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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #565571 it is the complementary color #A9AA8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #565571. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #565571 shade: #5B556C, #6C677F, #7D7992, #8E8BA5 and #9F9DB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #565571. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #565571 shade: #565571, #45435E, #34314B, #231F38 and #120D25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #565571 shade: #565571, #5E5571, #655571, #6D5571 and #71556E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #565571 shade: #565571 and #555571

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #565571 shade matches the following richer shades: #565571, #474581, #383591, #2925A1 and #1A15B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #565571 shade: #565571, #656561, #747551, #838541 and #929531

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #565571 shade: #556371, #555C71, #565571, #5D5571 and #655571

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #565571 shade: #323242, #444359, #565571, #686788 and #7D7C9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #565571 shade: #565571, #71556A and #5F7155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #565571 shade: #565571, #715655 and #557156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #565571 shade: #565571, #71556A, #707155 and #55715C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #565571 shade: #565571, #715562, #707155 and #557164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

Complementary color

CMYK 1 / 0 / 16 / 33

HEX #A9AA8E

RGB 169 170 142

HSL 62.14, 0.14%, 0.61%

LAB 68.85, -5.25, 14.34

 

CMYK 16 / 21 / 0 / 58

HEX #5B556C

RGB 91 85 108

HSL 255.65, 0.12%, 0.38%

LAB 37.49, 7.59, -12.29

 

CMYK 15 / 19 / 0 / 50

HEX #6C677F

RGB 108 103 127

HSL 252.5, 0.1%, 0.45%

LAB 44.83, 7.19, -12.62

 

CMYK 14 / 17 / 0 / 43

HEX #7D7992

RGB 125 121 146

HSL 249.6, 0.1%, 0.52%

LAB 51.96, 6.83, -12.96

 

CMYK 14 / 16 / 0 / 35

HEX #8E8BA5

RGB 142 139 165

HSL 246.92, 0.13%, 0.6%

LAB 58.91, 6.51, -13.32

 

CMYK 14 / 15 / 0 / 28

HEX #9F9DB8

RGB 159 157 184

HSL 244.44, 0.16%, 0.67%

LAB 65.71, 6.22, -13.68

 

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

CMYK 27 / 29 / 0 / 63

HEX #45435E

RGB 69 67 94

HSL 244.44, 0.17%, 0.32%

LAB 29.63, 7.59, -15.65

 

CMYK 31 / 35 / 0 / 71

HEX #34314B

RGB 52 49 75

HSL 246.92, 0.21%, 0.24%

LAB 21.71, 8.21, -15.56

 

CMYK 38 / 45 / 0 / 78

HEX #231F38

RGB 35 31 56

HSL 249.6, 0.29%, 0.17%

LAB 13.37, 9.04, -15.6

 

CMYK 51 / 65 / 0 / 85

HEX #120D25

RGB 18 13 37

HSL 252.5, 0.48%, 0.1%

LAB 4.97, 8.38, -14.97

 

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

CMYK 17 / 25 / 0 / 56

HEX #5E5571

RGB 94 85 113

HSL 259.29, 0.14%, 0.39%

LAB 37.97, 9.9, -14.64

 

CMYK 11 / 25 / 0 / 56

HEX #655571

RGB 101 85 113

HSL 274.29, 0.14%, 0.39%

LAB 38.65, 12.43, -13.54

 

CMYK 4 / 25 / 0 / 56

HEX #6D5571

RGB 109 85 113

HSL 291.43, 0.14%, 0.39%

LAB 39.48, 15.37, -12.19

 

CMYK 0 / 25 / 3 / 56

HEX #71556E

RGB 113 85 110

HSL 306.43, 0.14%, 0.39%

LAB 39.8, 16.24, -9.81

 

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

CMYK 25 / 25 / 0 / 56

HEX #555571

RGB 85 85 113

HSL 240, 0.14%, 0.39%

LAB 37.15, 6.74, -15.95

 

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

CMYK 45 / 47 / 0 / 49

HEX #474581

RGB 71 69 129

HSL 242, 0.3%, 0.39%

LAB 32.22, 17.42, -33.69

 

CMYK 61 / 63 / 0 / 43

HEX #383591

RGB 56 53 145

HSL 241.96, 0.46%, 0.39%

LAB 27.93, 29.91, -50.55

 

CMYK 75 / 77 / 0 / 37

HEX #2925A1

RGB 41 37 161

HSL 241.94, 0.63%, 0.39%

LAB 24.85, 43.12, -65.44

 

CMYK 85 / 88 / 0 / 31

HEX #1A15B1

RGB 26 21 177

HSL 241.92, 0.79%, 0.39%

LAB 23.44, 54.73, -77.47

 

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

CMYK 0 / 0 / 4 / 60

HEX #656561

RGB 101 101 97

HSL 60, 0.02%, 0.39%

LAB 42.67, -0.81, 2.26

 

CMYK 1 / 0 / 31 / 54

HEX #747551

RGB 116 117 81

HSL 61.67, 0.18%, 0.39%

LAB 48.3, -6.65, 19.79

 

CMYK 2 / 0 / 51 / 48

HEX #838541

RGB 131 133 65

HSL 61.76, 0.34%, 0.39%

LAB 54.01, -10.94, 36.04

 

CMYK 2 / 0 / 67 / 42

HEX #929531

RGB 146 149 49

HSL 61.8, 0.51%, 0.39%

LAB 59.73, -14.15, 50.24

 

CMYK 25 / 12 / 0 / 56

HEX #556371

RGB 85 99 113

HSL 210, 0.14%, 0.39%

LAB 41.29, -1.9, -9.67

 

CMYK 25 / 19 / 0 / 56

HEX #555C71

RGB 85 92 113

HSL 225, 0.14%, 0.39%

LAB 39.2, 2.38, -12.82

 

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

CMYK 18 / 25 / 0 / 56

HEX #5D5571

RGB 93 85 113

HSL 257.14, 0.14%, 0.39%

LAB 37.87, 9.55, -14.79

 

CMYK 11 / 25 / 0 / 56

HEX #655571

RGB 101 85 113

HSL 274.29, 0.14%, 0.39%

LAB 38.65, 12.43, -13.54

 

CMYK 24 / 24 / 0 / 74

HEX #323242

RGB 50 50 66

HSL 240, 0.14%, 0.23%

LAB 21.4, 4.15, -9.98

 

CMYK 24 / 25 / 0 / 65

HEX #444359

RGB 68 67 89

HSL 242.73, 0.14%, 0.31%

LAB 29.32, 5.85, -12.92

 

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

CMYK 24 / 24 / 0 / 47

HEX #686788

RGB 104 103 136

HSL 241.82, 0.14%, 0.47%

LAB 44.83, 8.02, -18.05

 

CMYK 20 / 21 / 0 / 39

HEX #7D7C9C

RGB 125 124 156

HSL 241.88, 0.14%, 0.55%

LAB 53.14, 7.41, -17

 

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

CMYK 0 / 25 / 6 / 56

HEX #71556A

RGB 113 85 106

HSL 315, 0.14%, 0.39%

LAB 39.66, 15.43, -7.56

 

CMYK 16 / 0 / 25 / 56

HEX #5F7155

RGB 95 113 85

HSL 98.57, 0.14%, 0.39%

LAB 45.5, -12.41, 13.38

 

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

CMYK 0 / 24 / 25 / 56

HEX #715655

RGB 113 86 85

HSL 2.14, 0.14%, 0.39%

LAB 39.28, 11, 4.89

 

CMYK 25 / 0 / 24 / 56

HEX #557156

RGB 85 113 86

HSL 122.14, 0.14%, 0.39%

LAB 44.82, -16.07, 11.75

 

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

CMYK 0 / 25 / 6 / 56

HEX #71556A

RGB 113 85 106

HSL 315, 0.14%, 0.39%

LAB 39.66, 15.43, -7.56

 

CMYK 1 / 0 / 25 / 56

HEX #707155

RGB 112 113 85

HSL 62.14, 0.14%, 0.39%

LAB 46.86, -5.46, 15.47

 

CMYK 25 / 0 / 19 / 56

HEX #55715C

RGB 85 113 92

HSL 135, 0.14%, 0.39%

LAB 44.96, -14.87, 8.38

 

CMYK 24 / 25 / 0 / 56

HEX #565571

RGB 86 85 113

HSL 242.14, 0.14%, 0.39%

LAB 37.24, 7.09, -15.81

 

CMYK 0 / 25 / 13 / 56

HEX #715562

RGB 113 85 98

HSL 332.14, 0.14%, 0.39%

LAB 39.39, 13.89, -3

 

CMYK 1 / 0 / 25 / 56

HEX #707155

RGB 112 113 85

HSL 62.14, 0.14%, 0.39%

LAB 46.86, -5.46, 15.47

 

CMYK 25 / 0 / 12 / 56

HEX #557164

RGB 85 113 100

HSL 152.14, 0.14%, 0.39%

LAB 45.17, -13.16, 3.9

 

Description

Color code: HEX #565571 | qconv.com Color code: HEX #565571 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 85 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 85 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 25 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 25% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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