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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #576FE5 it is the complementary color #A8901A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #576FE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #576FE5 shade: #5C6FE0, #6D81F3, #7E93FF, #8FA5FF and #A0B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #576FE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #576FE5 shade: #576FE5, #465DD2, #354BBF, #2439AC and #132799

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #576FE5 shade: #576FE4, #6557E4, #8B57E4, #B157E4 and #D857E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #576FE5 shade: #576FE4 and #5757E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #576FE5 shade matches the following richer shades: #576FE4 and #4764F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #576FE5 shade: #576FE4, #6779D5, #7684C5, #868EB5 and #9698A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #576FE5 shade: #57BCE4, #5797E4, #5771E4, #6357E4 and #8857E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #576FE5 shade: #1F3CCA, #3350DF, #576FE4, #7B8DEA and #9EACEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #576FE5 shade: #576FE5, #E457E2 and #A9E457

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #576FE5 shade: #576FE5, #E45771 and #71E457

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #576FE5 shade: #576FE5, #E457E2, #E4CA57 and #57E459

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #576FE5 shade: #576FE5, #E457B8, #E4CA57 and #57E484

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 52 / 0 / 10

HEX #576FE5

RGB 87 111 229

HSL 229.86, 0.73%, 0.62%

LAB 50.75, 27.25, -62.76

 

Complementary color

CMYK 0 / 14 / 85 / 34

HEX #A8901A

RGB 168 144 26

HSL 49.86, 0.73%, 0.38%

LAB 60.2, -2.6, 59.46

 

CMYK 59 / 50 / 0 / 12

HEX #5C6FE0

RGB 92 111 224

HSL 231.36, 0.68%, 0.62%

LAB 50.72, 26.48, -59.98

 

CMYK 55 / 47 / 0 / 5

HEX #6D81F3

RGB 109 129 243

HSL 231.04, 0.85%, 0.69%

LAB 57.49, 24.95, -59.67

 

CMYK 51 / 42 / 0 / 0

HEX #7E93FF

RGB 126 147 255

HSL 230.23, 1%, 0.75%

LAB 63.77, 21.52, -56.17

 

CMYK 44 / 35 / 0 / 0

HEX #8FA5FF

RGB 143 165 255

HSL 228.21, 1%, 0.78%

LAB 69.45, 15.03, -47.12

 

CMYK 37 / 28 / 0 / 0

HEX #A0B7FF

RGB 160 183 255

HSL 225.47, 1%, 0.81%

LAB 75.18, 9.22, -38.09

 

CMYK 62 / 52 / 0 / 10

HEX #576FE5

RGB 87 111 229

HSL 229.86, 0.73%, 0.62%

LAB 50.75, 27.25, -62.76

 

CMYK 67 / 56 / 0 / 18

HEX #465DD2

RGB 70 93 210

HSL 230.14, 0.61%, 0.55%

LAB 43.92, 29.24, -63.06

 

CMYK 72 / 61 / 0 / 25

HEX #354BBF

RGB 53 75 191

HSL 230.43, 0.57%, 0.48%

LAB 37.02, 31.61, -63.32

 

CMYK 79 / 67 / 0 / 33

HEX #2439AC

RGB 36 57 172

HSL 230.74, 0.65%, 0.41%

LAB 30.11, 34.41, -63.43

 

CMYK 88 / 75 / 0 / 40

HEX #132799

RGB 19 39 153

HSL 231.04, 0.78%, 0.34%

LAB 23.3, 37.59, -63.14

 

CMYK 62 / 51 / 0 / 11

HEX #576FE4

RGB 87 111 228

HSL 229.79, 0.72%, 0.62%

LAB 50.68, 26.92, -62.3

 

CMYK 56 / 62 / 0 / 11

HEX #6557E4

RGB 101 87 228

HSL 245.96, 0.72%, 0.62%

LAB 45.89, 43.83, -70.03

 

CMYK 39 / 62 / 0 / 11

HEX #8B57E4

RGB 139 87 228

HSL 262.13, 0.72%, 0.62%

LAB 49.38, 51.1, -64.2

 

CMYK 22 / 62 / 0 / 11

HEX #B157E4

RGB 177 87 228

HSL 278.3, 0.72%, 0.62%

LAB 53.78, 59.47, -56.89

 

CMYK 5 / 62 / 0 / 11

HEX #D857E4

RGB 216 87 228

HSL 294.89, 0.72%, 0.62%

LAB 58.99, 68.56, -48.28

 

CMYK 62 / 51 / 0 / 11

HEX #576FE4

RGB 87 111 228

HSL 229.79, 0.72%, 0.62%

LAB 50.68, 26.92, -62.3

 

CMYK 62 / 62 / 0 / 11

HEX #5757E4

RGB 87 87 228

HSL 240, 0.72%, 0.62%

LAB 44.86, 41.56, -71.74

 

CMYK 62 / 51 / 0 / 11

HEX #576FE4

RGB 87 111 228

HSL 229.79, 0.72%, 0.62%

LAB 50.68, 26.92, -62.3

 

CMYK 71 / 59 / 0 / 4

HEX #4764F4

RGB 71 100 244

HSL 229.94, 0.89%, 0.62%

LAB 48.24, 36.85, -75.27

 

CMYK 62 / 51 / 0 / 11

HEX #576FE4

RGB 87 111 228

HSL 229.79, 0.72%, 0.62%

LAB 50.68, 26.92, -62.3

 

CMYK 52 / 43 / 0 / 16

HEX #6779D5

RGB 103 121 213

HSL 230.18, 0.57%, 0.62%

LAB 53.34, 19.06, -49.52

 

CMYK 40 / 33 / 0 / 23

HEX #7684C5

RGB 118 132 197

HSL 229.37, 0.41%, 0.62%

LAB 56.47, 11.37, -35.45

 

CMYK 26 / 22 / 0 / 29

HEX #868EB5

RGB 134 142 181

HSL 229.79, 0.24%, 0.62%

LAB 59.66, 5.95, -21.34

 

CMYK 10 / 8 / 0 / 35

HEX #9698A6

RGB 150 152 166

HSL 232.5, 0.08%, 0.62%

LAB 63.09, 2.12, -7.56

 

CMYK 62 / 18 / 0 / 11

HEX #57BCE4

RGB 87 188 228

HSL 197.02, 0.72%, 0.62%

LAB 71.96, -17.64, -28.76

 

CMYK 62 / 34 / 0 / 11

HEX #5797E4

RGB 87 151 228

HSL 212.77, 0.72%, 0.62%

LAB 61.45, 2.78, -45.13

 

CMYK 62 / 50 / 0 / 11

HEX #5771E4

RGB 87 113 228

HSL 228.94, 0.72%, 0.62%

LAB 51.2, 25.69, -61.47

 

CMYK 57 / 62 / 0 / 11

HEX #6357E4

RGB 99 87 228

HSL 245.11, 0.72%, 0.62%

LAB 45.73, 43.49, -70.29

 

CMYK 40 / 62 / 0 / 11

HEX #8857E4

RGB 136 87 228

HSL 260.85, 0.72%, 0.62%

LAB 49.07, 50.48, -64.71

 

CMYK 85 / 70 / 0 / 21

HEX #1F3CCA

RGB 31 60 202

HSL 229.82, 0.73%, 0.46%

LAB 33.54, 43.05, -75.5

 

CMYK 77 / 64 / 0 / 13

HEX #3350DF

RGB 51 80 223

HSL 229.88, 0.73%, 0.54%

LAB 40.85, 39.71, -75.55

 

CMYK 62 / 51 / 0 / 11

HEX #576FE4

RGB 87 111 228

HSL 229.79, 0.72%, 0.62%

LAB 50.68, 26.92, -62.3

 

CMYK 47 / 40 / 0 / 8

HEX #7B8DEA

RGB 123 141 234

HSL 230.27, 0.73%, 0.7%

LAB 60.96, 18.08, -49.1

 

CMYK 34 / 28 / 0 / 6

HEX #9EACEF

RGB 158 172 239

HSL 229.63, 0.72%, 0.78%

LAB 71.56, 10.64, -35.06

 

CMYK 62 / 52 / 0 / 10

HEX #576FE5

RGB 87 111 229

HSL 229.86, 0.73%, 0.62%

LAB 50.75, 27.25, -62.76

 

CMYK 0 / 62 / 1 / 11

HEX #E457E2

RGB 228 87 226

HSL 300.85, 0.72%, 0.62%

LAB 60.61, 71.08, -44.49

 

CMYK 26 / 0 / 62 / 11

HEX #A9E457

RGB 169 228 87

HSL 85.11, 0.72%, 0.62%

LAB 84.28, -40.18, 61

 

CMYK 62 / 52 / 0 / 10

HEX #576FE5

RGB 87 111 229

HSL 229.86, 0.73%, 0.62%

LAB 50.75, 27.25, -62.76

 

CMYK 0 / 62 / 50 / 11

HEX #E45771

RGB 228 87 113

HSL 348.94, 0.72%, 0.62%

LAB 56.59, 56.7, 14.72

 

CMYK 50 / 0 / 62 / 11

HEX #71E457

RGB 113 228 87

HSL 108.94, 0.72%, 0.62%

LAB 81.67, -58.3, 57.37

 

CMYK 62 / 52 / 0 / 10

HEX #576FE5

RGB 87 111 229

HSL 229.86, 0.73%, 0.62%

LAB 50.75, 27.25, -62.76

 

CMYK 0 / 62 / 1 / 11

HEX #E457E2

RGB 228 87 226

HSL 300.85, 0.72%, 0.62%

LAB 60.61, 71.08, -44.49

 

CMYK 0 / 11 / 62 / 11

HEX #E4CA57

RGB 228 202 87

HSL 48.94, 0.72%, 0.62%

LAB 81.52, -4.12, 59.2

 

CMYK 62 / 0 / 61 / 11

HEX #57E459

RGB 87 228 89

HSL 120.85, 0.72%, 0.62%

LAB 80.87, -64.43, 55.4

 

CMYK 62 / 52 / 0 / 10

HEX #576FE5

RGB 87 111 229

HSL 229.86, 0.73%, 0.62%

LAB 50.75, 27.25, -62.76

 

CMYK 0 / 62 / 19 / 11

HEX #E457B8

RGB 228 87 184

HSL 318.72, 0.72%, 0.62%

LAB 58.76, 64.7, -23.52

 

CMYK 0 / 11 / 62 / 11

HEX #E4CA57

RGB 228 202 87

HSL 48.94, 0.72%, 0.62%

LAB 81.52, -4.12, 59.2

 

CMYK 62 / 0 / 42 / 11

HEX #57E484

RGB 87 228 132

HSL 139.15, 0.72%, 0.62%

LAB 81.39, -58.56, 35.83

 

Description

Color code: HEX #576FE5 | qconv.com Color code: HEX #576FE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 111 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 111 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 52 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 52% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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