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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #576188 it is the complementary color #A89E77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #576188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #576188 shade: #5C6183, #6D7396, #7E85A9, #8F97BC and #A0A9CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #576188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #576188 shade: #576188, #464F75, #353D62, #242B4F and #13193C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #576188 shade: #576188, #5A5788, #685788, #755788 and #825788

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #576188 shade: #576188 and #575788

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #576188 shade matches the following richer shades: #576188, #45569B, #334CAD, #2141BF and #0E36D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #576188 shade: #576188, #696C76, #7B7764, #8D8152 and #A08C40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #576188 shade: #577C88, #576F88, #576288, #595788 and #675788

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #576188 shade: #373D56, #474F6F, #576188, #69749F and #838CAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #576188 shade: #576188, #885788 and #758857

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #576188 shade: #576188, #885762 and #628857

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #576188 shade: #576188, #885788, #887E57 and #588857

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #576188 shade: #576188, #88577A, #887E57 and #578865

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 29 / 0 / 47

HEX #576188

RGB 87 97 136

HSL 227.76, 0.22%, 0.44%

LAB 41.77, 6.26, -22.88

 

Complementary color

CMYK 0 / 6 / 29 / 34

HEX #A89E77

RGB 168 158 119

HSL 47.76, 0.22%, 0.56%

LAB 65.05, -2.59, 21.74

 

CMYK 30 / 26 / 0 / 49

HEX #5C6183

RGB 92 97 131

HSL 232.31, 0.17%, 0.44%

LAB 41.94, 6.43, -19.56

 

CMYK 27 / 23 / 0 / 41

HEX #6D7396

RGB 109 115 150

HSL 231.22, 0.16%, 0.51%

LAB 49.15, 6.01, -19.71

 

CMYK 25 / 21 / 0 / 34

HEX #7E85A9

RGB 126 133 169

HSL 230.23, 0.2%, 0.58%

LAB 56.16, 5.65, -19.9

 

CMYK 24 / 20 / 0 / 26

HEX #8F97BC

RGB 143 151 188

HSL 229.33, 0.25%, 0.65%

LAB 63.01, 5.33, -20.12

 

CMYK 23 / 18 / 0 / 19

HEX #A0A9CF

RGB 160 169 207

HSL 228.51, 0.33%, 0.72%

LAB 69.72, 5.04, -20.36

 

CMYK 36 / 29 / 0 / 47

HEX #576188

RGB 87 97 136

HSL 227.76, 0.22%, 0.44%

LAB 41.77, 6.26, -22.88

 

CMYK 40 / 32 / 0 / 54

HEX #464F75

RGB 70 79 117

HSL 228.51, 0.25%, 0.37%

LAB 34.35, 6.85, -22.87

 

CMYK 46 / 38 / 0 / 62

HEX #353D62

RGB 53 61 98

HSL 229.33, 0.3%, 0.3%

LAB 26.67, 7.61, -22.95

 

CMYK 54 / 46 / 0 / 69

HEX #242B4F

RGB 36 43 79

HSL 230.23, 0.37%, 0.23%

LAB 18.66, 8.67, -23.14

 

CMYK 68 / 58 / 0 / 76

HEX #13193C

RGB 19 25 60

HSL 231.22, 0.52%, 0.15%

LAB 10.26, 10.3, -23.48

 

CMYK 36 / 29 / 0 / 47

HEX #576188

RGB 87 97 136

HSL 227.76, 0.22%, 0.44%

LAB 41.77, 6.26, -22.88

 

CMYK 34 / 36 / 0 / 47

HEX #5A5788

RGB 90 87 136

HSL 243.67, 0.22%, 0.44%

LAB 39.19, 13.44, -26.88

 

CMYK 24 / 36 / 0 / 47

HEX #685788

RGB 104 87 136

HSL 260.82, 0.22%, 0.44%

LAB 40.47, 17.86, -24.79

 

CMYK 14 / 36 / 0 / 47

HEX #755788

RGB 117 87 136

HSL 276.73, 0.22%, 0.44%

LAB 41.81, 22.16, -22.61

 

CMYK 4 / 36 / 0 / 47

HEX #825788

RGB 130 87 136

HSL 292.65, 0.22%, 0.44%

LAB 43.27, 26.56, -20.23

 

CMYK 36 / 29 / 0 / 47

HEX #576188

RGB 87 97 136

HSL 227.76, 0.22%, 0.44%

LAB 41.77, 6.26, -22.88

 

CMYK 36 / 36 / 0 / 47

HEX #575788

RGB 87 87 136

HSL 240, 0.22%, 0.44%

LAB 38.93, 12.53, -27.3

 

CMYK 36 / 29 / 0 / 47

HEX #576188

RGB 87 97 136

HSL 227.76, 0.22%, 0.44%

LAB 41.77, 6.26, -22.88

 

CMYK 55 / 45 / 0 / 39

HEX #45569B

RGB 69 86 155

HSL 228.14, 0.38%, 0.44%

LAB 38.35, 14.43, -39.78

 

CMYK 71 / 56 / 0 / 32

HEX #334CAD

RGB 51 76 173

HSL 227.7, 0.54%, 0.44%

LAB 35.77, 24.09, -54.75

 

CMYK 83 / 66 / 0 / 25

HEX #2141BF

RGB 33 65 191

HSL 227.85, 0.71%, 0.44%

LAB 33.7, 36.05, -68.79

 

CMYK 93 / 74 / 0 / 18

HEX #0E36D1

RGB 14 54 209

HSL 227.69, 0.87%, 0.44%

LAB 32.56, 48.37, -81.2

 

CMYK 36 / 29 / 0 / 47

HEX #576188

RGB 87 97 136

HSL 227.76, 0.22%, 0.44%

LAB 41.77, 6.26, -22.88

 

CMYK 11 / 8 / 0 / 54

HEX #696C76

RGB 105 108 118

HSL 226.15, 0.06%, 0.44%

LAB 45.68, 1.03, -5.96

 

CMYK 0 / 3 / 19 / 52

HEX #7B7764

RGB 123 119 100

HSL 49.57, 0.1%, 0.44%

LAB 49.89, -1.92, 11.01

 

CMYK 0 / 9 / 42 / 45

HEX #8D8152

RGB 141 129 82

HSL 47.8, 0.26%, 0.44%

LAB 54, -2.56, 27.11

 

CMYK 0 / 13 / 60 / 37

HEX #A08C40

RGB 160 140 64

HSL 47.5, 0.43%, 0.44%

LAB 58.6, -2.06, 42.56

 

CMYK 36 / 9 / 0 / 47

HEX #577C88

RGB 87 124 136

HSL 194.69, 0.22%, 0.44%

LAB 49.76, -9.8, -10.68

HEX #577C88

CMYK 36 / 18 / 0 / 47

HEX #576F88

RGB 87 111 136

HSL 210.61, 0.22%, 0.44%

LAB 45.87, -2.25, -16.58

HEX #576F88

CMYK 36 / 28 / 0 / 47

HEX #576288

RGB 87 98 136

HSL 226.53, 0.22%, 0.44%

LAB 42.06, 5.64, -22.43

HEX #576288

CMYK 35 / 36 / 0 / 47

HEX #595788

RGB 89 87 136

HSL 242.45, 0.22%, 0.44%

LAB 39.1, 13.13, -27.02

HEX #595788

CMYK 24 / 36 / 0 / 47

HEX #675788

RGB 103 87 136

HSL 259.59, 0.22%, 0.44%

LAB 40.37, 17.54, -24.94

HEX #675788

CMYK 36 / 29 / 0 / 66

HEX #373D56

RGB 55 61 86

HSL 228.39, 0.22%, 0.28%

LAB 26.22, 4.41, -15.83

 

CMYK 36 / 29 / 0 / 56

HEX #474F6F

RGB 71 79 111

HSL 228, 0.22%, 0.36%

LAB 34.15, 5.35, -19.44

 

CMYK 36 / 29 / 0 / 47

HEX #576188

RGB 87 97 136

HSL 227.76, 0.22%, 0.44%

LAB 41.77, 6.26, -22.88

 

CMYK 34 / 27 / 0 / 38

HEX #69749F

RGB 105 116 159

HSL 227.78, 0.22%, 0.52%

LAB 49.49, 6.57, -24.49

 

CMYK 25 / 20 / 0 / 31

HEX #838CAF

RGB 131 140 175

HSL 227.73, 0.22%, 0.6%

LAB 58.67, 4.67, -19.46

 

CMYK 36 / 29 / 0 / 47

HEX #576188

RGB 87 97 136

HSL 227.76, 0.22%, 0.44%

LAB 41.77, 6.26, -22.88

 

CMYK 0 / 36 / 0 / 47

HEX #885788

RGB 136 87 136

HSL 300, 0.22%, 0.44%

LAB 43.99, 28.6, -19.07

 

CMYK 14 / 0 / 36 / 47

HEX #758857

RGB 117 136 87

HSL 83.27, 0.22%, 0.44%

LAB 54.11, -15.81, 24.1

 

CMYK 36 / 29 / 0 / 47

HEX #576188

RGB 87 97 136

HSL 227.76, 0.22%, 0.44%

LAB 41.77, 6.26, -22.88

 

CMYK 0 / 36 / 28 / 47

HEX #885762

RGB 136 87 98

HSL 346.53, 0.22%, 0.44%

LAB 42.66, 21.88, 2.1

 

CMYK 28 / 0 / 36 / 47

HEX #628857

RGB 98 136 87

HSL 106.53, 0.22%, 0.44%

LAB 52.83, -23.16, 22.18

 

CMYK 36 / 29 / 0 / 47

HEX #576188

RGB 87 97 136

HSL 227.76, 0.22%, 0.44%

LAB 41.77, 6.26, -22.88

 

CMYK 0 / 36 / 0 / 47

HEX #885788

RGB 136 87 136

HSL 300, 0.22%, 0.44%

LAB 43.99, 28.6, -19.07

 

CMYK 0 / 7 / 36 / 47

HEX #887E57

RGB 136 126 87

HSL 47.76, 0.22%, 0.44%

LAB 52.78, -2.4, 22.64

 

CMYK 35 / 0 / 36 / 47

HEX #588857

RGB 88 136 87

HSL 118.78, 0.22%, 0.44%

LAB 52.25, -26.73, 21.31

 

CMYK 36 / 29 / 0 / 47

HEX #576188

RGB 87 97 136

HSL 227.76, 0.22%, 0.44%

LAB 41.77, 6.26, -22.88

 

CMYK 0 / 36 / 10 / 47

HEX #88577A

RGB 136 87 122

HSL 317.14, 0.22%, 0.44%

LAB 43.44, 25.91, -11.41

 

CMYK 0 / 7 / 36 / 47

HEX #887E57

RGB 136 126 87

HSL 47.76, 0.22%, 0.44%

LAB 52.78, -2.4, 22.64

 

CMYK 36 / 0 / 26 / 47

HEX #578865

RGB 87 136 101

HSL 137.14, 0.22%, 0.44%

LAB 52.48, -24.47, 13.67

 

Description

Color code: HEX #576188 | qconv.com Color code: HEX #576188 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 97 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 97 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 29 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 29% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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