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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #575C92 it is the complementary color #A8A36D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #575C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #575C92 shade: #5C5C8D, #6D6EA0, #7E80B3, #8F92C6 and #A0A4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #575C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #575C92 shade: #575C92, #464A7F, #35386C, #242659 and #131446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #575C92 shade: #575C92, #625792, #725792, #825792 and #925792

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #575C92 shade: #575C92 and #575792

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #575C92 shade matches the following richer shades: #575C92, #444DA5, #323DB8, #1F2DCB and #0C1DDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #575C92 shade: #575C92, #6A6C7F, #7D7C6C, #908C59 and #A39C46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #575C92 shade: #577D92, #576D92, #575D92, #615792 and #715792

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #575C92 shade: #393C5F, #484C78, #575C92, #6C71A7 and #868AB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #575C92 shade: #575C92, #92578C and #759257

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #575C92 shade: #575C92, #92575D and #5D9257

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #575C92 shade: #575C92, #92578C, #928C57 and #57925D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #575C92 shade: #575C92, #92577B, #928C57 and #57926F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 37 / 0 / 43

HEX #575C92

RGB 87 92 146

HSL 234.92, 0.25%, 0.46%

LAB 40.83, 12.32, -30.38

 

Complementary color

CMYK 0 / 3 / 35 / 34

HEX #A8A36D

RGB 168 163 109

HSL 54.92, 0.25%, 0.54%

LAB 66.23, -6.59, 28.74

 

CMYK 35 / 35 / 0 / 45

HEX #5C5C8D

RGB 92 92 141

HSL 240, 0.21%, 0.46%

LAB 40.98, 12.33, -27.1

 

CMYK 32 / 31 / 0 / 37

HEX #6D6EA0

RGB 109 110 160

HSL 238.82, 0.21%, 0.53%

LAB 48.19, 11.68, -27.07

 

CMYK 30 / 28 / 0 / 30

HEX #7E80B3

RGB 126 128 179

HSL 237.74, 0.26%, 0.6%

LAB 55.2, 11.12, -27.11

 

CMYK 28 / 26 / 0 / 22

HEX #8F92C6

RGB 143 146 198

HSL 236.73, 0.33%, 0.67%

LAB 62.06, 10.64, -27.19

 

CMYK 26 / 24 / 0 / 15

HEX #A0A4D9

RGB 160 164 217

HSL 235.79, 0.43%, 0.74%

LAB 68.78, 10.21, -27.31

 

CMYK 40 / 37 / 0 / 43

HEX #575C92

RGB 87 92 146

HSL 234.92, 0.25%, 0.46%

LAB 40.83, 12.32, -30.38

 

CMYK 45 / 42 / 0 / 50

HEX #464A7F

RGB 70 74 127

HSL 235.79, 0.29%, 0.39%

LAB 33.42, 13.23, -30.55

 

CMYK 51 / 48 / 0 / 58

HEX #35386C

RGB 53 56 108

HSL 236.73, 0.34%, 0.32%

LAB 25.77, 14.4, -30.81

 

CMYK 60 / 57 / 0 / 65

HEX #242659

RGB 36 38 89

HSL 237.74, 0.42%, 0.25%

LAB 17.84, 15.99, -31.16

 

CMYK 73 / 71 / 0 / 73

HEX #131446

RGB 19 20 70

HSL 238.82, 0.57%, 0.17%

LAB 9.65, 18.23, -31.54

 

CMYK 40 / 37 / 0 / 43

HEX #575C92

RGB 87 92 146

HSL 234.92, 0.25%, 0.46%

LAB 40.83, 12.32, -30.38

 

CMYK 33 / 40 / 0 / 43

HEX #625792

RGB 98 87 146

HSL 251.19, 0.25%, 0.46%

LAB 40.39, 18.67, -31

 

CMYK 22 / 40 / 0 / 43

HEX #725792

RGB 114 87 146

HSL 267.46, 0.25%, 0.46%

LAB 41.95, 23.59, -28.44

 

CMYK 11 / 40 / 0 / 43

HEX #825792

RGB 130 87 146

HSL 283.73, 0.25%, 0.46%

LAB 43.71, 28.71, -25.57

 

CMYK 0 / 40 / 0 / 43

HEX #925792

RGB 146 87 146

HSL 300, 0.25%, 0.46%

LAB 45.64, 33.93, -22.43

 

CMYK 40 / 37 / 0 / 43

HEX #575C92

RGB 87 92 146

HSL 234.92, 0.25%, 0.46%

LAB 40.83, 12.32, -30.38

 

CMYK 40 / 40 / 0 / 43

HEX #575792

RGB 87 87 146

HSL 240, 0.25%, 0.46%

LAB 39.44, 15.48, -32.56

 

CMYK 40 / 37 / 0 / 43

HEX #575C92

RGB 87 92 146

HSL 234.92, 0.25%, 0.46%

LAB 40.83, 12.32, -30.38

 

CMYK 59 / 53 / 0 / 35

HEX #444DA5

RGB 68 77 165

HSL 234.43, 0.42%, 0.46%

LAB 36.47, 23.48, -48.8

 

CMYK 73 / 67 / 0 / 28

HEX #323DB8

RGB 50 61 184

HSL 235.07, 0.57%, 0.46%

LAB 32.87, 37.63, -66.01

 

CMYK 85 / 78 / 0 / 20

HEX #1F2DCB

RGB 31 45 203

HSL 235.12, 0.74%, 0.46%

LAB 30.59, 51.96, -80.95

 

CMYK 95 / 87 / 0 / 13

HEX #0C1DDE

RGB 12 29 222

HSL 235.14, 0.9%, 0.46%

LAB 29.99, 64.42, -92.98

 

CMYK 40 / 37 / 0 / 43

HEX #575C92

RGB 87 92 146

HSL 234.92, 0.25%, 0.46%

LAB 40.83, 12.32, -30.38

 

CMYK 17 / 15 / 0 / 50

HEX #6A6C7F

RGB 106 108 127

HSL 234.29, 0.09%, 0.46%

LAB 46.07, 3.47, -10.76

 

CMYK 0 / 1 / 14 / 51

HEX #7D7C6C

RGB 125 124 108

HSL 56.47, 0.07%, 0.46%

LAB 51.68, -2.61, 8.88

 

CMYK 0 / 3 / 38 / 44

HEX #908C59

RGB 144 140 89

HSL 55.64, 0.24%, 0.46%

LAB 57.47, -6.54, 27.79

 

CMYK 0 / 4 / 57 / 36

HEX #A39C46

RGB 163 156 70

HSL 55.48, 0.4%, 0.46%

LAB 63.35, -8.93, 45.12

 

CMYK 40 / 14 / 0 / 43

HEX #577D92

RGB 87 125 146

HSL 201.36, 0.25%, 0.46%

LAB 50.42, -7.62, -15.56

 

CMYK 40 / 25 / 0 / 43

HEX #576D92

RGB 87 109 146

HSL 217.63, 0.25%, 0.46%

LAB 45.69, 1.81, -22.81

 

CMYK 40 / 36 / 0 / 43

HEX #575D92

RGB 87 93 146

HSL 233.9, 0.25%, 0.46%

LAB 41.11, 11.69, -29.94

 

CMYK 34 / 40 / 0 / 43

HEX #615792

RGB 97 87 146

HSL 250.17, 0.25%, 0.46%

LAB 40.3, 18.37, -31.15

 

CMYK 23 / 40 / 0 / 43

HEX #715792

RGB 113 87 146

HSL 266.44, 0.25%, 0.46%

LAB 41.85, 23.27, -28.61

 

CMYK 40 / 37 / 0 / 63

HEX #393C5F

RGB 57 60 95

HSL 235.26, 0.25%, 0.3%

LAB 26.53, 8.53, -21.2

 

CMYK 40 / 37 / 0 / 53

HEX #484C78

RGB 72 76 120

HSL 235, 0.25%, 0.38%

LAB 33.78, 10.31, -25.62

 

CMYK 40 / 37 / 0 / 43

HEX #575C92

RGB 87 92 146

HSL 234.92, 0.25%, 0.46%

LAB 40.83, 12.32, -30.38

 

CMYK 35 / 32 / 0 / 35

HEX #6C71A7

RGB 108 113 167

HSL 234.92, 0.25%, 0.54%

LAB 49.24, 11.48, -29.54

 

CMYK 26 / 24 / 0 / 29

HEX #868AB6

RGB 134 138 182

HSL 235, 0.25%, 0.62%

LAB 58.62, 8.5, -23.5

 

CMYK 40 / 37 / 0 / 43

HEX #575C92

RGB 87 92 146

HSL 234.92, 0.25%, 0.46%

LAB 40.83, 12.32, -30.38

 

CMYK 0 / 40 / 4 / 43

HEX #92578C

RGB 146 87 140

HSL 306.1, 0.25%, 0.46%

LAB 45.39, 32.77, -19.21

 

CMYK 20 / 0 / 40 / 43

HEX #759257

RGB 117 146 87

HSL 89.49, 0.25%, 0.46%

LAB 57.1, -21.03, 27.99

 

CMYK 40 / 37 / 0 / 43

HEX #575C92

RGB 87 92 146

HSL 234.92, 0.25%, 0.46%

LAB 40.83, 12.32, -30.38

 

CMYK 0 / 40 / 36 / 43

HEX #92575D

RGB 146 87 93

HSL 353.9, 0.25%, 0.46%

LAB 43.83, 25.15, 7

 

CMYK 36 / 0 / 40 / 43

HEX #5D9257

RGB 93 146 87

HSL 113.9, 0.25%, 0.46%

LAB 55.66, -29.87, 25.84

 

CMYK 40 / 37 / 0 / 43

HEX #575C92

RGB 87 92 146

HSL 234.92, 0.25%, 0.46%

LAB 40.83, 12.32, -30.38

 

CMYK 0 / 40 / 4 / 43

HEX #92578C

RGB 146 87 140

HSL 306.1, 0.25%, 0.46%

LAB 45.39, 32.77, -19.21

 

CMYK 0 / 4 / 40 / 43

HEX #928C57

RGB 146 140 87

HSL 53.9, 0.25%, 0.46%

LAB 57.61, -5.93, 29.1

 

CMYK 40 / 0 / 36 / 43

HEX #57925D

RGB 87 146 93

HSL 126.1, 0.25%, 0.46%

LAB 55.46, -30.86, 22.22

 

CMYK 40 / 37 / 0 / 43

HEX #575C92

RGB 87 92 146

HSL 234.92, 0.25%, 0.46%

LAB 40.83, 12.32, -30.38

 

CMYK 0 / 40 / 16 / 43

HEX #92577B

RGB 146 87 123

HSL 323.39, 0.25%, 0.46%

LAB 44.74, 29.7, -9.94

 

CMYK 0 / 4 / 40 / 43

HEX #928C57

RGB 146 140 87

HSL 53.9, 0.25%, 0.46%

LAB 57.61, -5.93, 29.1

 

CMYK 40 / 0 / 24 / 43

HEX #57926F

RGB 87 146 111

HSL 144.41, 0.25%, 0.46%

LAB 55.82, -27.41, 12.62

 

Description

Color code: HEX #575C92 | qconv.com Color code: HEX #575C92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 92 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 92 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 37 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 37% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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