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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #576E68 it is the complementary color #A89197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #576E68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #576E68 shade: #5C6E63, #6D8076, #7E9289, #8FA49C and #A0B6AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #576E68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #576E68 shade: #576E68, #465C55, #354A42, #24382F and #13261C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #576E68 shade: #576F69, #576F62, #576F5C, #596F57 and #5F6F57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #576E68 shade: #576F69, #576F6F, #57686F, #57626F and #575B6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #576E68 shade matches the following richer shades: #576F69, #477F70, #378F78, #279F80 and #17AF87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #576E68 shade: #576F69, #675F61, #774F59, #873F52 and #972F4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #576E68 shade: #576F5C, #576F62, #576F69, #576F6F and #57696F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #576E68 shade: #33413D, #455853, #576F69, #69867E and #7E9A93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #576E68 shade: #576E68, #57596F and #6F5F57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #576E68 shade: #576E68, #69576F and #6F6957

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #576E68 shade: #576E68, #57596F, #6F575D and #6F6D57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #576E68 shade: #576E68, #5D576F, #6F575D and #696F57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 5 / 57

HEX #576E68

RGB 87 110 104

HSL 164.35, 0.12%, 0.39%

LAB 44.49, -9.85, 0.54

 

Complementary color

CMYK 0 / 14 / 10 / 34

HEX #A89197

RGB 168 145 151

HSL 344.35, 0.12%, 0.61%

LAB 62.35, 9.62, 0

 

CMYK 16 / 0 / 10 / 57

HEX #5C6E63

RGB 92 110 99

HSL 143.33, 0.09%, 0.4%

LAB 44.7, -9.13, 3.89

 

CMYK 15 / 0 / 8 / 50

HEX #6D8076

RGB 109 128 118

HSL 148.42, 0.08%, 0.46%

LAB 51.83, -9.05, 3.1

 

CMYK 14 / 0 / 6 / 43

HEX #7E9289

RGB 126 146 137

HSL 153, 0.08%, 0.53%

LAB 58.79, -9, 2.36

 

CMYK 13 / 0 / 5 / 36

HEX #8FA49C

RGB 143 164 156

HSL 157.14, 0.1%, 0.6%

LAB 65.59, -8.96, 1.66

 

CMYK 12 / 0 / 4 / 29

HEX #A0B6AF

RGB 160 182 175

HSL 160.91, 0.13%, 0.67%

LAB 72.24, -8.94, 0.99

 

CMYK 21 / 0 / 5 / 57

HEX #576E68

RGB 87 110 104

HSL 164.35, 0.12%, 0.39%

LAB 44.49, -9.85, 0.54

 

CMYK 24 / 0 / 8 / 64

HEX #465C55

RGB 70 92 85

HSL 160.91, 0.14%, 0.32%

LAB 37.14, -9.99, 1.3

 

CMYK 28 / 0 / 11 / 71

HEX #354A42

RGB 53 74 66

HSL 157.14, 0.17%, 0.25%

LAB 29.53, -10.17, 2.13

 

CMYK 36 / 0 / 16 / 78

HEX #24382F

RGB 36 56 47

HSL 153, 0.22%, 0.18%

LAB 21.61, -10.41, 3.08

 

CMYK 50 / 0 / 26 / 85

HEX #13261C

RGB 19 38 28

HSL 148.42, 0.33%, 0.11%

LAB 13.28, -10.73, 4.23

 

CMYK 22 / 0 / 5 / 56

HEX #576F69

RGB 87 111 105

HSL 165, 0.12%, 0.39%

LAB 44.82, -10.19, 0.42

 

CMYK 22 / 0 / 12 / 56

HEX #576F62

RGB 87 111 98

HSL 147.5, 0.12%, 0.39%

LAB 44.63, -11.76, 4.34

 

CMYK 22 / 0 / 17 / 56

HEX #576F5C

RGB 87 111 92

HSL 132.5, 0.12%, 0.39%

LAB 44.47, -13.02, 7.71

 

CMYK 20 / 0 / 22 / 56

HEX #596F57

RGB 89 111 87

HSL 115, 0.12%, 0.39%

LAB 44.49, -13.26, 10.74

 

CMYK 14 / 0 / 22 / 56

HEX #5F6F57

RGB 95 111 87

HSL 100, 0.12%, 0.39%

LAB 44.93, -10.92, 11.41

 

CMYK 22 / 0 / 5 / 56

HEX #576F69

RGB 87 111 105

HSL 165, 0.12%, 0.39%

LAB 44.82, -10.19, 0.42

 

CMYK 22 / 0 / 0 / 56

HEX #576F6F

RGB 87 111 111

HSL 180, 0.12%, 0.39%

LAB 45, -8.78, -2.91

 

CMYK 22 / 6 / 0 / 56

HEX #57686F

RGB 87 104 111

HSL 197.5, 0.12%, 0.39%

LAB 42.88, -4.69, -6.07

 

CMYK 22 / 12 / 0 / 56

HEX #57626F

RGB 87 98 111

HSL 212.5, 0.12%, 0.39%

LAB 41.07, -1.11, -8.76

 

CMYK 22 / 18 / 0 / 56

HEX #575B6F

RGB 87 91 111

HSL 230, 0.12%, 0.39%

LAB 39, 3.18, -11.9

 

CMYK 22 / 0 / 5 / 56

HEX #576F69

RGB 87 111 105

HSL 165, 0.12%, 0.39%

LAB 44.82, -10.19, 0.42

 

CMYK 44 / 0 / 12 / 50

HEX #477F70

RGB 71 127 112

HSL 163.93, 0.28%, 0.39%

LAB 49.12, -22.31, 2.4

 

CMYK 62 / 0 / 16 / 44

HEX #378F78

RGB 55 143 120

HSL 164.32, 0.44%, 0.39%

LAB 53.83, -32.06, 4.47

 

CMYK 75 / 0 / 19 / 38

HEX #279F80

RGB 39 159 128

HSL 164.5, 0.61%, 0.39%

LAB 58.78, -39.87, 6.96

 

CMYK 87 / 0 / 23 / 31

HEX #17AF87

RGB 23 175 135

HSL 164.21, 0.77%, 0.39%

LAB 63.83, -46.41, 10.22

 

CMYK 22 / 0 / 5 / 56

HEX #576F69

RGB 87 111 105

HSL 165, 0.12%, 0.39%

LAB 44.82, -10.19, 0.42

 

CMYK 0 / 8 / 6 / 60

HEX #675F61

RGB 103 95 97

HSL 345, 0.04%, 0.39%

LAB 41.11, 3.59, 0.01

 

CMYK 0 / 34 / 25 / 53

HEX #774F59

RGB 119 79 89

HSL 345, 0.2%, 0.39%

LAB 38.26, 18.38, 1.02

 

CMYK 0 / 53 / 39 / 47

HEX #873F52

RGB 135 63 82

HSL 344.17, 0.36%, 0.39%

LAB 36.58, 32.88, 3.28

 

CMYK 0 / 69 / 51 / 41

HEX #972F4A

RGB 151 47 74

HSL 344.42, 0.53%, 0.39%

LAB 36.19, 45.34, 8.2

 

CMYK 22 / 0 / 17 / 56

HEX #576F5C

RGB 87 111 92

HSL 132.5, 0.12%, 0.39%

LAB 44.47, -13.02, 7.71

 

CMYK 22 / 0 / 12 / 56

HEX #576F62

RGB 87 111 98

HSL 147.5, 0.12%, 0.39%

LAB 44.63, -11.76, 4.34

 

CMYK 22 / 0 / 5 / 56

HEX #576F69

RGB 87 111 105

HSL 165, 0.12%, 0.39%

LAB 44.82, -10.19, 0.42

 

CMYK 22 / 0 / 0 / 56

HEX #576F6F

RGB 87 111 111

HSL 180, 0.12%, 0.39%

LAB 45, -8.78, -2.91

 

CMYK 22 / 5 / 0 / 56

HEX #57696F

RGB 87 105 111

HSL 195, 0.12%, 0.39%

LAB 43.18, -5.28, -5.62

 

CMYK 22 / 0 / 6 / 75

HEX #33413D

RGB 51 65 61

HSL 162.86, 0.12%, 0.23%

LAB 26.22, -6.66, 0.56

 

CMYK 22 / 0 / 6 / 65

HEX #455853

RGB 69 88 83

HSL 164.21, 0.12%, 0.31%

LAB 35.73, -8.47, 0.49

 

CMYK 22 / 0 / 5 / 56

HEX #576F69

RGB 87 111 105

HSL 165, 0.12%, 0.39%

LAB 44.82, -10.19, 0.42

 

CMYK 22 / 0 / 6 / 47

HEX #69867E

RGB 105 134 126

HSL 163.45, 0.12%, 0.47%

LAB 53.56, -12.06, 0.91

 

CMYK 18 / 0 / 5 / 40

HEX #7E9A93

RGB 126 154 147

HSL 165, 0.12%, 0.55%

LAB 61.35, -11.25, 0.41

 

CMYK 21 / 0 / 5 / 57

HEX #576E68

RGB 87 110 104

HSL 164.35, 0.12%, 0.39%

LAB 44.49, -9.85, 0.54

 

CMYK 22 / 20 / 0 / 56

HEX #57596F

RGB 87 89 111

HSL 235, 0.12%, 0.39%

LAB 38.41, 4.42, -12.79

 

CMYK 0 / 14 / 22 / 56

HEX #6F5F57

RGB 111 95 87

HSL 20, 0.12%, 0.39%

LAB 41.61, 5.04, 6.96

 

CMYK 21 / 0 / 5 / 57

HEX #576E68

RGB 87 110 104

HSL 164.35, 0.12%, 0.39%

LAB 44.49, -9.85, 0.54

 

CMYK 5 / 22 / 0 / 56

HEX #69576F

RGB 105 87 111

HSL 285, 0.12%, 0.39%

LAB 39.53, 12.22, -10.93

 

CMYK 0 / 5 / 22 / 56

HEX #6F6957

RGB 111 105 87

HSL 45, 0.12%, 0.39%

LAB 44.48, -0.92, 10.98

 

CMYK 21 / 0 / 5 / 57

HEX #576E68

RGB 87 110 104

HSL 164.35, 0.12%, 0.39%

LAB 44.49, -9.85, 0.54

 

CMYK 22 / 20 / 0 / 56

HEX #57596F

RGB 87 89 111

HSL 235, 0.12%, 0.39%

LAB 38.41, 4.42, -12.79

 

CMYK 0 / 22 / 16 / 56

HEX #6F575D

RGB 111 87 93

HSL 345, 0.12%, 0.39%

LAB 39.56, 10.94, 0.31

 

CMYK 0 / 2 / 22 / 56

HEX #6F6D57

RGB 111 109 87

HSL 55, 0.12%, 0.39%

LAB 45.64, -3.25, 12.6

 

CMYK 21 / 0 / 5 / 57

HEX #576E68

RGB 87 110 104

HSL 164.35, 0.12%, 0.39%

LAB 44.49, -9.85, 0.54

 

CMYK 16 / 22 / 0 / 56

HEX #5D576F

RGB 93 87 111

HSL 255, 0.12%, 0.39%

LAB 38.36, 7.8, -12.81

 

CMYK 0 / 22 / 16 / 56

HEX #6F575D

RGB 111 87 93

HSL 345, 0.12%, 0.39%

LAB 39.56, 10.94, 0.31

 

CMYK 5 / 0 / 22 / 56

HEX #696F57

RGB 105 111 87

HSL 75, 0.12%, 0.39%

LAB 45.72, -6.89, 12.63

 

Description

Color code: HEX #576E68 | qconv.com Color code: HEX #576E68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 110 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 110 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 5 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 5% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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