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Color name
HEX #565BCF

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #565BCF it is the complementary color #A9A430. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #565BCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #565BCF shade: #5B5BCA, #6C6DDD, #7D7FF0, #8E91FF and #9FA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #565BCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #565BCF shade: #565BCF, #4549BC, #3437A9, #232596 and #121383

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #565BCF shade: #5359CE, #6F53CE, #9153CE, #B253CE and #CE53CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #565BCF shade: #5359CE and #5353CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #565BCF shade matches the following richer shades: #5359CE, #4248E0 and #3038F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #565BCF shade: #5359CE, #6569BD, #7779AB, #898999 and #9A9A87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #565BCF shade: #539BCE, #537ACE, #535ACE, #6E53CE and #8F53CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #565BCF shade: #2D32A2, #363CC2, #5359CE, #7478D7 and #9497E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #565BCF shade: #565BCF, #CE53BC and #8BCE53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #565BCF shade: #565BCF, #CE535A and #5ACE53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #565BCF shade: #565BCF, #CE53BC, #CEC853 and #53CE66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #565BCF shade: #565BCF, #CE5397, #CEC853 and #53CE8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 56 / 0 / 19

HEX #565BCF

RGB 86 91 207

HSL 237.52, 0.56%, 0.57%

LAB 44.18, 32.13, -60.87

 

Complementary color

CMYK 0 / 3 / 72 / 34

HEX #A9A430

RGB 169 164 48

HSL 57.52, 0.56%, 0.43%

LAB 65.9, -11.95, 57.45

 

CMYK 55 / 55 / 0 / 21

HEX #5B5BCA

RGB 91 91 202

HSL 240, 0.51%, 0.57%

LAB 44.19, 31.45, -57.96

 

CMYK 51 / 51 / 0 / 13

HEX #6C6DDD

RGB 108 109 221

HSL 239.47, 0.62%, 0.65%

LAB 51.09, 29.91, -57.63

 

CMYK 48 / 47 / 0 / 6

HEX #7D7FF0

RGB 125 127 240

HSL 238.96, 0.79%, 0.72%

LAB 57.88, 28.59, -57.32

 

CMYK 44 / 43 / 0 / 0

HEX #8E91FF

RGB 142 145 255

HSL 238.41, 1%, 0.78%

LAB 64.34, 26.3, -55.2

 

CMYK 38 / 36 / 0 / 0

HEX #9FA3FF

RGB 159 163 255

HSL 237.5, 1%, 0.81%

LAB 70.03, 20.18, -46.14

 

CMYK 58 / 56 / 0 / 19

HEX #565BCF

RGB 86 91 207

HSL 237.52, 0.56%, 0.57%

LAB 44.18, 32.13, -60.87

 

CMYK 63 / 61 / 0 / 26

HEX #4549BC

RGB 69 73 188

HSL 237.98, 0.47%, 0.5%

LAB 37.23, 34.09, -61.19

 

CMYK 69 / 67 / 0 / 34

HEX #3437A9

RGB 52 55 169

HSL 238.46, 0.53%, 0.43%

LAB 30.22, 36.36, -61.4

 

CMYK 77 / 75 / 0 / 41

HEX #232596

RGB 35 37 150

HSL 238.96, 0.62%, 0.36%

LAB 23.28, 38.87, -61.31

 

CMYK 86 / 85 / 0 / 49

HEX #121383

RGB 18 19 131

HSL 239.47, 0.76%, 0.29%

LAB 16.67, 41.14, -60.44

 

CMYK 60 / 57 / 0 / 19

HEX #5359CE

RGB 83 89 206

HSL 237.07, 0.56%, 0.57%

LAB 43.42, 32.5, -61.54

 

CMYK 46 / 60 / 0 / 19

HEX #6F53CE

RGB 111 83 206

HSL 253.66, 0.56%, 0.57%

LAB 44.26, 41.5, -60.07

 

CMYK 30 / 60 / 0 / 19

HEX #9153CE

RGB 145 83 206

HSL 270.24, 0.56%, 0.57%

LAB 47.83, 49.07, -54.13

 

CMYK 14 / 60 / 0 / 19

HEX #B253CE

RGB 178 83 206

HSL 286.34, 0.56%, 0.57%

LAB 51.96, 57.05, -47.3

 

CMYK 0 / 60 / 2 / 19

HEX #CE53CA

RGB 206 83 202

HSL 301.95, 0.56%, 0.57%

LAB 55.66, 63.34, -38.91

 

CMYK 60 / 57 / 0 / 19

HEX #5359CE

RGB 83 89 206

HSL 237.07, 0.56%, 0.57%

LAB 43.42, 32.5, -61.54

 

CMYK 60 / 60 / 0 / 19

HEX #5353CE

RGB 83 83 206

HSL 240, 0.56%, 0.57%

LAB 41.97, 36.19, -63.89

 

CMYK 60 / 57 / 0 / 19

HEX #5359CE

RGB 83 89 206

HSL 237.07, 0.56%, 0.57%

LAB 43.42, 32.5, -61.54

 

CMYK 71 / 68 / 0 / 12

HEX #4248E0

RGB 66 72 224

HSL 237.72, 0.72%, 0.57%

LAB 39.87, 46.4, -77.69

 

CMYK 80 / 77 / 0 / 5

HEX #3038F2

RGB 48 56 242

HSL 237.53, 0.88%, 0.57%

LAB 37.6, 59.55, -91.68

 

CMYK 60 / 57 / 0 / 19

HEX #5359CE

RGB 83 89 206

HSL 237.07, 0.56%, 0.57%

LAB 43.42, 32.5, -61.54

 

CMYK 47 / 44 / 0 / 26

HEX #6569BD

RGB 101 105 189

HSL 237.27, 0.4%, 0.57%

LAB 47.68, 20.93, -44.82

 

CMYK 30 / 29 / 0 / 33

HEX #7779AB

RGB 119 121 171

HSL 237.69, 0.24%, 0.57%

LAB 52.44, 11.05, -26.83

 

CMYK 10 / 10 / 0 / 40

HEX #898999

RGB 137 137 153

HSL 240, 0.07%, 0.57%

LAB 57.57, 3.3, -8.5

 

CMYK 0 / 0 / 12 / 40

HEX #9A9A87

RGB 154 154 135

HSL 60, 0.09%, 0.57%

LAB 63.12, -3.44, 9.98

 

CMYK 60 / 25 / 0 / 19

HEX #539BCE

RGB 83 155 206

HSL 204.88, 0.56%, 0.57%

LAB 61.43, -7.39, -32.93

 

CMYK 60 / 41 / 0 / 19

HEX #537ACE

RGB 83 122 206

HSL 220.98, 0.56%, 0.57%

LAB 52.08, 12, -47.63

 

CMYK 60 / 56 / 0 / 19

HEX #535ACE

RGB 83 90 206

HSL 236.59, 0.56%, 0.57%

LAB 43.66, 31.88, -61.14

 

CMYK 47 / 60 / 0 / 19

HEX #6E53CE

RGB 110 83 206

HSL 253.17, 0.56%, 0.57%

LAB 44.17, 41.29, -60.22

 

CMYK 31 / 60 / 0 / 19

HEX #8F53CE

RGB 143 83 206

HSL 269.27, 0.56%, 0.57%

LAB 47.6, 48.6, -54.52

 

CMYK 72 / 69 / 0 / 36

HEX #2D32A2

RGB 45 50 162

HSL 237.44, 0.57%, 0.41%

LAB 27.97, 36.18, -60.89

 

CMYK 72 / 69 / 0 / 24

HEX #363CC2

RGB 54 60 194

HSL 237.43, 0.56%, 0.49%

LAB 33.8, 42.14, -70.36

 

CMYK 60 / 57 / 0 / 19

HEX #5359CE

RGB 83 89 206

HSL 237.07, 0.56%, 0.57%

LAB 43.42, 32.5, -61.54

 

CMYK 46 / 44 / 0 / 16

HEX #7478D7

RGB 116 120 215

HSL 237.58, 0.55%, 0.65%

LAB 54.08, 23.26, -49.42

 

CMYK 34 / 33 / 0 / 12

HEX #9497E0

RGB 148 151 224

HSL 237.63, 0.55%, 0.73%

LAB 64.81, 15.88, -37.39

 

CMYK 58 / 56 / 0 / 19

HEX #565BCF

RGB 86 91 207

HSL 237.52, 0.56%, 0.57%

LAB 44.18, 32.13, -60.87

 

CMYK 0 / 60 / 9 / 19

HEX #CE53BC

RGB 206 83 188

HSL 308.78, 0.56%, 0.57%

LAB 55.01, 61.05, -31.89

 

CMYK 33 / 0 / 60 / 19

HEX #8BCE53

RGB 139 206 83

HSL 92.68, 0.56%, 0.57%

LAB 76.23, -41.62, 53.3

 

CMYK 58 / 56 / 0 / 19

HEX #565BCF

RGB 86 91 207

HSL 237.52, 0.56%, 0.57%

LAB 44.18, 32.13, -60.87

 

CMYK 0 / 60 / 56 / 19

HEX #CE535A

RGB 206 83 90

HSL 356.59, 0.56%, 0.57%

LAB 51.89, 49.28, 21.32

 

CMYK 56 / 0 / 60 / 19

HEX #5ACE53

RGB 90 206 83

HSL 116.59, 0.56%, 0.57%

LAB 74.15, -56.49, 50.39

 

CMYK 58 / 56 / 0 / 19

HEX #565BCF

RGB 86 91 207

HSL 237.52, 0.56%, 0.57%

LAB 44.18, 32.13, -60.87

 

CMYK 0 / 60 / 9 / 19

HEX #CE53BC

RGB 206 83 188

HSL 308.78, 0.56%, 0.57%

LAB 55.01, 61.05, -31.89

 

CMYK 0 / 3 / 60 / 19

HEX #CEC853

RGB 206 200 83

HSL 57.07, 0.56%, 0.57%

LAB 79.07, -12.54, 57.73

 

CMYK 60 / 0 / 50 / 19

HEX #53CE66

RGB 83 206 102

HSL 129.27, 0.56%, 0.57%

LAB 74.15, -55.75, 41.46

 

CMYK 58 / 56 / 0 / 19

HEX #565BCF

RGB 86 91 207

HSL 237.52, 0.56%, 0.57%

LAB 44.18, 32.13, -60.87

 

CMYK 0 / 60 / 27 / 19

HEX #CE5397

RGB 206 83 151

HSL 326.83, 0.56%, 0.57%

LAB 53.54, 55.66, -12.57

 

CMYK 0 / 3 / 60 / 19

HEX #CEC853

RGB 206 200 83

HSL 57.07, 0.56%, 0.57%

LAB 79.07, -12.54, 57.73

 

CMYK 60 / 0 / 33 / 19

HEX #53CE8B

RGB 83 206 139

HSL 147.32, 0.56%, 0.57%

LAB 74.73, -49.51, 23.37

 

Description

Color code: HEX #565BCF | qconv.com Color code: HEX #565BCF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 91 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 91 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 56 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 56% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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