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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #563FBF it is the complementary color #A9C040. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #563FBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #563FBF shade: #5B3FBA, #6C51CD, #7D63E0, #8E75F3 and #9F87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #563FBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #563FBF shade: #563FBF, #452DAC, #341B99, #230986 and #120073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #563FBF shade: #563FBF, #793FBF, #9B3FBF, #BD3FBF and #BF3F9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #563FBF shade: #563FBF and #3F3FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #563FBF shade matches the following richer shades: #563FBF, #492BD3, #3C16E8 and #2F01FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #563FBF shade: #563FBF, #6354AA, #716995, #7E7D81 and #8B926C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #563FBF shade: #3F6EBF, #3F4CBF, #553FBF, #773FBF and #993FBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #563FBF shade: #3A2B81, #4835A0, #563FBF, #715EC9 and #8D7DD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #563FBF shade: #563FBF, #BF3F90 and #5DBF3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #563FBF shade: #563FBF, #BF553F and #3FBF54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #563FBF shade: #563FBF, #BF3F90, #AABF3F and #3FBF6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #563FBF shade: #563FBF, #BF3F6A, #AABF3F and #3FBF94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 67 / 0 / 25

HEX #563FBF

RGB 86 63 191

HSL 250.78, 0.5%, 0.5%

LAB 36.55, 43.82, -64

 

Complementary color

CMYK 12 / 0 / 67 / 25

HEX #A9C040

RGB 169 192 64

HSL 70.78, 0.5%, 0.5%

LAB 73.87, -25.16, 59.27

 

CMYK 51 / 66 / 0 / 27

HEX #5B3FBA

RGB 91 63 186

HSL 253.66, 0.49%, 0.49%

LAB 36.6, 43.2, -60.96

 

CMYK 47 / 60 / 0 / 20

HEX #6C51CD

RGB 108 81 205

HSL 253.06, 0.55%, 0.56%

LAB 43.48, 41.74, -60.78

 

CMYK 44 / 56 / 0 / 12

HEX #7D63E0

RGB 125 99 224

HSL 252.48, 0.67%, 0.63%

LAB 50.29, 40.38, -60.53

 

CMYK 42 / 52 / 0 / 5

HEX #8E75F3

RGB 142 117 243

HSL 251.9, 0.84%, 0.71%

LAB 57.02, 39.12, -60.28

 

CMYK 38 / 47 / 0 / 0

HEX #9F87FF

RGB 159 135 255

HSL 252, 1%, 0.76%

LAB 63.28, 36.12, -56.82

 

CMYK 55 / 67 / 0 / 25

HEX #563FBF

RGB 86 63 191

HSL 250.78, 0.5%, 0.5%

LAB 36.55, 43.82, -64

 

CMYK 60 / 74 / 0 / 33

HEX #452DAC

RGB 69 45 172

HSL 251.34, 0.59%, 0.43%

LAB 29.71, 45.42, -63.99

 

CMYK 66 / 82 / 0 / 40

HEX #341B99

RGB 52 27 153

HSL 251.9, 0.7%, 0.35%

LAB 23.05, 46.71, -63.5

 

CMYK 74 / 93 / 0 / 47

HEX #230986

RGB 35 9 134

HSL 252.48, 0.87%, 0.28%

LAB 16.86, 46.86, -61.97

 

CMYK 84 / 100 / 0 / 55

HEX #120073

RGB 18 0 115

HSL 249.39, 1%, 0.23%

LAB 11.73, 44.3, -58.4

 

CMYK 55 / 67 / 0 / 25

HEX #563FBF

RGB 86 63 191

HSL 250.78, 0.5%, 0.5%

LAB 36.55, 43.82, -64

 

CMYK 37 / 67 / 0 / 25

HEX #793FBF

RGB 121 63 191

HSL 267.19, 0.5%, 0.5%

LAB 40.22, 50.39, -57.87

 

CMYK 19 / 67 / 0 / 25

HEX #9B3FBF

RGB 155 63 191

HSL 283.13, 0.5%, 0.5%

LAB 44.64, 57.69, -50.51

 

CMYK 1 / 67 / 0 / 25

HEX #BD3FBF

RGB 189 63 191

HSL 299.06, 0.5%, 0.5%

LAB 49.66, 65.43, -42.21

 

CMYK 0 / 67 / 17 / 25

HEX #BF3F9E

RGB 191 63 158

HSL 315.47, 0.5%, 0.5%

LAB 48.39, 60.76, -24.81

 

CMYK 55 / 67 / 0 / 25

HEX #563FBF

RGB 86 63 191

HSL 250.78, 0.5%, 0.5%

LAB 36.55, 43.82, -64

 

CMYK 67 / 67 / 0 / 25

HEX #3F3FBF

RGB 63 63 191

HSL 240, 0.5%, 0.5%

LAB 34.75, 40.39, -67.02

 

CMYK 55 / 67 / 0 / 25

HEX #563FBF

RGB 86 63 191

HSL 250.78, 0.5%, 0.5%

LAB 36.55, 43.82, -64

 

CMYK 65 / 80 / 0 / 17

HEX #492BD3

RGB 73 43 211

HSL 250.71, 0.66%, 0.5%

LAB 33.66, 58.34, -80.44

 

CMYK 74 / 91 / 0 / 9

HEX #3C16E8

RGB 60 22 232

HSL 250.86, 0.83%, 0.5%

LAB 32.61, 70.59, -94.28

 

CMYK 81 / 100 / 0 / 1

HEX #2F01FD

RGB 47 1 253

HSL 250.95, 0.99%, 0.5%

LAB 33.39, 79.02, -104.89

 

CMYK 55 / 67 / 0 / 25

HEX #563FBF

RGB 86 63 191

HSL 250.78, 0.5%, 0.5%

LAB 36.55, 43.82, -64

 

CMYK 42 / 51 / 0 / 33

HEX #6354AA

RGB 99 84 170

HSL 250.47, 0.34%, 0.5%

LAB 41.05, 27.69, -44.29

 

CMYK 24 / 30 / 0 / 42

HEX #716995

RGB 113 105 149

HSL 250.91, 0.17%, 0.5%

LAB 46.69, 13.07, -22.87

 

CMYK 2 / 3 / 0 / 49

HEX #7E7D81

RGB 126 125 129

HSL 255, 0.02%, 0.5%

LAB 52.61, 1.18, -2.04

 

CMYK 5 / 0 / 26 / 43

HEX #8B926C

RGB 139 146 108

HSL 71.05, 0.15%, 0.5%

LAB 59.09, -9.27, 19.35

 

CMYK 67 / 42 / 0 / 25

HEX #3F6EBF

RGB 63 110 191

HSL 217.97, 0.5%, 0.5%

LAB 46.94, 10.6, -47.29

 

CMYK 67 / 60 / 0 / 25

HEX #3F4CBF

RGB 63 76 191

HSL 233.91, 0.5%, 0.5%

LAB 37.82, 32.32, -62

 

CMYK 55 / 67 / 0 / 25

HEX #553FBF

RGB 85 63 191

HSL 250.31, 0.5%, 0.5%

LAB 36.46, 43.66, -64.15

 

CMYK 38 / 67 / 0 / 25

HEX #773FBF

RGB 119 63 191

HSL 266.25, 0.5%, 0.5%

LAB 39.98, 49.98, -58.27

 

CMYK 20 / 67 / 0 / 25

HEX #993FBF

RGB 153 63 191

HSL 282.19, 0.5%, 0.5%

LAB 44.36, 57.25, -50.98

 

CMYK 55 / 67 / 0 / 49

HEX #3A2B81

RGB 58 43 129

HSL 250.47, 0.5%, 0.34%

LAB 24.36, 31.24, -46.4

 

CMYK 55 / 67 / 0 / 37

HEX #4835A0

RGB 72 53 160

HSL 250.65, 0.5%, 0.42%

LAB 30.55, 37.66, -55.38

 

CMYK 55 / 67 / 0 / 25

HEX #563FBF

RGB 86 63 191

HSL 250.78, 0.5%, 0.5%

LAB 36.55, 43.82, -64

 

CMYK 44 / 53 / 0 / 21

HEX #715EC9

RGB 113 94 201

HSL 250.65, 0.5%, 0.58%

LAB 46.62, 34.04, -53.38

 

CMYK 33 / 41 / 0 / 17

HEX #8D7DD3

RGB 141 125 211

HSL 251.16, 0.49%, 0.66%

LAB 57.11, 25.6, -42.25

 

CMYK 55 / 67 / 0 / 25

HEX #563FBF

RGB 86 63 191

HSL 250.78, 0.5%, 0.5%

LAB 36.55, 43.82, -64

 

CMYK 0 / 67 / 25 / 25

HEX #BF3F90

RGB 191 63 144

HSL 322.03, 0.5%, 0.5%

LAB 47.81, 58.83, -17.33

 

CMYK 51 / 0 / 67 / 25

HEX #5DBF3F

RGB 93 191 63

HSL 105.94, 0.5%, 0.5%

LAB 69.43, -52.03, 53.74

 

CMYK 55 / 67 / 0 / 25

HEX #563FBF

RGB 86 63 191

HSL 250.78, 0.5%, 0.5%

LAB 36.55, 43.82, -64

 

CMYK 0 / 55 / 67 / 25

HEX #BF553F

RGB 191 85 63

HSL 10.31, 0.5%, 0.5%

LAB 49.41, 41.08, 33.38

 

CMYK 67 / 0 / 56 / 25

HEX #3FBF54

RGB 63 191 84

HSL 129.84, 0.5%, 0.5%

LAB 68.72, -56.88, 43.39

 

CMYK 55 / 67 / 0 / 25

HEX #563FBF

RGB 86 63 191

HSL 250.78, 0.5%, 0.5%

LAB 36.55, 43.82, -64

 

CMYK 0 / 67 / 25 / 25

HEX #BF3F90

RGB 191 63 144

HSL 322.03, 0.5%, 0.5%

LAB 47.81, 58.83, -17.33

 

CMYK 11 / 0 / 67 / 25

HEX #AABF3F

RGB 170 191 63

HSL 69.84, 0.5%, 0.5%

LAB 73.65, -24.32, 59.46

 

CMYK 67 / 0 / 42 / 25

HEX #3FBF6E

RGB 63 191 110

HSL 142.03, 0.5%, 0.5%

LAB 69.07, -52.89, 30.89

 

CMYK 55 / 67 / 0 / 25

HEX #563FBF

RGB 86 63 191

HSL 250.78, 0.5%, 0.5%

LAB 36.55, 43.82, -64

 

CMYK 0 / 67 / 45 / 25

HEX #BF3F6A

RGB 191 63 106

HSL 339.84, 0.5%, 0.5%

LAB 46.54, 54.44, 3.86

 

CMYK 11 / 0 / 67 / 25

HEX #AABF3F

RGB 170 191 63

HSL 69.84, 0.5%, 0.5%

LAB 73.65, -24.32, 59.46

 

CMYK 67 / 0 / 23 / 25

HEX #3FBF94

RGB 63 191 148

HSL 159.84, 0.5%, 0.5%

LAB 69.79, -45.12, 11.63

 

Description

Color code: HEX #563FBF | qconv.com Color code: HEX #563FBF | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 63 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 63 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 67 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 67% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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