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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56594D it is the complementary color #A9A6B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56594D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56594D shade: #5B5948, #6C6B5B, #7D7D6E, #8E8F81 and #9FA194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56594D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56594D shade: #56594D, #45473A, #343527, #232314 and #121101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56594D shade: #575A4E, #5A594E, #5A564E, #5A534E and #5A504E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56594D shade: #575A4E, #535A4E, #505A4E, #4E5A4E and #4E5A52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56594D shade matches the following richer shades: #575A4E, #5D6740, #647533, #6B8225 and #729017

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56594D shade: #575A4E, #504C5B, #493E69, #423177 and #3B2384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56594D shade: #5A564E, #5A594E, #575A4E, #535A4E and #505A4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56594D shade: #2C2D27, #41433B, #575A4E, #6C7061 and #818674

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56594D shade: #56594D, #4E5A53 and #584E5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56594D shade: #56594D, #4E575A and #5A4E57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56594D shade: #56594D, #4E5A53, #514E5A and #5A4E54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56594D shade: #56594D, #4E5A57, #514E5A and #5A4E51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 13 / 65

HEX #56594D

RGB 86 89 77

HSL 75, 0.07%, 0.33%

LAB 37.22, -3.65, 6.54

 

Complementary color

CMYK 5 / 7 / 0 / 30

HEX #A9A6B2

RGB 169 166 178

HSL 255, 0.07%, 0.67%

LAB 68.69, 3.39, -5.79

 

CMYK 0 / 2 / 21 / 64

HEX #5B5948

RGB 91 89 72

HSL 53.68, 0.12%, 0.32%

LAB 37.55, -2.44, 10.15

 

CMYK 0 / 1 / 16 / 58

HEX #6C6B5B

RGB 108 107 91

HSL 56.47, 0.09%, 0.39%

LAB 44.88, -2.65, 9.12

 

CMYK 0 / 0 / 12 / 51

HEX #7D7D6E

RGB 125 125 110

HSL 60, 0.06%, 0.46%

LAB 52.01, -2.83, 8.19

 

CMYK 1 / 0 / 10 / 44

HEX #8E8F81

RGB 142 143 129

HSL 64.29, 0.06%, 0.53%

LAB 58.96, -2.98, 7.32

 

CMYK 1 / 0 / 8 / 37

HEX #9FA194

RGB 159 161 148

HSL 69.23, 0.06%, 0.61%

LAB 65.75, -3.12, 6.51

 

CMYK 3 / 0 / 13 / 65

HEX #56594D

RGB 86 89 77

HSL 75, 0.07%, 0.33%

LAB 37.22, -3.65, 6.54

 

CMYK 3 / 0 / 18 / 72

HEX #45473A

RGB 69 71 58

HSL 69.23, 0.1%, 0.25%

LAB 29.61, -3.52, 7.55

 

CMYK 2 / 0 / 26 / 79

HEX #343527

RGB 52 53 39

HSL 64.29, 0.15%, 0.18%

LAB 21.66, -3.36, 8.71

 

CMYK 0 / 0 / 43 / 86

HEX #232314

RGB 35 35 20

HSL 60, 0.27%, 0.11%

LAB 13.29, -3.09, 10.07

 

CMYK 0 / 6 / 94 / 93

HEX #121101

RGB 18 17 1

HSL 56.47, 0.89%, 0.04%

LAB 4.8, -2.05, 6.75

 

CMYK 3 / 0 / 13 / 65

HEX #575A4E

RGB 87 90 78

HSL 75, 0.07%, 0.33%

LAB 37.64, -3.64, 6.53

 

CMYK 0 / 1 / 13 / 65

HEX #5A594E

RGB 90 89 78

HSL 55, 0.07%, 0.33%

LAB 37.61, -1.79, 6.51

 

CMYK 0 / 4 / 13 / 65

HEX #5A564E

RGB 90 86 78

HSL 40, 0.07%, 0.33%

LAB 36.7, 0.04, 5.23

 

CMYK 0 / 8 / 13 / 65

HEX #5A534E

RGB 90 83 78

HSL 25, 0.07%, 0.33%

LAB 35.81, 1.88, 3.95

 

CMYK 0 / 11 / 13 / 65

HEX #5A504E

RGB 90 80 78

HSL 10, 0.07%, 0.33%

LAB 34.93, 3.74, 2.68

 

CMYK 3 / 0 / 13 / 65

HEX #575A4E

RGB 87 90 78

HSL 75, 0.07%, 0.33%

LAB 37.64, -3.64, 6.53

 

CMYK 8 / 0 / 13 / 65

HEX #535A4E

RGB 83 90 78

HSL 95, 0.07%, 0.33%

LAB 37.3, -5.29, 6

 

CMYK 11 / 0 / 13 / 65

HEX #505A4E

RGB 80 90 78

HSL 110, 0.07%, 0.33%

LAB 37.06, -6.51, 5.61

 

CMYK 13 / 0 / 13 / 65

HEX #4E5A4E

RGB 78 90 78

HSL 120, 0.07%, 0.33%

LAB 36.9, -7.31, 5.37

 

CMYK 13 / 0 / 9 / 65

HEX #4E5A52

RGB 78 90 82

HSL 140, 0.07%, 0.33%

LAB 37.01, -6.46, 3.04

 

CMYK 3 / 0 / 13 / 65

HEX #575A4E

RGB 87 90 78

HSL 75, 0.07%, 0.33%

LAB 37.64, -3.64, 6.53

 

CMYK 10 / 0 / 38 / 60

HEX #5D6740

RGB 93 103 64

HSL 75.38, 0.23%, 0.33%

LAB 41.84, -11.02, 20.76

 

CMYK 15 / 0 / 56 / 54

HEX #647533

RGB 100 117 51

HSL 75.45, 0.39%, 0.33%

LAB 46.54, -17.25, 33.84

 

CMYK 18 / 0 / 72 / 49

HEX #6B8225

RGB 107 130 37

HSL 74.84, 0.56%, 0.33%

LAB 50.95, -22.15, 45.26

 

CMYK 21 / 0 / 84 / 44

HEX #729017

RGB 114 144 23

HSL 74.88, 0.72%, 0.33%

LAB 55.67, -26.84, 54.61

 

CMYK 3 / 0 / 13 / 65

HEX #575A4E

RGB 87 90 78

HSL 75, 0.07%, 0.33%

LAB 37.64, -3.64, 6.53

 

CMYK 12 / 16 / 0 / 64

HEX #504C5B

RGB 80 76 91

HSL 256, 0.09%, 0.33%

LAB 33.2, 5.04, -8.21

 

CMYK 30 / 41 / 0 / 59

HEX #493E69

RGB 73 62 105

HSL 255.35, 0.26%, 0.33%

LAB 29.11, 15.34, -23.48

 

CMYK 45 / 59 / 0 / 53

HEX #423177

RGB 66 49 119

HSL 254.57, 0.42%, 0.33%

LAB 25.82, 26.01, -37.67

 

CMYK 55 / 73 / 0 / 48

HEX #3B2384

RGB 59 35 132

HSL 254.85, 0.58%, 0.33%

LAB 22.99, 37.13, -50.52

 

CMYK 0 / 4 / 13 / 65

HEX #5A564E

RGB 90 86 78

HSL 40, 0.07%, 0.33%

LAB 36.7, 0.04, 5.23

 

CMYK 0 / 1 / 13 / 65

HEX #5A594E

RGB 90 89 78

HSL 55, 0.07%, 0.33%

LAB 37.61, -1.79, 6.51

 

CMYK 3 / 0 / 13 / 65

HEX #575A4E

RGB 87 90 78

HSL 75, 0.07%, 0.33%

LAB 37.64, -3.64, 6.53

 

CMYK 8 / 0 / 13 / 65

HEX #535A4E

RGB 83 90 78

HSL 95, 0.07%, 0.33%

LAB 37.3, -5.29, 6

 

CMYK 11 / 0 / 13 / 65

HEX #505A4E

RGB 80 90 78

HSL 110, 0.07%, 0.33%

LAB 37.06, -6.51, 5.61

 

CMYK 2 / 0 / 13 / 82

HEX #2C2D27

RGB 44 45 39

HSL 70, 0.07%, 0.16%

LAB 18.18, -1.81, 3.73

 

CMYK 3 / 0 / 12 / 74

HEX #41433B

RGB 65 67 59

HSL 75, 0.06%, 0.25%

LAB 27.99, -2.56, 4.57

 

CMYK 3 / 0 / 13 / 65

HEX #575A4E

RGB 87 90 78

HSL 75, 0.07%, 0.33%

LAB 37.64, -3.64, 6.53

 

CMYK 4 / 0 / 13 / 56

HEX #6C7061

RGB 108 112 97

HSL 76, 0.07%, 0.41%

LAB 46.5, -4.48, 7.82

 

CMYK 4 / 0 / 13 / 47

HEX #818674

RGB 129 134 116

HSL 76.67, 0.07%, 0.49%

LAB 55.05, -5.28, 9.07

 

CMYK 3 / 0 / 13 / 65

HEX #56594D

RGB 86 89 77

HSL 75, 0.07%, 0.33%

LAB 37.22, -3.65, 6.54

 

CMYK 13 / 0 / 8 / 65

HEX #4E5A53

RGB 78 90 83

HSL 145, 0.07%, 0.33%

LAB 37.03, -6.24, 2.46

 

CMYK 2 / 13 / 0 / 65

HEX #584E5A

RGB 88 78 90

HSL 290, 0.07%, 0.33%

LAB 34.52, 6.65, -5.51

 

CMYK 3 / 0 / 13 / 65

HEX #56594D

RGB 86 89 77

HSL 75, 0.07%, 0.33%

LAB 37.22, -3.65, 6.54

 

CMYK 13 / 3 / 0 / 65

HEX #4E575A

RGB 78 87 90

HSL 195, 0.07%, 0.33%

LAB 36.32, -2.83, -2.95

 

CMYK 0 / 13 / 3 / 65

HEX #5A4E57

RGB 90 78 87

HSL 315, 0.07%, 0.33%

LAB 34.62, 6.8, -3.45

 

CMYK 3 / 0 / 13 / 65

HEX #56594D

RGB 86 89 77

HSL 75, 0.07%, 0.33%

LAB 37.22, -3.65, 6.54

 

CMYK 13 / 0 / 8 / 65

HEX #4E5A53

RGB 78 90 83

HSL 145, 0.07%, 0.33%

LAB 37.03, -6.24, 2.46

 

CMYK 10 / 13 / 0 / 65

HEX #514E5A

RGB 81 78 90

HSL 255, 0.07%, 0.33%

LAB 33.85, 3.92, -6.59

 

CMYK 0 / 13 / 7 / 65

HEX #5A4E54

RGB 90 78 84

HSL 330, 0.07%, 0.33%

LAB 34.52, 6.18, -1.7

 

CMYK 3 / 0 / 13 / 65

HEX #56594D

RGB 86 89 77

HSL 75, 0.07%, 0.33%

LAB 37.22, -3.65, 6.54

 

CMYK 13 / 0 / 3 / 65

HEX #4E5A57

RGB 78 90 87

HSL 165, 0.07%, 0.33%

LAB 37.15, -5.35, 0.15

 

CMYK 10 / 13 / 0 / 65

HEX #514E5A

RGB 81 78 90

HSL 255, 0.07%, 0.33%

LAB 33.85, 3.92, -6.59

 

CMYK 0 / 13 / 10 / 65

HEX #5A4E51

RGB 90 78 81

HSL 345, 0.07%, 0.33%

LAB 34.43, 5.58, 0.06

 

Description

Color code: HEX #56594D | qconv.com Color code: HEX #56594D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 89 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 89 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 13 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 13% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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