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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56D694 it is the complementary color #A9296B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56D694. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56D694 shade: #5BD68F, #6CE8A2, #7DFAB5, #8EFFC8 and #9FFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56D694. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56D694 shade: #56D694, #45C481, #34B26E, #23A05B and #128E48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56D694 shade: #56D694, #56D672, #5DD656, #80D656 and #A2D656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56D694 shade: #56D694, #56D6B6, #56D3D6, #56B0D6 and #568ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56D694 shade matches the following richer shades: #56D694, #45E793 and #34F893

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56D694 shade: #56D694, #67C594, #78B495, #89A396 and #9A9296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56D694 shade: #5DD656, #56D672, #56D694, #56D6B6 and #56D4D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56D694 shade: #2AAF6B, #35CE7F, #56D694, #77DEA9 and #99E6BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56D694 shade: #56D694, #567FD6 and #D66156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56D694 shade: #56D694, #9456D6 and #D69456

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56D694 shade: #56D694, #567FD6, #D65698 and #D6AD56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56D694 shade: #56D694, #5658D6, #D65698 and #D6D456

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

Complementary color

CMYK 0 / 76 / 37 / 34

HEX #A9296B

RGB 169 41 107

HSL 329.06, 0.61%, 0.41%

LAB 39.72, 56.28, -7.24

 

CMYK 57 / 0 / 33 / 16

HEX #5BD68F

RGB 91 214 143

HSL 145.37, 0.6%, 0.6%

LAB 77.46, -50.3, 25.02

 

CMYK 53 / 0 / 30 / 9

HEX #6CE8A2

RGB 108 232 162

HSL 146.13, 0.73%, 0.67%

LAB 83.71, -50.27, 23.77

 

CMYK 50 / 0 / 28 / 2

HEX #7DFAB5

RGB 125 250 181

HSL 146.88, 0.93%, 0.74%

LAB 89.89, -50.17, 22.61

 

CMYK 44 / 0 / 22 / 0

HEX #8EFFC8

RGB 142 255 200

HSL 150.8, 1%, 0.78%

LAB 92.33, -44.44, 16.37

 

CMYK 38 / 0 / 14 / 0

HEX #9FFFDB

RGB 159 255 219

HSL 157.5, 1%, 0.81%

LAB 93.45, -36.19, 8.3

 

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

CMYK 65 / 0 / 34 / 23

HEX #45C481

RGB 69 196 129

HSL 148.35, 0.52%, 0.52%

LAB 71.1, -50.2, 23.65

 

CMYK 71 / 0 / 38 / 30

HEX #34B26E

RGB 52 178 110

HSL 147.62, 0.55%, 0.45%

LAB 64.72, -49.79, 25.12

 

CMYK 78 / 0 / 43 / 37

HEX #23A05B

RGB 35 160 91

HSL 146.88, 0.64%, 0.38%

LAB 58.28, -49.05, 26.72

 

CMYK 87 / 0 / 49 / 44

HEX #128E48

RGB 18 142 72

HSL 146.13, 0.78%, 0.31%

LAB 51.77, -47.78, 28.47

 

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

CMYK 60 / 0 / 47 / 16

HEX #56D672

RGB 86 214 114

HSL 133.13, 0.61%, 0.59%

LAB 76.85, -56.34, 38.96

 

CMYK 57 / 0 / 60 / 16

HEX #5DD656

RGB 93 214 86

HSL 116.72, 0.61%, 0.59%

LAB 76.73, -58.38, 52.04

 

CMYK 40 / 0 / 60 / 16

HEX #80D656

RGB 128 214 86

HSL 100.31, 0.61%, 0.59%

LAB 78.08, -48.42, 53.94

 

CMYK 24 / 0 / 60 / 16

HEX #A2D656

RGB 162 214 86

HSL 84.38, 0.61%, 0.59%

LAB 79.87, -36.58, 56.43

 

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

CMYK 60 / 0 / 15 / 16

HEX #56D6B6

RGB 86 214 182

HSL 165, 0.61%, 0.59%

LAB 78.14, -42.91, 5.32

 

CMYK 60 / 1 / 0 / 16

HEX #56D3D6

RGB 86 211 214

HSL 181.41, 0.61%, 0.59%

LAB 78.12, -33.3, -11.85

 

CMYK 60 / 18 / 0 / 16

HEX #56B0D6

RGB 86 176 214

HSL 197.81, 0.61%, 0.59%

LAB 67.94, -15.77, -27.3

 

CMYK 60 / 34 / 0 / 16

HEX #568ED6

RGB 86 142 214

HSL 213.75, 0.61%, 0.59%

LAB 58.21, 3.25, -42.44

 

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

CMYK 70 / 0 / 36 / 9

HEX #45E793

RGB 69 231 147

HSL 148.89, 0.77%, 0.59%

LAB 82.12, -60.19, 29.14

 

CMYK 79 / 0 / 41 / 3

HEX #34F893

RGB 52 248 147

HSL 149.08, 0.93%, 0.59%

LAB 86.98, -68.42, 35.54

 

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

CMYK 48 / 0 / 25 / 23

HEX #67C594

RGB 103 197 148

HSL 148.72, 0.45%, 0.59%

LAB 72.86, -39.2, 16.12

 

CMYK 33 / 0 / 17 / 29

HEX #78B495

RGB 120 180 149

HSL 149, 0.29%, 0.59%

LAB 68.61, -26.2, 9.7

 

CMYK 16 / 0 / 8 / 36

HEX #89A396

RGB 137 163 150

HSL 150, 0.12%, 0.59%

LAB 64.74, -11.71, 3.73

 

CMYK 0 / 5 / 3 / 40

HEX #9A9296

RGB 154 146 150

HSL 330, 0.04%, 0.59%

LAB 61.33, 3.7, -1.06

 

CMYK 57 / 0 / 60 / 16

HEX #5DD656

RGB 93 214 86

HSL 116.72, 0.61%, 0.59%

LAB 76.73, -58.38, 52.04

 

CMYK 60 / 0 / 47 / 16

HEX #56D672

RGB 86 214 114

HSL 133.13, 0.61%, 0.59%

LAB 76.85, -56.34, 38.96

 

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

CMYK 60 / 0 / 15 / 16

HEX #56D6B6

RGB 86 214 182

HSL 165, 0.61%, 0.59%

LAB 78.14, -42.91, 5.32

 

CMYK 60 / 1 / 0 / 16

HEX #56D4D6

RGB 86 212 214

HSL 180.94, 0.61%, 0.59%

LAB 78.42, -33.78, -11.41

 

CMYK 76 / 0 / 39 / 31

HEX #2AAF6B

RGB 42 175 107

HSL 149.32, 0.61%, 0.43%

LAB 63.52, -50.72, 25.09

 

CMYK 74 / 0 / 38 / 19

HEX #35CE7F

RGB 53 206 127

HSL 149.02, 0.61%, 0.51%

LAB 73.82, -57, 28.3

 

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

CMYK 46 / 0 / 24 / 13

HEX #77DEA9

RGB 119 222 169

HSL 149.13, 0.61%, 0.67%

LAB 81.31, -41.97, 16.86

 

CMYK 33 / 0 / 17 / 10

HEX #99E6BE

RGB 153 230 190

HSL 148.83, 0.61%, 0.75%

LAB 85.55, -32.12, 12.04

 

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

CMYK 60 / 41 / 0 / 16

HEX #567FD6

RGB 86 127 214

HSL 220.78, 0.61%, 0.59%

LAB 54.04, 12.21, -49.04

 

CMYK 0 / 55 / 60 / 16

HEX #D66156

RGB 214 97 86

HSL 5.16, 0.61%, 0.59%

LAB 55.6, 45.21, 28.73

 

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

CMYK 31 / 60 / 0 / 16

HEX #9456D6

RGB 148 86 214

HSL 269.06, 0.61%, 0.59%

LAB 49.26, 50.12, -56.4

 

CMYK 0 / 31 / 60 / 16

HEX #D69456

RGB 214 148 86

HSL 29.06, 0.61%, 0.59%

LAB 66.63, 18.52, 42.32

 

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

CMYK 60 / 41 / 0 / 16

HEX #567FD6

RGB 86 127 214

HSL 220.78, 0.61%, 0.59%

LAB 54.04, 12.21, -49.04

 

CMYK 0 / 60 / 29 / 16

HEX #D65698

RGB 214 86 152

HSL 329.06, 0.61%, 0.59%

LAB 55.3, 56.87, -10.39

 

CMYK 0 / 19 / 60 / 16

HEX #D6AD56

RGB 214 173 86

HSL 40.78, 0.61%, 0.59%

LAB 72.8, 5.08, 49.52

 

CMYK 60 / 0 / 31 / 16

HEX #56D694

RGB 86 214 148

HSL 149.06, 0.61%, 0.59%

LAB 77.41, -50.38, 22.31

 

CMYK 60 / 59 / 0 / 16

HEX #5658D6

RGB 86 88 214

HSL 239.06, 0.61%, 0.59%

LAB 43.96, 36.26, -65.24

 

CMYK 0 / 60 / 29 / 16

HEX #D65698

RGB 214 86 152

HSL 329.06, 0.61%, 0.59%

LAB 55.3, 56.87, -10.39

 

CMYK 0 / 1 / 60 / 16

HEX #D6D456

RGB 214 212 86

HSL 59.06, 0.61%, 0.59%

LAB 82.94, -15.05, 60.84

 

Description

Color code: HEX #56D694 | qconv.com Color code: HEX #56D694 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 214 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 214 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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