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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #573CB4 it is the complementary color #A8C34B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #573CB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #573CB4 shade: #5C3CAF, #6D4EC2, #7E60D5, #8F72E8 and #A084FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #573CB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #573CB4 shade: #573CB4, #462AA1, #35188E, #24067B and #130068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #573CB4 shade: #563BB3, #773BB3, #973BB3, #B33BAF and #B33B8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #573CB4 shade: #563BB3 and #3B3BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #573CB4 shade matches the following richer shades: #563BB3, #4C28C7, #4115DA and #3601ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #573CB4 shade: #563BB3, #614FA0, #6C628C, #767679 and #818966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #573CB4 shade: #3B61B3, #3B41B3, #553BB3, #753BB3 and #953BB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #573CB4 shade: #382775, #473194, #563BB3, #6C53C5 and #8772D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #573CB4 shade: #573CB4, #B33B81 and #51B33B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #573CB4 shade: #573CB4, #B3553B and #3BB355

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #573CB4 shade: #573CB4, #B33B81, #99B33B and #3BB36D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #573CB4 shade: #573CB4, #B33B5D, #99B33B and #3BB391

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 67 / 0 / 29

HEX #573CB4

RGB 87 60 180

HSL 253.5, 0.5%, 0.47%

LAB 35.11, 42.4, -59.86

 

Complementary color

CMYK 14 / 0 / 62 / 24

HEX #A8C34B

RGB 168 195 75

HSL 73.5, 0.5%, 0.53%

LAB 74.74, -26.25, 55.62

 

CMYK 47 / 66 / 0 / 31

HEX #5C3CAF

RGB 92 60 175

HSL 256.7, 0.49%, 0.46%

LAB 35.21, 41.87, -56.71

 

CMYK 44 / 60 / 0 / 24

HEX #6D4EC2

RGB 109 78 194

HSL 256.03, 0.49%, 0.53%

LAB 42.15, 40.53, -56.56

 

CMYK 41 / 55 / 0 / 16

HEX #7E60D5

RGB 126 96 213

HSL 255.38, 0.58%, 0.61%

LAB 49.01, 39.26, -56.35

 

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

CMYK 36 / 47 / 0 / 2

HEX #A084FB

RGB 160 132 251

HSL 254.12, 0.94%, 0.75%

LAB 62.46, 37.02, -55.92

 

CMYK 52 / 67 / 0 / 29

HEX #573CB4

RGB 87 60 180

HSL 253.5, 0.5%, 0.47%

LAB 35.11, 42.4, -59.86

 

CMYK 57 / 74 / 0 / 37

HEX #462AA1

RGB 70 42 161

HSL 254.12, 0.59%, 0.4%

LAB 28.2, 43.85, -59.84

 

CMYK 63 / 83 / 0 / 44

HEX #35188E

RGB 53 24 142

HSL 254.75, 0.71%, 0.33%

LAB 21.44, 44.92, -59.34

 

CMYK 71 / 95 / 0 / 52

HEX #24067B

RGB 36 6 123

HSL 255.38, 0.91%, 0.25%

LAB 15.14, 44.85, -57.83

 

CMYK 82 / 100 / 0 / 59

HEX #130068

RGB 19 0 104

HSL 250.96, 1%, 0.2%

LAB 10.09, 41.36, -53.93

 

CMYK 52 / 67 / 0 / 30

HEX #563BB3

RGB 86 59 179

HSL 253.5, 0.5%, 0.47%

LAB 34.72, 42.49, -59.9

 

CMYK 34 / 67 / 0 / 30

HEX #773BB3

RGB 119 59 179

HSL 270, 0.5%, 0.47%

LAB 38.38, 48.99, -53.79

 

CMYK 16 / 67 / 0 / 30

HEX #973BB3

RGB 151 59 179

HSL 286, 0.5%, 0.47%

LAB 42.71, 56.09, -46.61

 

CMYK 0 / 67 / 2 / 30

HEX #B33BAF

RGB 179 59 175

HSL 302, 0.5%, 0.47%

LAB 46.72, 61.92, -37.61

 

CMYK 0 / 67 / 20 / 30

HEX #B33B8F

RGB 179 59 143

HSL 318, 0.5%, 0.47%

LAB 45.21, 56.99, -20.88

 

CMYK 52 / 67 / 0 / 30

HEX #563BB3

RGB 86 59 179

HSL 253.5, 0.5%, 0.47%

LAB 34.72, 42.49, -59.9

 

CMYK 67 / 67 / 0 / 30

HEX #3B3BB3

RGB 59 59 179

HSL 240, 0.5%, 0.47%

LAB 32.51, 38.24, -63.61

 

CMYK 52 / 67 / 0 / 30

HEX #563BB3

RGB 86 59 179

HSL 253.5, 0.5%, 0.47%

LAB 34.72, 42.49, -59.9

 

CMYK 62 / 80 / 0 / 22

HEX #4C28C7

RGB 76 40 199

HSL 253.58, 0.67%, 0.47%

LAB 32.21, 56.57, -75.85

 

CMYK 70 / 90 / 0 / 15

HEX #4115DA

RGB 65 21 218

HSL 253.4, 0.82%, 0.47%

LAB 31.17, 67.52, -88.65

 

CMYK 77 / 100 / 0 / 7

HEX #3601ED

RGB 54 1 237

HSL 253.47, 0.99%, 0.47%

LAB 31.63, 75.43, -98.79

 

CMYK 52 / 67 / 0 / 30

HEX #563BB3

RGB 86 59 179

HSL 253.5, 0.5%, 0.47%

LAB 34.72, 42.49, -59.9

 

CMYK 39 / 51 / 0 / 37

HEX #614FA0

RGB 97 79 160

HSL 253.33, 0.34%, 0.47%

LAB 39.02, 27.34, -41.58

 

CMYK 23 / 30 / 0 / 45

HEX #6C628C

RGB 108 98 140

HSL 254.29, 0.18%, 0.47%

LAB 43.97, 13.42, -21.74

 

CMYK 2 / 2 / 0 / 53

HEX #767679

RGB 118 118 121

HSL 240, 0.01%, 0.47%

LAB 49.72, 0.62, -1.65

 

CMYK 6 / 0 / 26 / 46

HEX #818966

RGB 129 137 102

HSL 73.71, 0.15%, 0.47%

LAB 55.6, -9.28, 17.84

 

CMYK 67 / 46 / 0 / 30

HEX #3B61B3

RGB 59 97 179

HSL 221, 0.5%, 0.47%

LAB 42.36, 13.85, -47.64

 

CMYK 67 / 64 / 0 / 30

HEX #3B41B3

RGB 59 65 179

HSL 237, 0.5%, 0.47%

LAB 33.91, 34.52, -61.32

 

CMYK 53 / 67 / 0 / 30

HEX #553BB3

RGB 85 59 179

HSL 253, 0.5%, 0.47%

LAB 34.63, 42.31, -60.06

 

CMYK 35 / 67 / 0 / 30

HEX #753BB3

RGB 117 59 179

HSL 269, 0.5%, 0.47%

LAB 38.14, 48.57, -54.2

 

CMYK 17 / 67 / 0 / 30

HEX #953BB3

RGB 149 59 179

HSL 285, 0.5%, 0.47%

LAB 42.42, 55.64, -47.09

 

CMYK 52 / 67 / 0 / 54

HEX #382775

RGB 56 39 117

HSL 253.08, 0.5%, 0.31%

LAB 22.22, 29.45, -42.28

 

CMYK 52 / 67 / 0 / 42

HEX #473194

RGB 71 49 148

HSL 253.33, 0.5%, 0.39%

LAB 28.58, 36.12, -51.28

 

CMYK 52 / 67 / 0 / 30

HEX #563BB3

RGB 86 59 179

HSL 253.5, 0.5%, 0.47%

LAB 34.72, 42.49, -59.9

 

CMYK 45 / 58 / 0 / 23

HEX #6C53C5

RGB 108 83 197

HSL 253.16, 0.5%, 0.55%

LAB 43.37, 38.27, -56.33

 

CMYK 35 / 45 / 0 / 18

HEX #8772D0

RGB 135 114 208

HSL 253.4, 0.5%, 0.63%

LAB 53.75, 29.63, -45.89

 

CMYK 52 / 67 / 0 / 29

HEX #573CB4

RGB 87 60 180

HSL 253.5, 0.5%, 0.47%

LAB 35.11, 42.4, -59.86

 

CMYK 0 / 67 / 28 / 30

HEX #B33B81

RGB 179 59 129

HSL 325, 0.5%, 0.47%

LAB 44.66, 55.1, -13.24

 

CMYK 55 / 0 / 67 / 30

HEX #51B33B

RGB 81 179 59

HSL 109, 0.5%, 0.47%

LAB 65.2, -51.13, 50.72

 

CMYK 52 / 67 / 0 / 29

HEX #573CB4

RGB 87 60 180

HSL 253.5, 0.5%, 0.47%

LAB 35.11, 42.4, -59.86

 

CMYK 0 / 53 / 67 / 30

HEX #B3553B

RGB 179 85 59

HSL 13, 0.5%, 0.47%

LAB 47.49, 36.22, 32.9

 

CMYK 67 / 0 / 53 / 30

HEX #3BB355

RGB 59 179 85

HSL 133, 0.5%, 0.47%

LAB 64.82, -53.16, 38.19

 

CMYK 52 / 67 / 0 / 29

HEX #573CB4

RGB 87 60 180

HSL 253.5, 0.5%, 0.47%

LAB 35.11, 42.4, -59.86

 

CMYK 0 / 67 / 28 / 30

HEX #B33B81

RGB 179 59 129

HSL 325, 0.5%, 0.47%

LAB 44.66, 55.1, -13.24

 

CMYK 15 / 0 / 67 / 30

HEX #99B33B

RGB 153 179 59

HSL 73, 0.5%, 0.47%

LAB 68.99, -25.72, 55.86

 

CMYK 67 / 0 / 39 / 30

HEX #3BB36D

RGB 59 179 109

HSL 145, 0.5%, 0.47%

LAB 65.18, -49.16, 26.29

 

CMYK 52 / 67 / 0 / 29

HEX #573CB4

RGB 87 60 180

HSL 253.5, 0.5%, 0.47%

LAB 35.11, 42.4, -59.86

 

CMYK 0 / 67 / 48 / 30

HEX #B33B5D

RGB 179 59 93

HSL 343, 0.5%, 0.47%

LAB 43.51, 51.09, 7.26

 

CMYK 15 / 0 / 67 / 30

HEX #99B33B

RGB 153 179 59

HSL 73, 0.5%, 0.47%

LAB 68.99, -25.72, 55.86

 

CMYK 67 / 0 / 19 / 30

HEX #3BB391

RGB 59 179 145

HSL 163, 0.5%, 0.47%

LAB 65.92, -41.35, 7.75

 

Description

Color code: HEX #573CB4 | qconv.com Color code: HEX #573CB4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 60 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 60 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 67 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 67% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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