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Color name
HEX #568BD6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #568BD6 it is the complementary color #A97429. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #568BD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #568BD6 shade: #5B8BD1, #6C9DE4, #7DAFF7, #8EC1FF and #9FD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #568BD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #568BD6 shade: #568BD6, #4579C3, #3467B0, #23559D and #12438A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #568BD6 shade: #568BD6, #5669D6, #6656D6, #8956D6 and #AB56D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #568BD6 shade: #568BD6, #5669D6 and #5656D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #568BD6 shade matches the following richer shades: #568BD6, #4588E7 and #3485F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #568BD6 shade: #568BD6, #678EC5, #7891B4, #8994A3 and #9A9792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #568BD6 shade: #56CFD6, #56ADD6, #568BD6, #5669D6 and #6556D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #568BD6 shade: #2A61AF, #3574CE, #568BD6, #77A2DE and #99B9E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #568BD6 shade: #568BD6, #BA56D6 and #BED656

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #568BD6 shade: #568BD6, #D6568B and #8BD656

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #568BD6 shade: #568BD6, #BA56D6, #D6A156 and #72D656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #568BD6 shade: #568BD6, #D656CB, #D6A156 and #56D661

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

Complementary color

CMYK 0 / 31 / 76 / 34

HEX #A97429

RGB 169 116 41

HSL 35.16, 0.61%, 0.41%

LAB 53.04, 14.01, 47.64

 

CMYK 56 / 33 / 0 / 18

HEX #5B8BD1

RGB 91 139 209

HSL 215.59, 0.56%, 0.59%

LAB 57.36, 4.39, -40.95

 

CMYK 53 / 31 / 0 / 11

HEX #6C9DE4

RGB 108 157 228

HSL 215.5, 0.69%, 0.66%

LAB 64.08, 3.54, -40.92

 

CMYK 49 / 29 / 0 / 3

HEX #7DAFF7

RGB 125 175 247

HSL 215.41, 0.88%, 0.73%

LAB 70.69, 2.83, -40.92

 

CMYK 44 / 24 / 0 / 0

HEX #8EC1FF

RGB 142 193 255

HSL 212.92, 1%, 0.78%

LAB 76.75, -0.84, -35.74

 

CMYK 38 / 17 / 0 / 0

HEX #9FD3FF

RGB 159 211 255

HSL 207.5, 1%, 0.81%

LAB 82.48, -6.19, -26.85

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 65 / 38 / 0 / 24

HEX #4579C3

RGB 69 121 195

HSL 215.24, 0.51%, 0.52%

LAB 50.55, 6.24, -43.83

 

CMYK 70 / 41 / 0 / 31

HEX #3467B0

RGB 52 103 176

HSL 215.32, 0.54%, 0.45%

LAB 43.6, 7.8, -43.91

 

CMYK 78 / 46 / 0 / 38

HEX #23559D

RGB 35 85 157

HSL 215.41, 0.64%, 0.38%

LAB 36.53, 9.82, -43.99

 

CMYK 87 / 51 / 0 / 46

HEX #12438A

RGB 18 67 138

HSL 215.5, 0.77%, 0.31%

LAB 29.36, 12.51, -44

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 60 / 51 / 0 / 16

HEX #5669D6

RGB 86 105 214

HSL 231.09, 0.61%, 0.59%

LAB 48.18, 25.76, -58.42

 

CMYK 52 / 60 / 0 / 16

HEX #6656D6

RGB 102 86 214

HSL 247.5, 0.61%, 0.59%

LAB 44.71, 40.32, -63.97

 

CMYK 36 / 60 / 0 / 16

HEX #8956D6

RGB 137 86 214

HSL 263.91, 0.61%, 0.59%

LAB 48.04, 47.61, -58.42

 

CMYK 20 / 60 / 0 / 16

HEX #AB56D6

RGB 171 86 214

HSL 279.84, 0.61%, 0.59%

LAB 52.03, 55.55, -51.81

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 60 / 51 / 0 / 16

HEX #5669D6

RGB 86 105 214

HSL 231.09, 0.61%, 0.59%

LAB 48.18, 25.76, -58.42

 

CMYK 60 / 60 / 0 / 16

HEX #5656D6

RGB 86 86 214

HSL 240, 0.61%, 0.59%

LAB 43.49, 37.47, -66.01

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 70 / 41 / 0 / 9

HEX #4588E7

RGB 69 136 231

HSL 215.19, 0.77%, 0.59%

LAB 56.73, 9.77, -54.33

 

CMYK 79 / 46 / 0 / 3

HEX #3485F8

RGB 52 133 248

HSL 215.2, 0.93%, 0.59%

LAB 56.37, 15.72, -64.36

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 48 / 28 / 0 / 23

HEX #678EC5

RGB 103 142 197

HSL 215.11, 0.45%, 0.59%

LAB 58.28, 1.64, -32.69

 

CMYK 33 / 19 / 0 / 29

HEX #7891B4

RGB 120 145 180

HSL 215, 0.29%, 0.59%

LAB 59.47, -0.27, -21.16

 

CMYK 16 / 9 / 0 / 36

HEX #8994A3

RGB 137 148 163

HSL 214.62, 0.12%, 0.59%

LAB 60.91, -0.73, -9.22

 

CMYK 0 / 2 / 5 / 40

HEX #9A9792

RGB 154 151 146

HSL 37.5, 0.04%, 0.59%

LAB 62.57, 0.16, 3.01

 

CMYK 60 / 3 / 0 / 16

HEX #56CFD6

RGB 86 207 214

HSL 183.28, 0.61%, 0.59%

LAB 76.96, -31.4, -13.6

 

CMYK 60 / 19 / 0 / 16

HEX #56ADD6

RGB 86 173 214

HSL 199.22, 0.61%, 0.59%

LAB 67.07, -14.17, -28.63

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 60 / 51 / 0 / 16

HEX #5669D6

RGB 86 105 214

HSL 231.09, 0.61%, 0.59%

LAB 48.18, 25.76, -58.42

 

CMYK 53 / 60 / 0 / 16

HEX #6556D6

RGB 101 86 214

HSL 247.03, 0.61%, 0.59%

LAB 44.63, 40.14, -64.11

 

CMYK 76 / 45 / 0 / 31

HEX #2A61AF

RGB 42 97 175

HSL 215.19, 0.61%, 0.43%

LAB 41.43, 9.85, -46.82

 

CMYK 74 / 44 / 0 / 19

HEX #3574CE

RGB 53 116 206

HSL 215.29, 0.61%, 0.51%

LAB 49.13, 10.85, -52.41

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 46 / 27 / 0 / 13

HEX #77A2DE

RGB 119 162 222

HSL 214.95, 0.61%, 0.67%

LAB 65.78, 1.45, -34.92

 

CMYK 33 / 20 / 0 / 10

HEX #99B9E6

RGB 153 185 230

HSL 215.06, 0.61%, 0.75%

LAB 74.31, -0.22, -25.97

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 13 / 60 / 0 / 16

HEX #BA56D6

RGB 186 86 214

HSL 286.88, 0.61%, 0.59%

LAB 53.97, 59.2, -48.59

 

CMYK 11 / 0 / 60 / 16

HEX #BED656

RGB 190 214 86

HSL 71.25, 0.61%, 0.59%

LAB 81.68, -25.76, 58.95

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 0 / 60 / 35 / 16

HEX #D6568B

RGB 214 86 139

HSL 335.16, 0.61%, 0.59%

LAB 54.88, 55.3, -3.36

 

CMYK 35 / 0 / 60 / 16

HEX #8BD656

RGB 139 214 86

HSL 95.16, 0.61%, 0.59%

LAB 78.61, -44.79, 54.67

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 13 / 60 / 0 / 16

HEX #BA56D6

RGB 186 86 214

HSL 286.88, 0.61%, 0.59%

LAB 53.97, 59.2, -48.59

 

CMYK 0 / 25 / 60 / 16

HEX #D6A156

RGB 214 161 86

HSL 35.16, 0.61%, 0.59%

LAB 69.79, 11.51, 46.04

 

CMYK 47 / 0 / 60 / 16

HEX #72D656

RGB 114 214 86

HSL 106.88, 0.61%, 0.59%

LAB 77.49, -52.72, 53.1

 

CMYK 60 / 35 / 0 / 16

HEX #568BD6

RGB 86 139 214

HSL 215.16, 0.61%, 0.59%

LAB 57.37, 5.02, -43.77

 

CMYK 0 / 60 / 5 / 16

HEX #D656CB

RGB 214 86 203

HSL 305.16, 0.61%, 0.59%

LAB 57.33, 64.27, -36.78

 

CMYK 0 / 25 / 60 / 16

HEX #D6A156

RGB 214 161 86

HSL 35.16, 0.61%, 0.59%

LAB 69.79, 11.51, 46.04

 

CMYK 60 / 0 / 55 / 16

HEX #56D661

RGB 86 214 97

HSL 125.16, 0.61%, 0.59%

LAB 76.64, -58.72, 46.88

 

Description

Color code: HEX #568BD6 | qconv.com Color code: HEX #568BD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 139 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 139 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 35 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 35% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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