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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #576A57 it is the complementary color #A895A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #576A57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #576A57 shade: #5C6A52, #6D7C65, #7E8E78, #8FA08B and #A0B29E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #576A57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #576A57 shade: #576A57, #465844, #354631, #24341E and #13220B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #576A57 shade: #576A57, #5C6A57, #616A57, #666A57 and #6A6957

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #576A57 shade: #576A57, #576A5C, #576A61, #576A66 and #57696A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #576A57 shade matches the following richer shades: #576A57, #477A47, #378937, #289928 and #18A918

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #576A57 shade: #576A57, #665A66, #764B76, #863B86 and #952B95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #576A57 shade: #616A57, #5C6A57, #576A57, #576A5C and #576A61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #576A57 shade: #323D32, #445344, #576A57, #698169 and #7E957E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #576A57 shade: #576A57, #57666A and #6A575E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #576A57 shade: #576A57, #57576A and #6A5757

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #576A57 shade: #576A57, #57666A, #6A576A and #6A5B57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #576A57 shade: #576A57, #57606A, #6A576A and #6A6057

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

Complementary color

CMYK 0 / 11 / 0 / 34

HEX #A895A8

RGB 168 149 168

HSL 300, 0.1%, 0.62%

LAB 63.87, 10.53, -7.36

 

CMYK 13 / 0 / 23 / 58

HEX #5C6A52

RGB 92 106 82

HSL 95, 0.13%, 0.37%

LAB 43.05, -10.2, 11.75

 

CMYK 12 / 0 / 19 / 51

HEX #6D7C65

RGB 109 124 101

HSL 99.13, 0.1%, 0.44%

LAB 50.22, -10.16, 10.73

 

CMYK 11 / 0 / 15 / 44

HEX #7E8E78

RGB 126 142 120

HSL 103.64, 0.09%, 0.51%

LAB 57.21, -10.12, 9.8

 

CMYK 11 / 0 / 13 / 37

HEX #8FA08B

RGB 143 160 139

HSL 108.57, 0.1%, 0.59%

LAB 64.04, -10.09, 8.93

 

CMYK 10 / 0 / 11 / 30

HEX #A0B29E

RGB 160 178 158

HSL 114, 0.11%, 0.66%

LAB 70.72, -10.07, 8.11

 

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

CMYK 20 / 0 / 23 / 65

HEX #465844

RGB 70 88 68

HSL 114, 0.13%, 0.31%

LAB 35.4, -11.37, 9.36

 

CMYK 24 / 0 / 30 / 73

HEX #354631

RGB 53 70 49

HSL 108.57, 0.18%, 0.23%

LAB 27.73, -11.56, 10.52

 

CMYK 31 / 0 / 42 / 80

HEX #24341E

RGB 36 52 30

HSL 103.64, 0.27%, 0.16%

LAB 19.74, -11.78, 11.86

 

CMYK 44 / 0 / 68 / 87

HEX #13220B

RGB 19 34 11

HSL 99.13, 0.51%, 0.09%

LAB 11.32, -11.95, 12.06

 

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

CMYK 13 / 0 / 18 / 58

HEX #5C6A57

RGB 92 106 87

HSL 104.21, 0.1%, 0.38%

LAB 43.17, -9.27, 8.91

 

CMYK 8 / 0 / 18 / 58

HEX #616A57

RGB 97 106 87

HSL 88.42, 0.1%, 0.38%

LAB 43.56, -7.27, 9.52

 

CMYK 4 / 0 / 18 / 58

HEX #666A57

RGB 102 106 87

HSL 72.63, 0.1%, 0.38%

LAB 43.98, -5.24, 10.16

 

CMYK 0 / 1 / 18 / 58

HEX #6A6957

RGB 106 105 87

HSL 56.84, 0.1%, 0.38%

LAB 44.02, -3, 10.28

 

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

CMYK 18 / 0 / 13 / 58

HEX #576A5C

RGB 87 106 92

HSL 135.79, 0.1%, 0.38%

LAB 42.92, -10.2, 5.51

 

CMYK 18 / 0 / 8 / 58

HEX #576A61

RGB 87 106 97

HSL 151.58, 0.1%, 0.38%

LAB 43.06, -9.13, 2.68

 

CMYK 18 / 0 / 4 / 58

HEX #576A66

RGB 87 106 102

HSL 167.37, 0.1%, 0.38%

LAB 43.2, -8.01, -0.13

 

CMYK 18 / 1 / 0 / 58

HEX #57696A

RGB 87 105 106

HSL 183.16, 0.1%, 0.38%

LAB 43.02, -6.49, -2.82

 

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

CMYK 42 / 0 / 42 / 52

HEX #477A47

RGB 71 122 71

HSL 120, 0.26%, 0.38%

LAB 46.6, -28.42, 22.68

 

CMYK 60 / 0 / 60 / 46

HEX #378937

RGB 55 137 55

HSL 120, 0.43%, 0.38%

LAB 50.66, -42.13, 36.03

 

CMYK 74 / 0 / 74 / 40

HEX #289928

RGB 40 153 40

HSL 120, 0.59%, 0.38%

LAB 55.47, -52.78, 47.73

 

CMYK 86 / 0 / 86 / 34

HEX #18A918

RGB 24 169 24

HSL 120, 0.75%, 0.38%

LAB 60.46, -61, 57.38

 

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

CMYK 0 / 12 / 0 / 60

HEX #665A66

RGB 102 90 102

HSL 300, 0.06%, 0.38%

LAB 39.74, 7.27, -5.09

 

CMYK 0 / 36 / 0 / 54

HEX #764B76

RGB 118 75 118

HSL 300, 0.22%, 0.38%

LAB 38.18, 25.75, -17.17

 

CMYK 0 / 56 / 0 / 47

HEX #863B86

RGB 134 59 134

HSL 300, 0.39%, 0.38%

LAB 37.69, 42.89, -27.63

 

CMYK 0 / 71 / 0 / 42

HEX #952B95

RGB 149 43 149

HSL 300, 0.55%, 0.38%

LAB 38.35, 56.44, -35.61

 

CMYK 8 / 0 / 18 / 58

HEX #616A57

RGB 97 106 87

HSL 88.42, 0.1%, 0.38%

LAB 43.56, -7.27, 9.52

 

CMYK 13 / 0 / 18 / 58

HEX #5C6A57

RGB 92 106 87

HSL 104.21, 0.1%, 0.38%

LAB 43.17, -9.27, 8.91

 

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

CMYK 18 / 0 / 13 / 58

HEX #576A5C

RGB 87 106 92

HSL 135.79, 0.1%, 0.38%

LAB 42.92, -10.2, 5.51

 

CMYK 18 / 0 / 8 / 58

HEX #576A61

RGB 87 106 97

HSL 151.58, 0.1%, 0.38%

LAB 43.06, -9.13, 2.68

 

CMYK 18 / 0 / 18 / 76

HEX #323D32

RGB 50 61 50

HSL 120, 0.1%, 0.22%

LAB 24.47, -7.14, 5.29

 

CMYK 18 / 0 / 18 / 67

HEX #445344

RGB 68 83 68

HSL 120, 0.1%, 0.3%

LAB 33.63, -9.25, 6.86

 

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

CMYK 19 / 0 / 19 / 49

HEX #698169

RGB 105 129 105

HSL 120, 0.1%, 0.46%

LAB 51.52, -13.68, 10.19

 

CMYK 15 / 0 / 15 / 42

HEX #7E957E

RGB 126 149 126

HSL 120, 0.1%, 0.54%

LAB 59.38, -12.79, 9.46

 

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

CMYK 18 / 4 / 0 / 58

HEX #57666A

RGB 87 102 106

HSL 192.63, 0.1%, 0.38%

LAB 42.11, -4.73, -4.17

 

CMYK 0 / 18 / 11 / 58

HEX #6A575E

RGB 106 87 94

HSL 337.89, 0.1%, 0.38%

LAB 39.05, 9.09, -1.12

 

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

CMYK 18 / 18 / 0 / 58

HEX #57576A

RGB 87 87 106

HSL 240, 0.1%, 0.38%

LAB 37.63, 4.4, -10.87

 

CMYK 0 / 18 / 18 / 58

HEX #6A5757

RGB 106 87 87

HSL 0, 0.1%, 0.38%

LAB 38.84, 7.8, 2.92

 

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

CMYK 18 / 4 / 0 / 58

HEX #57666A

RGB 87 102 106

HSL 192.63, 0.1%, 0.38%

LAB 42.11, -4.73, -4.17

 

CMYK 0 / 18 / 0 / 58

HEX #6A576A

RGB 106 87 106

HSL 300, 0.1%, 0.38%

LAB 39.45, 11.51, -7.95

 

CMYK 0 / 14 / 18 / 58

HEX #6A5B57

RGB 106 91 87

HSL 12.63, 0.1%, 0.38%

LAB 39.97, 5.36, 4.55

 

CMYK 18 / 0 / 18 / 58

HEX #576A57

RGB 87 106 87

HSL 120, 0.1%, 0.38%

LAB 42.8, -11.22, 8.34

 

CMYK 18 / 9 / 0 / 58

HEX #57606A

RGB 87 96 106

HSL 211.58, 0.1%, 0.38%

LAB 40.3, -1.13, -6.86

 

CMYK 0 / 18 / 0 / 58

HEX #6A576A

RGB 106 87 106

HSL 300, 0.1%, 0.38%

LAB 39.45, 11.51, -7.95

 

CMYK 0 / 9 / 18 / 58

HEX #6A6057

RGB 106 96 87

HSL 28.42, 0.1%, 0.38%

LAB 41.4, 2.34, 6.59

 

Description

Color code: HEX #576A57 | qconv.com Color code: HEX #576A57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 106 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 106 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 18 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 18% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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