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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5778B6 it is the complementary color #A88749. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5778B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5778B6 shade: #5C78B1, #6D8AC4, #7E9CD7, #8FAEEA and #A0C0FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5778B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5778B6 shade: #5778B6, #4666A3, #355490, #24427D and #13306A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5778B6 shade: #5878B5, #585FB5, #6A58B5, #8358B5 and #9C58B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5778B6 shade: #5878B5, #585FB5 and #5858B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5778B6 shade matches the following richer shades: #5878B5, #4572C9, #316DDC and #1E67F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5778B6 shade: #5878B5, #6B7EA2, #7F848F, #928A7B and #A59068

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5778B6 shade: #58AAB5, #5892B5, #5879B5, #5860B5 and #6958B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5778B6 shade: #395282, #45649F, #5878B5, #758FC2 and #91A7CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5778B6 shade: #5778B6, #A758B5 and #9EB558

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5778B6 shade: #5778B6, #B55879 and #79B558

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5778B6 shade: #5778B6, #A758B5, #B59558 and #66B558

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5778B6 shade: #5778B6, #B558A7, #B59558 and #58B566

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 34 / 0 / 29

HEX #5778B6

RGB 87 120 182

HSL 219.16, 0.39%, 0.53%

LAB 50.5, 6.2, -36.38

 

Complementary color

CMYK 0 / 20 / 57 / 34

HEX #A88749

RGB 168 135 73

HSL 39.16, 0.39%, 0.47%

LAB 58.16, 4.97, 37.7

 

CMYK 48 / 32 / 0 / 31

HEX #5C78B1

RGB 92 120 177

HSL 220.24, 0.35%, 0.53%

LAB 50.55, 5.84, -33.39

 

CMYK 44 / 30 / 0 / 23

HEX #6D8AC4

RGB 109 138 196

HSL 220, 0.42%, 0.6%

LAB 57.48, 5.18, -33.36

 

CMYK 41 / 27 / 0 / 16

HEX #7E9CD7

RGB 126 156 215

HSL 219.78, 0.53%, 0.67%

LAB 64.26, 4.63, -33.38

 

CMYK 39 / 26 / 0 / 8

HEX #8FAEEA

RGB 143 174 234

HSL 219.56, 0.68%, 0.74%

LAB 70.91, 4.16, -33.43

 

CMYK 37 / 24 / 0 / 1

HEX #A0C0FD

RGB 160 192 253

HSL 219.35, 0.96%, 0.81%

LAB 77.44, 3.75, -33.51

 

CMYK 52 / 34 / 0 / 29

HEX #5778B6

RGB 87 120 182

HSL 219.16, 0.39%, 0.53%

LAB 50.5, 6.2, -36.38

 

CMYK 57 / 37 / 0 / 36

HEX #4666A3

RGB 70 102 163

HSL 219.35, 0.4%, 0.46%

LAB 43.43, 7.18, -36.48

 

CMYK 63 / 42 / 0 / 44

HEX #355490

RGB 53 84 144

HSL 219.56, 0.46%, 0.39%

LAB 36.2, 8.45, -36.63

 

CMYK 71 / 47 / 0 / 51

HEX #24427D

RGB 36 66 125

HSL 219.78, 0.55%, 0.32%

LAB 28.78, 10.17, -36.82

 

CMYK 82 / 55 / 0 / 58

HEX #13306A

RGB 19 48 106

HSL 220, 0.7%, 0.25%

LAB 21.18, 12.59, -36.99

 

CMYK 51 / 34 / 0 / 29

HEX #5878B5

RGB 88 120 181

HSL 219.35, 0.39%, 0.53%

LAB 50.5, 6.12, -35.79

 

CMYK 51 / 48 / 0 / 29

HEX #585FB5

RGB 88 95 181

HSL 235.48, 0.39%, 0.53%

LAB 43.65, 21.58, -46.66

 

CMYK 41 / 51 / 0 / 29

HEX #6A58B5

RGB 106 88 181

HSL 251.61, 0.39%, 0.53%

LAB 43.33, 30.19, -47.08

 

CMYK 28 / 51 / 0 / 29

HEX #8358B5

RGB 131 88 181

HSL 267.74, 0.39%, 0.53%

LAB 45.83, 36.69, -42.95

 

CMYK 14 / 51 / 0 / 29

HEX #9C58B5

RGB 156 88 181

HSL 283.87, 0.39%, 0.53%

LAB 48.74, 43.6, -38.15

 

CMYK 51 / 34 / 0 / 29

HEX #5878B5

RGB 88 120 181

HSL 219.35, 0.39%, 0.53%

LAB 50.5, 6.12, -35.79

 

CMYK 51 / 48 / 0 / 29

HEX #585FB5

RGB 88 95 181

HSL 235.48, 0.39%, 0.53%

LAB 43.65, 21.58, -46.66

 

CMYK 51 / 51 / 0 / 29

HEX #5858B5

RGB 88 88 181

HSL 240, 0.39%, 0.53%

LAB 41.83, 25.97, -49.57

 

CMYK 51 / 34 / 0 / 29

HEX #5878B5

RGB 88 120 181

HSL 219.35, 0.39%, 0.53%

LAB 50.5, 6.12, -35.79

 

CMYK 66 / 43 / 0 / 21

HEX #4572C9

RGB 69 114 201

HSL 219.55, 0.55%, 0.53%

LAB 48.9, 12.66, -49.88

 

CMYK 78 / 50 / 0 / 14

HEX #316DDC

RGB 49 109 220

HSL 218.95, 0.71%, 0.53%

LAB 47.95, 20.01, -62.28

 

CMYK 88 / 57 / 0 / 6

HEX #1E67F0

RGB 30 103 240

HSL 219.14, 0.88%, 0.53%

LAB 47.32, 29.87, -74.59

 

CMYK 51 / 34 / 0 / 29

HEX #5878B5

RGB 88 120 181

HSL 219.35, 0.39%, 0.53%

LAB 50.5, 6.12, -35.79

 

CMYK 34 / 22 / 0 / 36

HEX #6B7EA2

RGB 107 126 162

HSL 219.27, 0.23%, 0.53%

LAB 52.57, 2.06, -21.48

 

CMYK 11 / 8 / 0 / 44

HEX #7F848F

RGB 127 132 143

HSL 221.25, 0.07%, 0.53%

LAB 55.07, 0.48, -6.54

 

CMYK 0 / 5 / 16 / 43

HEX #928A7B

RGB 146 138 123

HSL 39.13, 0.1%, 0.53%

LAB 57.77, 0.32, 9.1

 

CMYK 0 / 13 / 37 / 35

HEX #A59068

RGB 165 144 104

HSL 39.34, 0.25%, 0.53%

LAB 60.73, 1.9, 24.17

 

CMYK 51 / 6 / 0 / 29

HEX #58AAB5

RGB 88 170 181

HSL 187.1, 0.39%, 0.53%

LAB 65.09, -21.9, -13.35

 

CMYK 51 / 19 / 0 / 29

HEX #5892B5

RGB 88 146 181

HSL 202.58, 0.39%, 0.53%

LAB 58.01, -9.04, -24.12

 

CMYK 51 / 33 / 0 / 29

HEX #5879B5

RGB 88 121 181

HSL 218.71, 0.39%, 0.53%

LAB 50.79, 5.51, -35.34

 

CMYK 51 / 47 / 0 / 29

HEX #5860B5

RGB 88 96 181

HSL 234.84, 0.39%, 0.53%

LAB 43.91, 20.96, -46.23

 

CMYK 42 / 51 / 0 / 29

HEX #6958B5

RGB 105 88 181

HSL 250.97, 0.39%, 0.53%

LAB 43.24, 29.95, -47.23

 

CMYK 56 / 37 / 0 / 49

HEX #395282

RGB 57 82 130

HSL 219.45, 0.39%, 0.37%

LAB 35.04, 5.65, -29.9

 

CMYK 57 / 37 / 0 / 38

HEX #45649F

RGB 69 100 159

HSL 219.33, 0.39%, 0.45%

LAB 42.59, 6.86, -35.45

 

CMYK 51 / 34 / 0 / 29

HEX #5878B5

RGB 88 120 181

HSL 219.35, 0.39%, 0.53%

LAB 50.5, 6.12, -35.79

 

CMYK 40 / 26 / 0 / 24

HEX #758FC2

RGB 117 143 194

HSL 219.74, 0.39%, 0.61%

LAB 59.27, 3.82, -29.4

 

CMYK 30 / 19 / 0 / 19

HEX #91A7CF

RGB 145 167 207

HSL 218.71, 0.39%, 0.69%

LAB 68.14, 1.61, -22.87

 

CMYK 52 / 34 / 0 / 29

HEX #5778B6

RGB 87 120 182

HSL 219.16, 0.39%, 0.53%

LAB 50.5, 6.2, -36.38

 

CMYK 8 / 51 / 0 / 29

HEX #A758B5

RGB 167 88 181

HSL 290.97, 0.39%, 0.53%

LAB 50.13, 46.7, -35.86

 

CMYK 13 / 0 / 51 / 29

HEX #9EB558

RGB 158 181 88

HSL 74.84, 0.39%, 0.53%

LAB 70.19, -22.28, 44.3

 

CMYK 52 / 34 / 0 / 29

HEX #5778B6

RGB 87 120 182

HSL 219.16, 0.39%, 0.53%

LAB 50.5, 6.2, -36.38

 

CMYK 0 / 51 / 33 / 29

HEX #B55879

RGB 181 88 121

HSL 338.71, 0.39%, 0.53%

LAB 49.72, 41.29, -0.81

 

CMYK 33 / 0 / 51 / 29

HEX #79B558

RGB 121 181 88

HSL 98.71, 0.39%, 0.53%

LAB 67.89, -36.29, 40.99

 

CMYK 52 / 34 / 0 / 29

HEX #5778B6

RGB 87 120 182

HSL 219.16, 0.39%, 0.53%

LAB 50.5, 6.2, -36.38

 

CMYK 8 / 51 / 0 / 29

HEX #A758B5

RGB 167 88 181

HSL 290.97, 0.39%, 0.53%

LAB 50.13, 46.7, -35.86

 

CMYK 0 / 18 / 51 / 29

HEX #B59558

RGB 181 149 88

HSL 39.35, 0.39%, 0.53%

LAB 63.36, 4.17, 36.49

 

CMYK 44 / 0 / 51 / 29

HEX #66B558

RGB 102 181 88

HSL 110.97, 0.39%, 0.53%

LAB 66.96, -42.59, 39.65

 

CMYK 52 / 34 / 0 / 29

HEX #5778B6

RGB 87 120 182

HSL 219.16, 0.39%, 0.53%

LAB 50.5, 6.2, -36.38

 

CMYK 0 / 51 / 8 / 29

HEX #B558A7

RGB 181 88 167

HSL 309.03, 0.39%, 0.53%

LAB 51.37, 48.2, -25.61

 

CMYK 0 / 18 / 51 / 29

HEX #B59558

RGB 181 149 88

HSL 39.35, 0.39%, 0.53%

LAB 63.36, 4.17, 36.49

 

CMYK 51 / 0 / 44 / 29

HEX #58B566

RGB 88 181 102

HSL 129.03, 0.39%, 0.53%

LAB 66.58, -44.62, 31.96

 

Description

Color code: HEX #5778B6 | qconv.com Color code: HEX #5778B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 120 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 120 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 34 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 34% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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