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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56C72D it is the complementary color #A938D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56C72D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56C72D shade: #5BC728, #6CD93B, #7DEB4E, #8EFD61 and #9FFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56C72D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56C72D shade: #56C72D, #45B51A, #34A307, #239100 and #127F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56C72D shade: #56C72D, #7FC72D, #A9C72D, #C7BB2D and #C7922D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56C72D shade: #56C72D, #2DC72D, #2DC757, #2DC781 and #2DC7AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56C72D shade matches the following richer shades: #56C72D, #4DDB19 and #43EF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56C72D shade: #56C72D, #5FB341, #689F54, #728C68 and #7B787C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56C72D shade: #A8C72D, #7FC72D, #56C72D, #2DC72D and #2DC756

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56C72D shade: #39841E, #47A525, #56C72D, #6ED548 and #88DD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56C72D shade: #56C72D, #2DC7BD and #C72D94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56C72D shade: #56C72D, #2D56C7 and #C72D56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56C72D shade: #56C72D, #2DC7BD, #9E2DC7 and #C72D37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56C72D shade: #56C72D, #2DA3C7, #9E2DC7 and #C7512D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

Complementary color

CMYK 20 / 73 / 0 / 18

HEX #A938D2

RGB 169 56 210

HSL 284.03, 0.63%, 0.52%

LAB 46.86, 67.21, -57.82

 

CMYK 54 / 0 / 80 / 22

HEX #5BC728

RGB 91 199 40

HSL 100.75, 0.67%, 0.47%

LAB 71.71, -57.17, 64.01

 

CMYK 50 / 0 / 73 / 15

HEX #6CD93B

RGB 108 217 59

HSL 101.39, 0.68%, 0.54%

LAB 77.95, -57.9, 64.22

 

CMYK 47 / 0 / 67 / 8

HEX #7DEB4E

RGB 125 235 78

HSL 102.04, 0.8%, 0.61%

LAB 84.14, -58.36, 63.82

 

CMYK 44 / 0 / 62 / 1

HEX #8EFD61

RGB 142 253 97

HSL 102.69, 0.98%, 0.69%

LAB 90.26, -58.63, 63.08

 

CMYK 38 / 0 / 55 / 0

HEX #9FFF74

RGB 159 255 116

HSL 101.44, 1%, 0.73%

LAB 91.75, -52.36, 56.82

 

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

CMYK 62 / 0 / 86 / 29

HEX #45B51A

RGB 69 181 26

HSL 103.35, 0.75%, 0.41%

LAB 65.27, -57.1, 61.54

 

CMYK 68 / 0 / 96 / 36

HEX #34A307

RGB 52 163 7

HSL 102.69, 0.92%, 0.33%

LAB 58.92, -55.44, 59.34

 

CMYK 76 / 0 / 100 / 43

HEX #239100

RGB 35 145 0

HSL 105.52, 1%, 0.28%

LAB 52.52, -53.02, 55.11

 

CMYK 86 / 0 / 100 / 50

HEX #127F00

RGB 18 127 0

HSL 111.5, 1%, 0.25%

LAB 46.05, -49.83, 49.83

 

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

CMYK 36 / 0 / 77 / 22

HEX #7FC72D

RGB 127 199 45

HSL 88.05, 0.63%, 0.48%

LAB 73.25, -45.6, 64.52

 

CMYK 15 / 0 / 77 / 22

HEX #A9C72D

RGB 169 199 45

HSL 71.69, 0.63%, 0.48%

LAB 75.74, -29.51, 67.74

 

CMYK 0 / 6 / 77 / 22

HEX #C7BB2D

RGB 199 187 45

HSL 55.32, 0.63%, 0.48%

LAB 74.74, -10.92, 67.69

 

CMYK 0 / 27 / 77 / 22

HEX #C7922D

RGB 199 146 45

HSL 39.35, 0.63%, 0.48%

LAB 64.07, 10.86, 57.85

 

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

CMYK 77 / 0 / 77 / 22

HEX #2DC72D

RGB 45 199 45

HSL 120, 0.63%, 0.48%

LAB 70.59, -66.34, 61.05

 

CMYK 77 / 0 / 56 / 22

HEX #2DC757

RGB 45 199 87

HSL 136.36, 0.63%, 0.48%

LAB 70.93, -62.12, 44.53

 

CMYK 77 / 0 / 35 / 22

HEX #2DC781

RGB 45 199 129

HSL 152.73, 0.63%, 0.48%

LAB 71.55, -55.02, 24.18

 

CMYK 77 / 0 / 15 / 22

HEX #2DC7AA

RGB 45 199 170

HSL 168.7, 0.63%, 0.48%

LAB 72.43, -45.5, 3.42

 

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

CMYK 65 / 0 / 89 / 14

HEX #4DDB19

RGB 77 219 25

HSL 103.92, 0.8%, 0.48%

LAB 77.47, -67.95, 72.41

 

CMYK 72 / 0 / 98 / 6

HEX #43EF05

RGB 67 239 5

HSL 104.1, 0.96%, 0.48%

LAB 83.41, -76.33, 79.56

 

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

CMYK 47 / 0 / 64 / 30

HEX #5FB341

RGB 95 179 65

HSL 104.21, 0.47%, 0.48%

LAB 65.79, -46.52, 48.96

 

CMYK 35 / 0 / 47 / 38

HEX #689F54

RGB 104 159 84

HSL 104, 0.31%, 0.48%

LAB 60.23, -32.64, 33.39

 

CMYK 19 / 0 / 26 / 45

HEX #728C68

RGB 114 140 104

HSL 103.33, 0.15%, 0.48%

LAB 55.41, -16.41, 16.27

 

CMYK 1 / 3 / 0 / 51

HEX #7B787C

RGB 123 120 124

HSL 285, 0.02%, 0.48%

LAB 50.8, 1.94, -1.79

 

CMYK 16 / 0 / 77 / 22

HEX #A8C72D

RGB 168 199 45

HSL 72.08, 0.63%, 0.48%

LAB 75.68, -29.92, 67.65

 

CMYK 36 / 0 / 77 / 22

HEX #7FC72D

RGB 127 199 45

HSL 88.05, 0.63%, 0.48%

LAB 73.25, -45.6, 64.52

 

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

CMYK 77 / 0 / 77 / 22

HEX #2DC72D

RGB 45 199 45

HSL 120, 0.63%, 0.48%

LAB 70.59, -66.34, 61.05

 

CMYK 77 / 0 / 57 / 22

HEX #2DC756

RGB 45 199 86

HSL 135.97, 0.63%, 0.48%

LAB 70.92, -62.26, 44.98

 

CMYK 57 / 0 / 77 / 48

HEX #39841E

RGB 57 132 30

HSL 104.12, 0.63%, 0.32%

LAB 48.84, -42.1, 44.96

 

CMYK 57 / 0 / 78 / 35

HEX #47A525

RGB 71 165 37

HSL 104.06, 0.63%, 0.4%

LAB 60.23, -50.3, 53.82

 

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

CMYK 48 / 0 / 66 / 16

HEX #6ED548

RGB 110 213 72

HSL 103.83, 0.63%, 0.56%

LAB 76.9, -54.82, 58.3

 

CMYK 38 / 0 / 52 / 13

HEX #88DD6A

RGB 136 221 106

HSL 104.35, 0.63%, 0.64%

LAB 80.73, -46.64, 48.03

 

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

CMYK 77 / 0 / 5 / 22

HEX #2DC7BD

RGB 45 199 189

HSL 176.1, 0.63%, 0.48%

LAB 72.94, -40.35, -6.15

 

CMYK 0 / 77 / 26 / 22

HEX #C72D94

RGB 199 45 148

HSL 319.87, 0.63%, 0.48%

LAB 47.18, 67.49, -20.58

 

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

CMYK 77 / 57 / 0 / 22

HEX #2D56C7

RGB 45 86 199

HSL 224.03, 0.63%, 0.48%

LAB 40.14, 26.51, -62.91

 

CMYK 0 / 77 / 57 / 22

HEX #C72D56

RGB 199 45 86

HSL 344.03, 0.63%, 0.48%

LAB 45.21, 61.46, 14.52

 

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

CMYK 77 / 0 / 5 / 22

HEX #2DC7BD

RGB 45 199 189

HSL 176.1, 0.63%, 0.48%

LAB 72.94, -40.35, -6.15

 

CMYK 21 / 77 / 0 / 22

HEX #9E2DC7

RGB 158 45 199

HSL 284.03, 0.63%, 0.48%

LAB 43.17, 66.81, -57.52

 

CMYK 0 / 77 / 72 / 22

HEX #C72D37

RGB 199 45 55

HSL 356.1, 0.63%, 0.48%

LAB 44.65, 59.7, 32.73

 

CMYK 57 / 0 / 77 / 22

HEX #56C72D

RGB 86 199 45

HSL 104.03, 0.63%, 0.48%

LAB 71.56, -58.21, 62.33

 

CMYK 77 / 18 / 0 / 22

HEX #2DA3C7

RGB 45 163 199

HSL 194.03, 0.63%, 0.48%

LAB 62.4, -19.78, -27.6

 

CMYK 21 / 77 / 0 / 22

HEX #9E2DC7

RGB 158 45 199

HSL 284.03, 0.63%, 0.48%

LAB 43.17, 66.81, -57.52

 

CMYK 0 / 59 / 77 / 22

HEX #C7512D

RGB 199 81 45

HSL 14.03, 0.63%, 0.48%

LAB 49.76, 45.12, 43.83

 

Description

Color code: HEX #56C72D | qconv.com Color code: HEX #56C72D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 199 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 199 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 77 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 77% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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