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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #573275 it is the complementary color #A8CD8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #573275. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #573275 shade: #5C3270, #6D4483, #7E5696, #8F68A9 and #A07ABC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #573275. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #573275 shade: #573275, #462062, #350E4F, #24003C and #130029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #573275 shade: #573275, #693275, #75326F, #75325D and #75324B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #573275 shade: #573275, #453275, #333275 and #323275

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #573275 shade matches the following richer shades: #573275, #592483, #5A1791 and #5B099E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #573275 shade: #573275, #564068, #544D5A, #535B4C and #51683F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #573275 shade: #333275, #453275, #573275, #693275 and #753270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #573275 shade: #2C193C, #422658, #573275, #6D3E92 and #824BAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #573275 shade: #573275, #753243 and #32753C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #573275 shade: #573275, #755732 and #327557

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #573275 shade: #573275, #753243, #507532 and #327564

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #573275 shade: #573275, #753532, #507532 and #327275

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

Complementary color

CMYK 18 / 0 / 33 / 20

HEX #A8CD8A

RGB 168 205 138

HSL 93.13, 0.4%, 0.67%

LAB 78.36, -24.17, 29.45

 

CMYK 18 / 55 / 0 / 56

HEX #5C3270

RGB 92 50 112

HSL 280.65, 0.38%, 0.32%

LAB 28.71, 30.69, -28.42

 

CMYK 17 / 48 / 0 / 49

HEX #6D4483

RGB 109 68 131

HSL 279.05, 0.32%, 0.39%

LAB 36.03, 29.8, -28.63

 

CMYK 16 / 43 / 0 / 41

HEX #7E5696

RGB 126 86 150

HSL 277.5, 0.27%, 0.46%

LAB 43.2, 28.93, -28.79

 

CMYK 15 / 38 / 0 / 34

HEX #8F68A9

RGB 143 104 169

HSL 276, 0.27%, 0.54%

LAB 50.22, 28.11, -28.94

 

CMYK 15 / 35 / 0 / 26

HEX #A07ABC

RGB 160 122 188

HSL 274.55, 0.33%, 0.61%

LAB 57.1, 27.36, -29.08

 

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

CMYK 29 / 67 / 0 / 62

HEX #462062

RGB 70 32 98

HSL 274.55, 0.51%, 0.25%

LAB 20.89, 31.36, -32.01

 

CMYK 33 / 82 / 0 / 69

HEX #350E4F

RGB 53 14 79

HSL 276, 0.7%, 0.18%

LAB 13.44, 31.74, -31.41

 

CMYK 40 / 100 / 0 / 76

HEX #24003C

RGB 36 0 60

HSL 276, 1%, 0.12%

LAB 6.33, 30.34, -29.75

 

CMYK 54 / 100 / 0 / 84

HEX #130029

RGB 19 0 41

HSL 267.8, 1%, 0.08%

LAB 2.7, 15.77, -21.57

 

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

CMYK 10 / 57 / 0 / 54

HEX #693275

RGB 105 50 117

HSL 289.25, 0.4%, 0.33%

LAB 30.8, 35.69, -28.17

 

CMYK 0 / 57 / 5 / 54

HEX #75326F

RGB 117 50 111

HSL 305.37, 0.4%, 0.33%

LAB 32.28, 38.08, -21.93

 

CMYK 0 / 57 / 21 / 54

HEX #75325D

RGB 117 50 93

HSL 321.49, 0.4%, 0.33%

LAB 31.47, 34.93, -11.66

 

CMYK 0 / 57 / 36 / 54

HEX #75324B

RGB 117 50 75

HSL 337.61, 0.4%, 0.33%

LAB 30.81, 32.27, -0.95

 

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

CMYK 41 / 57 / 0 / 54

HEX #453275

RGB 69 50 117

HSL 257.01, 0.4%, 0.33%

LAB 26.25, 25.53, -35.7

 

CMYK 56 / 57 / 0 / 54

HEX #333275

RGB 51 50 117

HSL 240.9, 0.4%, 0.33%

LAB 24.54, 21.15, -38.53

 

CMYK 57 / 57 / 0 / 54

HEX #323275

RGB 50 50 117

HSL 240, 0.4%, 0.33%

LAB 24.46, 20.93, -38.67

 

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

CMYK 32 / 73 / 0 / 49

HEX #592483

RGB 89 36 131

HSL 273.47, 0.57%, 0.33%

LAB 26.8, 42.1, -43.52

 

CMYK 38 / 84 / 0 / 43

HEX #5A1791

RGB 90 23 145

HSL 272.95, 0.73%, 0.33%

LAB 26.25, 51.02, -53.14

 

CMYK 42 / 94 / 0 / 38

HEX #5B099E

RGB 91 9 158

HSL 273.02, 0.89%, 0.33%

LAB 26.41, 57.73, -60.85

 

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

CMYK 17 / 38 / 0 / 59

HEX #564068

RGB 86 64 104

HSL 273, 0.24%, 0.33%

LAB 30.98, 18.15, -19.81

 

CMYK 7 / 14 / 0 / 65

HEX #544D5A

RGB 84 77 90

HSL 272.31, 0.08%, 0.33%

LAB 33.84, 5.71, -6.58

 

CMYK 9 / 0 / 16 / 64

HEX #535B4C

RGB 83 91 76

HSL 92, 0.09%, 0.33%

LAB 37.56, -6.28, 7.6

 

CMYK 22 / 0 / 39 / 59

HEX #51683F

RGB 81 104 63

HSL 93.66, 0.25%, 0.33%

LAB 41.23, -16.77, 20.37

 

CMYK 56 / 57 / 0 / 54

HEX #333275

RGB 51 50 117

HSL 240.9, 0.4%, 0.33%

LAB 24.54, 21.15, -38.53

 

CMYK 41 / 57 / 0 / 54

HEX #453275

RGB 69 50 117

HSL 257.01, 0.4%, 0.33%

LAB 26.25, 25.53, -35.7

 

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

CMYK 10 / 57 / 0 / 54

HEX #693275

RGB 105 50 117

HSL 289.25, 0.4%, 0.33%

LAB 30.8, 35.69, -28.17

 

CMYK 0 / 57 / 4 / 54

HEX #753270

RGB 117 50 112

HSL 304.48, 0.4%, 0.33%

LAB 32.33, 38.26, -22.48

 

CMYK 27 / 58 / 0 / 76

HEX #2C193C

RGB 44 25 60

HSL 272.57, 0.41%, 0.17%

LAB 12.97, 17.68, -19

 

CMYK 25 / 57 / 0 / 65

HEX #422658

RGB 66 38 88

HSL 273.6, 0.4%, 0.25%

LAB 21.01, 23.99, -25.23

 

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

CMYK 25 / 58 / 0 / 43

HEX #6D3E92

RGB 109 62 146

HSL 273.57, 0.4%, 0.41%

LAB 35.54, 36.88, -38.61

 

CMYK 26 / 57 / 0 / 31

HEX #824BAF

RGB 130 75 175

HSL 273, 0.4%, 0.49%

LAB 42.57, 42.23, -44.62

 

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

CMYK 0 / 57 / 43 / 54

HEX #753243

RGB 117 50 67

HSL 344.78, 0.4%, 0.33%

LAB 30.56, 31.25, 3.93

 

CMYK 57 / 0 / 49 / 54

HEX #32753C

RGB 50 117 60

HSL 128.96, 0.4%, 0.33%

LAB 43.84, -34.4, 25.1

 

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

CMYK 0 / 26 / 57 / 54

HEX #755732

RGB 117 87 50

HSL 33.13, 0.4%, 0.33%

LAB 39.29, 7.68, 26.12

 

CMYK 57 / 0 / 26 / 54

HEX #327557

RGB 50 117 87

HSL 153.13, 0.4%, 0.33%

LAB 44.36, -28.97, 10.25

 

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

CMYK 0 / 57 / 43 / 54

HEX #753243

RGB 117 50 67

HSL 344.78, 0.4%, 0.33%

LAB 30.56, 31.25, 3.93

 

CMYK 32 / 0 / 57 / 54

HEX #507532

RGB 80 117 50

HSL 93.13, 0.4%, 0.33%

LAB 45.16, -25.68, 32.4

 

CMYK 57 / 0 / 15 / 54

HEX #327564

RGB 50 117 100

HSL 164.78, 0.4%, 0.33%

LAB 44.69, -25.73, 2.99

 

CMYK 26 / 57 / 0 / 54

HEX #573275

RGB 87 50 117

HSL 273.13, 0.4%, 0.33%

LAB 28.36, 30.47, -32.2

 

CMYK 0 / 55 / 57 / 54

HEX #753532

RGB 117 53 50

HSL 2.69, 0.4%, 0.33%

LAB 30.78, 27.81, 15.3

 

CMYK 32 / 0 / 57 / 54

HEX #507532

RGB 80 117 50

HSL 93.13, 0.4%, 0.33%

LAB 45.16, -25.68, 32.4

 

CMYK 57 / 3 / 0 / 54

HEX #327275

RGB 50 114 117

HSL 182.69, 0.4%, 0.33%

LAB 44.23, -19.36, -7.87

 

Description

Color code: HEX #573275 | qconv.com Color code: HEX #573275 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 50 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 50 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 57 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 57% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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