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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5710CA it is the complementary color #A8EF35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5710CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5710CA shade: #5C10C5, #6D22D8, #7E34EB, #8F46FE and #A058FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5710CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5710CA shade: #5710CA, #4600B7, #3500A4, #240091 and #13007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5710CA shade: #5710CA, #8910CA, #BC10CA, #CA10A7 and #CA1075

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5710CA shade: #5710CA, #2510CA and #1010CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5710CA shade matches the following richer shades: #5710CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5710CA shade: #5710CA, #5B22B9, #5F33A7, #644595 and #685783

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5710CA shade: #102FCA, #2310CA, #5410CA, #8610CA and #B810CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5710CA shade: #360A7E, #470DA4, #5710CA, #6918EC and #813EEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5710CA shade: #5710CA, #CA1061 and #16CA10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5710CA shade: #5710CA, #CA5410 and #10CA54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5710CA shade: #5710CA, #CA1061, #86CA10 and #10CA7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5710CA shade: #5710CA, #CA1029, #86CA10 and #10CAB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 92 / 0 / 21

HEX #5710CA

RGB 87 16 202

HSL 262.9, 0.85%, 0.43%

LAB 31.02, 66.17, -79.53

 

Complementary color

CMYK 30 / 0 / 78 / 6

HEX #A8EF35

RGB 168 239 53

HSL 82.9, 0.85%, 0.57%

LAB 87.15, -47.39, 75.88

 

CMYK 53 / 92 / 0 / 23

HEX #5C10C5

RGB 92 16 197

HSL 265.19, 0.85%, 0.42%

LAB 31.06, 65.4, -76.52

 

CMYK 50 / 84 / 0 / 15

HEX #6D22D8

RGB 109 34 216

HSL 264.73, 0.73%, 0.49%

LAB 36.66, 66.79, -78.27

 

CMYK 46 / 78 / 0 / 8

HEX #7E34EB

RGB 126 52 235

HSL 264.26, 0.82%, 0.56%

LAB 42.6, 67.05, -79.27

 

CMYK 44 / 72 / 0 / 0

HEX #8F46FE

RGB 143 70 254

HSL 263.8, 0.99%, 0.64%

LAB 48.73, 66.67, -79.82

 

CMYK 37 / 65 / 0 / 0

HEX #A058FF

RGB 160 88 255

HSL 265.87, 1%, 0.67%

LAB 53.68, 61.55, -72.24

 

CMYK 57 / 92 / 0 / 21

HEX #5710CA

RGB 87 16 202

HSL 262.9, 0.85%, 0.43%

LAB 31.02, 66.17, -79.53

 

CMYK 62 / 100 / 0 / 28

HEX #4600B7

RGB 70 0 183

HSL 262.95, 1%, 0.36%

LAB 25.92, 63.49, -76.83

 

CMYK 68 / 100 / 0 / 36

HEX #3500A4

RGB 53 0 164

HSL 259.39, 1%, 0.32%

LAB 21.72, 58.09, -72.44

 

CMYK 75 / 100 / 0 / 43

HEX #240091

RGB 36 0 145

HSL 254.9, 1%, 0.28%

LAB 17.55, 52.67, -67.72

 

CMYK 85 / 100 / 0 / 51

HEX #13007E

RGB 19 0 126

HSL 249.05, 1%, 0.25%

LAB 13.5, 47.26, -62.53

 

CMYK 57 / 92 / 0 / 21

HEX #5710CA

RGB 87 16 202

HSL 262.9, 0.85%, 0.43%

LAB 31.02, 66.17, -79.53

 

CMYK 32 / 92 / 0 / 21

HEX #8910CA

RGB 137 16 202

HSL 279.03, 0.85%, 0.43%

LAB 37.76, 71.33, -68.2

 

CMYK 7 / 92 / 0 / 21

HEX #BC10CA

RGB 188 16 202

HSL 295.48, 0.85%, 0.43%

LAB 46.08, 78.75, -54.32

 

CMYK 0 / 92 / 17 / 21

HEX #CA10A7

RGB 202 16 167

HSL 311.29, 0.85%, 0.43%

LAB 46.6, 76.25, -32.79

 

CMYK 0 / 92 / 42 / 21

HEX #CA1075

RGB 202 16 117

HSL 327.42, 0.85%, 0.43%

LAB 44.53, 70.79, -5.62

 

CMYK 57 / 92 / 0 / 21

HEX #5710CA

RGB 87 16 202

HSL 262.9, 0.85%, 0.43%

LAB 31.02, 66.17, -79.53

 

CMYK 82 / 92 / 0 / 21

HEX #2510CA

RGB 37 16 202

HSL 246.77, 0.85%, 0.43%

LAB 26.81, 63.53, -86.65

 

CMYK 92 / 92 / 0 / 21

HEX #1010CA

RGB 16 16 202

HSL 240, 0.85%, 0.43%

LAB 26, 63.09, -88.03

 

CMYK 57 / 92 / 0 / 21

HEX #5710CA

RGB 87 16 202

HSL 262.9, 0.85%, 0.43%

LAB 31.02, 66.17, -79.53

 

CMYK 57 / 92 / 0 / 21

HEX #5710CA

RGB 87 16 202

HSL 262.9, 0.85%, 0.43%

LAB 31.02, 66.17, -79.53

 

CMYK 51 / 82 / 0 / 27

HEX #5B22B9

RGB 91 34 185

HSL 262.65, 0.69%, 0.43%

LAB 31.51, 57.01, -68.7

 

CMYK 43 / 69 / 0 / 35

HEX #5F33A7

RGB 95 51 167

HSL 262.76, 0.53%, 0.43%

LAB 33.12, 45.1, -55.32

 

CMYK 33 / 54 / 0 / 42

HEX #644595

RGB 100 69 149

HSL 263.25, 0.37%, 0.43%

LAB 36.24, 31.15, -39.37

 

CMYK 21 / 34 / 0 / 49

HEX #685783

RGB 104 87 131

HSL 263.18, 0.2%, 0.43%

LAB 40.24, 16.59, -22.1

 

CMYK 92 / 77 / 0 / 21

HEX #102FCA

RGB 16 47 202

HSL 230, 0.85%, 0.43%

LAB 30.42, 49.99, -80.67

 

CMYK 83 / 92 / 0 / 21

HEX #2310CA

RGB 35 16 202

HSL 246.13, 0.85%, 0.43%

LAB 26.71, 63.47, -86.82

 

CMYK 58 / 92 / 0 / 21

HEX #5410CA

RGB 84 16 202

HSL 261.94, 0.85%, 0.43%

LAB 30.69, 65.94, -80.1

 

CMYK 34 / 92 / 0 / 21

HEX #8610CA

RGB 134 16 202

HSL 278.06, 0.85%, 0.43%

LAB 37.3, 70.96, -68.96

 

CMYK 9 / 92 / 0 / 21

HEX #B810CA

RGB 184 16 202

HSL 294.19, 0.85%, 0.43%

LAB 45.39, 78.11, -55.46

 

CMYK 57 / 92 / 0 / 51

HEX #360A7E

RGB 54 10 126

HSL 262.76, 0.85%, 0.27%

LAB 17.95, 45.81, -55.03

 

CMYK 57 / 92 / 0 / 36

HEX #470DA4

RGB 71 13 164

HSL 263.05, 0.85%, 0.35%

LAB 24.66, 56.3, -67.49

 

CMYK 57 / 92 / 0 / 21

HEX #5710CA

RGB 87 16 202

HSL 262.9, 0.85%, 0.43%

LAB 31.02, 66.17, -79.53

 

CMYK 56 / 90 / 0 / 7

HEX #6918EC

RGB 105 24 236

HSL 262.92, 0.85%, 0.51%

LAB 37.32, 73.83, -88.62

 

CMYK 46 / 74 / 0 / 6

HEX #813EEF

RGB 129 62 239

HSL 262.71, 0.85%, 0.59%

LAB 44.72, 64.31, -78.03

 

CMYK 57 / 92 / 0 / 21

HEX #5710CA

RGB 87 16 202

HSL 262.9, 0.85%, 0.43%

LAB 31.02, 66.17, -79.53

 

CMYK 0 / 92 / 52 / 21

HEX #CA1061

RGB 202 16 97

HSL 333.87, 0.85%, 0.43%

LAB 43.93, 69.14, 5.96

 

CMYK 89 / 0 / 92 / 21

HEX #16CA10

RGB 22 202 16

HSL 118.06, 0.85%, 0.43%

LAB 71.18, -70.91, 68.15

 

CMYK 57 / 92 / 0 / 21

HEX #5710CA

RGB 87 16 202

HSL 262.9, 0.85%, 0.43%

LAB 31.02, 66.17, -79.53

 

CMYK 0 / 58 / 92 / 21

HEX #CA5410

RGB 202 84 16

HSL 21.94, 0.85%, 0.43%

LAB 50.61, 44.07, 56.6

 

CMYK 92 / 0 / 58 / 21

HEX #10CA54

RGB 16 202 84

HSL 141.94, 0.85%, 0.43%

LAB 71.55, -66.09, 46.57

 

CMYK 57 / 92 / 0 / 21

HEX #5710CA

RGB 87 16 202

HSL 262.9, 0.85%, 0.43%

LAB 31.02, 66.17, -79.53

 

CMYK 0 / 92 / 52 / 21

HEX #CA1061

RGB 202 16 97

HSL 333.87, 0.85%, 0.43%

LAB 43.93, 69.14, 5.96

 

CMYK 34 / 0 / 92 / 21

HEX #86CA10

RGB 134 202 16

HSL 81.94, 0.85%, 0.43%

LAB 74.41, -45.36, 72.14

 

CMYK 92 / 0 / 40 / 21

HEX #10CA7A

RGB 16 202 122

HSL 154.19, 0.85%, 0.43%

LAB 72.07, -59.89, 28.48

 

CMYK 57 / 92 / 0 / 21

HEX #5710CA

RGB 87 16 202

HSL 262.9, 0.85%, 0.43%

LAB 31.02, 66.17, -79.53

 

CMYK 0 / 92 / 80 / 21

HEX #CA1029

RGB 202 16 41

HSL 351.94, 0.85%, 0.43%

LAB 42.89, 66.26, 39.13

 

CMYK 34 / 0 / 92 / 21

HEX #86CA10

RGB 134 202 16

HSL 81.94, 0.85%, 0.43%

LAB 74.41, -45.36, 72.14

 

CMYK 92 / 0 / 12 / 21

HEX #10CAB1

RGB 16 202 177

HSL 171.94, 0.85%, 0.43%

LAB 73.24, -46.99, 0.76

 

Description

Color code: HEX #5710CA | qconv.com Color code: HEX #5710CA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 16 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 16 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 92 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 92% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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