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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #572780 it is the complementary color #A8D87F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #572780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #572780 shade: #5C277B, #6D398E, #7E4BA1, #8F5DB4 and #A06FC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #572780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #572780 shade: #572780, #46156D, #35035A, #240047 and #130034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #572780 shade: #572780, #6F2780, #802779, #802761 and #802749

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #572780 shade: #572780, #3F2780 and #272780

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #572780 shade matches the following richer shades: #572780, #58198E and #590C9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #572780 shade: #572780, #563573, #554265, #545057 and #535E4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #572780 shade: #272780, #3F2780, #572780, #6E2780 and #80277A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #572780 shade: #2C1441, #421D61, #572780, #6D31A0 and #823ABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #572780 shade: #572780, #80273F and #278033

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #572780 shade: #572780, #805727 and #278057

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #572780 shade: #572780, #80273F, #518027 and #278068

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #572780 shade: #572780, #802A27, #518027 and #277D80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

Complementary color

CMYK 22 / 0 / 41 / 15

HEX #A8D87F

RGB 168 216 127

HSL 92.36, 0.53%, 0.67%

LAB 81.27, -30.94, 38.87

 

CMYK 25 / 68 / 0 / 52

HEX #5C277B

RGB 92 39 123

HSL 277.86, 0.52%, 0.32%

LAB 27.18, 39.36, -37.86

 

CMYK 23 / 60 / 0 / 44

HEX #6D398E

RGB 109 57 142

HSL 276.71, 0.43%, 0.39%

LAB 34.25, 38.69, -38.22

 

CMYK 22 / 53 / 0 / 37

HEX #7E4BA1

RGB 126 75 161

HSL 275.58, 0.36%, 0.46%

LAB 41.28, 37.83, -38.4

 

CMYK 21 / 48 / 0 / 29

HEX #8F5DB4

RGB 143 93 180

HSL 274.48, 0.37%, 0.54%

LAB 48.21, 36.95, -38.5

 

CMYK 20 / 44 / 0 / 22

HEX #A06FC7

RGB 160 111 199

HSL 273.41, 0.44%, 0.61%

LAB 55.04, 36.08, -38.58

 

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

CMYK 36 / 81 / 0 / 57

HEX #46156D

RGB 70 21 109

HSL 273.41, 0.68%, 0.25%

LAB 19.81, 39.67, -40.96

 

CMYK 41 / 97 / 0 / 65

HEX #35035A

RGB 53 3 90

HSL 274.48, 0.94%, 0.18%

LAB 12.99, 38.94, -39.65

 

CMYK 49 / 100 / 0 / 72

HEX #240047

RGB 36 0 71

HSL 270.42, 1%, 0.14%

LAB 7.5, 33.58, -35.69

 

CMYK 63 / 100 / 0 / 80

HEX #130034

RGB 19 0 52

HSL 261.92, 1%, 0.1%

LAB 3.49, 21.31, -28.6

 

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

CMYK 13 / 70 / 0 / 50

HEX #6F2780

RGB 111 39 128

HSL 288.54, 0.53%, 0.33%

LAB 30.37, 45.08, -35.72

 

CMYK 0 / 70 / 5 / 50

HEX #802779

RGB 128 39 121

HSL 304.72, 0.53%, 0.33%

LAB 32.75, 48.02, -27.39

 

CMYK 0 / 70 / 24 / 50

HEX #802761

RGB 128 39 97

HSL 320.9, 0.53%, 0.33%

LAB 31.59, 44.22, -13.9

 

CMYK 0 / 70 / 43 / 50

HEX #802749

RGB 128 39 73

HSL 337.08, 0.53%, 0.33%

LAB 30.69, 41.15, 0.42

 

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

CMYK 51 / 70 / 0 / 50

HEX #3F2780

RGB 63 39 128

HSL 256.18, 0.53%, 0.33%

LAB 23.89, 34.32, -46.51

 

CMYK 70 / 70 / 0 / 50

HEX #272780

RGB 39 39 128

HSL 240, 0.53%, 0.33%

LAB 21.73, 30.28, -50.13

 

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

CMYK 38 / 82 / 0 / 44

HEX #58198E

RGB 88 25 142

HSL 272.31, 0.7%, 0.33%

LAB 25.93, 49.29, -51.81

 

CMYK 43 / 92 / 0 / 39

HEX #590C9B

RGB 89 12 155

HSL 272.31, 0.86%, 0.33%

LAB 26.02, 56.23, -59.68

 

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

CMYK 25 / 54 / 0 / 55

HEX #563573

RGB 86 53 115

HSL 271.94, 0.37%, 0.33%

LAB 28.81, 27.86, -30.23

 

CMYK 16 / 35 / 0 / 60

HEX #554265

RGB 85 66 101

HSL 272.57, 0.21%, 0.33%

LAB 31.27, 15.76, -17.47

 

CMYK 3 / 8 / 0 / 66

HEX #545057

RGB 84 80 87

HSL 274.29, 0.04%, 0.33%

LAB 34.62, 3.14, -3.51

 

CMYK 12 / 0 / 21 / 63

HEX #535E4A

RGB 83 94 74

HSL 93, 0.12%, 0.33%

LAB 38.44, -8.42, 10.07

 

CMYK 70 / 70 / 0 / 50

HEX #272780

RGB 39 39 128

HSL 240, 0.53%, 0.33%

LAB 21.73, 30.28, -50.13

 

CMYK 51 / 70 / 0 / 50

HEX #3F2780

RGB 63 39 128

HSL 256.18, 0.53%, 0.33%

LAB 23.89, 34.32, -46.51

 

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

CMYK 14 / 70 / 0 / 50

HEX #6E2780

RGB 110 39 128

HSL 287.87, 0.53%, 0.33%

LAB 30.22, 44.84, -35.98

 

CMYK 0 / 70 / 5 / 50

HEX #80277A

RGB 128 39 122

HSL 304.04, 0.53%, 0.33%

LAB 32.8, 48.19, -27.93

 

CMYK 32 / 69 / 0 / 75

HEX #2C1441

RGB 44 20 65

HSL 272, 0.53%, 0.17%

LAB 12.07, 22.41, -23.96

 

CMYK 32 / 70 / 0 / 62

HEX #421D61

RGB 66 29 97

HSL 272.65, 0.54%, 0.25%

LAB 19.64, 31.76, -33.4

 

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

CMYK 32 / 69 / 0 / 37

HEX #6D31A0

RGB 109 49 160

HSL 272.43, 0.53%, 0.41%

LAB 33.95, 47.16, -49.66

 

CMYK 32 / 70 / 0 / 25

HEX #823ABF

RGB 130 58 191

HSL 272.48, 0.53%, 0.49%

LAB 40.46, 54.62, -57.41

 

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

CMYK 0 / 70 / 51 / 50

HEX #80273F

RGB 128 39 63

HSL 343.82, 0.53%, 0.33%

LAB 30.4, 40.11, 6.59

 

CMYK 70 / 0 / 60 / 50

HEX #278033

RGB 39 128 51

HSL 128.09, 0.53%, 0.33%

LAB 47.12, -42.87, 33.75

 

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

CMYK 0 / 32 / 70 / 50

HEX #805727

RGB 128 87 39

HSL 32.36, 0.53%, 0.33%

LAB 40.5, 11.95, 33.93

 

CMYK 70 / 0 / 32 / 50

HEX #278057

RGB 39 128 87

HSL 152.36, 0.53%, 0.33%

LAB 47.7, -36.36, 14.82

 

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

CMYK 0 / 70 / 51 / 50

HEX #80273F

RGB 128 39 63

HSL 343.82, 0.53%, 0.33%

LAB 30.4, 40.11, 6.59

 

CMYK 37 / 0 / 70 / 50

HEX #518027

RGB 81 128 39

HSL 91.69, 0.53%, 0.33%

LAB 48.68, -31.64, 41.55

 

CMYK 70 / 0 / 19 / 50

HEX #278068

RGB 39 128 104

HSL 163.82, 0.53%, 0.33%

LAB 48.09, -32.21, 5.48

 

CMYK 32 / 70 / 0 / 50

HEX #572780

RGB 87 39 128

HSL 272.36, 0.53%, 0.33%

LAB 26.84, 39.41, -41.59

 

CMYK 0 / 67 / 70 / 50

HEX #802A27

RGB 128 42 39

HSL 2.02, 0.53%, 0.33%

LAB 30.38, 36.89, 22.22

 

CMYK 37 / 0 / 70 / 50

HEX #518027

RGB 81 128 39

HSL 91.69, 0.53%, 0.33%

LAB 48.68, -31.64, 41.55

 

CMYK 70 / 2 / 0 / 50

HEX #277D80

RGB 39 125 128

HSL 182.02, 0.53%, 0.33%

LAB 47.83, -23.81, -9.07

 

Description

Color code: HEX #572780 | qconv.com Color code: HEX #572780 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 39 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 39 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 70 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 70% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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