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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #582267 it is the complementary color #A7DD98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #582267. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #582267 shade: #5D2262, #6E3475, #7F4688, #90589B and #A16AAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #582267. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #582267 shade: #582267, #471054, #360041, #25002E and #14001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #582267 shade: #582267, #672263, #672251, #67223E and #67222B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #582267 shade: #582267, #452267, #332267 and #222267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #582267 shade matches the following richer shades: #582267, #5E1772, #640C7D and #6B0188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #582267 shade: #582267, #522D5C, #4B3850, #454345 and #3F4E3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #582267 shade: #322267, #442267, #572267, #672264 and #672252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #582267 shade: #230D29, #3D1848, #582267, #722C86 and #8D37A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #582267 shade: #582267, #672224 and #22673B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #582267 shade: #582267, #675722 and #226757

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #582267 shade: #582267, #672224, #326722 and #226764

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #582267 shade: #582267, #673422, #326722 and #225467

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

Complementary color

CMYK 24 / 0 / 31 / 13

HEX #A7DD98

RGB 167 221 152

HSL 106.96, 0.5%, 0.73%

LAB 83.02, -30.12, 28.43

 

CMYK 5 / 65 / 0 / 62

HEX #5D2262

RGB 93 34 98

HSL 295.31, 0.48%, 0.26%

LAB 24.81, 36.56, -25.56

 

CMYK 6 / 56 / 0 / 54

HEX #6E3475

RGB 110 52 117

HSL 293.54, 0.38%, 0.33%

LAB 31.93, 36.09, -26.34

 

CMYK 7 / 49 / 0 / 47

HEX #7F4688

RGB 127 70 136

HSL 291.82, 0.32%, 0.4%

LAB 39.02, 35.35, -26.85

 

CMYK 7 / 43 / 0 / 39

HEX #90589B

RGB 144 88 155

HSL 290.15, 0.28%, 0.48%

LAB 46.01, 34.55, -27.24

 

CMYK 7 / 39 / 0 / 32

HEX #A16AAE

RGB 161 106 174

HSL 288.53, 0.3%, 0.55%

LAB 52.89, 33.75, -27.55

 

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

CMYK 15 / 81 / 0 / 67

HEX #471054

RGB 71 16 84

HSL 288.53, 0.68%, 0.2%

LAB 17.23, 36.09, -28.56

 

CMYK 17 / 100 / 0 / 75

HEX #360041

RGB 54 0 65

HSL 289.85, 1%, 0.13%

LAB 10.3, 34.83, -26.72

 

CMYK 20 / 100 / 0 / 82

HEX #25002E

RGB 37 0 46

HSL 288.26, 1%, 0.09%

LAB 5.33, 26.25, -21.05

 

CMYK 26 / 100 / 0 / 89

HEX #14001B

RGB 20 0 27

HSL 284.44, 1%, 0.05%

LAB 2.06, 11.05, -11.51

 

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

CMYK 0 / 67 / 4 / 60

HEX #672263

RGB 103 34 99

HSL 303.48, 0.5%, 0.27%

LAB 26.53, 39.55, -23.39

 

CMYK 0 / 67 / 21 / 60

HEX #672251

RGB 103 34 81

HSL 319.13, 0.5%, 0.27%

LAB 25.63, 36.45, -12.94

 

CMYK 0 / 67 / 40 / 60

HEX #67223E

RGB 103 34 62

HSL 335.65, 0.5%, 0.27%

LAB 24.88, 33.74, -1.29

 

CMYK 0 / 67 / 58 / 60

HEX #67222B

RGB 103 34 43

HSL 352.17, 0.5%, 0.27%

LAB 24.33, 31.7, 10.86

 

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

CMYK 33 / 67 / 0 / 60

HEX #452267

RGB 69 34 103

HSL 270.43, 0.5%, 0.27%

LAB 21.54, 31.3, -34.26

 

CMYK 50 / 67 / 0 / 60

HEX #332267

RGB 51 34 103

HSL 254.78, 0.5%, 0.27%

LAB 19.34, 27.02, -37.92

 

CMYK 67 / 67 / 0 / 60

HEX #222267

RGB 34 34 103

HSL 240, 0.5%, 0.27%

LAB 17.75, 23.66, -40.57

 

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

CMYK 18 / 80 / 0 / 55

HEX #5E1772

RGB 94 23 114

HSL 286.81, 0.66%, 0.27%

LAB 24.35, 44.85, -36.66

 

CMYK 20 / 90 / 0 / 51

HEX #640C7D

RGB 100 12 125

HSL 286.73, 0.82%, 0.27%

LAB 25.12, 51.42, -42.39

 

CMYK 21 / 99 / 0 / 47

HEX #6B0188

RGB 107 1 136

HSL 287.11, 0.99%, 0.27%

LAB 26.52, 56.77, -46.98

 

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

CMYK 11 / 51 / 0 / 64

HEX #522D5C

RGB 82 45 92

HSL 287.23, 0.34%, 0.27%

LAB 25.09, 25.79, -21.31

 

CMYK 6 / 30 / 0 / 69

HEX #4B3850

RGB 75 56 80

HSL 287.5, 0.18%, 0.27%

LAB 26.46, 13.43, -11.37

 

CMYK 0 / 3 / 0 / 73

HEX #454345

RGB 69 67 69

HSL 300, 0.01%, 0.27%

LAB 28.67, 1.28, -0.91

 

CMYK 19 / 0 / 26 / 69

HEX #3F4E3A

RGB 63 78 58

HSL 105, 0.15%, 0.27%

LAB 31.37, -10.35, 9.93

 

CMYK 51 / 67 / 0 / 60

HEX #322267

RGB 50 34 103

HSL 253.91, 0.5%, 0.27%

LAB 19.23, 26.8, -38.1

 

CMYK 34 / 67 / 0 / 60

HEX #442267

RGB 68 34 103

HSL 269.57, 0.5%, 0.27%

LAB 21.4, 31.05, -34.48

 

CMYK 16 / 67 / 0 / 60

HEX #572267

RGB 87 34 103

HSL 286.09, 0.5%, 0.27%

LAB 24.16, 35.99, -29.91

 

CMYK 0 / 67 / 3 / 60

HEX #672264

RGB 103 34 100

HSL 302.61, 0.5%, 0.27%

LAB 26.59, 39.74, -23.95

 

CMYK 0 / 67 / 20 / 60

HEX #672252

RGB 103 34 82

HSL 318.26, 0.5%, 0.27%

LAB 25.67, 36.61, -13.53

 

CMYK 15 / 68 / 0 / 84

HEX #230D29

RGB 35 13 41

HSL 287.14, 0.52%, 0.11%

LAB 7.27, 17.3, -14.25

 

CMYK 15 / 67 / 0 / 72

HEX #3D1848

RGB 61 24 72

HSL 286.25, 0.5%, 0.19%

LAB 16.07, 26.85, -22.3

 

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

CMYK 15 / 67 / 0 / 47

HEX #722C86

RGB 114 44 134

HSL 286.67, 0.51%, 0.35%

LAB 32.03, 44.79, -36.78

 

CMYK 15 / 67 / 0 / 35

HEX #8D37A5

RGB 141 55 165

HSL 286.91, 0.5%, 0.43%

LAB 39.77, 52.7, -43.08

 

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

CMYK 0 / 67 / 65 / 60

HEX #672224

RGB 103 34 36

HSL 358.26, 0.5%, 0.27%

LAB 24.18, 31.12, 15.39

 

CMYK 67 / 0 / 43 / 60

HEX #22673B

RGB 34 103 59

HSL 141.74, 0.5%, 0.27%

LAB 38.47, -32.46, 18.65

 

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

CMYK 0 / 16 / 67 / 60

HEX #675722

RGB 103 87 34

HSL 46.09, 0.5%, 0.27%

LAB 37.51, -0.32, 32.4

 

CMYK 67 / 0 / 16 / 60

HEX #226757

RGB 34 103 87

HSL 166.09, 0.5%, 0.27%

LAB 39.12, -25.73, 2.72

 

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

CMYK 0 / 67 / 65 / 60

HEX #672224

RGB 103 34 36

HSL 358.26, 0.5%, 0.27%

LAB 24.18, 31.12, 15.39

 

CMYK 51 / 0 / 67 / 60

HEX #326722

RGB 50 103 34

HSL 106.09, 0.5%, 0.27%

LAB 38.71, -31.85, 32.62

 

CMYK 67 / 0 / 3 / 60

HEX #226764

RGB 34 103 100

HSL 177.39, 0.5%, 0.27%

LAB 39.51, -21.91, -4.65

 

CMYK 15 / 67 / 0 / 60

HEX #582267

RGB 88 34 103

HSL 286.96, 0.5%, 0.27%

LAB 24.32, 36.25, -29.65

 

CMYK 0 / 50 / 67 / 60

HEX #673422

RGB 103 52 34

HSL 15.65, 0.5%, 0.27%

LAB 27.99, 21.05, 21.45

 

CMYK 51 / 0 / 67 / 60

HEX #326722

RGB 50 103 34

HSL 106.09, 0.5%, 0.27%

LAB 38.71, -31.85, 32.62

 

CMYK 67 / 18 / 0 / 60

HEX #225467

RGB 34 84 103

HSL 196.52, 0.5%, 0.27%

LAB 33.26, -10.23, -15.96

 

Description

Color code: HEX #582267 | qconv.com Color code: HEX #582267 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 34 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 34 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 67 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 67% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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