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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56380F it is the complementary color #A9C7F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56380F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56380F shade: #5B380A, #6C4A1D, #7D5C30, #8E6E43 and #9F8056

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56380F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56380F shade: #56380F, #452600, #341400, #230200 and #120000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56380F shade: #56380F, #56250F, #56120F and #560F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56380F shade: #56380F, #564B0F, #4E560F, #3B560F and #27560F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56380F shade matches the following richer shades: #56380F and #5E3907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56380F shade: #56380F, #4E3717, #46351F, #3D3428 and #353330

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56380F shade: #56110F, #56240F, #56370F, #564A0F and #4F560F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56380F shade: #100A02, #332109, #56380F, #794F15 and #9C661B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56380F shade: #56380F, #1F560F and #1B0F56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56380F shade: #56380F, #0F5637 and #370F56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56380F shade: #56380F, #1F560F, #0F2E56 and #460F56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56380F shade: #56380F, #0F5614, #0F2E56 and #560F51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 83 / 66

HEX #56380F

RGB 86 56 15

HSL 34.65, 0.7%, 0.2%

LAB 26.28, 9.25, 29.59

 

Complementary color

CMYK 30 / 17 / 0 / 6

HEX #A9C7F0

RGB 169 199 240

HSL 214.65, 0.7%, 0.8%

LAB 79.37, -0.8, -23.54

 

CMYK 0 / 38 / 89 / 64

HEX #5B380A

RGB 91 56 10

HSL 34.07, 0.8%, 0.2%

LAB 26.95, 11.55, 32.7

 

CMYK 0 / 31 / 73 / 58

HEX #6C4A1D

RGB 108 74 29

HSL 34.18, 0.58%, 0.27%

LAB 34.34, 9.67, 31.73

 

CMYK 0 / 26 / 62 / 51

HEX #7D5C30

RGB 125 92 48

HSL 34.29, 0.45%, 0.34%

LAB 41.58, 8.24, 30.22

 

CMYK 0 / 23 / 53 / 44

HEX #8E6E43

RGB 142 110 67

HSL 34.4, 0.36%, 0.41%

LAB 48.65, 7.12, 28.7

 

CMYK 0 / 19 / 46 / 38

HEX #9F8056

RGB 159 128 86

HSL 34.52, 0.3%, 0.48%

LAB 55.56, 6.23, 27.27

 

CMYK 0 / 35 / 83 / 66

HEX #56380F

RGB 86 56 15

HSL 34.65, 0.7%, 0.2%

LAB 26.28, 9.25, 29.59

 

CMYK 0 / 45 / 100 / 73

HEX #452600

RGB 69 38 0

HSL 33.04, 1%, 0.14%

LAB 18.59, 11.47, 27.1

 

CMYK 0 / 62 / 100 / 80

HEX #341400

RGB 52 20 0

HSL 23.08, 1%, 0.1%

LAB 10.78, 14.46, 16.44

 

CMYK 0 / 94 / 100 / 86

HEX #230200

RGB 35 2 0

HSL 3.43, 1%, 0.07%

LAB 3.62, 13.68, 5.67

 

CMYK 0 / 100 / 100 / 93

HEX #120000

RGB 18 0 0

HSL 0, 1%, 0.04%

LAB 1.16, 5.21, 1.84

 

CMYK 0 / 35 / 83 / 66

HEX #56380F

RGB 86 56 15

HSL 34.65, 0.7%, 0.2%

LAB 26.28, 9.25, 29.59

 

CMYK 0 / 57 / 83 / 66

HEX #56250F

RGB 86 37 15

HSL 18.59, 0.7%, 0.2%

LAB 21.34, 21.06, 24.58

 

CMYK 0 / 79 / 83 / 66

HEX #56120F

RGB 86 18 15

HSL 2.54, 0.7%, 0.2%

LAB 17.67, 30.8, 20.37

 

CMYK 0 / 83 / 83 / 66

HEX #560F0F

RGB 86 15 15

HSL 0, 0.7%, 0.2%

LAB 17.25, 31.97, 19.86

 

CMYK 0 / 35 / 83 / 66

HEX #56380F

RGB 86 56 15

HSL 34.65, 0.7%, 0.2%

LAB 26.28, 9.25, 29.59

 

CMYK 0 / 13 / 83 / 66

HEX #564B0F

RGB 86 75 15

HSL 50.7, 0.7%, 0.2%

LAB 31.91, -2.67, 34.95

 

CMYK 9 / 0 / 83 / 66

HEX #4E560F

RGB 78 86 15

HSL 66.76, 0.7%, 0.2%

LAB 34.62, -13.14, 37.19

 

CMYK 31 / 0 / 83 / 66

HEX #3B560F

RGB 59 86 15

HSL 82.82, 0.7%, 0.2%

LAB 33.18, -21.95, 35.32

 

CMYK 55 / 0 / 83 / 66

HEX #27560F

RGB 39 86 15

HSL 99.72, 0.7%, 0.2%

LAB 32.08, -29.77, 33.89

 

CMYK 0 / 35 / 83 / 66

HEX #56380F

RGB 86 56 15

HSL 34.65, 0.7%, 0.2%

LAB 26.28, 9.25, 29.59

 

CMYK 0 / 39 / 93 / 63

HEX #5E3907

RGB 94 57 7

HSL 34.48, 0.86%, 0.2%

LAB 27.63, 12.31, 34.69

 

CMYK 0 / 35 / 83 / 66

HEX #56380F

RGB 86 56 15

HSL 34.65, 0.7%, 0.2%

LAB 26.28, 9.25, 29.59

 

CMYK 0 / 29 / 71 / 69

HEX #4E3717

RGB 78 55 23

HSL 34.91, 0.54%, 0.2%

LAB 25, 6.33, 23.64

 

CMYK 0 / 24 / 56 / 73

HEX #46351F

RGB 70 53 31

HSL 33.85, 0.39%, 0.2%

LAB 23.5, 4.34, 16.73

 

CMYK 0 / 15 / 34 / 76

HEX #3D3428

RGB 61 52 40

HSL 34.29, 0.21%, 0.2%

LAB 22.31, 1.79, 9.08

 

CMYK 0 / 4 / 9 / 79

HEX #353330

RGB 53 51 48

HSL 36, 0.05%, 0.2%

LAB 21.35, 0.22, 2.21

 

CMYK 0 / 80 / 83 / 66

HEX #56110F

RGB 86 17 15

HSL 1.69, 0.7%, 0.2%

LAB 17.52, 31.2, 20.2

 

CMYK 0 / 58 / 83 / 66

HEX #56240F

RGB 86 36 15

HSL 17.75, 0.7%, 0.2%

LAB 21.11, 21.65, 24.33

 

CMYK 0 / 36 / 83 / 66

HEX #56370F

RGB 86 55 15

HSL 33.8, 0.7%, 0.2%

LAB 26, 9.88, 29.32

 

CMYK 0 / 14 / 83 / 66

HEX #564A0F

RGB 86 74 15

HSL 49.86, 0.7%, 0.2%

LAB 31.6, -2.06, 34.67

 

CMYK 8 / 0 / 83 / 66

HEX #4F560F

RGB 79 86 15

HSL 65.92, 0.7%, 0.2%

LAB 34.71, -12.65, 37.3

 

CMYK 0 / 38 / 88 / 94

HEX #100A02

RGB 16 10 2

HSL 34.29, 0.78%, 0.04%

LAB 3, 0.74, 3.68

 

CMYK 0 / 35 / 82 / 80

HEX #332109

RGB 51 33 9

HSL 34.29, 0.7%, 0.12%

LAB 14.46, 5.77, 17.72

 

CMYK 0 / 35 / 83 / 66

HEX #56380F

RGB 86 56 15

HSL 34.65, 0.7%, 0.2%

LAB 26.28, 9.25, 29.59

 

CMYK 0 / 35 / 83 / 53

HEX #794F15

RGB 121 79 21

HSL 34.8, 0.7%, 0.28%

LAB 37.32, 12.48, 39.04

 

CMYK 0 / 35 / 83 / 39

HEX #9C661B

RGB 156 102 27

HSL 34.88, 0.7%, 0.36%

LAB 47.82, 15.53, 47.88

 

CMYK 0 / 35 / 83 / 66

HEX #56380F

RGB 86 56 15

HSL 34.65, 0.7%, 0.2%

LAB 26.28, 9.25, 29.59

 

CMYK 64 / 0 / 83 / 66

HEX #1F560F

RGB 31 86 15

HSL 106.48, 0.7%, 0.2%

LAB 31.76, -32.27, 33.47

 

CMYK 69 / 83 / 0 / 66

HEX #1B0F56

RGB 27 15 86

HSL 250.14, 0.7%, 0.2%

LAB 10.9, 28.74, -40.5

 

CMYK 0 / 35 / 83 / 66

HEX #56380F

RGB 86 56 15

HSL 34.65, 0.7%, 0.2%

LAB 26.28, 9.25, 29.59

 

CMYK 83 / 0 / 36 / 66

HEX #0F5637

RGB 15 86 55

HSL 153.8, 0.7%, 0.2%

LAB 31.88, -29.42, 12.15

 

CMYK 36 / 83 / 0 / 66

HEX #370F56

RGB 55 15 86

HSL 273.8, 0.7%, 0.2%

LAB 14.54, 33.51, -34.38

 

CMYK 0 / 35 / 83 / 66

HEX #56380F

RGB 86 56 15

HSL 34.65, 0.7%, 0.2%

LAB 26.28, 9.25, 29.59

 

CMYK 64 / 0 / 83 / 66

HEX #1F560F

RGB 31 86 15

HSL 106.48, 0.7%, 0.2%

LAB 31.76, -32.27, 33.47

 

CMYK 83 / 47 / 0 / 66

HEX #0F2E56

RGB 15 46 86

HSL 213.8, 0.7%, 0.2%

LAB 18.92, 4.9, -27.5

 

CMYK 19 / 83 / 0 / 66

HEX #460F56

RGB 70 15 86

HSL 286.48, 0.7%, 0.2%

LAB 17.06, 36.69, -30.18

 

CMYK 0 / 35 / 83 / 66

HEX #56380F

RGB 86 56 15

HSL 34.65, 0.7%, 0.2%

LAB 26.28, 9.25, 29.59

 

CMYK 83 / 0 / 77 / 66

HEX #0F5614

RGB 15 86 20

HSL 124.23, 0.7%, 0.2%

LAB 31.36, -35.45, 30.87

 

CMYK 83 / 47 / 0 / 66

HEX #0F2E56

RGB 15 46 86

HSL 213.8, 0.7%, 0.2%

LAB 18.92, 4.9, -27.5

 

CMYK 0 / 83 / 6 / 66

HEX #560F51

RGB 86 15 81

HSL 304.23, 0.7%, 0.2%

LAB 19.7, 39.46, -22.42

 

Description

Color code: HEX #56380F | qconv.com Color code: HEX #56380F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 56 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 56 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 83 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 83% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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