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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5784B1 it is the complementary color #A87B4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5784B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5784B1 shade: #5C84AC, #6D96BF, #7EA8D2, #8FBAE5 and #A0CCF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5784B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5784B1 shade: #5784B1, #46729E, #35608B, #244E78 and #133C65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5784B1 shade: #5784B1, #576CB1, #5A57B1, #7357B1 and #8B57B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5784B1 shade: #5784B1, #576CB1 and #5757B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5784B1 shade matches the following richer shades: #5784B1, #4384C5, #2F84D9 and #1B84ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5784B1 shade: #5784B1, #6B849E, #7E848A, #928476 and #A68462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5784B1 shade: #57B1AE, #579CB1, #5784B1, #576CB1 and #5A57B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5784B1 shade: #395B7D, #466F99, #5784B1, #7399BE and #8FADCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5784B1 shade: #5784B1, #9657B1 and #A8B157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5784B1 shade: #5784B1, #B15784 and #84B157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5784B1 shade: #5784B1, #9657B1, #B18457 and #72B157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5784B1 shade: #5784B1, #B157B1, #B18457 and #57B157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

Complementary color

CMYK 0 / 27 / 54 / 34

HEX #A87B4E

RGB 168 123 78

HSL 30, 0.37%, 0.48%

LAB 55.11, 12.14, 31.31

 

CMYK 47 / 23 / 0 / 33

HEX #5C84AC

RGB 92 132 172

HSL 210, 0.33%, 0.52%

LAB 53.77, -2.78, -25.49

 

CMYK 43 / 21 / 0 / 25

HEX #6D96BF

RGB 109 150 191

HSL 210, 0.39%, 0.59%

LAB 60.63, -3.17, -25.66

 

CMYK 40 / 20 / 0 / 18

HEX #7EA8D2

RGB 126 168 210

HSL 210, 0.48%, 0.66%

LAB 67.35, -3.49, -25.84

 

CMYK 38 / 19 / 0 / 10

HEX #8FBAE5

RGB 143 186 229

HSL 210, 0.62%, 0.73%

LAB 73.94, -3.76, -26.04

 

CMYK 35 / 18 / 0 / 3

HEX #A0CCF8

RGB 160 204 248

HSL 210, 0.86%, 0.8%

LAB 80.42, -3.99, -26.26

 

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

CMYK 56 / 28 / 0 / 38

HEX #46729E

RGB 70 114 158

HSL 210, 0.39%, 0.45%

LAB 46.72, -1.86, -28.38

 

CMYK 62 / 31 / 0 / 45

HEX #35608B

RGB 53 96 139

HSL 210, 0.45%, 0.38%

LAB 39.56, -1.01, -28.3

 

CMYK 70 / 35 / 0 / 53

HEX #244E78

RGB 36 78 120

HSL 210, 0.54%, 0.31%

LAB 32.21, 0.18, -28.23

 

CMYK 81 / 41 / 0 / 60

HEX #133C65

RGB 19 60 101

HSL 210, 0.68%, 0.24%

LAB 24.67, 1.93, -28.16

 

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

CMYK 51 / 39 / 0 / 31

HEX #576CB1

RGB 87 108 177

HSL 226, 0.37%, 0.52%

LAB 46.88, 11.95, -39.19

 

CMYK 49 / 51 / 0 / 31

HEX #5A57B1

RGB 90 87 177

HSL 242, 0.37%, 0.52%

LAB 41.48, 25.78, -47.78

 

CMYK 35 / 51 / 0 / 31

HEX #7357B1

RGB 115 87 177

HSL 258.67, 0.37%, 0.52%

LAB 43.71, 31.97, -44.08

 

CMYK 21 / 51 / 0 / 31

HEX #8B57B1

RGB 139 87 177

HSL 274.67, 0.37%, 0.52%

LAB 46.28, 38.49, -39.83

 

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

CMYK 51 / 39 / 0 / 31

HEX #576CB1

RGB 87 108 177

HSL 226, 0.37%, 0.52%

LAB 46.88, 11.95, -39.19

 

CMYK 51 / 51 / 0 / 31

HEX #5757B1

RGB 87 87 177

HSL 240, 0.37%, 0.52%

LAB 41.24, 25.1, -48.16

 

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

CMYK 66 / 33 / 0 / 23

HEX #4384C5

RGB 67 132 197

HSL 210, 0.53%, 0.52%

LAB 53.74, -0.03, -39.94

 

CMYK 78 / 39 / 0 / 15

HEX #2F84D9

RGB 47 132 217

HSL 210, 0.69%, 0.52%

LAB 54.15, 4.38, -50.64

 

CMYK 89 / 44 / 0 / 7

HEX #1B84ED

RGB 27 132 237

HSL 210, 0.85%, 0.52%

LAB 54.92, 10.3, -60.62

 

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

CMYK 32 / 16 / 0 / 38

HEX #6B849E

RGB 107 132 158

HSL 210.59, 0.21%, 0.52%

LAB 54.13, -2.5, -16.78

 

CMYK 9 / 4 / 0 / 46

HEX #7E848A

RGB 126 132 138

HSL 210, 0.05%, 0.52%

LAB 54.84, -0.95, -4

 

CMYK 0 / 10 / 19 / 43

HEX #928476

RGB 146 132 118

HSL 30, 0.11%, 0.52%

LAB 56.01, 2.88, 9.48

 

CMYK 0 / 20 / 41 / 35

HEX #A68462

RGB 166 132 98

HSL 30, 0.28%, 0.52%

LAB 57.55, 8.3, 23.3

 

CMYK 51 / 0 / 2 / 31

HEX #57B1AE

RGB 87 177 174

HSL 178, 0.37%, 0.52%

LAB 66.92, -27.55, -6.73

 

CMYK 51 / 12 / 0 / 31

HEX #579CB1

RGB 87 156 177

HSL 194, 0.37%, 0.52%

LAB 60.76, -15.92, -17.65

 

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

CMYK 51 / 39 / 0 / 31

HEX #576CB1

RGB 87 108 177

HSL 226, 0.37%, 0.52%

LAB 46.88, 11.95, -39.19

 

CMYK 49 / 51 / 0 / 31

HEX #5A57B1

RGB 90 87 177

HSL 242, 0.37%, 0.52%

LAB 41.48, 25.78, -47.78

 

CMYK 54 / 27 / 0 / 51

HEX #395B7D

RGB 57 91 125

HSL 210, 0.37%, 0.36%

LAB 37.54, -1.79, -22.91

 

CMYK 54 / 27 / 0 / 40

HEX #466F99

RGB 70 111 153

HSL 210.36, 0.37%, 0.44%

LAB 45.59, -1.69, -27.18

 

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

CMYK 39 / 19 / 0 / 25

HEX #7399BE

RGB 115 153 190

HSL 209.6, 0.37%, 0.6%

LAB 61.78, -3.53, -23.29

 

CMYK 30 / 15 / 0 / 20

HEX #8FADCB

RGB 143 173 203

HSL 210, 0.37%, 0.68%

LAB 69.5, -3.27, -18.61

 

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

CMYK 15 / 51 / 0 / 31

HEX #9657B1

RGB 150 87 177

HSL 282, 0.37%, 0.52%

LAB 47.59, 41.59, -37.68

 

CMYK 5 / 0 / 51 / 31

HEX #A8B157

RGB 168 177 87

HSL 66, 0.37%, 0.52%

LAB 69.79, -16.29, 44.5

 

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

CMYK 0 / 51 / 25 / 31

HEX #B15784

RGB 177 87 132

HSL 330, 0.37%, 0.52%

LAB 49.29, 41.92, -8.11

 

CMYK 25 / 0 / 51 / 31

HEX #84B157

RGB 132 177 87

HSL 90, 0.37%, 0.52%

LAB 67.31, -30.56, 40.93

 

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

CMYK 15 / 51 / 0 / 31

HEX #9657B1

RGB 150 87 177

HSL 282, 0.37%, 0.52%

LAB 47.59, 41.59, -37.68

 

CMYK 0 / 25 / 51 / 31

HEX #B18457

RGB 177 132 87

HSL 30, 0.37%, 0.52%

LAB 58.54, 11.79, 30.91

 

CMYK 36 / 0 / 51 / 31

HEX #72B157

RGB 114 177 87

HSL 102, 0.37%, 0.52%

LAB 66.3, -37.03, 39.47

 

CMYK 51 / 25 / 0 / 31

HEX #5784B1

RGB 87 132 177

HSL 210, 0.37%, 0.52%

LAB 53.71, -2.5, -28.48

 

CMYK 0 / 51 / 0 / 31

HEX #B157B1

RGB 177 87 177

HSL 300, 0.37%, 0.52%

LAB 51.08, 49.3, -31.95

 

CMYK 0 / 25 / 51 / 31

HEX #B18457

RGB 177 132 87

HSL 30, 0.37%, 0.52%

LAB 58.54, 11.79, 30.91

 

CMYK 51 / 0 / 51 / 31

HEX #57B157

RGB 87 177 87

HSL 120, 0.37%, 0.52%

LAB 65.09, -45.47, 37.71

 

Description

Color code: HEX #5784B1 | qconv.com Color code: HEX #5784B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 132 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 132 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 25 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 25% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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