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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #571462 it is the complementary color #A8EB9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #571462. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #571462 shade: #5C145D, #6D2670, #7E3883, #8F4A96 and #A05CA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #571462. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #571462 shade: #571462, #46024F, #35003C, #240029 and #130016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #571462 shade: #561361, #611357, #611342, #61132D and #611318

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #571462 shade: #561361, #411361, #2C1361, #171361 and #131361

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #571462 shade matches the following richer shades: #561361, #5D0A6A and #640074

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #571462 shade: #561361, #4F1D57, #48264E, #423044 and #3B393B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #571462 shade: #2C1361, #411361, #551361, #611358 and #611343

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #571462 shade: #19051C, #380C3F, #561361, #741A83 and #9321A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #571462 shade: #571462, #611713 and #136136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #571462 shade: #571462, #615513 and #136155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #571462 shade: #571462, #611713, #1F6113 and #135D61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #571462 shade: #571462, #612F13, #1F6113 and #134661

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 80 / 0 / 62

HEX #571462

RGB 87 20 98

HSL 291.54, 0.66%, 0.23%

LAB 21.61, 41.15, -30.71

 

Complementary color

CMYK 29 / 0 / 33 / 8

HEX #A8EB9D

RGB 168 235 157

HSL 111.54, 0.66%, 0.77%

LAB 87.08, -35.54, 31.33

 

CMYK 1 / 78 / 0 / 64

HEX #5C145D

RGB 92 20 93

HSL 299.18, 0.65%, 0.22%

LAB 22.18, 41.35, -26.45

 

CMYK 3 / 66 / 0 / 56

HEX #6D2670

RGB 109 38 112

HSL 297.57, 0.49%, 0.29%

LAB 28.92, 41.82, -27.93

 

CMYK 4 / 57 / 0 / 49

HEX #7E3883

RGB 126 56 131

HSL 296, 0.4%, 0.37%

LAB 35.8, 41.52, -28.85

 

CMYK 5 / 51 / 0 / 41

HEX #8F4A96

RGB 143 74 150

HSL 294.47, 0.34%, 0.44%

LAB 42.67, 40.9, -29.47

 

CMYK 5 / 46 / 0 / 34

HEX #A05CA9

RGB 160 92 169

HSL 292.99, 0.31%, 0.51%

LAB 49.49, 40.15, -29.93

 

CMYK 11 / 80 / 0 / 62

HEX #571462

RGB 87 20 98

HSL 291.54, 0.66%, 0.23%

LAB 21.61, 41.15, -30.71

 

CMYK 11 / 97 / 0 / 69

HEX #46024F

RGB 70 2 79

HSL 292.99, 0.95%, 0.16%

LAB 15.01, 39.66, -28.73

 

CMYK 12 / 100 / 0 / 76

HEX #35003C

RGB 53 0 60

HSL 293, 1%, 0.12%

LAB 9.67, 33.65, -24.19

 

CMYK 12 / 100 / 0 / 84

HEX #240029

RGB 36 0 41

HSL 292.68, 1%, 0.08%

LAB 4.83, 24.24, -18.07

 

CMYK 14 / 100 / 0 / 91

HEX #130016

RGB 19 0 22

HSL 291.82, 1%, 0.04%

LAB 1.77, 9.29, -8.03

 

CMYK 11 / 80 / 0 / 62

HEX #561361

RGB 86 19 97

HSL 291.54, 0.67%, 0.23%

LAB 21.23, 41.09, -30.67

 

CMYK 0 / 80 / 10 / 62

HEX #611357

RGB 97 19 87

HSL 307.69, 0.67%, 0.23%

LAB 22.64, 41.87, -21.67

 

CMYK 0 / 80 / 32 / 62

HEX #611342

RGB 97 19 66

HSL 323.85, 0.67%, 0.23%

LAB 21.58, 38.7, -9.08

 

CMYK 0 / 80 / 54 / 62

HEX #61132D

RGB 97 19 45

HSL 340, 0.67%, 0.23%

LAB 20.81, 36.3, 4.42

 

CMYK 0 / 80 / 75 / 62

HEX #611318

RGB 97 19 24

HSL 356.15, 0.67%, 0.23%

LAB 20.33, 34.74, 18.43

 

CMYK 11 / 80 / 0 / 62

HEX #561361

RGB 86 19 97

HSL 291.54, 0.67%, 0.23%

LAB 21.23, 41.09, -30.67

 

CMYK 33 / 80 / 0 / 62

HEX #411361

RGB 65 19 97

HSL 275.38, 0.67%, 0.23%

LAB 17.7, 36.55, -36.54

 

CMYK 55 / 80 / 0 / 62

HEX #2C1361

RGB 44 19 97

HSL 259.23, 0.67%, 0.23%

LAB 14.76, 32.64, -41.48

 

CMYK 76 / 80 / 0 / 62

HEX #171361

RGB 23 19 97

HSL 243.08, 0.67%, 0.23%

LAB 12.68, 29.77, -44.97

 

CMYK 80 / 80 / 0 / 62

HEX #131361

RGB 19 19 97

HSL 240, 0.67%, 0.23%

LAB 12.4, 29.38, -45.45

 

CMYK 11 / 80 / 0 / 62

HEX #561361

RGB 86 19 97

HSL 291.54, 0.67%, 0.23%

LAB 21.23, 41.09, -30.67

 

CMYK 12 / 91 / 0 / 58

HEX #5D0A6A

RGB 93 10 106

HSL 291.88, 0.83%, 0.23%

LAB 22.25, 46.93, -34.87

 

CMYK 14 / 100 / 0 / 55

HEX #640074

RGB 100 0 116

HSL 291.72, 1%, 0.23%

LAB 23.57, 52.21, -39.14

 

CMYK 11 / 80 / 0 / 62

HEX #561361

RGB 86 19 97

HSL 291.54, 0.67%, 0.23%

LAB 21.23, 41.09, -30.67

 

CMYK 9 / 67 / 0 / 66

HEX #4F1D57

RGB 79 29 87

HSL 291.72, 0.5%, 0.23%

LAB 20.94, 32.81, -24.57

 

CMYK 8 / 51 / 0 / 69

HEX #48264E

RGB 72 38 78

HSL 291, 0.34%, 0.23%

LAB 21.26, 23.45, -18.1

 

CMYK 3 / 29 / 0 / 73

HEX #423044

RGB 66 48 68

HSL 294, 0.17%, 0.23%

LAB 22.62, 12.36, -9.32

 

CMYK 0 / 3 / 0 / 77

HEX #3B393B

RGB 59 57 59

HSL 300, 0.02%, 0.23%

LAB 24.23, 1.32, -0.94

 

CMYK 55 / 80 / 0 / 62

HEX #2C1361

RGB 44 19 97

HSL 259.23, 0.67%, 0.23%

LAB 14.76, 32.64, -41.48

 

CMYK 33 / 80 / 0 / 62

HEX #411361

RGB 65 19 97

HSL 275.38, 0.67%, 0.23%

LAB 17.7, 36.55, -36.54

 

CMYK 12 / 80 / 0 / 62

HEX #551361

RGB 85 19 97

HSL 290.77, 0.67%, 0.23%

LAB 21.06, 40.86, -30.96

 

CMYK 0 / 80 / 9 / 62

HEX #611358

RGB 97 19 88

HSL 306.92, 0.67%, 0.23%

LAB 22.69, 42.04, -22.25

 

CMYK 0 / 80 / 31 / 62

HEX #611343

RGB 97 19 67

HSL 323.08, 0.67%, 0.23%

LAB 21.63, 38.83, -9.7

 

CMYK 11 / 82 / 0 / 89

HEX #19051C

RGB 25 5 28

HSL 292.17, 0.7%, 0.06%

LAB 3.6, 11.69, -9.96

 

CMYK 11 / 81 / 0 / 75

HEX #380C3F

RGB 56 12 63

HSL 291.76, 0.68%, 0.15%

LAB 12.37, 29.52, -21.96

 

CMYK 11 / 80 / 0 / 62

HEX #561361

RGB 86 19 97

HSL 291.54, 0.67%, 0.23%

LAB 21.23, 41.09, -30.67

 

CMYK 11 / 80 / 0 / 49

HEX #741A83

RGB 116 26 131

HSL 291.43, 0.67%, 0.31%

LAB 29.64, 51.78, -38.73

 

CMYK 11 / 80 / 0 / 35

HEX #9321A5

RGB 147 33 165

HSL 291.82, 0.67%, 0.39%

LAB 37.86, 62.09, -46.09

 

CMYK 11 / 80 / 0 / 62

HEX #571462

RGB 87 20 98

HSL 291.54, 0.66%, 0.23%

LAB 21.61, 41.15, -30.71

 

CMYK 0 / 76 / 80 / 62

HEX #611713

RGB 97 23 19

HSL 3.08, 0.67%, 0.23%

LAB 20.83, 32.9, 22.3

 

CMYK 80 / 0 / 44 / 62

HEX #136136

RGB 19 97 54

HSL 146.92, 0.67%, 0.23%

LAB 35.9, -33.77, 18.13

 

CMYK 11 / 80 / 0 / 62

HEX #571462

RGB 87 20 98

HSL 291.54, 0.66%, 0.23%

LAB 21.61, 41.15, -30.71

 

CMYK 0 / 12 / 80 / 62

HEX #615513

RGB 97 85 19

HSL 50.77, 0.67%, 0.23%

LAB 36.15, -2.99, 37.74

 

CMYK 80 / 0 / 12 / 62

HEX #136155

RGB 19 97 85

HSL 170.77, 0.67%, 0.23%

LAB 36.64, -25.8, 0.3

 

CMYK 11 / 80 / 0 / 62

HEX #571462

RGB 87 20 98

HSL 291.54, 0.66%, 0.23%

LAB 21.61, 41.15, -30.71

 

CMYK 0 / 76 / 80 / 62

HEX #611713

RGB 97 23 19

HSL 3.08, 0.67%, 0.23%

LAB 20.83, 32.9, 22.3

 

CMYK 68 / 0 / 80 / 62

HEX #1F6113

RGB 31 97 19

HSL 110.77, 0.67%, 0.23%

LAB 35.77, -36.32, 35.87

 

CMYK 80 / 4 / 0 / 62

HEX #135D61

RGB 19 93 97

HSL 183.08, 0.67%, 0.23%

LAB 35.66, -19.87, -8.61

 

CMYK 11 / 80 / 0 / 62

HEX #571462

RGB 87 20 98

HSL 291.54, 0.66%, 0.23%

LAB 21.61, 41.15, -30.71

 

CMYK 0 / 52 / 80 / 62

HEX #612F13

RGB 97 47 19

HSL 21.54, 0.67%, 0.23%

LAB 25.63, 20.36, 27.41

 

CMYK 68 / 0 / 80 / 62

HEX #1F6113

RGB 31 97 19

HSL 110.77, 0.67%, 0.23%

LAB 35.77, -36.32, 35.87

 

CMYK 80 / 28 / 0 / 62

HEX #134661

RGB 19 70 97

HSL 200.77, 0.67%, 0.23%

LAB 27.8, -6.35, -20.66

 

Description

Color code: HEX #571462 | qconv.com Color code: HEX #571462 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 20 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 20 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 80 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 80% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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