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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58175F it is the complementary color #A7E8A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58175F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58175F shade: #5D175A, #6E296D, #7F3B80, #904D93 and #A15FA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58175F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58175F shade: #58175F, #47054C, #360039, #250026 and #140013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58175F shade: #57165E, #5E1652, #5E163E, #5E162B and #5E1618

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58175F shade: #57165E, #44165E, #30165E, #1D165E and #16165E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58175F shade matches the following richer shades: #57165E, #5F0D67 and #660371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58175F shade: #57165E, #4F2054, #48294B, #403341 and #383C38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58175F shade: #31165E, #44165E, #57165E, #5E1652 and #5E163F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58175F shade: #19061B, #380E3D, #57165E, #761E7F and #9526A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58175F shade: #58175F, #5E1E16 and #165E3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58175F shade: #58175F, #5E5716 and #165E57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58175F shade: #58175F, #5E1E16, #1E5E16 and #16575E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58175F shade: #58175F, #5E3316, #1E5E16 and #16415E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 76 / 0 / 63

HEX #58175F

RGB 88 23 95

HSL 294.17, 0.61%, 0.23%

LAB 21.99, 39.61, -28.11

 

Complementary color

CMYK 28 / 0 / 31 / 9

HEX #A7E8A0

RGB 167 232 160

HSL 114.17, 0.61%, 0.77%

LAB 86.24, -34.02, 28.66

 

CMYK 0 / 75 / 3 / 64

HEX #5D175A

RGB 93 23 90

HSL 302.57, 0.6%, 0.23%

LAB 22.58, 39.91, -23.82

 

CMYK 0 / 63 / 1 / 57

HEX #6E296D

RGB 110 41 109

HSL 300.87, 0.46%, 0.3%

LAB 29.43, 40.12, -25.21

 

CMYK 1 / 54 / 0 / 50

HEX #7F3B80

RGB 127 59 128

HSL 299.13, 0.37%, 0.37%

LAB 36.36, 39.68, -26.09

 

CMYK 2 / 48 / 0 / 42

HEX #904D93

RGB 144 77 147

HSL 297.43, 0.31%, 0.44%

LAB 43.28, 39, -26.71

 

CMYK 3 / 43 / 0 / 35

HEX #A15FA6

RGB 161 95 166

HSL 295.77, 0.29%, 0.51%

LAB 50.11, 38.23, -27.19

 

CMYK 7 / 76 / 0 / 63

HEX #58175F

RGB 88 23 95

HSL 294.17, 0.61%, 0.23%

LAB 21.99, 39.61, -28.11

 

CMYK 7 / 93 / 0 / 70

HEX #47054C

RGB 71 5 76

HSL 295.77, 0.88%, 0.16%

LAB 15.33, 38.26, -26.14

 

CMYK 5 / 100 / 0 / 78

HEX #360039

RGB 54 0 57

HSL 296.84, 1%, 0.11%

LAB 9.64, 33.26, -22.06

 

CMYK 3 / 100 / 0 / 85

HEX #250026

RGB 37 0 38

HSL 298.42, 1%, 0.07%

LAB 4.82, 23.81, -15.78

 

CMYK 0 / 100 / 5 / 92

HEX #140013

RGB 20 0 19

HSL 303, 1%, 0.04%

LAB 1.77, 9.01, -6

 

CMYK 7 / 77 / 0 / 63

HEX #57165E

RGB 87 22 94

HSL 294.17, 0.62%, 0.23%

LAB 21.61, 39.57, -28.07

 

CMYK 0 / 77 / 13 / 63

HEX #5E1652

RGB 94 22 82

HSL 310, 0.62%, 0.23%

LAB 22.17, 39.17, -19.1

 

CMYK 0 / 77 / 34 / 63

HEX #5E163E

RGB 94 22 62

HSL 326.67, 0.62%, 0.23%

LAB 21.21, 36.14, -6.93

 

CMYK 0 / 77 / 54 / 63

HEX #5E162B

RGB 94 22 43

HSL 342.5, 0.62%, 0.23%

LAB 20.55, 33.95, 5.37

 

CMYK 0 / 77 / 74 / 63

HEX #5E1618

RGB 94 22 24

HSL 358.33, 0.62%, 0.23%

LAB 20.12, 32.49, 18.02

 

CMYK 7 / 77 / 0 / 63

HEX #57165E

RGB 87 22 94

HSL 294.17, 0.62%, 0.23%

LAB 21.61, 39.57, -28.07

 

CMYK 28 / 77 / 0 / 63

HEX #44165E

RGB 68 22 94

HSL 278.33, 0.62%, 0.23%

LAB 18.41, 35.08, -33.38

 

CMYK 49 / 77 / 0 / 63

HEX #30165E

RGB 48 22 94

HSL 261.67, 0.62%, 0.23%

LAB 15.54, 30.81, -38.18

 

CMYK 69 / 77 / 0 / 63

HEX #1D165E

RGB 29 22 94

HSL 245.83, 0.62%, 0.23%

LAB 13.49, 27.56, -41.62

 

CMYK 77 / 77 / 0 / 63

HEX #16165E

RGB 22 22 94

HSL 240, 0.62%, 0.23%

LAB 12.94, 26.65, -42.54

 

CMYK 7 / 77 / 0 / 63

HEX #57165E

RGB 87 22 94

HSL 294.17, 0.62%, 0.23%

LAB 21.61, 39.57, -28.07

 

CMYK 8 / 87 / 0 / 60

HEX #5F0D67

RGB 95 13 103

HSL 294.67, 0.78%, 0.23%

LAB 22.65, 46.03, -32.24

 

CMYK 10 / 97 / 0 / 56

HEX #660371

RGB 102 3 113

HSL 294, 0.95%, 0.23%

LAB 23.94, 51.37, -36.59

 

CMYK 7 / 77 / 0 / 63

HEX #57165E

RGB 87 22 94

HSL 294.17, 0.62%, 0.23%

LAB 21.61, 39.57, -28.07

 

CMYK 6 / 62 / 0 / 67

HEX #4F2054

RGB 79 32 84

HSL 294.23, 0.45%, 0.23%

LAB 21.34, 30.57, -21.93

 

CMYK 4 / 45 / 0 / 71

HEX #48294B

RGB 72 41 75

HSL 294.71, 0.29%, 0.23%

LAB 21.84, 20.87, -15.17

 

CMYK 2 / 22 / 0 / 75

HEX #403341

RGB 64 51 65

HSL 295.71, 0.12%, 0.23%

LAB 23.13, 8.82, -6.54

 

CMYK 7 / 0 / 7 / 76

HEX #383C38

RGB 56 60 56

HSL 120, 0.03%, 0.23%

LAB 24.82, -2.61, 1.89

 

CMYK 48 / 77 / 0 / 63

HEX #31165E

RGB 49 22 94

HSL 262.5, 0.62%, 0.23%

LAB 15.67, 31, -37.96

 

CMYK 28 / 77 / 0 / 63

HEX #44165E

RGB 68 22 94

HSL 278.33, 0.62%, 0.23%

LAB 18.41, 35.08, -33.38

 

CMYK 7 / 77 / 0 / 63

HEX #57165E

RGB 87 22 94

HSL 294.17, 0.62%, 0.23%

LAB 21.61, 39.57, -28.07

 

CMYK 0 / 77 / 13 / 63

HEX #5E1652

RGB 94 22 82

HSL 310, 0.62%, 0.23%

LAB 22.17, 39.17, -19.1

 

CMYK 0 / 77 / 33 / 63

HEX #5E163F

RGB 94 22 63

HSL 325.83, 0.62%, 0.23%

LAB 21.25, 36.27, -7.56

 

CMYK 7 / 78 / 0 / 89

HEX #19061B

RGB 25 6 27

HSL 294.29, 0.64%, 0.06%

LAB 3.76, 11, -8.94

 

CMYK 8 / 77 / 0 / 76

HEX #380E3D

RGB 56 14 61

HSL 293.62, 0.63%, 0.15%

LAB 12.56, 28.15, -20.24

 

CMYK 7 / 77 / 0 / 63

HEX #57165E

RGB 87 22 94

HSL 294.17, 0.62%, 0.23%

LAB 21.61, 39.57, -28.07

 

CMYK 7 / 76 / 0 / 50

HEX #761E7F

RGB 118 30 127

HSL 294.43, 0.62%, 0.31%

LAB 30.19, 50.11, -35.32

 

CMYK 7 / 76 / 0 / 37

HEX #9526A0

RGB 149 38 160

HSL 294.59, 0.62%, 0.39%

LAB 38.4, 60.07, -42.19

 

CMYK 7 / 76 / 0 / 63

HEX #58175F

RGB 88 23 95

HSL 294.17, 0.61%, 0.23%

LAB 21.99, 39.61, -28.11

 

CMYK 0 / 68 / 77 / 63

HEX #5E1E16

RGB 94 30 22

HSL 6.67, 0.62%, 0.23%

LAB 21.45, 28.68, 20.91

 

CMYK 77 / 0 / 38 / 63

HEX #165E3A

RGB 22 94 58

HSL 150, 0.62%, 0.23%

LAB 34.97, -31.13, 14.52

 

CMYK 7 / 76 / 0 / 63

HEX #58175F

RGB 88 23 95

HSL 294.17, 0.61%, 0.23%

LAB 21.99, 39.61, -28.11

 

CMYK 0 / 7 / 77 / 63

HEX #5E5716

RGB 94 87 22

HSL 54.17, 0.62%, 0.23%

LAB 36.47, -5.5, 36.7

 

CMYK 77 / 0 / 7 / 63

HEX #165E57

RGB 22 94 87

HSL 174.17, 0.62%, 0.23%

LAB 35.72, -23.26, -2.27

 

CMYK 7 / 76 / 0 / 63

HEX #58175F

RGB 88 23 95

HSL 294.17, 0.61%, 0.23%

LAB 21.99, 39.61, -28.11

 

CMYK 0 / 68 / 77 / 63

HEX #5E1E16

RGB 94 30 22

HSL 6.67, 0.62%, 0.23%

LAB 21.45, 28.68, 20.91

 

CMYK 68 / 0 / 77 / 63

HEX #1E5E16

RGB 30 94 22

HSL 113.33, 0.62%, 0.23%

LAB 34.68, -35.15, 33.56

 

CMYK 77 / 7 / 0 / 63

HEX #16575E

RGB 22 87 94

HSL 185.83, 0.62%, 0.23%

LAB 33.55, -17.2, -9.89

 

CMYK 7 / 76 / 0 / 63

HEX #58175F

RGB 88 23 95

HSL 294.17, 0.61%, 0.23%

LAB 21.99, 39.61, -28.11

 

CMYK 0 / 46 / 77 / 63

HEX #5E3316

RGB 94 51 22

HSL 24.17, 0.62%, 0.23%

LAB 26.17, 16.69, 26.16

 

CMYK 68 / 0 / 77 / 63

HEX #1E5E16

RGB 30 94 22

HSL 113.33, 0.62%, 0.23%

LAB 34.68, -35.15, 33.56

 

CMYK 77 / 31 / 0 / 63

HEX #16415E

RGB 22 65 94

HSL 204.17, 0.62%, 0.23%

LAB 26.04, -3.85, -21.47

 

Description

Color code: HEX #58175F | qconv.com Color code: HEX #58175F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 23 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 23 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 76 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 76% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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