

CMYK 17 / 50 / 0 / 57

HEX #5B366D

RGB 91 54 109

HSL 280.36, 0.34%, 0.32%

LAB 29.33, 27.28, -25.55

 

CMYK 16 / 44 / 0 / 50

HEX #6C4880

RGB 108 72 128

HSL 278.57, 0.28%, 0.39%

LAB 36.71, 26.38, -25.73

 

CMYK 15 / 39 / 0 / 42

HEX #7D5A93

RGB 125 90 147

HSL 276.84, 0.24%, 0.46%

LAB 43.91, 25.55, -25.89

 

CMYK 14 / 35 / 0 / 35

HEX #8E6CA6

RGB 142 108 166

HSL 275.17, 0.25%, 0.54%

LAB 50.95, 24.78, -26.05

 

CMYK 14 / 32 / 0 / 27

HEX #9F7EB9

RGB 159 126 185

HSL 273.56, 0.3%, 0.61%

LAB 57.84, 24.09, -26.23

 

CMYK 25 / 53 / 0 / 55

HEX #563672

RGB 86 54 114

HSL 272, 0.36%, 0.33%

LAB 28.98, 26.99, -29.31

 

CMYK 27 / 62 / 0 / 63

HEX #45245F

RGB 69 36 95

HSL 273.56, 0.45%, 0.26%

LAB 21.41, 27.98, -29.22

 

CMYK 32 / 76 / 0 / 70

HEX #34124C

RGB 52 18 76

HSL 275.17, 0.62%, 0.18%

LAB 13.74, 28.73, -28.88

 

CMYK 39 / 100 / 0 / 78

HEX #230039

RGB 35 0 57

HSL 276.84, 1%, 0.11%

LAB 5.9, 29.1, -28.3

 

CMYK 53 / 100 / 0 / 85

HEX #120026

RGB 18 0 38

HSL 268.42, 1%, 0.07%

LAB 2.43, 14.09, -19.68

 

CMYK 25 / 54 / 0 / 55

HEX #563572

RGB 86 53 114

HSL 272.46, 0.37%, 0.33%

LAB 28.75, 27.6, -29.69

 

CMYK 11 / 54 / 0 / 55

HEX #663572

RGB 102 53 114

HSL 288.2, 0.37%, 0.33%

LAB 30.84, 32.46, -26.24

 

CMYK 0 / 54 / 4 / 55

HEX #72356E

RGB 114 53 110

HSL 303.93, 0.37%, 0.33%

LAB 32.37, 35.38, -21.19

 

CMYK 0 / 54 / 18 / 55

HEX #72355D

RGB 114 53 93

HSL 320.66, 0.37%, 0.33%

LAB 31.61, 32.3, -11.49

 

CMYK 0 / 54 / 32 / 55

HEX #72354D

RGB 114 53 77

HSL 336.39, 0.37%, 0.33%

LAB 31.02, 29.8, -2.01

 

CMYK 25 / 54 / 0 / 55

HEX #563572

RGB 86 53 114

HSL 272.46, 0.37%, 0.33%

LAB 28.75, 27.6, -29.69

 

CMYK 39 / 54 / 0 / 55

HEX #453572

RGB 69 53 114

HSL 255.74, 0.37%, 0.33%

LAB 26.81, 22.68, -32.89

 

CMYK 54 / 54 / 0 / 55

HEX #353572

RGB 53 53 114

HSL 240, 0.37%, 0.33%

LAB 25.31, 18.52, -35.37

 

CMYK 25 / 54 / 0 / 55

HEX #563572

RGB 86 53 114

HSL 272.46, 0.37%, 0.33%

LAB 28.75, 27.6, -29.69

 

CMYK 32 / 69 / 0 / 50

HEX #572880

RGB 87 40 128

HSL 272.05, 0.52%, 0.33%

LAB 27.02, 38.89, -41.29

 

CMYK 38 / 82 / 0 / 45

HEX #571A8D

RGB 87 26 141

HSL 271.83, 0.69%, 0.33%

LAB 25.83, 48.51, -51.36

 

CMYK 43 / 92 / 0 / 39

HEX #580D9B

RGB 88 13 155

HSL 271.69, 0.85%, 0.33%

LAB 25.95, 55.9, -59.8

 

CMYK 25 / 54 / 0 / 55

HEX #563572

RGB 86 53 114

HSL 272.46, 0.37%, 0.33%

LAB 28.75, 27.6, -29.69

 

CMYK 15 / 33 / 0 / 61

HEX #554364

RGB 85 67 100

HSL 272.73, 0.2%, 0.33%

LAB 31.5, 14.87, -16.48

 

CMYK 3 / 7 / 0 / 66

HEX #545157

RGB 84 81 87

HSL 270, 0.04%, 0.33%

LAB 34.92, 2.52, -3.07

 

CMYK 12 / 0 / 22 / 63

HEX #535E49

RGB 83 94 73

HSL 91.43, 0.13%, 0.33%

LAB 38.42, -8.61, 10.64

 

CMYK 24 / 0 / 45 / 58

HEX #526C3B

RGB 82 108 59

HSL 91.84, 0.29%, 0.33%

LAB 42.51, -19.1, 24.33

 

CMYK 54 / 54 / 0 / 55

HEX #353572

RGB 53 53 114

HSL 240, 0.37%, 0.33%

LAB 25.31, 18.52, -35.37

 

CMYK 39 / 54 / 0 / 55

HEX #463572

RGB 70 53 114

HSL 256.72, 0.37%, 0.33%

LAB 26.91, 22.96, -32.72

 

CMYK 25 / 54 / 0 / 55

HEX #563572

RGB 86 53 114

HSL 272.46, 0.37%, 0.33%

LAB 28.75, 27.6, -29.69

 

CMYK 11 / 54 / 0 / 55

HEX #663572

RGB 102 53 114

HSL 288.2, 0.37%, 0.33%

LAB 30.84, 32.46, -26.24

 

CMYK 0 / 54 / 4 / 55

HEX #72356E

RGB 114 53 110

HSL 303.93, 0.37%, 0.33%

LAB 32.37, 35.38, -21.19

 

CMYK 26 / 53 / 0 / 77

HEX #2B1B3A

RGB 43 27 58

HSL 270.97, 0.36%, 0.17%

LAB 13.25, 15.38, -17.14

 

CMYK 24 / 53 / 0 / 66

HEX #412856

RGB 65 40 86

HSL 272.61, 0.37%, 0.25%

LAB 21.26, 21.86, -23.53

 

CMYK 25 / 54 / 0 / 55

HEX #563572

RGB 86 53 114

HSL 272.46, 0.37%, 0.33%

LAB 28.75, 27.6, -29.69

 

CMYK 25 / 53 / 0 / 44

HEX #6B438E

RGB 107 67 142

HSL 272, 0.36%, 0.41%

LAB 36.16, 32.46, -35.19

 

CMYK 25 / 53 / 0 / 33

HEX #8050AA

RGB 128 80 170

HSL 272, 0.36%, 0.49%

LAB 43.11, 37.72, -40.83

 

CMYK 25 / 53 / 0 / 55

HEX #563672

RGB 86 54 114

HSL 272, 0.36%, 0.33%

LAB 28.98, 26.99, -29.31

 

CMYK 0 / 54 / 39 / 55

HEX #723546

RGB 114 53 70

HSL 343.28, 0.37%, 0.33%

LAB 30.8, 28.84, 2.24

 

CMYK 54 / 0 / 46 / 55

HEX #35723D

RGB 53 114 61

HSL 127.87, 0.37%, 0.33%

LAB 42.96, -32.05, 23.44

 

CMYK 25 / 53 / 0 / 55

HEX #563672

RGB 86 54 114

HSL 272, 0.36%, 0.33%

LAB 28.98, 26.99, -29.31

 

CMYK 0 / 25 / 54 / 55

HEX #725635

RGB 114 86 53

HSL 32.46, 0.37%, 0.33%

LAB 38.71, 7.18, 23.58

 

CMYK 54 / 0 / 25 / 55

HEX #357256

RGB 53 114 86

HSL 152.46, 0.37%, 0.33%

LAB 43.45, -26.98, 9.58

 

CMYK 25 / 53 / 0 / 55

HEX #563672

RGB 86 54 114

HSL 272, 0.36%, 0.33%

LAB 28.98, 26.99, -29.31

 

CMYK 0 / 54 / 39 / 55

HEX #723546

RGB 114 53 70

HSL 343.28, 0.37%, 0.33%

LAB 30.8, 28.84, 2.24

 

CMYK 28 / 0 / 54 / 55

HEX #527235

RGB 82 114 53

HSL 91.48, 0.37%, 0.33%

LAB 44.36, -23.02, 29.89

 

CMYK 54 / 0 / 14 / 55

HEX #357262

RGB 53 114 98

HSL 164.26, 0.37%, 0.33%

LAB 43.76, -24.01, 2.86

 

CMYK 25 / 53 / 0 / 55

HEX #563672

RGB 86 54 114

HSL 272, 0.36%, 0.33%

LAB 28.98, 26.99, -29.31

 

CMYK 0 / 52 / 54 / 55

HEX #723735

RGB 114 55 53

HSL 1.97, 0.37%, 0.33%

LAB 30.8, 25.74, 13.31

 

CMYK 28 / 0 / 54 / 55

HEX #527235

RGB 82 114 53

HSL 91.48, 0.37%, 0.33%

LAB 44.36, -23.02, 29.89

 

CMYK 54 / 2 / 0 / 55

HEX #357072

RGB 53 112 114

HSL 181.97, 0.37%, 0.33%

LAB 43.6, -18.5, -7

 

Description

Color code: HEX #563672 | qconv.com Color code: HEX #563672 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 54 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 54 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 53 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 53% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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