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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5834C2 it is the complementary color #A7CB3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5834C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5834C2 shade: #5D34BD, #6E46D0, #7F58E3, #906AF6 and #A17CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5834C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5834C2 shade: #5834C2, #4722AF, #36109C, #250089 and #140076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5834C2 shade: #5733C1, #7D33C1, #A333C1, #C133B8 and #C13392

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5834C2 shade: #5733C1 and #3333C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5834C2 shade matches the following richer shades: #5733C1, #4D1FD5 and #430BE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5834C2 shade: #5733C1, #6147AD, #6A5B99, #746E85 and #7E8272

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5834C2 shade: #335BC1, #3335C1, #5633C1, #7C33C1 and #A233C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5834C2 shade: #392280, #482AA0, #5733C1, #6F4ECF and #896ED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5834C2 shade: #5834C2, #C13381 and #48C133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5834C2 shade: #5834C2, #C15633 and #33C156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5834C2 shade: #5834C2, #C13381, #9DC133 and #33C173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5834C2 shade: #5834C2, #C13356, #9DC133 and #33C19D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 73 / 0 / 24

HEX #5834C2

RGB 88 52 194

HSL 255.21, 0.58%, 0.48%

LAB 34.85, 50.94, -68.53

 

Complementary color

CMYK 18 / 0 / 70 / 20

HEX #A7CB3D

RGB 167 203 61

HSL 75.21, 0.58%, 0.52%

LAB 76.84, -31.39, 63.39

 

CMYK 51 / 72 / 0 / 26

HEX #5D34BD

RGB 93 52 189

HSL 257.96, 0.57%, 0.47%

LAB 34.92, 50.29, -65.47

 

CMYK 47 / 66 / 0 / 18

HEX #6E46D0

RGB 110 70 208

HSL 257.39, 0.59%, 0.55%

LAB 41.61, 49.11, -65.53

 

CMYK 44 / 61 / 0 / 11

HEX #7F58E3

RGB 127 88 227

HSL 256.83, 0.71%, 0.62%

LAB 48.31, 47.83, -65.43

 

CMYK 41 / 57 / 0 / 4

HEX #906AF6

RGB 144 106 246

HSL 256.29, 0.89%, 0.69%

LAB 54.96, 46.59, -65.25

 

CMYK 37 / 51 / 0 / 0

HEX #A17CFF

RGB 161 124 255

HSL 256.95, 1%, 0.74%

LAB 60.97, 42.79, -60.49

 

CMYK 55 / 73 / 0 / 24

HEX #5834C2

RGB 88 52 194

HSL 255.21, 0.58%, 0.48%

LAB 34.85, 50.94, -68.53

 

CMYK 59 / 81 / 0 / 31

HEX #4722AF

RGB 71 34 175

HSL 255.74, 0.67%, 0.41%

LAB 28.32, 51.93, -68.07

 

CMYK 65 / 90 / 0 / 39

HEX #36109C

RGB 54 16 156

HSL 256.29, 0.81%, 0.34%

LAB 22.14, 52.01, -66.84

 

CMYK 73 / 100 / 0 / 46

HEX #250089

RGB 37 0 137

HSL 256.2, 1%, 0.27%

LAB 16.5, 50.67, -64.46

 

CMYK 83 / 100 / 0 / 54

HEX #140076

RGB 20 0 118

HSL 250.17, 1%, 0.23%

LAB 12.33, 45.15, -59.34

 

CMYK 55 / 74 / 0 / 24

HEX #5733C1

RGB 87 51 193

HSL 255.21, 0.58%, 0.48%

LAB 34.49, 51.02, -68.55

 

CMYK 35 / 74 / 0 / 24

HEX #7D33C1

RGB 125 51 193

HSL 271.27, 0.58%, 0.48%

LAB 38.86, 57.25, -61.22

 

CMYK 16 / 74 / 0 / 24

HEX #A333C1

RGB 163 51 193

HSL 287.32, 0.58%, 0.48%

LAB 44.24, 64.56, -52.26

 

CMYK 0 / 74 / 5 / 24

HEX #C133B8

RGB 193 51 184

HSL 303.8, 0.58%, 0.48%

LAB 48.47, 69.33, -39.98

 

CMYK 0 / 74 / 24 / 24

HEX #C13392

RGB 193 51 146

HSL 319.86, 0.58%, 0.48%

LAB 46.69, 63.94, -20.22

 

CMYK 55 / 74 / 0 / 24

HEX #5733C1

RGB 87 51 193

HSL 255.21, 0.58%, 0.48%

LAB 34.49, 51.02, -68.55

 

CMYK 74 / 74 / 0 / 24

HEX #3333C1

RGB 51 51 193

HSL 240, 0.58%, 0.48%

LAB 31.63, 46.75, -73.35

 

CMYK 55 / 74 / 0 / 24

HEX #5733C1

RGB 87 51 193

HSL 255.21, 0.58%, 0.48%

LAB 34.49, 51.02, -68.55

 

CMYK 64 / 85 / 0 / 16

HEX #4D1FD5

RGB 77 31 213

HSL 255.16, 0.75%, 0.48%

LAB 32.62, 63.97, -83.32

 

CMYK 71 / 95 / 0 / 9

HEX #430BE9

RGB 67 11 233

HSL 255.14, 0.91%, 0.48%

LAB 32.52, 73.38, -95

 

CMYK 55 / 74 / 0 / 24

HEX #5733C1

RGB 87 51 193

HSL 255.21, 0.58%, 0.48%

LAB 34.49, 51.02, -68.55

 

CMYK 44 / 59 / 0 / 32

HEX #6147AD

RGB 97 71 173

HSL 255.29, 0.42%, 0.48%

LAB 37.96, 35.96, -51.04

 

CMYK 31 / 41 / 0 / 40

HEX #6A5B99

RGB 106 91 153

HSL 254.52, 0.25%, 0.48%

LAB 42.53, 20.5, -31.78

 

CMYK 13 / 17 / 0 / 48

HEX #746E85

RGB 116 110 133

HSL 255.65, 0.09%, 0.48%

LAB 47.7, 7.22, -11.8

 

CMYK 3 / 0 / 12 / 49

HEX #7E8272

RGB 126 130 114

HSL 75, 0.07%, 0.48%

LAB 53.62, -4.55, 8.15

 

CMYK 74 / 53 / 0 / 24

HEX #335BC1

RGB 51 91 193

HSL 223.1, 0.58%, 0.48%

LAB 41.27, 21.71, -57.58

 

CMYK 74 / 73 / 0 / 24

HEX #3335C1

RGB 51 53 193

HSL 239.15, 0.58%, 0.48%

LAB 32.03, 45.62, -72.68

 

CMYK 55 / 74 / 0 / 24

HEX #5633C1

RGB 86 51 193

HSL 254.79, 0.58%, 0.48%

LAB 34.39, 50.87, -68.71

 

CMYK 36 / 74 / 0 / 24

HEX #7C33C1

RGB 124 51 193

HSL 270.85, 0.58%, 0.48%

LAB 38.73, 57.07, -61.44

 

CMYK 16 / 74 / 0 / 24

HEX #A233C1

RGB 162 51 193

HSL 286.9, 0.58%, 0.48%

LAB 44.09, 64.36, -52.51

 

CMYK 55 / 73 / 0 / 50

HEX #392280

RGB 57 34 128

HSL 254.68, 0.58%, 0.32%

LAB 22.2, 36.12, -49.29

 

CMYK 55 / 74 / 0 / 37

HEX #482AA0

RGB 72 42 160

HSL 255.25, 0.58%, 0.4%

LAB 28.31, 43.85, -59.05

 

CMYK 55 / 74 / 0 / 24

HEX #5733C1

RGB 87 51 193

HSL 255.21, 0.58%, 0.48%

LAB 34.49, 51.02, -68.55

 

CMYK 46 / 62 / 0 / 19

HEX #6F4ECF

RGB 111 78 207

HSL 255.35, 0.57%, 0.56%

LAB 43.26, 44.62, -62.27

 

CMYK 37 / 49 / 0 / 15

HEX #896ED8

RGB 137 110 216

HSL 255.28, 0.58%, 0.64%

LAB 53.41, 34.62, -50.95

 

CMYK 55 / 73 / 0 / 24

HEX #5834C2

RGB 88 52 194

HSL 255.21, 0.58%, 0.48%

LAB 34.85, 50.94, -68.53

 

CMYK 0 / 74 / 33 / 24

HEX #C13381

RGB 193 51 129

HSL 327.04, 0.58%, 0.48%

LAB 46.03, 61.88, -10.93

 

CMYK 63 / 0 / 74 / 24

HEX #48C133

RGB 72 193 51

HSL 111.13, 0.58%, 0.48%

LAB 69.3, -59.09, 57.96

 

CMYK 55 / 73 / 0 / 24

HEX #5834C2

RGB 88 52 194

HSL 255.21, 0.58%, 0.48%

LAB 34.85, 50.94, -68.53

 

CMYK 0 / 55 / 74 / 24

HEX #C15633

RGB 193 86 51

HSL 14.79, 0.58%, 0.48%

LAB 49.78, 40.71, 40.45

 

CMYK 74 / 0 / 55 / 24

HEX #33C156

RGB 51 193 86

HSL 134.79, 0.58%, 0.48%

LAB 69.12, -59.38, 42.86

 

CMYK 55 / 73 / 0 / 24

HEX #5834C2

RGB 88 52 194

HSL 255.21, 0.58%, 0.48%

LAB 34.85, 50.94, -68.53

 

CMYK 0 / 74 / 33 / 24

HEX #C13381

RGB 193 51 129

HSL 327.04, 0.58%, 0.48%

LAB 46.03, 61.88, -10.93

 

CMYK 19 / 0 / 74 / 24

HEX #9DC133

RGB 157 193 51

HSL 75.21, 0.58%, 0.48%

LAB 73.25, -31.26, 63.18

 

CMYK 74 / 0 / 40 / 24

HEX #33C173

RGB 51 193 115

HSL 147.04, 0.58%, 0.48%

LAB 69.53, -54.7, 28.84

 

CMYK 55 / 73 / 0 / 24

HEX #5834C2

RGB 88 52 194

HSL 255.21, 0.58%, 0.48%

LAB 34.85, 50.94, -68.53

 

CMYK 0 / 74 / 55 / 24

HEX #C13356

RGB 193 51 86

HSL 345.21, 0.58%, 0.48%

LAB 44.77, 57.81, 13.74

 

CMYK 19 / 0 / 74 / 24

HEX #9DC133

RGB 157 193 51

HSL 75.21, 0.58%, 0.48%

LAB 73.25, -31.26, 63.18

 

CMYK 74 / 0 / 19 / 24

HEX #33C19D

RGB 51 193 157

HSL 164.79, 0.58%, 0.48%

LAB 70.37, -45.56, 7.53

 

Description

Color code: HEX #5834C2 | qconv.com Color code: HEX #5834C2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 52 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 52 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 73 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 73% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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