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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #564D43 it is the complementary color #A9B2BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #564D43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #564D43 shade: #5B4D3E, #6C5F51, #7D7164, #8E8377 and #9F958A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #564D43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #564D43 shade: #564D43, #453B30, #34291D, #23170A and #120500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #564D43 shade: #554C43, #554843 and #554343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #564D43 shade: #554C43, #555143, #545543, #4F5543 and #4A5543

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #564D43 shade matches the following richer shades: #554C43, #624D36, #6E4E2A, #7A4E1E and #874F11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #564D43 shade: #554C43, #494C4F, #3C4B5C, #304B68 and #244A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #564D43 shade: #554343, #554743, #554C43, #555143 and #545543

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #564D43 shade: #27231F, #3E3831, #554C43, #6C6155 and #837667

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #564D43 shade: #564D43, #485543 and #454355

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #564D43 shade: #564D43, #43554C and #4C4355

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #564D43 shade: #564D43, #485543, #434C55 and #504355

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #564D43 shade: #564D43, #435543, #434C55 and #554355

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 22 / 66

HEX #564D43

RGB 86 77 67

HSL 31.58, 0.12%, 0.3%

LAB 33.33, 1.87, 7.3

 

Complementary color

CMYK 10 / 5 / 0 / 26

HEX #A9B2BC

RGB 169 178 188

HSL 211.58, 0.12%, 0.7%

LAB 72.17, -1.13, -6.17

 

CMYK 0 / 15 / 32 / 64

HEX #5B4D3E

RGB 91 77 62

HSL 31.03, 0.19%, 0.3%

LAB 33.73, 3.27, 11.08

 

CMYK 0 / 12 / 25 / 58

HEX #6C5F51

RGB 108 95 81

HSL 31.11, 0.14%, 0.37%

LAB 41.16, 2.77, 9.93

 

CMYK 0 / 10 / 20 / 51

HEX #7D7164

RGB 125 113 100

HSL 31.2, 0.11%, 0.44%

LAB 48.37, 2.37, 8.91

 

CMYK 0 / 8 / 16 / 44

HEX #8E8377

RGB 142 131 119

HSL 31.3, 0.09%, 0.51%

LAB 55.4, 2.03, 7.98

 

CMYK 0 / 6 / 13 / 38

HEX #9F958A

RGB 159 149 138

HSL 31.43, 0.1%, 0.58%

LAB 62.25, 1.74, 7.12

 

CMYK 0 / 10 / 22 / 66

HEX #564D43

RGB 86 77 67

HSL 31.58, 0.12%, 0.3%

LAB 33.33, 1.87, 7.3

 

CMYK 0 / 14 / 30 / 73

HEX #453B30

RGB 69 59 48

HSL 31.43, 0.18%, 0.23%

LAB 25.58, 2.33, 8.43

 

CMYK 0 / 21 / 44 / 80

HEX #34291D

RGB 52 41 29

HSL 31.3, 0.28%, 0.16%

LAB 17.48, 3, 9.8

 

CMYK 0 / 34 / 71 / 86

HEX #23170A

RGB 35 23 10

HSL 31.2, 0.56%, 0.09%

LAB 8.92, 4.08, 9.34

 

CMYK 0 / 72 / 100 / 93

HEX #120500

RGB 18 5 0

HSL 16.67, 1%, 0.04%

LAB 2.14, 3.21, 3.27

 

CMYK 0 / 11 / 21 / 67

HEX #554C43

RGB 85 76 67

HSL 30, 0.12%, 0.3%

LAB 32.93, 2.05, 6.72

 

CMYK 0 / 15 / 21 / 67

HEX #554843

RGB 85 72 67

HSL 16.67, 0.12%, 0.3%

LAB 31.74, 4.56, 5.03

 

CMYK 0 / 21 / 21 / 67

HEX #554343

RGB 85 67 67

HSL 0, 0.12%, 0.3%

LAB 30.28, 7.74, 2.94

 

CMYK 0 / 11 / 21 / 67

HEX #554C43

RGB 85 76 67

HSL 30, 0.12%, 0.3%

LAB 32.93, 2.05, 6.72

 

CMYK 0 / 5 / 21 / 67

HEX #555143

RGB 85 81 67

HSL 46.67, 0.12%, 0.3%

LAB 34.44, -1.05, 8.84

 

CMYK 1 / 0 / 21 / 67

HEX #545543

RGB 84 85 67

HSL 63.33, 0.12%, 0.3%

LAB 35.57, -3.92, 10.4

 

CMYK 7 / 0 / 21 / 67

HEX #4F5543

RGB 79 85 67

HSL 80, 0.12%, 0.3%

LAB 35.13, -6.07, 9.72

 

CMYK 13 / 0 / 21 / 67

HEX #4A5543

RGB 74 85 67

HSL 96.67, 0.12%, 0.3%

LAB 34.72, -8.18, 9.08

 

CMYK 0 / 11 / 21 / 67

HEX #554C43

RGB 85 76 67

HSL 30, 0.12%, 0.3%

LAB 32.93, 2.05, 6.72

 

CMYK 0 / 21 / 45 / 62

HEX #624D36

RGB 98 77 54

HSL 31.36, 0.29%, 0.3%

LAB 34.34, 5.37, 17

 

CMYK 0 / 29 / 62 / 57

HEX #6E4E2A

RGB 110 78 42

HSL 31.76, 0.45%, 0.3%

LAB 35.85, 9.14, 26.36

 

CMYK 0 / 36 / 75 / 52

HEX #7A4E1E

RGB 122 78 30

HSL 31.3, 0.61%, 0.3%

LAB 37.26, 13.97, 34.85

 

CMYK 0 / 41 / 87 / 47

HEX #874F11

RGB 135 79 17

HSL 31.53, 0.78%, 0.3%

LAB 39.21, 18.89, 43.03

 

CMYK 0 / 11 / 21 / 67

HEX #554C43

RGB 85 76 67

HSL 30, 0.12%, 0.3%

LAB 32.93, 2.05, 6.72

 

CMYK 8 / 4 / 0 / 69

HEX #494C4F

RGB 73 76 79

HSL 210, 0.04%, 0.3%

LAB 32.15, -0.53, -2.2

 

CMYK 35 / 18 / 0 / 64

HEX #3C4B5C

RGB 60 75 92

HSL 211.88, 0.21%, 0.3%

LAB 31.27, -1.27, -11.93

 

CMYK 54 / 28 / 0 / 59

HEX #304B68

RGB 48 75 104

HSL 211.07, 0.37%, 0.3%

LAB 31.02, -1.03, -20.01

 

CMYK 69 / 36 / 0 / 55

HEX #244A74

RGB 36 74 116

HSL 211.5, 0.53%, 0.3%

LAB 30.72, 1.28, -28.08

 

CMYK 0 / 21 / 21 / 67

HEX #554343

RGB 85 67 67

HSL 0, 0.12%, 0.3%

LAB 30.28, 7.74, 2.94

 

CMYK 0 / 16 / 21 / 67

HEX #554743

RGB 85 71 67

HSL 13.33, 0.12%, 0.3%

LAB 31.45, 5.2, 4.61

 

CMYK 0 / 11 / 21 / 67

HEX #554C43

RGB 85 76 67

HSL 30, 0.12%, 0.3%

LAB 32.93, 2.05, 6.72

 

CMYK 0 / 5 / 21 / 67

HEX #555143

RGB 85 81 67

HSL 46.67, 0.12%, 0.3%

LAB 34.44, -1.05, 8.84

 

CMYK 1 / 0 / 21 / 67

HEX #545543

RGB 84 85 67

HSL 63.33, 0.12%, 0.3%

LAB 35.57, -3.92, 10.4

 

CMYK 0 / 10 / 21 / 85

HEX #27231F

RGB 39 35 31

HSL 30, 0.11%, 0.14%

LAB 14.01, 1, 3.36

 

CMYK 0 / 10 / 21 / 76

HEX #3E3831

RGB 62 56 49

HSL 32.31, 0.12%, 0.22%

LAB 23.92, 1.22, 5.33

 

CMYK 0 / 11 / 21 / 67

HEX #554C43

RGB 85 76 67

HSL 30, 0.12%, 0.3%

LAB 32.93, 2.05, 6.72

 

CMYK 0 / 10 / 21 / 58

HEX #6C6155

RGB 108 97 85

HSL 31.3, 0.12%, 0.38%

LAB 41.83, 2.23, 8.44

 

CMYK 0 / 10 / 21 / 49

HEX #837667

RGB 131 118 103

HSL 32.14, 0.12%, 0.46%

LAB 50.41, 2.41, 10.09

 

CMYK 0 / 10 / 22 / 66

HEX #564D43

RGB 86 77 67

HSL 31.58, 0.12%, 0.3%

LAB 33.33, 1.87, 7.3

 

CMYK 15 / 0 / 21 / 67

HEX #485543

RGB 72 85 67

HSL 103.33, 0.12%, 0.3%

LAB 34.56, -9, 8.83

 

CMYK 19 / 21 / 0 / 67

HEX #454355

RGB 69 67 85

HSL 246.67, 0.12%, 0.3%

LAB 29.25, 5.16, -10.44

 

CMYK 0 / 10 / 22 / 66

HEX #564D43

RGB 86 77 67

HSL 31.58, 0.12%, 0.3%

LAB 33.33, 1.87, 7.3

 

CMYK 21 / 0 / 11 / 67

HEX #43554C

RGB 67 85 76

HSL 150, 0.12%, 0.3%

LAB 34.42, -9.08, 2.95

 

CMYK 11 / 21 / 0 / 67

HEX #4C4355

RGB 76 67 85

HSL 270, 0.12%, 0.3%

LAB 29.93, 7.83, -9.34

 

CMYK 0 / 10 / 22 / 66

HEX #564D43

RGB 86 77 67

HSL 31.58, 0.12%, 0.3%

LAB 33.33, 1.87, 7.3

 

CMYK 15 / 0 / 21 / 67

HEX #485543

RGB 72 85 67

HSL 103.33, 0.12%, 0.3%

LAB 34.56, -9, 8.83

 

CMYK 21 / 11 / 0 / 67

HEX #434C55

RGB 67 76 85

HSL 210, 0.12%, 0.3%

LAB 31.85, -1.37, -6.53

 

CMYK 6 / 21 / 0 / 67

HEX #504355

RGB 80 67 85

HSL 283.33, 0.12%, 0.3%

LAB 30.34, 9.39, -8.68

 

CMYK 0 / 10 / 22 / 66

HEX #564D43

RGB 86 77 67

HSL 31.58, 0.12%, 0.3%

LAB 33.33, 1.87, 7.3

 

CMYK 21 / 0 / 21 / 67

HEX #435543

RGB 67 85 67

HSL 120, 0.12%, 0.3%

LAB 34.18, -11.03, 8.25

 

CMYK 21 / 11 / 0 / 67

HEX #434C55

RGB 67 76 85

HSL 210, 0.12%, 0.3%

LAB 31.85, -1.37, -6.53

 

CMYK 0 / 21 / 0 / 67

HEX #554355

RGB 85 67 85

HSL 300, 0.12%, 0.3%

LAB 30.88, 11.36, -7.81

 

Description

Color code: HEX #564D43 | qconv.com Color code: HEX #564D43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 77 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 77 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 22 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 22% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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