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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5675CE it is the complementary color #A98A31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5675CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5675CE shade: #5B75C9, #6C87DC, #7D99EF, #8EABFF and #9FBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5675CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5675CE shade: #5675CE, #4563BB, #3451A8, #233F95 and #122D82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5675CE shade: #5574CD, #5655CD, #7655CD, #9755CD and #B755CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5675CE shade: #5574CD and #5555CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5675CE shade matches the following richer shades: #5574CD, #436BDF and #3163F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5675CE shade: #5574CD, #667CBB, #7885AA, #8A8D98 and #9C9686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5675CE shade: #55B5CD, #5595CD, #5575CD, #5555CD and #7555CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5675CE shade: #2E4CA1, #385BC1, #5574CD, #758ED6 and #94A8E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5675CE shade: #5675CE, #C555CD and #A5CD55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5675CE shade: #5675CE, #CD5575 and #75CD55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5675CE shade: #5675CE, #C555CD, #CDAD55 and #5DCD55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5675CE shade: #5675CE, #CD55B1, #CDAD55 and #55CD71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 43 / 0 / 19

HEX #5675CE

RGB 86 117 206

HSL 224.5, 0.55%, 0.57%

LAB 50.87, 15.66, -49.55

 

Complementary color

CMYK 0 / 18 / 71 / 34

HEX #A98A31

RGB 169 138 49

HSL 44.5, 0.55%, 0.43%

LAB 58.82, 2.1, 49.98

 

CMYK 55 / 42 / 0 / 21

HEX #5B75C9

RGB 91 117 201

HSL 225.82, 0.5%, 0.57%

LAB 50.88, 15.05, -46.67

 

CMYK 51 / 39 / 0 / 14

HEX #6C87DC

RGB 108 135 220

HSL 225.54, 0.62%, 0.64%

LAB 57.74, 13.94, -46.47

 

CMYK 48 / 36 / 0 / 6

HEX #7D99EF

RGB 125 153 239

HSL 225.26, 0.78%, 0.71%

LAB 64.46, 13.02, -46.31

 

CMYK 44 / 33 / 0 / 0

HEX #8EABFF

RGB 142 171 255

HSL 224.6, 1%, 0.78%

LAB 70.94, 11.38, -44.79

 

CMYK 38 / 26 / 0 / 0

HEX #9FBDFF

RGB 159 189 255

HSL 221.25, 1%, 0.81%

LAB 76.67, 5.65, -35.78

 

CMYK 58 / 43 / 0 / 19

HEX #5675CE

RGB 86 117 206

HSL 224.5, 0.55%, 0.57%

LAB 50.87, 15.66, -49.55

 

CMYK 63 / 47 / 0 / 27

HEX #4563BB

RGB 69 99 187

HSL 224.75, 0.46%, 0.5%

LAB 43.91, 17.18, -49.8

 

CMYK 69 / 52 / 0 / 34

HEX #3451A8

RGB 52 81 168

HSL 225, 0.53%, 0.43%

LAB 36.82, 19.09, -50.07

 

CMYK 77 / 58 / 0 / 42

HEX #233F95

RGB 35 63 149

HSL 225.26, 0.62%, 0.36%

LAB 29.62, 21.53, -50.31

 

CMYK 86 / 65 / 0 / 49

HEX #122D82

RGB 18 45 130

HSL 225.54, 0.76%, 0.29%

LAB 22.36, 24.66, -50.4

 

CMYK 59 / 43 / 0 / 20

HEX #5574CD

RGB 85 116 205

HSL 224.5, 0.55%, 0.57%

LAB 50.49, 15.74, -49.59

 

CMYK 58 / 59 / 0 / 20

HEX #5655CD

RGB 86 85 205

HSL 240.5, 0.55%, 0.57%

LAB 42.59, 35.16, -62.31

 

CMYK 42 / 59 / 0 / 20

HEX #7655CD

RGB 118 85 205

HSL 256.5, 0.55%, 0.57%

LAB 45.3, 41.56, -57.79

 

CMYK 26 / 59 / 0 / 20

HEX #9755CD

RGB 151 85 205

HSL 273, 0.55%, 0.57%

LAB 48.86, 49.22, -51.87

 

CMYK 11 / 59 / 0 / 20

HEX #B755CD

RGB 183 85 205

HSL 289, 0.55%, 0.57%

LAB 52.92, 57.16, -45.16

 

CMYK 59 / 43 / 0 / 20

HEX #5574CD

RGB 85 116 205

HSL 224.5, 0.55%, 0.57%

LAB 50.49, 15.74, -49.59

 

CMYK 59 / 59 / 0 / 20

HEX #5555CD

RGB 85 85 205

HSL 240, 0.55%, 0.57%

LAB 42.52, 34.99, -62.43

 

CMYK 59 / 43 / 0 / 20

HEX #5574CD

RGB 85 116 205

HSL 224.5, 0.55%, 0.57%

LAB 50.49, 15.74, -49.59

 

CMYK 70 / 52 / 0 / 13

HEX #436BDF

RGB 67 107 223

HSL 224.62, 0.71%, 0.57%

LAB 48.31, 24.57, -63.37

 

CMYK 80 / 59 / 0 / 5

HEX #3163F1

RGB 49 99 241

HSL 224.38, 0.87%, 0.57%

LAB 46.88, 34.12, -75.85

 

CMYK 59 / 43 / 0 / 20

HEX #5574CD

RGB 85 116 205

HSL 224.5, 0.55%, 0.57%

LAB 50.49, 15.74, -49.59

 

CMYK 45 / 34 / 0 / 27

HEX #667CBB

RGB 102 124 187

HSL 224.47, 0.38%, 0.57%

LAB 52.76, 9.01, -35.64

 

CMYK 29 / 22 / 0 / 33

HEX #7885AA

RGB 120 133 170

HSL 224.4, 0.23%, 0.57%

LAB 55.76, 4.03, -21.13

 

CMYK 9 / 7 / 0 / 40

HEX #8A8D98

RGB 138 141 152

HSL 227.14, 0.06%, 0.57%

LAB 58.71, 1.17, -6.21

 

CMYK 0 / 4 / 14 / 39

HEX #9C9686

RGB 156 150 134

HSL 43.64, 0.1%, 0.57%

LAB 62.17, -0.64, 9.22

 

CMYK 59 / 12 / 0 / 20

HEX #55B5CD

RGB 85 181 205

HSL 192, 0.55%, 0.57%

LAB 69.03, -21.27, -20.68

 

CMYK 59 / 27 / 0 / 20

HEX #5595CD

RGB 85 149 205

HSL 208, 0.55%, 0.57%

LAB 59.74, -3.92, -35

 

CMYK 59 / 43 / 0 / 20

HEX #5575CD

RGB 85 117 205

HSL 224, 0.55%, 0.57%

LAB 50.76, 15.12, -49.16

 

CMYK 59 / 59 / 0 / 20

HEX #5555CD

RGB 85 85 205

HSL 240, 0.55%, 0.57%

LAB 42.52, 34.99, -62.43

 

CMYK 43 / 59 / 0 / 20

HEX #7555CD

RGB 117 85 205

HSL 256, 0.55%, 0.57%

LAB 45.2, 41.34, -57.95

 

CMYK 71 / 53 / 0 / 37

HEX #2E4CA1

RGB 46 76 161

HSL 224.35, 0.56%, 0.41%

LAB 34.65, 18.87, -49.41

 

CMYK 71 / 53 / 0 / 24

HEX #385BC1

RGB 56 91 193

HSL 224.67, 0.55%, 0.49%

LAB 41.49, 22.39, -57.22

 

CMYK 59 / 43 / 0 / 20

HEX #5574CD

RGB 85 116 205

HSL 224.5, 0.55%, 0.57%

LAB 50.49, 15.74, -49.59

 

CMYK 45 / 34 / 0 / 16

HEX #758ED6

RGB 117 142 214

HSL 224.54, 0.54%, 0.65%

LAB 59.87, 10.13, -39.7

 

CMYK 34 / 25 / 0 / 12

HEX #94A8E0

RGB 148 168 224

HSL 224.21, 0.55%, 0.73%

LAB 69.24, 6.23, -30.51

 

CMYK 58 / 43 / 0 / 19

HEX #5675CE

RGB 86 117 206

HSL 224.5, 0.55%, 0.57%

LAB 50.87, 15.66, -49.55

 

CMYK 4 / 59 / 0 / 20

HEX #C555CD

RGB 197 85 205

HSL 296, 0.55%, 0.57%

LAB 54.84, 60.7, -42

 

CMYK 20 / 0 / 59 / 20

HEX #A5CD55

RGB 165 205 85

HSL 80, 0.55%, 0.57%

LAB 77.47, -31.38, 54.23

 

CMYK 58 / 43 / 0 / 19

HEX #5675CE

RGB 86 117 206

HSL 224.5, 0.55%, 0.57%

LAB 50.87, 15.66, -49.55

 

CMYK 0 / 59 / 43 / 20

HEX #CD5575

RGB 205 85 117

HSL 344, 0.55%, 0.57%

LAB 52.69, 50.45, 6.33

 

CMYK 43 / 0 / 59 / 20

HEX #75CD55

RGB 117 205 85

HSL 104, 0.55%, 0.57%

LAB 74.89, -48.3, 50.61

 

CMYK 58 / 43 / 0 / 19

HEX #5675CE

RGB 86 117 206

HSL 224.5, 0.55%, 0.57%

LAB 50.87, 15.66, -49.55

 

CMYK 4 / 59 / 0 / 20

HEX #C555CD

RGB 197 85 205

HSL 296, 0.55%, 0.57%

LAB 54.84, 60.7, -42

 

CMYK 0 / 16 / 59 / 20

HEX #CDAD55

RGB 205 173 85

HSL 44, 0.55%, 0.57%

LAB 71.91, 1.2, 48.75

 

CMYK 55 / 0 / 59 / 20

HEX #5DCD55

RGB 93 205 85

HSL 116, 0.55%, 0.57%

LAB 73.96, -55.14, 49.3

 

CMYK 58 / 43 / 0 / 19

HEX #5675CE

RGB 86 117 206

HSL 224.5, 0.55%, 0.57%

LAB 50.87, 15.66, -49.55

 

CMYK 0 / 59 / 14 / 20

HEX #CD55B1

RGB 205 85 177

HSL 314, 0.55%, 0.57%

LAB 54.71, 58.18, -26.01

 

CMYK 0 / 16 / 59 / 20

HEX #CDAD55

RGB 205 173 85

HSL 44, 0.55%, 0.57%

LAB 71.91, 1.2, 48.75

 

CMYK 59 / 0 / 45 / 20

HEX #55CD71

RGB 85 205 113

HSL 134, 0.55%, 0.57%

LAB 74.05, -53.27, 35.9

 

Description

Color code: HEX #5675CE | qconv.com Color code: HEX #5675CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 117 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 117 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 43 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 43% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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