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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #576A01 it is the complementary color #A895FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #576A01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #576A01 shade: #5C6A00, #6D7C0F, #7E8E22, #8FA035 and #A0B248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #576A01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #576A01 shade: #576A01, #465800, #354600, #243400 and #132200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #576A01 shade: #576A01, #6A6001, #6A4401, #6A2801 and #6A0B01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #576A01 shade: #576A01, #3A6A01, #1E6A01, #026A01 and #016A1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #576A01 shade matches the following richer shades: #576A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #576A01 shade: #576A01, #516109, #4B5812, #46501B and #404723

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #576A01 shade: #6A4301, #6A5F01, #586A01, #3C6A01 and #206A01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #576A01 shade: #131800, #354100, #576A01, #789201 and #9ABB01

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #576A01 shade: #576A01, #016A27 and #51016A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #576A01 shade: #576A01, #01586A and #6A0158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #576A01 shade: #576A01, #016A27, #12016A and #6A0143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #576A01 shade: #576A01, #016A47, #12016A and #6A0124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

Complementary color

CMYK 34 / 41 / 0 / 0

HEX #A895FE

RGB 168 149 254

HSL 250.86, 0.98%, 0.79%

LAB 67.26, 30.2, -49.91

 

CMYK 13 / 0 / 100 / 58

HEX #5C6A00

RGB 92 106 0

HSL 67.92, 1%, 0.21%

LAB 42.13, -17.96, 48.12

 

CMYK 12 / 0 / 88 / 51

HEX #6D7C0F

RGB 109 124 15

HSL 68.26, 0.78%, 0.27%

LAB 49.13, -19.22, 50.89

 

CMYK 11 / 0 / 76 / 44

HEX #7E8E22

RGB 126 142 34

HSL 68.89, 0.61%, 0.35%

LAB 55.98, -20.17, 51.79

 

CMYK 11 / 0 / 67 / 37

HEX #8FA035

RGB 143 160 53

HSL 69.53, 0.5%, 0.42%

LAB 62.71, -20.87, 51.57

 

CMYK 10 / 0 / 60 / 30

HEX #A0B248

RGB 160 178 72

HSL 70.19, 0.42%, 0.49%

LAB 69.31, -21.4, 50.82

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 20 / 0 / 100 / 65

HEX #465800

RGB 70 88 0

HSL 72.27, 1%, 0.17%

LAB 34.56, -18.68, 41.68

 

CMYK 24 / 0 / 100 / 73

HEX #354600

RGB 53 70 0

HSL 74.57, 1%, 0.14%

LAB 27.12, -17.05, 35.34

 

CMYK 31 / 0 / 100 / 80

HEX #243400

RGB 36 52 0

HSL 78.46, 1%, 0.1%

LAB 19.35, -15.38, 27.03

 

CMYK 44 / 0 / 100 / 87

HEX #132200

RGB 19 34 0

HSL 86.47, 1%, 0.07%

LAB 11.15, -13.64, 16.32

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 0 / 9 / 99 / 58

HEX #6A6001

RGB 106 96 1

HSL 54.29, 0.98%, 0.21%

LAB 40.3, -5.59, 47.07

 

CMYK 0 / 36 / 99 / 58

HEX #6A4401

RGB 106 68 1

HSL 38.29, 0.98%, 0.21%

LAB 32.26, 11.26, 41.38

 

CMYK 0 / 62 / 99 / 58

HEX #6A2801

RGB 106 40 1

HSL 22.29, 0.98%, 0.21%

LAB 25.51, 27.69, 35.98

 

CMYK 0 / 90 / 99 / 58

HEX #6A0B01

RGB 106 11 1

HSL 5.71, 0.98%, 0.21%

LAB 21.23, 39.38, 31.64

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 45 / 0 / 99 / 58

HEX #3A6A01

RGB 58 106 1

HSL 87.43, 0.98%, 0.21%

LAB 39.93, -32.46, 45.22

 

CMYK 72 / 0 / 99 / 58

HEX #1E6A01

RGB 30 106 1

HSL 103.43, 0.98%, 0.21%

LAB 38.87, -40.88, 43.93

 

CMYK 98 / 0 / 99 / 58

HEX #026A01

RGB 2 106 1

HSL 119.43, 0.98%, 0.21%

LAB 38.42, -44.93, 43.37

 

CMYK 99 / 0 / 74 / 58

HEX #016A1C

RGB 1 106 28

HSL 135.43, 0.98%, 0.21%

LAB 38.55, -43.19, 34.86

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 16 / 0 / 91 / 62

HEX #516109

RGB 81 97 9

HSL 70.91, 0.83%, 0.21%

LAB 38.41, -18.01, 42.45

 

CMYK 15 / 0 / 80 / 65

HEX #4B5812

RGB 75 88 18

HSL 71.14, 0.66%, 0.21%

LAB 35.04, -15.53, 36.36

 

CMYK 13 / 0 / 66 / 69

HEX #46501B

RGB 70 80 27

HSL 71.32, 0.5%, 0.21%

LAB 32.08, -12.75, 29.12

 

CMYK 10 / 0 / 51 / 72

HEX #404723

RGB 64 71 35

HSL 71.67, 0.34%, 0.21%

LAB 28.69, -9.48, 20.61

 

CMYK 0 / 37 / 99 / 58

HEX #6A4301

RGB 106 67 1

HSL 37.71, 0.98%, 0.21%

LAB 31.99, 11.87, 41.19

 

CMYK 0 / 10 / 99 / 58

HEX #6A5F01

RGB 106 95 1

HSL 53.71, 0.98%, 0.21%

LAB 40, -5.01, 46.85

 

CMYK 17 / 0 / 99 / 58

HEX #586A01

RGB 88 106 1

HSL 70.29, 0.98%, 0.21%

LAB 41.82, -19.79, 47.5

 

CMYK 43 / 0 / 99 / 58

HEX #3C6A01

RGB 60 106 1

HSL 86.29, 0.98%, 0.21%

LAB 40.03, -31.71, 45.34

 

CMYK 70 / 0 / 99 / 58

HEX #206A01

RGB 32 106 1

HSL 102.29, 0.98%, 0.21%

LAB 38.93, -40.42, 43.99

 

CMYK 21 / 0 / 100 / 91

HEX #131800

RGB 19 24 0

HSL 72.5, 1%, 0.05%

LAB 7.15, -6.44, 10.59

 

CMYK 18 / 0 / 100 / 75

HEX #354100

RGB 53 65 0

HSL 71.08, 1%, 0.13%

LAB 25.37, -14.26, 33.75

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 18 / 0 / 99 / 43

HEX #789201

RGB 120 146 1

HSL 70.76, 0.99%, 0.29%

LAB 56.64, -25.8, 59.78

 

CMYK 18 / 0 / 99 / 27

HEX #9ABB01

RGB 154 187 1

HSL 70.65, 0.99%, 0.37%

LAB 71.15, -31.11, 71.8

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 99 / 0 / 63 / 58

HEX #016A27

RGB 1 106 39

HSL 141.71, 0.98%, 0.21%

LAB 38.66, -41.81, 29.77

 

CMYK 24 / 99 / 0 / 58

HEX #51016A

RGB 81 1 106

HSL 285.71, 0.98%, 0.21%

LAB 19.27, 47.11, -39.8

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 99 / 17 / 0 / 58

HEX #01586A

RGB 1 88 106

HSL 190.29, 0.98%, 0.21%

LAB 34.04, -15.45, -16.71

 

CMYK 0 / 99 / 17 / 58

HEX #6A0158

RGB 106 1 88

HSL 310.29, 0.98%, 0.21%

LAB 22.97, 48.54, -21.7

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 99 / 0 / 63 / 58

HEX #016A27

RGB 1 106 39

HSL 141.71, 0.98%, 0.21%

LAB 38.66, -41.81, 29.77

 

CMYK 83 / 99 / 0 / 58

HEX #12016A

RGB 18 1 106

HSL 249.71, 0.98%, 0.21%

LAB 10.49, 41.37, -54.58

 

CMYK 0 / 99 / 37 / 58

HEX #6A0143

RGB 106 1 67

HSL 322.29, 0.98%, 0.21%

LAB 21.91, 45.85, -9.09

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 99 / 0 / 33 / 58

HEX #016A47

RGB 1 106 71

HSL 160, 0.98%, 0.21%

LAB 39.19, -35.49, 12.42

 

CMYK 83 / 99 / 0 / 58

HEX #12016A

RGB 18 1 106

HSL 249.71, 0.98%, 0.21%

LAB 10.49, 41.37, -54.58

 

CMYK 0 / 99 / 66 / 58

HEX #6A0124

RGB 106 1 36

HSL 340, 0.98%, 0.21%

LAB 20.88, 43.1, 11.18

 

Description

Color code: HEX #576A01 | qconv.com Color code: HEX #576A01 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 106 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 106 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 99 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 99% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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