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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56387C it is the complementary color #A9C783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56387C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56387C shade: #5B3877, #6C4A8A, #7D5C9D, #8E6EB0 and #9F80C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56387C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56387C shade: #56387C, #452669, #341456, #230243 and #120030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56387C shade: #55377B, #67377B, #79377B, #7B376A and #7B3757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56387C shade: #55377B, #42377B and #37377B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56387C shade matches the following richer shades: #55377B, #532889, #511A98 and #500CA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56387C shade: #55377B, #56456C, #58545E, #5A624F and #5C7141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56387C shade: #373E7B, #42377B, #54377B, #66377B and #78377B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56387C shade: #2D1D42, #412A5E, #55377B, #684497 and #7C53B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56387C shade: #56387C, #7B3750 and #377B39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56387C shade: #56387C, #7B5437 and #377B54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56387C shade: #56387C, #7B3750, #5D7B37 and #377B62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56387C shade: #56387C, #7B373B, #5D7B37 and #377B76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 55 / 0 / 51

HEX #56387C

RGB 86 56 124

HSL 266.47, 0.38%, 0.35%

LAB 30.06, 28.41, -33.91

 

Complementary color

CMYK 15 / 0 / 34 / 22

HEX #A9C783

RGB 169 199 131

HSL 86.47, 0.38%, 0.65%

LAB 76.63, -21.84, 30.81

 

CMYK 24 / 53 / 0 / 53

HEX #5B3877

RGB 91 56 119

HSL 273.33, 0.36%, 0.34%

LAB 30.36, 28.55, -30.25

 

CMYK 22 / 46 / 0 / 46

HEX #6C4A8A

RGB 108 74 138

HSL 271.88, 0.3%, 0.42%

LAB 37.7, 27.6, -30.31

 

CMYK 20 / 41 / 0 / 38

HEX #7D5C9D

RGB 125 92 157

HSL 270.46, 0.26%, 0.49%

LAB 44.87, 26.72, -30.36

 

CMYK 19 / 38 / 0 / 31

HEX #8E6EB0

RGB 142 110 176

HSL 269.09, 0.29%, 0.56%

LAB 51.88, 25.92, -30.43

 

CMYK 18 / 34 / 0 / 24

HEX #9F80C3

RGB 159 128 195

HSL 267.76, 0.36%, 0.63%

LAB 58.74, 25.19, -30.53

 

CMYK 31 / 55 / 0 / 51

HEX #56387C

RGB 86 56 124

HSL 266.47, 0.38%, 0.35%

LAB 30.06, 28.41, -33.91

 

CMYK 34 / 64 / 0 / 59

HEX #452669

RGB 69 38 105

HSL 267.76, 0.47%, 0.28%

LAB 22.55, 29.5, -33.92

 

CMYK 40 / 77 / 0 / 66

HEX #341456

RGB 52 20 86

HSL 269.09, 0.62%, 0.21%

LAB 14.97, 30.4, -33.72

 

CMYK 48 / 97 / 0 / 74

HEX #230243

RGB 35 2 67

HSL 270.46, 0.94%, 0.14%

LAB 7.28, 31.13, -33.23

 

CMYK 63 / 100 / 0 / 81

HEX #120030

RGB 18 0 48

HSL 262.5, 1%, 0.09%

LAB 3.09, 18.76, -26.27

 

CMYK 31 / 55 / 0 / 52

HEX #55377B

RGB 85 55 123

HSL 266.47, 0.38%, 0.35%

LAB 29.65, 28.47, -33.95

 

CMYK 16 / 55 / 0 / 52

HEX #67377B

RGB 103 55 123

HSL 282.35, 0.38%, 0.35%

LAB 31.91, 33.66, -30.21

 

CMYK 2 / 55 / 0 / 52

HEX #79377B

RGB 121 55 123

HSL 298.24, 0.38%, 0.35%

LAB 34.45, 39, -26.04

 

CMYK 0 / 55 / 14 / 52

HEX #7B376A

RGB 123 55 106

HSL 315, 0.38%, 0.35%

LAB 33.95, 36.48, -16.1

 

CMYK 0 / 55 / 29 / 52

HEX #7B3757

RGB 123 55 87

HSL 331.76, 0.38%, 0.35%

LAB 33.2, 33.45, -5.09

 

CMYK 31 / 55 / 0 / 52

HEX #55377B

RGB 85 55 123

HSL 266.47, 0.38%, 0.35%

LAB 29.65, 28.47, -33.95

 

CMYK 46 / 55 / 0 / 52

HEX #42377B

RGB 66 55 123

HSL 249.71, 0.38%, 0.35%

LAB 27.63, 23.39, -37.29

 

CMYK 55 / 55 / 0 / 52

HEX #37377B

RGB 55 55 123

HSL 240, 0.38%, 0.35%

LAB 26.66, 20.76, -38.9

 

CMYK 31 / 55 / 0 / 52

HEX #55377B

RGB 85 55 123

HSL 266.47, 0.38%, 0.35%

LAB 29.65, 28.47, -33.95

 

CMYK 39 / 71 / 0 / 46

HEX #532889

RGB 83 40 137

HSL 266.6, 0.55%, 0.35%

LAB 27.19, 40.37, -46.67

 

CMYK 47 / 83 / 0 / 40

HEX #511A98

RGB 81 26 152

HSL 266.19, 0.71%, 0.35%

LAB 26.03, 50.33, -57.87

 

CMYK 52 / 93 / 0 / 35

HEX #500CA6

RGB 80 12 166

HSL 266.49, 0.87%, 0.35%

LAB 25.93, 57.84, -66.58

 

CMYK 31 / 55 / 0 / 52

HEX #55377B

RGB 85 55 123

HSL 266.47, 0.38%, 0.35%

LAB 29.65, 28.47, -33.95

 

CMYK 20 / 36 / 0 / 58

HEX #56456C

RGB 86 69 108

HSL 266.15, 0.22%, 0.35%

LAB 32.52, 15.97, -19.97

 

CMYK 6 / 11 / 0 / 63

HEX #58545E

RGB 88 84 94

HSL 264, 0.06%, 0.35%

LAB 36.41, 3.79, -5.22

 

CMYK 8 / 0 / 19 / 62

HEX #5A624F

RGB 90 98 79

HSL 85.26, 0.11%, 0.35%

LAB 40.37, -6.95, 9.79

 

CMYK 19 / 0 / 42 / 56

HEX #5C7141

RGB 92 113 65

HSL 86.25, 0.27%, 0.35%

LAB 44.9, -16.82, 24.12

 

CMYK 55 / 50 / 0 / 52

HEX #373E7B

RGB 55 62 123

HSL 233.82, 0.38%, 0.35%

LAB 28.61, 16.03, -35.77

 

CMYK 46 / 55 / 0 / 52

HEX #42377B

RGB 66 55 123

HSL 249.71, 0.38%, 0.35%

LAB 27.63, 23.39, -37.29

 

CMYK 32 / 55 / 0 / 52

HEX #54377B

RGB 84 55 123

HSL 265.59, 0.38%, 0.35%

LAB 29.53, 28.19, -34.14

 

CMYK 17 / 55 / 0 / 52

HEX #66377B

RGB 102 55 123

HSL 281.47, 0.38%, 0.35%

LAB 31.78, 33.37, -30.43

 

CMYK 2 / 55 / 0 / 52

HEX #78377B

RGB 120 55 123

HSL 297.35, 0.38%, 0.35%

LAB 34.3, 38.7, -26.28

 

CMYK 32 / 56 / 0 / 74

HEX #2D1D42

RGB 45 29 66

HSL 265.95, 0.39%, 0.19%

LAB 14.57, 17.03, -20.67

 

CMYK 31 / 55 / 0 / 63

HEX #412A5E

RGB 65 42 94

HSL 266.54, 0.38%, 0.27%

LAB 22.26, 22.79, -27.23

 

CMYK 31 / 55 / 0 / 52

HEX #55377B

RGB 85 55 123

HSL 266.47, 0.38%, 0.35%

LAB 29.65, 28.47, -33.95

 

CMYK 31 / 55 / 0 / 41

HEX #684497

RGB 104 68 151

HSL 266.02, 0.38%, 0.43%

LAB 36.58, 33.36, -40.03

 

CMYK 30 / 53 / 0 / 31

HEX #7C53B1

RGB 124 83 177

HSL 266.17, 0.38%, 0.51%

LAB 43.72, 36.68, -44.01

 

CMYK 31 / 55 / 0 / 51

HEX #56387C

RGB 86 56 124

HSL 266.47, 0.38%, 0.35%

LAB 30.06, 28.41, -33.91

 

CMYK 0 / 55 / 35 / 52

HEX #7B3750

RGB 123 55 80

HSL 337.94, 0.38%, 0.35%

LAB 32.97, 32.46, -0.92

 

CMYK 55 / 0 / 54 / 52

HEX #377B39

RGB 55 123 57

HSL 121.76, 0.38%, 0.35%

LAB 46.01, -36.07, 29.46

 

CMYK 31 / 55 / 0 / 51

HEX #56387C

RGB 86 56 124

HSL 266.47, 0.38%, 0.35%

LAB 30.06, 28.41, -33.91

 

CMYK 0 / 32 / 55 / 52

HEX #7B5437

RGB 123 84 55

HSL 25.59, 0.38%, 0.35%

LAB 39.29, 12.72, 23.37

 

CMYK 55 / 0 / 32 / 52

HEX #377B54

RGB 55 123 84

HSL 145.59, 0.38%, 0.35%

LAB 46.47, -31.2, 14.95

 

CMYK 31 / 55 / 0 / 51

HEX #56387C

RGB 86 56 124

HSL 266.47, 0.38%, 0.35%

LAB 30.06, 28.41, -33.91

 

CMYK 0 / 55 / 35 / 52

HEX #7B3750

RGB 123 55 80

HSL 337.94, 0.38%, 0.35%

LAB 32.97, 32.46, -0.92

 

CMYK 24 / 0 / 55 / 52

HEX #5D7B37

RGB 93 123 55

HSL 86.47, 0.38%, 0.35%

LAB 47.97, -22.91, 33.33

 

CMYK 55 / 0 / 20 / 52

HEX #377B62

RGB 55 123 98

HSL 157.94, 0.38%, 0.35%

LAB 46.79, -28, 7.21

 

CMYK 31 / 55 / 0 / 51

HEX #56387C

RGB 86 56 124

HSL 266.47, 0.38%, 0.35%

LAB 30.06, 28.41, -33.91

 

CMYK 0 / 55 / 52 / 52

HEX #7B373B

RGB 123 55 59

HSL 356.47, 0.38%, 0.35%

LAB 32.39, 29.99, 11.84

 

CMYK 24 / 0 / 55 / 52

HEX #5D7B37

RGB 93 123 55

HSL 86.47, 0.38%, 0.35%

LAB 47.97, -22.91, 33.33

 

CMYK 55 / 0 / 4 / 52

HEX #377B76

RGB 55 123 118

HSL 175.59, 0.38%, 0.35%

LAB 47.35, -22.72, -3.81

 

Description

Color code: HEX #56387C | qconv.com Color code: HEX #56387C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 56 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 56 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 55 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 55% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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