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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #563A91 it is the complementary color #A9C56E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #563A91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #563A91 shade: #5B3A8C, #6C4C9F, #7D5EB2, #8E70C5 and #9F82D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #563A91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #563A91 shade: #563A91, #45287E, #34166B, #230458 and #120045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #563A91 shade: #563A91, #6E3A91, #853A91, #913A86 and #913A6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #563A91 shade: #563A91, #3E3A91 and #3A3A91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #563A91 shade matches the following richer shades: #563A91, #5029A2, #4A19B2 and #4408C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #563A91 shade: #563A91, #5C4A81, #625B70, #686B60 and #6D7C4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #563A91 shade: #3A4D91, #3E3A91, #553A91, #6D3A91 and #843A91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #563A91 shade: #332256, #442E74, #563A91, #6745AF and #7E5FBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #563A91 shade: #563A91, #913A64 and #41913A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #563A91 shade: #563A91, #91553A and #3A9155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #563A91 shade: #563A91, #913A64, #76913A and #3A9167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #563A91 shade: #563A91, #913A4A, #76913A and #3A9181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 60 / 0 / 43

HEX #563A91

RGB 86 58 145

HSL 259.31, 0.43%, 0.4%

LAB 31.92, 33.08, -43.95

 

Complementary color

CMYK 14 / 0 / 44 / 23

HEX #A9C56E

RGB 169 197 110

HSL 79.31, 0.43%, 0.6%

LAB 75.76, -23.51, 40.41

 

CMYK 35 / 59 / 0 / 45

HEX #5B3A8C

RGB 91 58 140

HSL 264.15, 0.41%, 0.39%

LAB 32.13, 32.91, -40.51

 

CMYK 32 / 52 / 0 / 38

HEX #6C4C9F

RGB 108 76 159

HSL 263.13, 0.35%, 0.46%

LAB 39.34, 31.81, -40.41

 

CMYK 30 / 47 / 0 / 30

HEX #7D5EB2

RGB 125 94 178

HSL 262.14, 0.35%, 0.53%

LAB 46.42, 30.79, -40.3

 

CMYK 28 / 43 / 0 / 23

HEX #8E70C5

RGB 142 112 197

HSL 261.18, 0.42%, 0.61%

LAB 53.35, 29.86, -40.21

 

CMYK 26 / 40 / 0 / 15

HEX #9F82D8

RGB 159 130 216

HSL 260.23, 0.52%, 0.68%

LAB 60.15, 29.02, -40.16

 

CMYK 41 / 60 / 0 / 43

HEX #563A91

RGB 86 58 145

HSL 259.31, 0.43%, 0.4%

LAB 31.92, 33.08, -43.95

 

CMYK 45 / 68 / 0 / 51

HEX #45287E

RGB 69 40 126

HSL 260.23, 0.52%, 0.33%

LAB 24.61, 34.35, -44.06

 

CMYK 51 / 79 / 0 / 58

HEX #34166B

RGB 52 22 107

HSL 261.18, 0.66%, 0.25%

LAB 17.3, 35.42, -43.86

 

CMYK 60 / 95 / 0 / 65

HEX #230458

RGB 35 4 88

HSL 262.14, 0.91%, 0.18%

LAB 10.17, 35.84, -43.02

 

CMYK 74 / 100 / 0 / 73

HEX #120045

RGB 18 0 69

HSL 255.65, 1%, 0.14%

LAB 5.04, 29.59, -38.4

 

CMYK 41 / 60 / 0 / 43

HEX #563A91

RGB 86 58 145

HSL 259.31, 0.43%, 0.4%

LAB 31.92, 33.08, -43.95

 

CMYK 24 / 60 / 0 / 43

HEX #6E3A91

RGB 110 58 145

HSL 275.86, 0.43%, 0.4%

LAB 34.77, 39.12, -39.22

 

CMYK 8 / 60 / 0 / 43

HEX #853A91

RGB 133 58 145

HSL 291.72, 0.43%, 0.4%

LAB 37.94, 45.25, -33.98

 

CMYK 0 / 60 / 8 / 43

HEX #913A86

RGB 145 58 134

HSL 307.59, 0.43%, 0.4%

LAB 39.19, 46.54, -25.18

 

CMYK 0 / 60 / 24 / 43

HEX #913A6E

RGB 145 58 110

HSL 324.14, 0.43%, 0.4%

LAB 38.15, 42.7, -11.9

 

CMYK 41 / 60 / 0 / 43

HEX #563A91

RGB 86 58 145

HSL 259.31, 0.43%, 0.4%

LAB 31.92, 33.08, -43.95

 

CMYK 57 / 60 / 0 / 43

HEX #3E3A91

RGB 62 58 145

HSL 242.76, 0.43%, 0.4%

LAB 29.65, 27.79, -47.73

 

CMYK 60 / 60 / 0 / 43

HEX #3A3A91

RGB 58 58 145

HSL 240, 0.43%, 0.4%

LAB 29.34, 27.02, -48.25

 

CMYK 41 / 60 / 0 / 43

HEX #563A91

RGB 86 58 145

HSL 259.31, 0.43%, 0.4%

LAB 31.92, 33.08, -43.95

 

CMYK 51 / 75 / 0 / 36

HEX #5029A2

RGB 80 41 162

HSL 259.34, 0.6%, 0.4%

LAB 29.16, 46.19, -58.83

 

CMYK 58 / 86 / 0 / 30

HEX #4A19B2

RGB 74 25 178

HSL 259.22, 0.75%, 0.4%

LAB 27.75, 56.6, -70.8

 

CMYK 65 / 96 / 0 / 24

HEX #4408C3

RGB 68 8 195

HSL 259.25, 0.92%, 0.4%

LAB 27.69, 64.73, -81.02

 

CMYK 41 / 60 / 0 / 43

HEX #563A91

RGB 86 58 145

HSL 259.31, 0.43%, 0.4%

LAB 31.92, 33.08, -43.95

 

CMYK 29 / 43 / 0 / 49

HEX #5C4A81

RGB 92 74 129

HSL 259.64, 0.27%, 0.4%

LAB 35.51, 20.32, -28.34

 

CMYK 13 / 19 / 0 / 56

HEX #625B70

RGB 98 91 112

HSL 260, 0.1%, 0.4%

LAB 40, 7.38, -10.9

 

CMYK 3 / 0 / 10 / 58

HEX #686B60

RGB 104 107 96

HSL 76.36, 0.05%, 0.4%

LAB 44.66, -3.36, 5.76

 

CMYK 12 / 0 / 36 / 51

HEX #6D7C4F

RGB 109 124 79

HSL 80, 0.22%, 0.4%

LAB 49.78, -13.76, 22.78

 

CMYK 60 / 47 / 0 / 43

HEX #3A4D91

RGB 58 77 145

HSL 226.9, 0.43%, 0.4%

LAB 34.5, 14.44, -39.93

 

CMYK 57 / 60 / 0 / 43

HEX #3E3A91

RGB 62 58 145

HSL 242.76, 0.43%, 0.4%

LAB 29.65, 27.79, -47.73

 

CMYK 41 / 60 / 0 / 43

HEX #553A91

RGB 85 58 145

HSL 258.62, 0.43%, 0.4%

LAB 31.81, 32.84, -44.13

 

CMYK 25 / 60 / 0 / 43

HEX #6D3A91

RGB 109 58 145

HSL 275.17, 0.43%, 0.4%

LAB 34.64, 38.86, -39.43

 

CMYK 9 / 60 / 0 / 43

HEX #843A91

RGB 132 58 145

HSL 291.03, 0.43%, 0.4%

LAB 37.8, 44.98, -34.22

 

CMYK 41 / 60 / 0 / 66

HEX #332256

RGB 51 34 86

HSL 259.62, 0.43%, 0.24%

LAB 18.01, 21.59, -28.81

 

CMYK 41 / 60 / 0 / 55

HEX #442E74

RGB 68 46 116

HSL 258.86, 0.43%, 0.32%

LAB 25.09, 27.51, -36.93

 

CMYK 41 / 60 / 0 / 43

HEX #563A91

RGB 86 58 145

HSL 259.31, 0.43%, 0.4%

LAB 31.92, 33.08, -43.95

 

CMYK 41 / 61 / 0 / 31

HEX #6745AF

RGB 103 69 175

HSL 259.25, 0.43%, 0.48%

LAB 38.26, 39.05, -51.71

 

CMYK 34 / 50 / 0 / 25

HEX #7E5FBF

RGB 126 95 191

HSL 259.38, 0.43%, 0.56%

LAB 47.47, 33.88, -46.18

 

CMYK 41 / 60 / 0 / 43

HEX #563A91

RGB 86 58 145

HSL 259.31, 0.43%, 0.4%

LAB 31.92, 33.08, -43.95

 

CMYK 0 / 60 / 31 / 43

HEX #913A64

RGB 145 58 100

HSL 331.03, 0.43%, 0.4%

LAB 37.78, 41.3, -6.17

 

CMYK 55 / 0 / 60 / 43

HEX #41913A

RGB 65 145 58

HSL 115.17, 0.43%, 0.4%

LAB 53.69, -42.3, 38.17

 

CMYK 41 / 60 / 0 / 43

HEX #563A91

RGB 86 58 145

HSL 259.31, 0.43%, 0.4%

LAB 31.92, 33.08, -43.95

 

CMYK 0 / 41 / 60 / 43

HEX #91553A

RGB 145 85 58

HSL 18.62, 0.43%, 0.4%

LAB 42.49, 22.15, 26.25

 

CMYK 60 / 0 / 41 / 43

HEX #3A9155

RGB 58 145 85

HSL 138.62, 0.43%, 0.4%

LAB 53.82, -40.01, 24.25

 

CMYK 41 / 60 / 0 / 43

HEX #563A91

RGB 86 58 145

HSL 259.31, 0.43%, 0.4%

LAB 31.92, 33.08, -43.95

 

CMYK 0 / 60 / 31 / 43

HEX #913A64

RGB 145 58 100

HSL 331.03, 0.43%, 0.4%

LAB 37.78, 41.3, -6.17

 

CMYK 19 / 0 / 60 / 43

HEX #76913A

RGB 118 145 58

HSL 78.62, 0.43%, 0.4%

LAB 56.49, -23.44, 42.12

 

CMYK 60 / 0 / 29 / 43

HEX #3A9167

RGB 58 145 103

HSL 151.03, 0.43%, 0.4%

LAB 54.16, -36.39, 14.67

 

CMYK 41 / 60 / 0 / 43

HEX #563A91

RGB 86 58 145

HSL 259.31, 0.43%, 0.4%

LAB 31.92, 33.08, -43.95

 

CMYK 0 / 60 / 49 / 43

HEX #913A4A

RGB 145 58 74

HSL 348.97, 0.43%, 0.4%

LAB 37, 38.24, 9.19

 

CMYK 19 / 0 / 60 / 43

HEX #76913A

RGB 118 145 58

HSL 78.62, 0.43%, 0.4%

LAB 56.49, -23.44, 42.12

 

CMYK 60 / 0 / 11 / 43

HEX #3A9181

RGB 58 145 129

HSL 168.97, 0.43%, 0.4%

LAB 54.8, -30.05, 0.71

 

Description

Color code: HEX #563A91 | qconv.com Color code: HEX #563A91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 58 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 58 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 60 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 60% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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