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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57478E it is the complementary color #A8B871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57478E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57478E shade: #5C4789, #6D599C, #7E6BAF, #8F7DC2 and #A08FD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57478E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57478E shade: #57478E, #46357B, #352368, #241155 and #130042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57478E shade: #57478E, #6A478E, #7D478E, #8E478C and #8E4778

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57478E shade: #57478E and #47478E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57478E shade matches the following richer shades: #57478E, #4E369F, #4425B1, #3B13C2 and #3102D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57478E shade: #57478E, #61597D, #6A6A6B, #747B5A and #7D8D49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57478E shade: #475E8E, #474B8E, #57478E, #69478E and #7C478E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57478E shade: #352C57, #463973, #57478E, #6855A9 and #8171B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57478E shade: #57478E, #8E4770 and #548E47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57478E shade: #57478E, #8E5747 and #478E57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57478E shade: #57478E, #8E4770, #7F8E47 and #478E65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57478E shade: #57478E, #8E475B, #7F8E47 and #478E7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

Complementary color

CMYK 9 / 0 / 39 / 28

HEX #A8B871

RGB 168 184 113

HSL 73.52, 0.33%, 0.58%

LAB 72.09, -17.05, 34.23

 

CMYK 33 / 48 / 0 / 46

HEX #5C4789

RGB 92 71 137

HSL 259.09, 0.32%, 0.41%

LAB 35.18, 24.4, -33.8

 

CMYK 30 / 43 / 0 / 39

HEX #6D599C

RGB 109 89 156

HSL 257.91, 0.27%, 0.48%

LAB 42.45, 23.42, -33.67

 

CMYK 28 / 39 / 0 / 31

HEX #7E6BAF

RGB 126 107 175

HSL 256.76, 0.3%, 0.55%

LAB 49.55, 22.57, -33.6

 

CMYK 26 / 36 / 0 / 24

HEX #8F7DC2

RGB 143 125 194

HSL 255.65, 0.36%, 0.63%

LAB 56.49, 21.82, -33.58

 

CMYK 25 / 33 / 0 / 16

HEX #A08FD5

RGB 160 143 213

HSL 254.57, 0.45%, 0.7%

LAB 63.28, 21.15, -33.59

 

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

CMYK 43 / 57 / 0 / 52

HEX #46357B

RGB 70 53 123

HSL 254.57, 0.4%, 0.35%

LAB 27.51, 25.69, -37.46

 

CMYK 49 / 66 / 0 / 59

HEX #352368

RGB 53 35 104

HSL 255.65, 0.5%, 0.27%

LAB 19.88, 27.15, -37.69

 

CMYK 58 / 80 / 0 / 67

HEX #241155

RGB 36 17 85

HSL 256.76, 0.67%, 0.2%

LAB 12.17, 28.61, -37.69

 

CMYK 71 / 100 / 0 / 74

HEX #130042

RGB 19 0 66

HSL 257.27, 1%, 0.13%

LAB 4.8, 28.41, -36.65

 

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

CMYK 25 / 50 / 0 / 44

HEX #6A478E

RGB 106 71 142

HSL 269.58, 0.33%, 0.42%

LAB 36.97, 29.81, -33.91

 

CMYK 12 / 50 / 0 / 44

HEX #7D478E

RGB 125 71 142

HSL 285.63, 0.33%, 0.42%

LAB 39.27, 35.46, -30.13

 

CMYK 0 / 50 / 1 / 44

HEX #8E478C

RGB 142 71 140

HSL 301.69, 0.33%, 0.42%

LAB 41.45, 40.24, -25.34

 

CMYK 0 / 50 / 15 / 44

HEX #8E4778

RGB 142 71 120

HSL 318.59, 0.33%, 0.42%

LAB 40.59, 36.65, -14.43

 

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

CMYK 50 / 50 / 0 / 44

HEX #47478E

RGB 71 71 142

HSL 240, 0.33%, 0.42%

LAB 33.56, 20.31, -39.55

 

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

CMYK 51 / 66 / 0 / 38

HEX #4E369F

RGB 78 54 159

HSL 253.71, 0.49%, 0.42%

LAB 31.26, 37.88, -53.6

 

CMYK 62 / 79 / 0 / 31

HEX #4425B1

RGB 68 37 177

HSL 253.29, 0.65%, 0.42%

LAB 28.71, 50.8, -68.64

 

CMYK 70 / 90 / 0 / 24

HEX #3B13C2

RGB 59 19 194

HSL 253.71, 0.82%, 0.42%

LAB 27.55, 61.55, -80.69

 

CMYK 77 / 99 / 0 / 17

HEX #3102D3

RGB 49 2 211

HSL 253.49, 0.98%, 0.42%

LAB 27.84, 68.94, -90.16

 

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

CMYK 22 / 29 / 0 / 51

HEX #61597D

RGB 97 89 125

HSL 253.33, 0.17%, 0.42%

LAB 39.86, 11.47, -19.09

 

CMYK 1 / 1 / 0 / 58

HEX #6A6A6B

RGB 106 106 107

HSL 240, 0%, 0.42%

LAB 44.85, 0.21, -0.56

 

CMYK 6 / 0 / 27 / 52

HEX #747B5A

RGB 116 123 90

HSL 72.73, 0.15%, 0.42%

LAB 50.24, -8.67, 17.22

 

CMYK 11 / 0 / 48 / 45

HEX #7D8D49

RGB 125 141 73

HSL 74.12, 0.32%, 0.42%

LAB 55.98, -16.95, 34.16

 

CMYK 50 / 34 / 0 / 44

HEX #475E8E

RGB 71 94 142

HSL 220.56, 0.33%, 0.42%

LAB 40.08, 5.47, -29.22

 

CMYK 50 / 47 / 0 / 44

HEX #474B8E

RGB 71 75 142

HSL 236.62, 0.33%, 0.42%

LAB 34.65, 17.7, -37.81

 

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

CMYK 26 / 50 / 0 / 44

HEX #69478E

RGB 105 71 142

HSL 268.73, 0.33%, 0.42%

LAB 36.86, 29.51, -34.1

 

CMYK 13 / 50 / 0 / 44

HEX #7C478E

RGB 124 71 142

HSL 284.79, 0.33%, 0.42%

LAB 39.15, 35.16, -30.34

 

CMYK 39 / 49 / 0 / 66

HEX #352C57

RGB 53 44 87

HSL 252.56, 0.33%, 0.26%

LAB 21, 15.7, -24.68

 

CMYK 39 / 50 / 0 / 55

HEX #463973

RGB 70 57 115

HSL 253.45, 0.34%, 0.34%

LAB 28.02, 20.66, -31.58

 

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

CMYK 38 / 50 / 0 / 34

HEX #6855A9

RGB 104 85 169

HSL 253.57, 0.33%, 0.5%

LAB 41.7, 28.07, -42.63

 

CMYK 30 / 38 / 0 / 28

HEX #8171B7

RGB 129 113 183

HSL 253.71, 0.33%, 0.58%

LAB 51.72, 21.95, -34.82

 

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

CMYK 0 / 50 / 21 / 44

HEX #8E4770

RGB 142 71 112

HSL 325.35, 0.33%, 0.42%

LAB 40.29, 35.35, -9.95

 

CMYK 41 / 0 / 50 / 44

HEX #548E47

RGB 84 142 71

HSL 109.01, 0.33%, 0.42%

LAB 53.69, -33.44, 31.81

 

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

CMYK 0 / 39 / 50 / 44

HEX #8E5747

RGB 142 87 71

HSL 13.52, 0.33%, 0.42%

LAB 42.8, 20.91, 18.86

 

CMYK 50 / 0 / 39 / 44

HEX #478E57

RGB 71 142 87

HSL 133.52, 0.33%, 0.42%

LAB 53.36, -34.94, 22.62

 

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

CMYK 0 / 50 / 21 / 44

HEX #8E4770

RGB 142 71 112

HSL 325.35, 0.33%, 0.42%

LAB 40.29, 35.35, -9.95

 

CMYK 11 / 0 / 50 / 44

HEX #7F8E47

RGB 127 142 71

HSL 72.68, 0.33%, 0.42%

LAB 56.4, -16.86, 35.74

 

CMYK 50 / 0 / 29 / 44

HEX #478E65

RGB 71 142 101

HSL 145.35, 0.33%, 0.42%

LAB 53.63, -32.21, 15.14

 

CMYK 39 / 50 / 0 / 44

HEX #57478E

RGB 87 71 142

HSL 253.52, 0.33%, 0.42%

LAB 34.97, 24.43, -37.21

 

CMYK 0 / 50 / 36 / 44

HEX #8E475B

RGB 142 71 91

HSL 343.1, 0.33%, 0.42%

LAB 39.6, 32.31, 2.11

 

CMYK 11 / 0 / 50 / 44

HEX #7F8E47

RGB 127 142 71

HSL 72.68, 0.33%, 0.42%

LAB 56.4, -16.86, 35.74

 

CMYK 50 / 0 / 14 / 44

HEX #478E7A

RGB 71 142 122

HSL 163.1, 0.33%, 0.42%

LAB 54.12, -27.42, 3.82

 

Description

Color code: HEX #57478E | qconv.com Color code: HEX #57478E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 71 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 71 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 50 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 50% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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