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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5787A6 it is the complementary color #A87859. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5787A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5787A6 shade: #5C87A1, #6D99B4, #7EABC7, #8FBDDA and #A0CFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5787A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5787A6 shade: #5787A6, #467593, #356380, #24516D and #133F5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5787A6 shade: #5788A7, #5772A7, #575DA7, #6757A7 and #7D57A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5787A6 shade: #5788A7, #5772A7, #575DA7 and #5757A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5787A6 shade matches the following richer shades: #5788A7, #438CBB, #2E90D0, #1A95E4 and #0599F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5787A6 shade: #5788A7, #6C8392, #817F7D, #957A69 and #AA7654

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5787A6 shade: #57A79B, #579DA7, #5788A7, #5773A7 and #575EA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5787A6 shade: #3B5B70, #49728C, #5788A7, #729BB5 and #8EAEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5787A6 shade: #5787A6, #8657A7 and #A7A557

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5787A6 shade: #5787A6, #A75788 and #88A757

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5787A6 shade: #5787A6, #8657A7, #A77657 and #78A757

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5787A6 shade: #5787A6, #9D57A7, #A77657 and #61A757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 19 / 0 / 35

HEX #5787A6

RGB 87 135 166

HSL 203.54, 0.31%, 0.5%

LAB 54.14, -7.55, -21.49

 

Complementary color

CMYK 0 / 29 / 47 / 34

HEX #A87859

RGB 168 120 89

HSL 23.54, 0.31%, 0.5%

LAB 54.53, 14.92, 24.43

 

CMYK 43 / 16 / 0 / 37

HEX #5C87A1

RGB 92 135 161

HSL 202.61, 0.27%, 0.5%

LAB 54.21, -7.7, -18.47

 

CMYK 39 / 15 / 0 / 29

HEX #6D99B4

RGB 109 153 180

HSL 202.82, 0.32%, 0.57%

LAB 61.07, -7.89, -18.78

 

CMYK 37 / 14 / 0 / 22

HEX #7EABC7

RGB 126 171 199

HSL 203.01, 0.39%, 0.64%

LAB 67.79, -8.05, -19.09

 

CMYK 34 / 13 / 0 / 15

HEX #8FBDDA

RGB 143 189 218

HSL 203.2, 0.5%, 0.71%

LAB 74.38, -8.18, -19.41

 

CMYK 32 / 13 / 0 / 7

HEX #A0CFED

RGB 160 207 237

HSL 203.38, 0.68%, 0.78%

LAB 80.86, -8.3, -19.73

 

CMYK 48 / 19 / 0 / 35

HEX #5787A6

RGB 87 135 166

HSL 203.54, 0.31%, 0.5%

LAB 54.14, -7.55, -21.49

 

CMYK 52 / 20 / 0 / 42

HEX #467593

RGB 70 117 147

HSL 203.38, 0.35%, 0.43%

LAB 47.15, -7.16, -21.23

 

CMYK 59 / 23 / 0 / 50

HEX #356380

RGB 53 99 128

HSL 203.2, 0.41%, 0.35%

LAB 39.98, -6.63, -20.97

 

CMYK 67 / 26 / 0 / 57

HEX #24516D

RGB 36 81 109

HSL 203.01, 0.5%, 0.28%

LAB 32.62, -5.84, -20.71

 

CMYK 79 / 30 / 0 / 65

HEX #133F5A

RGB 19 63 90

HSL 202.82, 0.65%, 0.21%

LAB 25.05, -4.61, -20.42

 

CMYK 48 / 19 / 0 / 35

HEX #5788A7

RGB 87 136 167

HSL 203.25, 0.31%, 0.5%

LAB 54.47, -7.82, -21.55

 

CMYK 48 / 32 / 0 / 35

HEX #5772A7

RGB 87 114 167

HSL 219.75, 0.31%, 0.5%

LAB 48.07, 5.12, -31.47

 

CMYK 48 / 44 / 0 / 35

HEX #575DA7

RGB 87 93 167

HSL 235.5, 0.31%, 0.5%

LAB 42.22, 18.15, -40.7

 

CMYK 38 / 48 / 0 / 35

HEX #6757A7

RGB 103 87 167

HSL 252, 0.31%, 0.5%

LAB 41.98, 26.01, -41

 

CMYK 25 / 48 / 0 / 35

HEX #7D57A7

RGB 125 87 167

HSL 268.5, 0.31%, 0.5%

LAB 44.18, 32.12, -37.37

 

CMYK 48 / 19 / 0 / 35

HEX #5788A7

RGB 87 136 167

HSL 203.25, 0.31%, 0.5%

LAB 54.47, -7.82, -21.55

 

CMYK 48 / 32 / 0 / 35

HEX #5772A7

RGB 87 114 167

HSL 219.75, 0.31%, 0.5%

LAB 48.07, 5.12, -31.47

 

CMYK 48 / 44 / 0 / 35

HEX #575DA7

RGB 87 93 167

HSL 235.5, 0.31%, 0.5%

LAB 42.22, 18.15, -40.7

 

CMYK 48 / 48 / 0 / 35

HEX #5757A7

RGB 87 87 167

HSL 240, 0.31%, 0.5%

LAB 40.63, 21.94, -43.24

 

CMYK 48 / 19 / 0 / 35

HEX #5788A7

RGB 87 136 167

HSL 203.25, 0.31%, 0.5%

LAB 54.47, -7.82, -21.55

 

CMYK 64 / 25 / 0 / 27

HEX #438CBB

RGB 67 140 187

HSL 203.5, 0.47%, 0.5%

LAB 55.62, -8.07, -31.29

 

CMYK 78 / 31 / 0 / 18

HEX #2E90D0

RGB 46 144 208

HSL 203.7, 0.64%, 0.5%

LAB 57.15, -6.09, -40.82

 

CMYK 89 / 35 / 0 / 11

HEX #1A95E4

RGB 26 149 228

HSL 203.47, 0.8%, 0.5%

LAB 59.27, -3.31, -48.68

 

CMYK 98 / 39 / 0 / 2

HEX #0599F9

RGB 5 153 249

HSL 203.61, 0.96%, 0.5%

LAB 61.35, 1.44, -56.96

 

CMYK 48 / 19 / 0 / 35

HEX #5788A7

RGB 87 136 167

HSL 203.25, 0.31%, 0.5%

LAB 54.47, -7.82, -21.55

 

CMYK 26 / 10 / 0 / 43

HEX #6C8392

RGB 108 131 146

HSL 203.68, 0.15%, 0.5%

LAB 53.49, -4.68, -10.79

 

CMYK 0 / 2 / 3 / 49

HEX #817F7D

RGB 129 127 125

HSL 30, 0.02%, 0.5%

LAB 53.31, 0.36, 1.34

 

CMYK 0 / 18 / 30 / 42

HEX #957A69

RGB 149 122 105

HSL 23.18, 0.17%, 0.5%

LAB 53.31, 7.81, 13.24

 

CMYK 0 / 31 / 51 / 33

HEX #AA7654

RGB 170 118 84

HSL 23.72, 0.34%, 0.5%

LAB 54.18, 16.39, 26.84

 

CMYK 48 / 0 / 7 / 35

HEX #57A79B

RGB 87 167 155

HSL 171, 0.31%, 0.5%

LAB 63.37, -27.55, -1.39

 

CMYK 48 / 6 / 0 / 35

HEX #579DA7

RGB 87 157 167

HSL 187.5, 0.31%, 0.5%

LAB 60.72, -19.28, -12.07

 

CMYK 48 / 19 / 0 / 35

HEX #5788A7

RGB 87 136 167

HSL 203.25, 0.31%, 0.5%

LAB 54.47, -7.82, -21.55

 

CMYK 48 / 31 / 0 / 35

HEX #5773A7

RGB 87 115 167

HSL 219, 0.31%, 0.5%

LAB 48.36, 4.51, -31.02

 

CMYK 48 / 44 / 0 / 35

HEX #575EA7

RGB 87 94 167

HSL 234.75, 0.31%, 0.5%

LAB 42.49, 17.52, -40.27

 

CMYK 47 / 19 / 0 / 56

HEX #3B5B70

RGB 59 91 112

HSL 203.77, 0.31%, 0.34%

LAB 37.08, -5.47, -15.61

 

CMYK 48 / 19 / 0 / 45

HEX #49728C

RGB 73 114 140

HSL 203.28, 0.31%, 0.42%

LAB 46.1, -6.82, -18.67

 

CMYK 48 / 19 / 0 / 35

HEX #5788A7

RGB 87 136 167

HSL 203.25, 0.31%, 0.5%

LAB 54.47, -7.82, -21.55

 

CMYK 37 / 14 / 0 / 29

HEX #729BB5

RGB 114 155 181

HSL 203.28, 0.31%, 0.58%

LAB 61.96, -7.35, -17.96

 

CMYK 27 / 11 / 0 / 24

HEX #8EAEC3

RGB 142 174 195

HSL 203.77, 0.31%, 0.66%

LAB 69.44, -6.05, -14.29

 

CMYK 48 / 19 / 0 / 35

HEX #5787A6

RGB 87 135 166

HSL 203.54, 0.31%, 0.5%

LAB 54.14, -7.55, -21.49

 

CMYK 20 / 48 / 0 / 35

HEX #8657A7

RGB 134 87 167

HSL 275.25, 0.31%, 0.5%

LAB 45.19, 34.73, -35.72

 

CMYK 0 / 1 / 48 / 35

HEX #A7A557

RGB 167 165 87

HSL 58.5, 0.31%, 0.5%

LAB 66.38, -10.49, 40.39

 

CMYK 48 / 19 / 0 / 35

HEX #5787A6

RGB 87 135 166

HSL 203.54, 0.31%, 0.5%

LAB 54.14, -7.55, -21.49

 

CMYK 0 / 48 / 19 / 35

HEX #A75788

RGB 167 87 136

HSL 323.25, 0.31%, 0.5%

LAB 48.02, 39.15, -12.55

 

CMYK 19 / 0 / 48 / 35

HEX #88A757

RGB 136 167 87

HSL 83.25, 0.31%, 0.5%

LAB 64.61, -24.17, 37.7

 

CMYK 48 / 19 / 0 / 35

HEX #5787A6

RGB 87 135 166

HSL 203.54, 0.31%, 0.5%

LAB 54.14, -7.55, -21.49

 

CMYK 20 / 48 / 0 / 35

HEX #8657A7

RGB 134 87 167

HSL 275.25, 0.31%, 0.5%

LAB 45.19, 34.73, -35.72

 

CMYK 0 / 29 / 48 / 35

HEX #A77657

RGB 167 118 87

HSL 23.25, 0.31%, 0.5%

LAB 53.88, 15.42, 24.69

 

CMYK 28 / 0 / 48 / 35

HEX #78A757

RGB 120 167 87

HSL 95.25, 0.31%, 0.5%

LAB 63.61, -30.27, 36.24

 

CMYK 48 / 19 / 0 / 35

HEX #5787A6

RGB 87 135 166

HSL 203.54, 0.31%, 0.5%

LAB 54.14, -7.55, -21.49

 

CMYK 6 / 48 / 0 / 35

HEX #9D57A7

RGB 157 87 167

HSL 292.5, 0.31%, 0.5%

LAB 47.97, 41.54, -31.15

 

CMYK 0 / 29 / 48 / 35

HEX #A77657

RGB 167 118 87

HSL 23.25, 0.31%, 0.5%

LAB 53.88, 15.42, 24.69

 

CMYK 42 / 0 / 48 / 35

HEX #61A757

RGB 97 167 87

HSL 112.5, 0.31%, 0.5%

LAB 62.4, -38.21, 34.47

 

Description

Color code: HEX #5787A6 | qconv.com Color code: HEX #5787A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 135 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 135 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 19 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 19% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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