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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #563294 it is the complementary color #A9CD6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #563294. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #563294 shade: #5B328F, #6C44A2, #7D56B5, #8E68C8 and #9F7ADB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #563294. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #563294 shade: #563294, #452081, #340E6E, #23005B and #120048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #563294 shade: #563294, #703294, #8B3294, #943282 and #943268

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #563294 shade: #563294, #3C3294 and #323294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #563294 shade matches the following richer shades: #563294, #5222A4, #4D12B4 and #4902C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #563294 shade: #563294, #5A4284, #5F5273, #636263 and #677353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #563294 shade: #324294, #3C3294, #563294, #703294 and #8A3294

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #563294 shade: #321D56, #442875, #563294, #683DB2 and #7D54C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #563294 shade: #563294, #94325C and #359432

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #563294 shade: #563294, #945632 and #329456

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #563294 shade: #563294, #94325C, #709432 and #329469

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #563294 shade: #563294, #94323F, #709432 and #329487

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

Complementary color

CMYK 18 / 0 / 48 / 20

HEX #A9CD6B

RGB 169 205 107

HSL 82.04, 0.49%, 0.61%

LAB 77.97, -27.72, 44.62

 

CMYK 36 / 65 / 0 / 44

HEX #5B328F

RGB 91 50 143

HSL 266.45, 0.48%, 0.38%

LAB 30.61, 38.33, -44.8

 

CMYK 33 / 58 / 0 / 36

HEX #6C44A2

RGB 108 68 162

HSL 265.53, 0.41%, 0.45%

LAB 37.72, 37.29, -44.8

 

CMYK 31 / 52 / 0 / 29

HEX #7D56B5

RGB 125 86 181

HSL 264.63, 0.39%, 0.52%

LAB 44.73, 36.24, -44.73

 

CMYK 29 / 48 / 0 / 22

HEX #8E68C8

RGB 142 104 200

HSL 263.75, 0.47%, 0.6%

LAB 51.63, 35.24, -44.64

 

CMYK 27 / 44 / 0 / 14

HEX #9F7ADB

RGB 159 122 219

HSL 262.89, 0.57%, 0.67%

LAB 58.42, 34.32, -44.57

 

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

CMYK 47 / 75 / 0 / 49

HEX #452081

RGB 69 32 129

HSL 262.89, 0.6%, 0.32%

LAB 23.28, 39.6, -48.11

 

CMYK 53 / 87 / 0 / 57

HEX #340E6E

RGB 52 14 110

HSL 263.75, 0.77%, 0.24%

LAB 16.35, 39.9, -47.37

 

CMYK 62 / 100 / 0 / 64

HEX #23005B

RGB 35 0 91

HSL 263.08, 1%, 0.18%

LAB 9.9, 38.67, -45.51

 

CMYK 75 / 100 / 0 / 72

HEX #120048

RGB 18 0 72

HSL 255, 1%, 0.14%

LAB 5.39, 30.93, -39.95

 

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

CMYK 24 / 66 / 0 / 42

HEX #703294

RGB 112 50 148

HSL 277.96, 0.49%, 0.39%

LAB 33.7, 44.5, -42.76

 

CMYK 6 / 66 / 0 / 42

HEX #8B3294

RGB 139 50 148

HSL 294.49, 0.49%, 0.39%

LAB 37.68, 51.08, -36.17

 

CMYK 0 / 66 / 12 / 42

HEX #943282

RGB 148 50 130

HSL 311.02, 0.49%, 0.39%

LAB 38.18, 50.28, -24.25

 

CMYK 0 / 66 / 30 / 42

HEX #943268

RGB 148 50 104

HSL 326.94, 0.49%, 0.39%

LAB 37.07, 46.47, -9.71

 

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

CMYK 59 / 66 / 0 / 42

HEX #3C3294

RGB 60 50 148

HSL 246.12, 0.49%, 0.39%

LAB 27.79, 33.51, -52.61

 

CMYK 66 / 66 / 0 / 42

HEX #323294

RGB 50 50 148

HSL 240, 0.49%, 0.39%

LAB 27.01, 31.9, -53.91

 

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

CMYK 50 / 79 / 0 / 36

HEX #5222A4

RGB 82 34 164

HSL 262.15, 0.66%, 0.39%

LAB 28.43, 50.32, -61.23

 

CMYK 57 / 90 / 0 / 29

HEX #4D12B4

RGB 77 18 180

HSL 261.85, 0.82%, 0.39%

LAB 27.59, 59.53, -72.26

 

CMYK 63 / 99 / 0 / 23

HEX #4902C4

RGB 73 2 196

HSL 261.96, 0.98%, 0.39%

LAB 27.97, 66.32, -81.13

 

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

CMYK 32 / 50 / 0 / 48

HEX #5A4284

RGB 90 66 132

HSL 261.82, 0.33%, 0.39%

LAB 33.43, 25.56, -33.51

 

CMYK 17 / 29 / 0 / 55

HEX #5F5273

RGB 95 82 115

HSL 263.64, 0.17%, 0.39%

LAB 37.31, 12.63, -16.88

 

CMYK 0 / 1 / 0 / 61

HEX #636263

RGB 99 98 99

HSL 300, 0.01%, 0.39%

LAB 41.67, 0.6, -0.43

 

CMYK 10 / 0 / 28 / 55

HEX #677353

RGB 103 115 83

HSL 82.5, 0.16%, 0.39%

LAB 46.67, -10.64, 16.26

 

CMYK 66 / 55 / 0 / 42

HEX #324294

RGB 50 66 148

HSL 230.2, 0.49%, 0.39%

LAB 31.14, 21.34, -47.19

 

CMYK 59 / 66 / 0 / 42

HEX #3C3294

RGB 60 50 148

HSL 246.12, 0.49%, 0.39%

LAB 27.79, 33.51, -52.61

 

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

CMYK 24 / 66 / 0 / 42

HEX #703294

RGB 112 50 148

HSL 277.96, 0.49%, 0.39%

LAB 33.7, 44.5, -42.76

 

CMYK 7 / 66 / 0 / 42

HEX #8A3294

RGB 138 50 148

HSL 293.88, 0.49%, 0.39%

LAB 37.52, 50.83, -36.43

 

CMYK 42 / 66 / 0 / 66

HEX #321D56

RGB 50 29 86

HSL 262.11, 0.5%, 0.23%

LAB 16.64, 24.59, -31.01

 

CMYK 42 / 66 / 0 / 54

HEX #442875

RGB 68 40 117

HSL 261.82, 0.49%, 0.31%

LAB 23.77, 31.49, -39.69

 

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

CMYK 42 / 66 / 0 / 30

HEX #683DB2

RGB 104 61 178

HSL 262.05, 0.49%, 0.47%

LAB 36.92, 44.56, -55.65

 

CMYK 36 / 57 / 0 / 23

HEX #7D54C4

RGB 125 84 196

HSL 261.96, 0.49%, 0.55%

LAB 45.2, 41.28, -52.71

 

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

CMYK 0 / 66 / 38 / 42

HEX #94325C

RGB 148 50 92

HSL 334.29, 0.49%, 0.39%

LAB 36.65, 44.97, -2.72

 

CMYK 64 / 0 / 66 / 42

HEX #359432

RGB 53 148 50

HSL 118.16, 0.49%, 0.39%

LAB 54.2, -47.43, 42.36

 

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

CMYK 0 / 42 / 66 / 42

HEX #945632

RGB 148 86 50

HSL 22.04, 0.49%, 0.39%

LAB 43.04, 22.28, 31.57

 

CMYK 66 / 0 / 42 / 42

HEX #329456

RGB 50 148 86

HSL 142.04, 0.49%, 0.39%

LAB 54.58, -42.82, 24.66

 

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

CMYK 0 / 66 / 38 / 42

HEX #94325C

RGB 148 50 92

HSL 334.29, 0.49%, 0.39%

LAB 36.65, 44.97, -2.72

 

CMYK 24 / 0 / 66 / 42

HEX #709432

RGB 112 148 50

HSL 82.04, 0.49%, 0.39%

LAB 56.93, -28.05, 46.11

 

CMYK 66 / 0 / 29 / 42

HEX #329469

RGB 50 148 105

HSL 153.67, 0.49%, 0.39%

LAB 54.95, -38.91, 14.59

 

CMYK 42 / 66 / 0 / 42

HEX #563294

RGB 86 50 148

HSL 262.04, 0.49%, 0.39%

LAB 30.39, 38.59, -48.26

 

CMYK 0 / 66 / 57 / 42

HEX #94323F

RGB 148 50 63

HSL 352.04, 0.49%, 0.39%

LAB 35.86, 42.09, 14.7

 

CMYK 24 / 0 / 66 / 42

HEX #709432

RGB 112 148 50

HSL 82.04, 0.49%, 0.39%

LAB 56.93, -28.05, 46.11

 

CMYK 66 / 0 / 9 / 42

HEX #329487

RGB 50 148 135

HSL 172.04, 0.49%, 0.39%

LAB 55.69, -31.35, -1.45

 

Description

Color code: HEX #563294 | qconv.com Color code: HEX #563294 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 50 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 50 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 66 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 66% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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