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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #563B1D it is the complementary color #A9C4E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #563B1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #563B1D shade: #5B3B18, #6C4D2B, #7D5F3E, #8E7151 and #9F8364

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #563B1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #563B1D shade: #563B1D, #45290A, #341700, #230500 and #120000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #563B1D shade: #573C1D, #572C1D and #571D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #563B1D shade: #573C1D, #574C1D, #54571D, #44571D and #34571D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #563B1D shade matches the following richer shades: #573C1D, #613C13, #6A3D0A and #743D00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #563B1D shade: #573C1D, #4E3B26, #443B30, #3B3A39 and #323A43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #563B1D shade: #571D1E, #572B1D, #573B1D, #574B1D and #55571D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #563B1D shade: #1A1108, #392713, #573C1D, #765127 and #956631

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #563B1D shade: #563B1D, #2D571D and #241D57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #563B1D shade: #563B1D, #1D573B and #3B1D57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #563B1D shade: #563B1D, #2D571D, #1D3957 and #471D57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #563B1D shade: #563B1D, #1D571E, #1D3957 and #571D56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 66 / 66

HEX #563B1D

RGB 86 59 29

HSL 31.58, 0.5%, 0.23%

LAB 27.28, 8.26, 23.04

 

Complementary color

CMYK 25 / 13 / 0 / 11

HEX #A9C4E2

RGB 169 196 226

HSL 211.58, 0.5%, 0.77%

LAB 78.11, -2.5, -17.93

 

CMYK 0 / 35 / 74 / 64

HEX #5B3B18

RGB 91 59 24

HSL 31.34, 0.58%, 0.23%

LAB 27.89, 10.36, 26.78

 

CMYK 0 / 29 / 60 / 58

HEX #6C4D2B

RGB 108 77 43

HSL 31.38, 0.43%, 0.3%

LAB 35.34, 8.89, 25.11

 

CMYK 0 / 24 / 50 / 51

HEX #7D5F3E

RGB 125 95 62

HSL 31.43, 0.34%, 0.37%

LAB 42.6, 7.77, 23.52

 

CMYK 0 / 20 / 43 / 44

HEX #8E7151

RGB 142 113 81

HSL 31.48, 0.27%, 0.44%

LAB 49.68, 6.88, 22.09

 

CMYK 0 / 18 / 37 / 38

HEX #9F8364

RGB 159 131 100

HSL 31.53, 0.24%, 0.51%

LAB 56.61, 6.17, 20.79

 

CMYK 0 / 31 / 66 / 66

HEX #563B1D

RGB 86 59 29

HSL 31.58, 0.5%, 0.23%

LAB 27.28, 8.26, 23.04

 

CMYK 0 / 41 / 86 / 73

HEX #45290A

RGB 69 41 10

HSL 31.53, 0.75%, 0.15%

LAB 19.53, 10.01, 24.12

 

CMYK 0 / 56 / 100 / 80

HEX #341700

RGB 52 23 0

HSL 26.54, 1%, 0.1%

LAB 11.57, 12.49, 17.54

 

CMYK 0 / 86 / 100 / 86

HEX #230500

RGB 35 5 0

HSL 8.57, 1%, 0.07%

LAB 4.21, 12.48, 6.53

 

CMYK 0 / 100 / 100 / 93

HEX #120000

RGB 18 0 0

HSL 0, 1%, 0.04%

LAB 1.16, 5.21, 1.84

 

CMYK 0 / 31 / 67 / 66

HEX #573C1D

RGB 87 60 29

HSL 32.07, 0.5%, 0.23%

LAB 27.7, 8.12, 23.56

 

CMYK 0 / 49 / 67 / 66

HEX #572C1D

RGB 87 44 29

HSL 15.52, 0.5%, 0.23%

LAB 23.39, 18.21, 18.41

 

CMYK 0 / 67 / 67 / 66

HEX #571D1D

RGB 87 29 29

HSL 0, 0.5%, 0.23%

LAB 20.02, 26.85, 14.18

 

CMYK 0 / 31 / 67 / 66

HEX #573C1D

RGB 87 60 29

HSL 32.07, 0.5%, 0.23%

LAB 27.7, 8.12, 23.56

 

CMYK 0 / 13 / 67 / 66

HEX #574C1D

RGB 87 76 29

HSL 48.62, 0.5%, 0.23%

LAB 32.44, -1.89, 28.94

 

CMYK 3 / 0 / 67 / 66

HEX #54571D

RGB 84 87 29

HSL 63.1, 0.5%, 0.23%

LAB 35.58, -9.91, 32.27

 

CMYK 22 / 0 / 67 / 66

HEX #44571D

RGB 68 87 29

HSL 79.66, 0.5%, 0.23%

LAB 34.26, -17.4, 30.46

 

CMYK 40 / 0 / 67 / 66

HEX #34571D

RGB 52 87 29

HSL 96.21, 0.5%, 0.23%

LAB 33.21, -24.2, 29

 

CMYK 0 / 31 / 67 / 66

HEX #573C1D

RGB 87 60 29

HSL 32.07, 0.5%, 0.23%

LAB 27.7, 8.12, 23.56

 

CMYK 0 / 38 / 80 / 62

HEX #613C13

RGB 97 60 19

HSL 31.54, 0.67%, 0.23%

LAB 28.95, 12.4, 30.78

 

CMYK 0 / 42 / 91 / 58

HEX #6A3D0A

RGB 106 61 10

HSL 31.88, 0.83%, 0.23%

LAB 30.46, 15.8, 36.56

 

CMYK 0 / 47 / 100 / 55

HEX #743D00

RGB 116 61 0

HSL 31.55, 1%, 0.23%

LAB 31.92, 20.25, 42.26

 

CMYK 0 / 31 / 67 / 66

HEX #573C1D

RGB 87 60 29

HSL 32.07, 0.5%, 0.23%

LAB 27.7, 8.12, 23.56

 

CMYK 0 / 24 / 51 / 69

HEX #4E3B26

RGB 78 59 38

HSL 31.5, 0.34%, 0.23%

LAB 26.41, 5.23, 16.2

 

CMYK 0 / 13 / 29 / 73

HEX #443B30

RGB 68 59 48

HSL 33, 0.17%, 0.23%

LAB 25.47, 1.87, 8.27

 

CMYK 0 / 2 / 3 / 77

HEX #3B3A39

RGB 59 58 57

HSL 30, 0.02%, 0.23%

LAB 24.49, 0.21, 0.77

 

CMYK 25 / 13 / 0 / 74

HEX #323A43

RGB 50 58 67

HSL 211.76, 0.15%, 0.23%

LAB 24.03, -0.95, -6.67

 

CMYK 0 / 67 / 66 / 66

HEX #571D1E

RGB 87 29 30

HSL 358.97, 0.5%, 0.23%

LAB 20.04, 26.93, 13.51

 

CMYK 0 / 51 / 67 / 66

HEX #572B1D

RGB 87 43 29

HSL 14.48, 0.5%, 0.23%

LAB 23.14, 18.82, 18.1

 

CMYK 0 / 32 / 67 / 66

HEX #573B1D

RGB 87 59 29

HSL 31.03, 0.5%, 0.23%

LAB 27.42, 8.76, 23.23

 

CMYK 0 / 14 / 67 / 66

HEX #574B1D

RGB 87 75 29

HSL 47.59, 0.5%, 0.23%

LAB 32.14, -1.28, 28.6

 

CMYK 2 / 0 / 67 / 66

HEX #55571D

RGB 85 87 29

HSL 62.07, 0.5%, 0.23%

LAB 35.67, -9.43, 32.39

 

CMYK 0 / 35 / 69 / 90

HEX #1A1108

RGB 26 17 8

HSL 30, 0.53%, 0.07%

LAB 5.76, 2.62, 5.39

 

CMYK 0 / 32 / 67 / 78

HEX #392713

RGB 57 39 19

HSL 31.58, 0.5%, 0.15%

LAB 17.31, 5.72, 16.4

 

CMYK 0 / 31 / 67 / 66

HEX #573C1D

RGB 87 60 29

HSL 32.07, 0.5%, 0.23%

LAB 27.7, 8.12, 23.56

 

CMYK 0 / 31 / 67 / 54

HEX #765127

RGB 118 81 39

HSL 31.9, 0.5%, 0.31%

LAB 37.63, 10.86, 30.37

 

CMYK 0 / 32 / 67 / 42

HEX #956631

RGB 149 102 49

HSL 31.8, 0.51%, 0.39%

LAB 47.12, 13.44, 36.82

 

CMYK 0 / 31 / 66 / 66

HEX #563B1D

RGB 86 59 29

HSL 31.58, 0.5%, 0.23%

LAB 27.28, 8.26, 23.04

 

CMYK 48 / 0 / 67 / 66

HEX #2D571D

RGB 45 87 29

HSL 103.45, 0.5%, 0.23%

LAB 32.84, -26.83, 28.48

 

CMYK 59 / 67 / 0 / 66

HEX #241D57

RGB 36 29 87

HSL 247.24, 0.5%, 0.23%

LAB 15.18, 21.62, -34.13

 

CMYK 0 / 31 / 66 / 66

HEX #563B1D

RGB 86 59 29

HSL 31.58, 0.5%, 0.23%

LAB 27.28, 8.26, 23.04

 

CMYK 67 / 0 / 32 / 66

HEX #1D573B

RGB 29 87 59

HSL 151.03, 0.5%, 0.23%

LAB 32.69, -26.28, 10.84

 

CMYK 32 / 67 / 0 / 66

HEX #3B1D57

RGB 59 29 87

HSL 271.03, 0.5%, 0.23%

LAB 17.9, 27.25, -29.59

 

CMYK 0 / 31 / 66 / 66

HEX #563B1D

RGB 86 59 29

HSL 31.58, 0.5%, 0.23%

LAB 27.28, 8.26, 23.04

 

CMYK 48 / 0 / 67 / 66

HEX #2D571D

RGB 45 87 29

HSL 103.45, 0.5%, 0.23%

LAB 32.84, -26.83, 28.48

 

CMYK 67 / 34 / 0 / 66

HEX #1D3957

RGB 29 57 87

HSL 211.03, 0.5%, 0.23%

LAB 23.26, 0.1, -21.24

 

CMYK 18 / 67 / 0 / 66

HEX #471D57

RGB 71 29 87

HSL 283.45, 0.5%, 0.23%

LAB 19.67, 30.55, -26.67

 

CMYK 0 / 31 / 66 / 66

HEX #563B1D

RGB 86 59 29

HSL 31.58, 0.5%, 0.23%

LAB 27.28, 8.26, 23.04

 

CMYK 67 / 0 / 66 / 66

HEX #1D571E

RGB 29 87 30

HSL 121.03, 0.5%, 0.23%

LAB 32.19, -31.68, 27.06

 

CMYK 67 / 34 / 0 / 66

HEX #1D3957

RGB 29 57 87

HSL 211.03, 0.5%, 0.23%

LAB 23.26, 0.1, -21.24

 

CMYK 0 / 67 / 1 / 66

HEX #571D56

RGB 87 29 86

HSL 301.03, 0.5%, 0.23%

LAB 22.22, 34.89, -21.79

 

Description

Color code: HEX #563B1D | qconv.com Color code: HEX #563B1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 59 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 59 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 66 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 66% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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