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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #567F41 it is the complementary color #A980BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #567F41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #567F41 shade: #5B7F3C, #6C914F, #7DA362, #8EB575 and #9FC788

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #567F41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #567F41 shade: #567F41, #456D2E, #345B1B, #234908 and #123700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #567F41 shade: #567F41, #677F41, #787F41, #7F7641 and #7F6641

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #567F41 shade: #567F41, #467F41, #417F4E, #417F5F and #417F6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #567F41 shade matches the following richer shades: #567F41, #518F32, #4C9F22, #47AE12 and #42BE03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #567F41 shade: #567F41, #5B7051, #616061, #665070 and #6B4180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #567F41 shade: #787F41, #687F41, #577F41, #477F41 and #417F4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #567F41 shade: #314925, #446433, #567F41, #699B4F and #7EAF64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #567F41 shade: #567F41, #417F76 and #7F4170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #567F41 shade: #567F41, #41577F and #7F4157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #567F41 shade: #567F41, #417F76, #6A417F and #7F414B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #567F41 shade: #567F41, #41767F, #6A417F and #7F4B41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 49 / 50

HEX #567F41

RGB 86 127 65

HSL 99.68, 0.32%, 0.38%

LAB 48.93, -26.42, 29.12

 

Complementary color

CMYK 11 / 33 / 0 / 25

HEX #A980BE

RGB 169 128 190

HSL 279.68, 0.32%, 0.62%

LAB 59.52, 27.24, -26.41

 

CMYK 28 / 0 / 53 / 50

HEX #5B7F3C

RGB 91 127 60

HSL 92.24, 0.36%, 0.37%

LAB 49.17, -25.14, 32.13

 

CMYK 26 / 0 / 46 / 43

HEX #6C914F

RGB 108 145 79

HSL 93.64, 0.29%, 0.44%

LAB 56.09, -25.1, 30.88

 

CMYK 23 / 0 / 40 / 36

HEX #7DA362

RGB 125 163 98

HSL 95.08, 0.26%, 0.51%

LAB 62.87, -25.01, 29.64

 

CMYK 22 / 0 / 35 / 29

HEX #8EB575

RGB 142 181 117

HSL 96.56, 0.3%, 0.58%

LAB 69.53, -24.89, 28.46

 

CMYK 20 / 0 / 32 / 22

HEX #9FC788

RGB 159 199 136

HSL 98.1, 0.36%, 0.66%

LAB 76.07, -24.77, 27.34

 

CMYK 32 / 0 / 49 / 50

HEX #567F41

RGB 86 127 65

HSL 99.68, 0.32%, 0.38%

LAB 48.93, -26.42, 29.12

 

CMYK 37 / 0 / 58 / 57

HEX #456D2E

RGB 69 109 46

HSL 98.1, 0.41%, 0.3%

LAB 41.84, -26.47, 30.41

 

CMYK 43 / 0 / 70 / 64

HEX #345B1B

RGB 52 91 27

HSL 96.56, 0.54%, 0.23%

LAB 34.58, -26.35, 31.49

 

CMYK 52 / 0 / 89 / 71

HEX #234908

RGB 35 73 8

HSL 95.08, 0.8%, 0.16%

LAB 27.13, -25.82, 31.69

 

CMYK 67 / 0 / 100 / 78

HEX #123700

RGB 18 55 0

HSL 100.36, 1%, 0.11%

LAB 19.48, -24.36, 26.9

 

CMYK 32 / 0 / 49 / 50

HEX #567F41

RGB 86 127 65

HSL 99.68, 0.32%, 0.38%

LAB 48.93, -26.42, 29.12

 

CMYK 19 / 0 / 49 / 50

HEX #677F41

RGB 103 127 65

HSL 83.23, 0.32%, 0.38%

LAB 50.03, -19.7, 30.73

 

CMYK 6 / 0 / 49 / 50

HEX #787F41

RGB 120 127 65

HSL 66.77, 0.32%, 0.38%

LAB 51.33, -12.48, 32.61

 

CMYK 0 / 7 / 49 / 50

HEX #7F7641

RGB 127 118 65

HSL 51.29, 0.32%, 0.38%

LAB 49.31, -4.39, 30.29

 

CMYK 0 / 20 / 49 / 50

HEX #7F6641

RGB 127 102 65

HSL 35.81, 0.32%, 0.38%

LAB 44.8, 4.85, 24.63

 

CMYK 32 / 0 / 49 / 50

HEX #567F41

RGB 86 127 65

HSL 99.68, 0.32%, 0.38%

LAB 48.93, -26.42, 29.12

 

CMYK 45 / 0 / 49 / 50

HEX #467F41

RGB 70 127 65

HSL 115.16, 0.32%, 0.38%

LAB 48.09, -32.06, 27.89

 

CMYK 49 / 0 / 39 / 50

HEX #417F4E

RGB 65 127 78

HSL 132.58, 0.32%, 0.38%

LAB 48.07, -31.46, 20.62

 

CMYK 49 / 0 / 25 / 50

HEX #417F5F

RGB 65 127 95

HSL 149.03, 0.32%, 0.38%

LAB 48.42, -28, 11.32

 

CMYK 49 / 0 / 13 / 50

HEX #417F6F

RGB 65 127 111

HSL 164.52, 0.32%, 0.38%

LAB 48.82, -24.2, 2.53

 

CMYK 32 / 0 / 49 / 50

HEX #567F41

RGB 86 127 65

HSL 99.68, 0.32%, 0.38%

LAB 48.93, -26.42, 29.12

 

CMYK 43 / 0 / 65 / 44

HEX #518F32

RGB 81 143 50

HSL 100, 0.48%, 0.38%

LAB 53.63, -37.37, 42.02

 

CMYK 52 / 0 / 79 / 38

HEX #4C9F22

RGB 76 159 34

HSL 99.84, 0.65%, 0.38%

LAB 58.46, -46.8, 53.16

 

CMYK 59 / 0 / 90 / 32

HEX #47AE12

RGB 71 174 18

HSL 99.62, 0.81%, 0.38%

LAB 63.06, -54.46, 61.31

 

CMYK 65 / 0 / 98 / 25

HEX #42BE03

RGB 66 190 3

HSL 99.79, 0.97%, 0.38%

LAB 68.01, -61.42, 67.38

 

CMYK 32 / 0 / 49 / 50

HEX #567F41

RGB 86 127 65

HSL 99.68, 0.32%, 0.38%

LAB 48.93, -26.42, 29.12

 

CMYK 19 / 0 / 28 / 56

HEX #5B7051

RGB 91 112 81

HSL 100.65, 0.16%, 0.38%

LAB 44.81, -14.14, 14.75

 

CMYK 0 / 1 / 0 / 62

HEX #616061

RGB 97 96 97

HSL 300, 0.01%, 0.38%

LAB 40.85, 0.61, -0.43

 

CMYK 9 / 29 / 0 / 56

HEX #665070

RGB 102 80 112

HSL 281.25, 0.17%, 0.38%

LAB 37.36, 15.67, -14.88

 

CMYK 16 / 49 / 0 / 50

HEX #6B4180

RGB 107 65 128

HSL 280, 0.33%, 0.38%

LAB 34.93, 30.24, -28.52

 

CMYK 6 / 0 / 49 / 50

HEX #787F41

RGB 120 127 65

HSL 66.77, 0.32%, 0.38%

LAB 51.33, -12.48, 32.61

 

CMYK 18 / 0 / 49 / 50

HEX #687F41

RGB 104 127 65

HSL 82.26, 0.32%, 0.38%

LAB 50.1, -19.28, 30.83

 

CMYK 31 / 0 / 49 / 50

HEX #577F41

RGB 87 127 65

HSL 98.71, 0.32%, 0.38%

LAB 48.99, -26.04, 29.21

 

CMYK 44 / 0 / 49 / 50

HEX #477F41

RGB 71 127 65

HSL 114.19, 0.32%, 0.38%

LAB 48.13, -31.73, 27.96

 

CMYK 49 / 0 / 39 / 50

HEX #417F4D

RGB 65 127 77

HSL 131.61, 0.32%, 0.38%

LAB 48.06, -31.64, 21.16

 

CMYK 33 / 0 / 49 / 71

HEX #314925

RGB 49 73 37

HSL 100, 0.33%, 0.22%

LAB 28.25, -17.07, 18.62

 

CMYK 32 / 0 / 49 / 61

HEX #446433

RGB 68 100 51

HSL 99.18, 0.32%, 0.3%

LAB 38.87, -21.67, 24.06

 

CMYK 32 / 0 / 49 / 50

HEX #567F41

RGB 86 127 65

HSL 99.68, 0.32%, 0.38%

LAB 48.93, -26.42, 29.12

 

CMYK 32 / 0 / 49 / 39

HEX #699B4F

RGB 105 155 79

HSL 99.47, 0.32%, 0.46%

LAB 58.98, -31.07, 34.44

 

CMYK 28 / 0 / 43 / 31

HEX #7EAF64

RGB 126 175 100

HSL 99.2, 0.32%, 0.54%

LAB 66.53, -30.19, 33.3

 

CMYK 32 / 0 / 49 / 50

HEX #567F41

RGB 86 127 65

HSL 99.68, 0.32%, 0.38%

LAB 48.93, -26.42, 29.12

 

CMYK 49 / 0 / 7 / 50

HEX #417F76

RGB 65 127 118

HSL 171.29, 0.32%, 0.38%

LAB 49.02, -22.38, -1.3

 

CMYK 0 / 49 / 12 / 50

HEX #7F4170

RGB 127 65 112

HSL 314.52, 0.32%, 0.38%

LAB 36.86, 33.47, -15.36

 

CMYK 32 / 0 / 49 / 50

HEX #567F41

RGB 86 127 65

HSL 99.68, 0.32%, 0.38%

LAB 48.93, -26.42, 29.12

 

CMYK 49 / 31 / 0 / 50

HEX #41577F

RGB 65 87 127

HSL 218.71, 0.32%, 0.38%

LAB 36.88, 3.45, -25.13

 

CMYK 0 / 49 / 31 / 50

HEX #7F4157

RGB 127 65 87

HSL 338.71, 0.32%, 0.38%

LAB 35.95, 29.43, -0.97

 

CMYK 32 / 0 / 49 / 50

HEX #567F41

RGB 86 127 65

HSL 99.68, 0.32%, 0.38%

LAB 48.93, -26.42, 29.12

 

CMYK 49 / 0 / 7 / 50

HEX #417F76

RGB 65 127 118

HSL 171.29, 0.32%, 0.38%

LAB 49.02, -22.38, -1.3

 

CMYK 17 / 49 / 0 / 50

HEX #6A417F

RGB 106 65 127

HSL 279.68, 0.32%, 0.38%

LAB 34.76, 29.7, -28.19

 

CMYK 0 / 49 / 41 / 50

HEX #7F414B

RGB 127 65 75

HSL 350.32, 0.32%, 0.38%

LAB 35.6, 27.82, 6.16

 

CMYK 32 / 0 / 49 / 50

HEX #567F41

RGB 86 127 65

HSL 99.68, 0.32%, 0.38%

LAB 48.93, -26.42, 29.12

 

CMYK 49 / 7 / 0 / 50

HEX #41767F

RGB 65 118 127

HSL 188.71, 0.32%, 0.38%

LAB 46.46, -15.04, -10.43

 

CMYK 17 / 49 / 0 / 50

HEX #6A417F

RGB 106 65 127

HSL 279.68, 0.32%, 0.38%

LAB 34.76, 29.7, -28.19

 

CMYK 0 / 41 / 49 / 50

HEX #7F4B41

RGB 127 75 65

HSL 9.68, 0.32%, 0.38%

LAB 37.71, 20.87, 15.36

 

Description

Color code: HEX #567F41 | qconv.com Color code: HEX #567F41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 127 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 127 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 49 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 49% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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