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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #581E16 it is the complementary color #A7E1E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #581E16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #581E16 shade: #5D1E11, #6E3024, #7F4237, #90544A and #A1665D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #581E16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #581E16 shade: #581E16, #470C03, #360000, #250000 and #140000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #581E16 shade: #591E16 and #591616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #581E16 shade: #591E16, #593016, #594216, #595516 and #4C5916

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #581E16 shade matches the following richer shades: #591E16, #62170D and #6B1004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #581E16 shade: #591E16, #50251F, #472C28, #3E3331 and #353A3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #581E16 shade: #591632, #591620, #591E16, #593016 and #594216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #581E16 shade: #170805, #38130E, #591E16, #7A291E and #9B3526

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #581E16 shade: #581E16, #445916 and #162959

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #581E16 shade: #581E16, #16591E and #1E1659

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #581E16 shade: #581E16, #445916, #165159 and #2B1659

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #581E16 shade: #581E16, #305916, #165159 and #3F1659

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 75 / 65

HEX #581E16

RGB 88 30 22

HSL 7.27, 0.6%, 0.22%

LAB 20.29, 26.24, 19.25

 

Complementary color

CMYK 28 / 3 / 0 / 9

HEX #A7E1E9

RGB 167 225 233

HSL 187.27, 0.6%, 0.78%

LAB 85.98, -16.53, -9.88

 

CMYK 0 / 68 / 82 / 64

HEX #5D1E11

RGB 93 30 17

HSL 10.26, 0.69%, 0.22%

LAB 21.19, 28.02, 23.68

 

CMYK 0 / 56 / 67 / 57

HEX #6E3024

RGB 110 48 36

HSL 9.73, 0.51%, 0.29%

LAB 28.26, 26.54, 20.79

 

CMYK 0 / 48 / 57 / 50

HEX #7F4237

RGB 127 66 55

HSL 9.17, 0.4%, 0.36%

LAB 35.37, 25.09, 18.46

 

CMYK 0 / 42 / 49 / 44

HEX #90544A

RGB 144 84 74

HSL 8.57, 0.32%, 0.43%

LAB 42.41, 23.8, 16.57

 

CMYK 0 / 37 / 42 / 37

HEX #A1665D

RGB 161 102 93

HSL 7.94, 0.27%, 0.5%

LAB 49.34, 22.67, 14.99

 

CMYK 0 / 66 / 75 / 65

HEX #581E16

RGB 88 30 22

HSL 7.27, 0.6%, 0.22%

LAB 20.29, 26.24, 19.25

 

CMYK 0 / 83 / 96 / 72

HEX #470C03

RGB 71 12 3

HSL 7.94, 0.92%, 0.15%

LAB 13.29, 27.2, 19.3

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 100 / 100 / 85

HEX #250000

RGB 37 0 0

HSL 0, 1%, 0.07%

LAB 3.55, 15.94, 5.61

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 66 / 75 / 65

HEX #591E16

RGB 89 30 22

HSL 7.16, 0.6%, 0.22%

LAB 20.48, 26.66, 19.53

 

CMYK 0 / 75 / 75 / 65

HEX #591616

RGB 89 22 22

HSL 0, 0.6%, 0.22%

LAB 19.04, 30.55, 17.82

 

CMYK 0 / 66 / 75 / 65

HEX #591E16

RGB 89 30 22

HSL 7.16, 0.6%, 0.22%

LAB 20.48, 26.66, 19.53

 

CMYK 0 / 46 / 75 / 65

HEX #593016

RGB 89 48 22

HSL 23.28, 0.6%, 0.22%

LAB 24.63, 16.17, 24.24

 

CMYK 0 / 26 / 75 / 65

HEX #594216

RGB 89 66 22

HSL 39.4, 0.6%, 0.22%

LAB 29.61, 4.82, 29.6

 

CMYK 0 / 4 / 75 / 65

HEX #595516

RGB 89 85 22

HSL 56.42, 0.6%, 0.22%

LAB 35.36, -6.79, 35.44

 

CMYK 15 / 0 / 75 / 65

HEX #4C5916

RGB 76 89 22

HSL 71.64, 0.6%, 0.22%

LAB 35.48, -15.36, 35.18

 

CMYK 0 / 66 / 75 / 65

HEX #591E16

RGB 89 30 22

HSL 7.16, 0.6%, 0.22%

LAB 20.48, 26.66, 19.53

 

CMYK 0 / 77 / 87 / 62

HEX #62170D

RGB 98 23 13

HSL 7.06, 0.77%, 0.22%

LAB 20.97, 33.03, 25.86

 

CMYK 0 / 85 / 96 / 58

HEX #6B1004

RGB 107 16 4

HSL 6.99, 0.93%, 0.22%

LAB 21.96, 38.4, 31.27

 

CMYK 0 / 66 / 75 / 65

HEX #591E16

RGB 89 30 22

HSL 7.16, 0.6%, 0.22%

LAB 20.48, 26.66, 19.53

 

CMYK 0 / 54 / 61 / 69

HEX #50251F

RGB 80 37 31

HSL 7.35, 0.44%, 0.22%

LAB 20.55, 19.48, 13.25

 

CMYK 0 / 38 / 44 / 72

HEX #472C28

RGB 71 44 40

HSL 7.74, 0.28%, 0.22%

LAB 21.19, 11.91, 7.74

 

CMYK 0 / 18 / 21 / 76

HEX #3E3331

RGB 62 51 49

HSL 9.23, 0.12%, 0.22%

LAB 22.35, 4.53, 3.1

 

CMYK 9 / 0 / 0 / 77

HEX #353A3A

RGB 53 58 58

HSL 180, 0.05%, 0.22%

LAB 23.96, -2.11, -0.73

 

CMYK 0 / 75 / 44 / 65

HEX #591632

RGB 89 22 50

HSL 334.93, 0.6%, 0.22%

LAB 19.75, 33.02, -0.84

 

CMYK 0 / 75 / 64 / 65

HEX #591620

RGB 89 22 32

HSL 351.04, 0.6%, 0.22%

LAB 19.23, 31.23, 11.14

 

CMYK 0 / 66 / 75 / 65

HEX #591E16

RGB 89 30 22

HSL 7.16, 0.6%, 0.22%

LAB 20.48, 26.66, 19.53

 

CMYK 0 / 46 / 75 / 65

HEX #593016

RGB 89 48 22

HSL 23.28, 0.6%, 0.22%

LAB 24.63, 16.17, 24.24

 

CMYK 0 / 26 / 75 / 65

HEX #594216

RGB 89 66 22

HSL 39.4, 0.6%, 0.22%

LAB 29.61, 4.82, 29.6

 

CMYK 0 / 65 / 78 / 91

HEX #170805

RGB 23 8 5

HSL 10, 0.64%, 0.05%

LAB 3.31, 4.87, 3

 

CMYK 0 / 66 / 75 / 78

HEX #38130E

RGB 56 19 14

HSL 7.14, 0.6%, 0.14%

LAB 11.54, 18.01, 11.72

 

CMYK 0 / 66 / 75 / 65

HEX #591E16

RGB 89 30 22

HSL 7.16, 0.6%, 0.22%

LAB 20.48, 26.66, 19.53

 

CMYK 0 / 66 / 75 / 52

HEX #7A291E

RGB 122 41 30

HSL 7.17, 0.61%, 0.3%

LAB 28.95, 34.61, 25.86

 

CMYK 0 / 66 / 75 / 39

HEX #9B3526

RGB 155 53 38

HSL 7.69, 0.61%, 0.38%

LAB 37.22, 41.67, 32.03

 

CMYK 0 / 66 / 75 / 65

HEX #581E16

RGB 88 30 22

HSL 7.27, 0.6%, 0.22%

LAB 20.29, 26.24, 19.25

 

CMYK 24 / 0 / 75 / 65

HEX #445916

RGB 68 89 22

HSL 78.81, 0.6%, 0.22%

LAB 34.87, -19.05, 34.36

 

CMYK 75 / 54 / 0 / 65

HEX #162959

RGB 22 41 89

HSL 222.99, 0.6%, 0.22%

LAB 17.82, 10.96, -31.25

 

CMYK 0 / 66 / 75 / 65

HEX #581E16

RGB 88 30 22

HSL 7.27, 0.6%, 0.22%

LAB 20.29, 26.24, 19.25

 

CMYK 75 / 0 / 66 / 65

HEX #16591E

RGB 22 89 30

HSL 127.16, 0.6%, 0.22%

LAB 32.72, -34.11, 27.61

 

CMYK 66 / 75 / 0 / 65

HEX #1E1659

RGB 30 22 89

HSL 247.16, 0.6%, 0.22%

LAB 13.05, 25.92, -38.97

 

CMYK 0 / 66 / 75 / 65

HEX #581E16

RGB 88 30 22

HSL 7.27, 0.6%, 0.22%

LAB 20.29, 26.24, 19.25

 

CMYK 24 / 0 / 75 / 65

HEX #445916

RGB 68 89 22

HSL 78.81, 0.6%, 0.22%

LAB 34.87, -19.05, 34.36

 

CMYK 75 / 9 / 0 / 65

HEX #165159

RGB 22 81 89

HSL 187.16, 0.6%, 0.22%

LAB 31.29, -15.55, -10.15

 

CMYK 52 / 75 / 0 / 65

HEX #2B1659

RGB 43 22 89

HSL 258.81, 0.6%, 0.22%

LAB 14.45, 28.27, -36.63

 

CMYK 0 / 66 / 75 / 65

HEX #581E16

RGB 88 30 22

HSL 7.27, 0.6%, 0.22%

LAB 20.29, 26.24, 19.25

 

CMYK 46 / 0 / 75 / 65

HEX #305916

RGB 48 89 22

HSL 96.72, 0.6%, 0.22%

LAB 33.63, -27.37, 32.7

 

CMYK 75 / 9 / 0 / 65

HEX #165159

RGB 22 81 89

HSL 187.16, 0.6%, 0.22%

LAB 31.29, -15.55, -10.15

 

CMYK 29 / 75 / 0 / 65

HEX #3F1659

RGB 63 22 89

HSL 276.72, 0.6%, 0.22%

LAB 17.23, 32.67, -31.98

 

Description

Color code: HEX #581E16 | qconv.com Color code: HEX #581E16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 30 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 30 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 75 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 75% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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