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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #570E50 it is the complementary color #A8F1AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #570E50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #570E50 shade: #5C0E4B, #6D205E, #7E3271, #8F4484 and #A05697

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #570E50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #570E50 shade: #570E50, #46003D, #35002A, #240017 and #130004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #570E50 shade: #570E50, #570E3C, #570E29, #570E15 and #570E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #570E50 shade: #570E50, #4A0E57, #370E57, #230E57 and #0F0E57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #570E50 shade matches the following richer shades: #570E50 and #5F0657

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #570E50 shade: #570E50, #4F164A, #471E43, #3E273C and #362F36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #570E50 shade: #360E57, #4A0E57, #570E51, #570E3E and #570E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #570E50 shade: #10020F, #340830, #570E50, #7B1471 and #9E1991

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #570E50 shade: #570E50, #57230E and #0E5740

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #570E50 shade: #570E50, #51570E and #0E5157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #570E50 shade: #570E50, #57230E, #0E5714 and #0E4257

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #570E50 shade: #570E50, #57390E, #0E5714 and #0E2C57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

Complementary color

CMYK 30 / 0 / 27 / 5

HEX #A8F1AF

RGB 168 241 175

HSL 125.75, 0.72%, 0.8%

LAB 89.08, -35.41, 24.85

 

CMYK 0 / 85 / 18 / 64

HEX #5C0E4B

RGB 92 14 75

HSL 313.08, 0.74%, 0.21%

LAB 20.43, 40.28, -17.11

 

CMYK 0 / 71 / 14 / 57

HEX #6D205E

RGB 109 32 94

HSL 311.69, 0.55%, 0.28%

LAB 27, 41.24, -19.32

 

CMYK 0 / 60 / 10 / 51

HEX #7E3271

RGB 126 50 113

HSL 310.26, 0.43%, 0.35%

LAB 33.79, 41.16, -20.73

 

CMYK 0 / 52 / 8 / 44

HEX #8F4484

RGB 143 68 132

HSL 308.8, 0.36%, 0.41%

LAB 40.64, 40.64, -21.72

 

CMYK 0 / 46 / 6 / 37

HEX #A05697

RGB 160 86 151

HSL 307.3, 0.3%, 0.48%

LAB 47.45, 39.94, -22.47

 

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

CMYK 0 / 100 / 13 / 73

HEX #46003D

RGB 70 0 61

HSL 307.71, 1%, 0.14%

LAB 13.47, 37.22, -18.62

 

CMYK 0 / 100 / 21 / 79

HEX #35002A

RGB 53 0 42

HSL 312.45, 1%, 0.1%

LAB 8.34, 30.44, -13.07

 

CMYK 0 / 100 / 36 / 86

HEX #240017

RGB 36 0 23

HSL 321.67, 1%, 0.07%

LAB 3.95, 19.1, -5.33

 

CMYK 0 / 100 / 79 / 93

HEX #130004

RGB 19 0 4

HSL 347.37, 1%, 0.04%

LAB 1.33, 6.17, 0.46

 

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

CMYK 0 / 84 / 31 / 66

HEX #570E3C

RGB 87 14 60

HSL 322.19, 0.72%, 0.2%

LAB 18.66, 36.75, -9.56

 

CMYK 0 / 84 / 53 / 66

HEX #570E29

RGB 87 14 41

HSL 337.81, 0.72%, 0.2%

LAB 17.92, 34.51, 2.85

 

CMYK 0 / 84 / 76 / 66

HEX #570E15

RGB 87 14 21

HSL 354.25, 0.72%, 0.2%

LAB 17.43, 32.98, 16.48

 

CMYK 0 / 84 / 84 / 66

HEX #570E0E

RGB 87 14 14

HSL 0, 0.72%, 0.2%

LAB 17.33, 32.64, 20.53

 

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

CMYK 15 / 84 / 0 / 66

HEX #4A0E57

RGB 74 14 87

HSL 289.32, 0.72%, 0.2%

LAB 17.73, 38.16, -29.75

 

CMYK 37 / 84 / 0 / 66

HEX #370E57

RGB 55 14 87

HSL 273.7, 0.72%, 0.2%

LAB 14.48, 34.21, -35.16

 

CMYK 60 / 84 / 0 / 66

HEX #230E57

RGB 35 14 87

HSL 257.26, 0.72%, 0.2%

LAB 11.69, 30.75, -39.85

 

CMYK 83 / 84 / 0 / 66

HEX #0F0E57

RGB 15 14 87

HSL 240.82, 0.72%, 0.2%

LAB 9.83, 28.4, -42.98

 

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

CMYK 0 / 94 / 8 / 63

HEX #5F0657

RGB 95 6 87

HSL 305.39, 0.88%, 0.2%

LAB 21.02, 44.94, -24.25

 

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

CMYK 0 / 72 / 6 / 69

HEX #4F164A

RGB 79 22 74

HSL 305.26, 0.56%, 0.2%

LAB 18.93, 33.57, -18.95

 

CMYK 0 / 58 / 6 / 72

HEX #471E43

RGB 71 30 67

HSL 305.85, 0.41%, 0.2%

LAB 18.69, 25.51, -14.63

 

CMYK 0 / 37 / 3 / 76

HEX #3E273C

RGB 62 39 60

HSL 305.22, 0.23%, 0.2%

LAB 19.23, 14.93, -9.06

 

CMYK 0 / 13 / 0 / 79

HEX #362F36

RGB 54 47 54

HSL 300, 0.07%, 0.2%

LAB 20.38, 4.72, -3.3

 

CMYK 38 / 84 / 0 / 66

HEX #360E57

RGB 54 14 87

HSL 272.88, 0.72%, 0.2%

LAB 14.32, 34.02, -35.42

 

CMYK 15 / 84 / 0 / 66

HEX #4A0E57

RGB 74 14 87

HSL 289.32, 0.72%, 0.2%

LAB 17.73, 38.16, -29.75

 

CMYK 0 / 84 / 7 / 66

HEX #570E51

RGB 87 14 81

HSL 304.93, 0.72%, 0.2%

LAB 19.78, 40.02, -22.28

 

CMYK 0 / 84 / 29 / 66

HEX #570E3E

RGB 87 14 62

HSL 320.55, 0.72%, 0.2%

LAB 18.75, 37.03, -10.81

 

CMYK 0 / 84 / 52 / 66

HEX #570E2A

RGB 87 14 42

HSL 336.99, 0.72%, 0.2%

LAB 17.95, 34.61, 2.18

 

CMYK 0 / 88 / 6 / 94

HEX #10020F

RGB 16 2 15

HSL 304.29, 0.78%, 0.04%

LAB 1.7, 5.85, -3.81

 

CMYK 0 / 85 / 8 / 80

HEX #340830

RGB 52 8 48

HSL 305.45, 0.73%, 0.12%

LAB 9.93, 27.1, -15.05

 

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

CMYK 0 / 84 / 8 / 52

HEX #7B1471

RGB 123 20 113

HSL 305.83, 0.72%, 0.28%

LAB 29.17, 51.89, -28.02

 

CMYK 0 / 84 / 8 / 38

HEX #9E1991

RGB 158 25 145

HSL 305.86, 0.73%, 0.36%

LAB 37.86, 63.05, -33.85

 

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

CMYK 0 / 60 / 84 / 66

HEX #57230E

RGB 87 35 14

HSL 17.26, 0.72%, 0.2%

LAB 21.06, 22.63, 24.84

 

CMYK 84 / 0 / 26 / 66

HEX #0E5740

RGB 14 87 64

HSL 161.1, 0.72%, 0.2%

LAB 32.44, -27.7, 7.33

 

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

CMYK 7 / 0 / 84 / 66

HEX #51570E

RGB 81 87 14

HSL 64.93, 0.72%, 0.2%

LAB 35.2, -12.29, 38.16

 

CMYK 84 / 7 / 0 / 66

HEX #0E5157

RGB 14 81 87

HSL 184.93, 0.72%, 0.2%

LAB 31.03, -17.36, -9.29

 

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

CMYK 0 / 60 / 84 / 66

HEX #57230E

RGB 87 35 14

HSL 17.26, 0.72%, 0.2%

LAB 21.06, 22.63, 24.84

 

CMYK 84 / 0 / 77 / 66

HEX #0E5714

RGB 14 87 20

HSL 124.93, 0.72%, 0.2%

LAB 31.72, -35.98, 31.23

 

CMYK 84 / 24 / 0 / 66

HEX #0E4257

RGB 14 66 87

HSL 197.26, 0.72%, 0.2%

LAB 25.8, -8.45, -17.31

 

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

CMYK 0 / 34 / 84 / 66

HEX #57390E

RGB 87 57 14

HSL 35.34, 0.72%, 0.2%

LAB 26.69, 9.07, 30.51

 

CMYK 84 / 0 / 77 / 66

HEX #0E5714

RGB 14 87 20

HSL 124.93, 0.72%, 0.2%

LAB 31.72, -35.98, 31.23

 

CMYK 84 / 49 / 0 / 66

HEX #0E2C57

RGB 14 44 87

HSL 215.34, 0.72%, 0.2%

LAB 18.29, 6.66, -29.17

 

Description

Color code: HEX #570E50 | qconv.com Color code: HEX #570E50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 14 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 14 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 8 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 8% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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