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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56A970 it is the complementary color #A9568F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56A970. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56A970 shade: #5BA96B, #6CBB7E, #7DCD91, #8EDFA4 and #9FF1B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56A970. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56A970 shade: #56A970, #45975D, #34854A, #237337 and #126124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56A970 shade: #55A96F, #55A959, #68A955, #7FA955 and #95A955

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56A970 shade: #55A96F, #55A986, #55A99D, #559FA9 and #5588A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56A970 shade matches the following richer shades: #55A96F, #40BE68, #2CD260, #17E758 and #02FC50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56A970 shade: #55A96F, #6A9477, #7E807F, #936B86 and #A7578E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56A970 shade: #69A955, #55A958, #55A96E, #55A985 and #55A99B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56A970 shade: #39724B, #478E5D, #55A96F, #70B786 and #8CC59E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56A970 shade: #56A970, #557FA9 and #A9555D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56A970 shade: #56A970, #6E55A9 and #A96E55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56A970 shade: #56A970, #557FA9, #A95590 and #A97F55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56A970 shade: #56A970, #5566A9, #A95590 and #A99855

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 34 / 34

HEX #56A970

RGB 86 169 112

HSL 138.8, 0.33%, 0.5%

LAB 62.95, -38.26, 21.84

 

Complementary color

CMYK 0 / 49 / 15 / 34

HEX #A9568F

RGB 169 86 143

HSL 318.8, 0.33%, 0.5%

LAB 48.35, 41.47, -16.2

 

CMYK 46 / 0 / 37 / 34

HEX #5BA96B

RGB 91 169 107

HSL 132.31, 0.31%, 0.51%

LAB 63.06, -37.77, 24.74

 

CMYK 42 / 0 / 33 / 27

HEX #6CBB7E

RGB 108 187 126

HSL 133.67, 0.37%, 0.58%

LAB 69.64, -37.54, 23.5

 

CMYK 39 / 0 / 29 / 20

HEX #7DCD91

RGB 125 205 145

HSL 135, 0.44%, 0.65%

LAB 76.11, -37.29, 22.35

 

CMYK 36 / 0 / 26 / 13

HEX #8EDFA4

RGB 142 223 164

HSL 136.3, 0.56%, 0.72%

LAB 82.49, -37.02, 21.27

 

CMYK 34 / 0 / 24 / 5

HEX #9FF1B7

RGB 159 241 183

HSL 137.56, 0.75%, 0.78%

LAB 88.78, -36.76, 20.26

 

CMYK 49 / 0 / 34 / 34

HEX #56A970

RGB 86 169 112

HSL 138.8, 0.33%, 0.5%

LAB 62.95, -38.26, 21.84

 

CMYK 54 / 0 / 38 / 41

HEX #45975D

RGB 69 151 93

HSL 137.56, 0.37%, 0.43%

LAB 56.28, -38.38, 23.17

 

CMYK 61 / 0 / 44 / 48

HEX #34854A

RGB 52 133 74

HSL 136.3, 0.44%, 0.36%

LAB 49.5, -38.35, 24.62

 

CMYK 70 / 0 / 52 / 55

HEX #237337

RGB 35 115 55

HSL 135, 0.53%, 0.29%

LAB 42.6, -38.02, 26.19

 

CMYK 81 / 0 / 63 / 62

HEX #126124

RGB 18 97 36

HSL 133.67, 0.69%, 0.23%

LAB 35.61, -37.08, 27.82

 

CMYK 50 / 0 / 34 / 34

HEX #55A96F

RGB 85 169 111

HSL 138.57, 0.33%, 0.5%

LAB 62.89, -38.72, 22.3

 

CMYK 50 / 0 / 47 / 34

HEX #55A959

RGB 85 169 89

HSL 122.86, 0.33%, 0.5%

LAB 62.53, -42.41, 33.5

 

CMYK 38 / 0 / 50 / 34

HEX #68A955

RGB 104 169 85

HSL 106.43, 0.33%, 0.5%

LAB 63.32, -37.08, 36.71

 

CMYK 25 / 0 / 50 / 34

HEX #7FA955

RGB 127 169 85

HSL 90, 0.33%, 0.5%

LAB 64.6, -28.85, 38.57

 

CMYK 12 / 0 / 50 / 34

HEX #95A955

RGB 149 169 85

HSL 74.29, 0.33%, 0.5%

LAB 66.08, -20.2, 40.7

 

CMYK 50 / 0 / 34 / 34

HEX #55A96F

RGB 85 169 111

HSL 138.57, 0.33%, 0.5%

LAB 62.89, -38.72, 22.3

 

CMYK 50 / 0 / 21 / 34

HEX #55A986

RGB 85 169 134

HSL 155, 0.33%, 0.5%

LAB 63.37, -34, 10.32

 

CMYK 50 / 0 / 7 / 34

HEX #55A99D

RGB 85 169 157

HSL 171.43, 0.33%, 0.5%

LAB 63.95, -28.5, -1.66

 

CMYK 50 / 6 / 0 / 34

HEX #559FA9

RGB 85 159 169

HSL 187.14, 0.33%, 0.5%

LAB 61.3, -20.24, -12.33

 

CMYK 50 / 20 / 0 / 34

HEX #5588A9

RGB 85 136 169

HSL 203.57, 0.33%, 0.5%

LAB 54.45, -7.72, -22.74

 

CMYK 50 / 0 / 34 / 34

HEX #55A96F

RGB 85 169 111

HSL 138.57, 0.33%, 0.5%

LAB 62.89, -38.72, 22.3

 

CMYK 66 / 0 / 45 / 25

HEX #40BE68

RGB 64 190 104

HSL 139.05, 0.5%, 0.5%

LAB 68.69, -53.35, 33.49

 

CMYK 79 / 0 / 54 / 18

HEX #2CD260

RGB 44 210 96

HSL 138.8, 0.65%, 0.5%

LAB 74.49, -64.66, 44.55

 

CMYK 90 / 0 / 62 / 9

HEX #17E758

RGB 23 231 88

HSL 138.75, 0.82%, 0.5%

LAB 80.76, -74.04, 55.42

 

CMYK 99 / 0 / 68 / 1

HEX #02FC50

RGB 2 252 80

HSL 138.72, 0.98%, 0.5%

LAB 87.1, -81.69, 65.55

 

CMYK 50 / 0 / 34 / 34

HEX #55A96F

RGB 85 169 111

HSL 138.57, 0.33%, 0.5%

LAB 62.89, -38.72, 22.3

 

CMYK 28 / 0 / 20 / 42

HEX #6A9477

RGB 106 148 119

HSL 138.57, 0.17%, 0.5%

LAB 57.63, -20.66, 10.77

 

CMYK 2 / 0 / 1 / 50

HEX #7E807F

RGB 126 128 127

HSL 150, 0.01%, 0.5%

LAB 53.39, -0.94, 0.27

 

CMYK 0 / 27 / 9 / 42

HEX #936B86

RGB 147 107 134

HSL 319.5, 0.16%, 0.5%

LAB 50.03, 20.5, -8.59

 

CMYK 0 / 48 / 15 / 35

HEX #A7578E

RGB 167 87 142

HSL 318.75, 0.31%, 0.5%

LAB 48.24, 40.12, -15.8

 

CMYK 38 / 0 / 50 / 34

HEX #69A955

RGB 105 169 85

HSL 105.71, 0.33%, 0.5%

LAB 63.37, -36.75, 36.78

 

CMYK 50 / 0 / 48 / 34

HEX #55A958

RGB 85 169 88

HSL 122.14, 0.33%, 0.5%

LAB 62.52, -42.56, 34

 

CMYK 50 / 0 / 35 / 34

HEX #55A96E

RGB 85 169 110

HSL 137.86, 0.33%, 0.5%

LAB 62.87, -38.9, 22.82

 

CMYK 50 / 0 / 21 / 34

HEX #55A985

RGB 85 169 133

HSL 154.29, 0.33%, 0.5%

LAB 63.34, -34.22, 10.84

 

CMYK 50 / 0 / 8 / 34

HEX #55A99B

RGB 85 169 155

HSL 170, 0.33%, 0.5%

LAB 63.9, -29.01, -0.62

 

CMYK 50 / 0 / 34 / 55

HEX #39724B

RGB 57 114 75

HSL 138.95, 0.33%, 0.34%

LAB 43.38, -28.26, 16

 

CMYK 50 / 0 / 35 / 44

HEX #478E5D

RGB 71 142 93

HSL 138.59, 0.33%, 0.42%

LAB 53.47, -33.82, 19.43

 

CMYK 50 / 0 / 34 / 34

HEX #55A96F

RGB 85 169 111

HSL 138.57, 0.33%, 0.5%

LAB 62.89, -38.72, 22.3

 

CMYK 39 / 0 / 27 / 28

HEX #70B786

RGB 112 183 134

HSL 138.59, 0.33%, 0.58%

LAB 68.78, -33.04, 18.05

 

CMYK 29 / 0 / 20 / 23

HEX #8CC59E

RGB 140 197 158

HSL 138.95, 0.33%, 0.66%

LAB 74.81, -26.5, 13.74

 

CMYK 49 / 0 / 34 / 34

HEX #56A970

RGB 86 169 112

HSL 138.8, 0.33%, 0.5%

LAB 62.95, -38.26, 21.84

 

CMYK 50 / 25 / 0 / 34

HEX #557FA9

RGB 85 127 169

HSL 210, 0.33%, 0.5%

LAB 51.81, -2.53, -26.82

 

CMYK 0 / 50 / 45 / 34

HEX #A9555D

RGB 169 85 93

HSL 354.29, 0.33%, 0.5%

LAB 46.61, 35.2, 11.39

 

CMYK 49 / 0 / 34 / 34

HEX #56A970

RGB 86 169 112

HSL 138.8, 0.33%, 0.5%

LAB 62.95, -38.26, 21.84

 

CMYK 35 / 50 / 0 / 34

HEX #6E55A9

RGB 110 85 169

HSL 257.86, 0.33%, 0.5%

LAB 42.27, 29.66, -41.68

 

CMYK 0 / 35 / 50 / 34

HEX #A96E55

RGB 169 110 85

HSL 17.86, 0.33%, 0.5%

LAB 52.11, 20.59, 23.56

 

CMYK 49 / 0 / 34 / 34

HEX #56A970

RGB 86 169 112

HSL 138.8, 0.33%, 0.5%

LAB 62.95, -38.26, 21.84

 

CMYK 50 / 25 / 0 / 34

HEX #557FA9

RGB 85 127 169

HSL 210, 0.33%, 0.5%

LAB 51.81, -2.53, -26.82

 

CMYK 0 / 50 / 15 / 34

HEX #A95590

RGB 169 85 144

HSL 317.86, 0.33%, 0.5%

LAB 48.19, 42.15, -17.05

 

CMYK 0 / 25 / 50 / 34

HEX #A97F55

RGB 169 127 85

HSL 30, 0.33%, 0.5%

LAB 56.36, 10.98, 29.05

 

CMYK 49 / 0 / 34 / 34

HEX #56A970

RGB 86 169 112

HSL 138.8, 0.33%, 0.5%

LAB 62.95, -38.26, 21.84

 

CMYK 50 / 40 / 0 / 34

HEX #5566A9

RGB 85 102 169

HSL 227.86, 0.33%, 0.5%

LAB 44.66, 12.64, -38.02

 

CMYK 0 / 50 / 15 / 34

HEX #A95590

RGB 169 85 144

HSL 317.86, 0.33%, 0.5%

LAB 48.19, 42.15, -17.05

 

CMYK 0 / 10 / 50 / 34

HEX #A99855

RGB 169 152 85

HSL 47.86, 0.33%, 0.5%

LAB 62.97, -2.88, 37.31

 

Description

Color code: HEX #56A970 | qconv.com Color code: HEX #56A970 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 169 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 169 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 34 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 34% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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