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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #583B9A it is the complementary color #A7C465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #583B9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #583B9A shade: #5D3B95, #6E4DA8, #7F5FBB, #9071CE and #A183E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #583B9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #583B9A shade: #583B9A, #472987, #361774, #250561 and #14004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #583B9A shade: #583A9B, #723A9B, #8C3A9B, #9B3A90 and #9B3A76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #583B9A shade: #583A9B, #3E3A9B and #3A3A9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #583B9A shade matches the following richer shades: #583A9B, #5129AC, #4A18BD and #4406CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #583B9A shade: #583A9B, #5F4C89, #655D78, #6C6E67 and #738055

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #583B9A shade: #3A519B, #3E3A9B, #573A9B, #713A9B and #8B3A9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #583B9A shade: #36245F, #472F7D, #583A9B, #6946B9 and #8164C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #583B9A shade: #583B9A, #9B3A6B and #449B3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #583B9A shade: #583B9A, #9B573A and #3A9B57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #583B9A shade: #583B9A, #9B3A6B, #7E9B3A and #3A9B6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #583B9A shade: #583B9A, #9B3A4E, #7E9B3A and #3A9B88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 62 / 0 / 40

HEX #583B9A

RGB 88 59 154

HSL 258.32, 0.45%, 0.42%

LAB 33, 35.54, -47.69

 

Complementary color

CMYK 15 / 0 / 48 / 23

HEX #A7C465

RGB 167 196 101

HSL 78.32, 0.45%, 0.58%

LAB 75.22, -24.78, 44.17

 

CMYK 38 / 60 / 0 / 42

HEX #5D3B95

RGB 93 59 149

HSL 262.67, 0.43%, 0.41%

LAB 33.19, 35.3, -44.31

 

CMYK 35 / 54 / 0 / 34

HEX #6E4DA8

RGB 110 77 168

HSL 261.76, 0.37%, 0.48%

LAB 40.33, 34.16, -44.19

 

CMYK 32 / 49 / 0 / 27

HEX #7F5FBB

RGB 127 95 187

HSL 260.87, 0.4%, 0.55%

LAB 47.35, 33.09, -44.06

 

CMYK 30 / 45 / 0 / 19

HEX #9071CE

RGB 144 113 206

HSL 260, 0.49%, 0.63%

LAB 54.23, 32.11, -43.94

 

CMYK 28 / 42 / 0 / 12

HEX #A183E1

RGB 161 131 225

HSL 259.15, 0.61%, 0.7%

LAB 61, 31.23, -43.84

 

CMYK 43 / 62 / 0 / 40

HEX #583B9A

RGB 88 59 154

HSL 258.32, 0.45%, 0.42%

LAB 33, 35.54, -47.69

 

CMYK 47 / 70 / 0 / 47

HEX #472987

RGB 71 41 135

HSL 259.15, 0.53%, 0.35%

LAB 25.79, 36.83, -47.78

 

CMYK 53 / 80 / 0 / 55

HEX #361774

RGB 54 23 116

HSL 260, 0.67%, 0.27%

LAB 18.62, 37.88, -47.53

 

CMYK 62 / 95 / 0 / 62

HEX #250561

RGB 37 5 97

HSL 260.87, 0.9%, 0.2%

LAB 11.72, 38.08, -46.51

 

CMYK 74 / 100 / 0 / 69

HEX #14004E

RGB 20 0 78

HSL 255.38, 1%, 0.15%

LAB 6.31, 33.65, -42.61

 

CMYK 43 / 63 / 0 / 39

HEX #583A9B

RGB 88 58 155

HSL 258.56, 0.46%, 0.42%

LAB 32.85, 36.42, -48.54

 

CMYK 26 / 63 / 0 / 39

HEX #723A9B

RGB 114 58 155

HSL 274.64, 0.46%, 0.42%

LAB 35.93, 42.54, -43.42

 

CMYK 10 / 63 / 0 / 39

HEX #8C3A9B

RGB 140 58 155

HSL 290.72, 0.46%, 0.42%

LAB 39.53, 49.09, -37.47

 

CMYK 0 / 63 / 7 / 39

HEX #9B3A90

RGB 155 58 144

HSL 306.8, 0.46%, 0.42%

LAB 41.23, 51.04, -27.97

 

CMYK 0 / 63 / 24 / 39

HEX #9B3A76

RGB 155 58 118

HSL 322.89, 0.46%, 0.42%

LAB 40.09, 46.97, -13.79

 

CMYK 43 / 63 / 0 / 39

HEX #583A9B

RGB 88 58 155

HSL 258.56, 0.46%, 0.42%

LAB 32.85, 36.42, -48.54

 

CMYK 60 / 63 / 0 / 39

HEX #3E3A9B

RGB 62 58 155

HSL 242.47, 0.46%, 0.42%

LAB 30.44, 31.18, -52.56

 

CMYK 63 / 63 / 0 / 39

HEX #3A3A9B

RGB 58 58 155

HSL 240, 0.46%, 0.42%

LAB 30.14, 30.49, -53.06

 

CMYK 43 / 63 / 0 / 39

HEX #583A9B

RGB 88 58 155

HSL 258.56, 0.46%, 0.42%

LAB 32.85, 36.42, -48.54

 

CMYK 53 / 76 / 0 / 33

HEX #5129AC

RGB 81 41 172

HSL 258.32, 0.62%, 0.42%

LAB 30.19, 49.15, -63.16

 

CMYK 61 / 87 / 0 / 26

HEX #4A18BD

RGB 74 24 189

HSL 258.18, 0.77%, 0.42%

LAB 28.86, 59.8, -75.51

 

CMYK 67 / 97 / 0 / 19

HEX #4406CF

RGB 68 6 207

HSL 258.51, 0.94%, 0.42%

LAB 29.07, 67.98, -85.76

 

CMYK 43 / 63 / 0 / 39

HEX #583A9B

RGB 88 58 155

HSL 258.56, 0.46%, 0.42%

LAB 32.85, 36.42, -48.54

 

CMYK 31 / 45 / 0 / 46

HEX #5F4C89

RGB 95 76 137

HSL 258.69, 0.29%, 0.42%

LAB 36.76, 22.16, -31.28

 

CMYK 16 / 23 / 0 / 53

HEX #655D78

RGB 101 93 120

HSL 257.78, 0.13%, 0.42%

LAB 41.14, 9.14, -14.04

 

CMYK 2 / 0 / 6 / 57

HEX #6C6E67

RGB 108 110 103

HSL 77.14, 0.03%, 0.42%

LAB 46.07, -2.17, 3.63

 

CMYK 10 / 0 / 34 / 50

HEX #738055

RGB 115 128 85

HSL 78.14, 0.2%, 0.42%

LAB 51.54, -12.6, 21.81

 

CMYK 63 / 48 / 0 / 39

HEX #3A519B

RGB 58 81 155

HSL 225.77, 0.46%, 0.42%

LAB 36.27, 15.38, -43.15

 

CMYK 60 / 63 / 0 / 39

HEX #3E3A9B

RGB 62 58 155

HSL 242.47, 0.46%, 0.42%

LAB 30.44, 31.18, -52.56

 

CMYK 44 / 63 / 0 / 39

HEX #573A9B

RGB 87 58 155

HSL 257.94, 0.46%, 0.42%

LAB 32.74, 36.2, -48.72

 

CMYK 27 / 63 / 0 / 39

HEX #713A9B

RGB 113 58 155

HSL 274.02, 0.46%, 0.42%

LAB 35.8, 42.29, -43.64

 

CMYK 10 / 63 / 0 / 39

HEX #8B3A9B

RGB 139 58 155

HSL 290.1, 0.46%, 0.42%

LAB 39.38, 48.83, -37.71

 

CMYK 43 / 62 / 0 / 63

HEX #36245F

RGB 54 36 95

HSL 258.31, 0.45%, 0.26%

LAB 19.52, 23.89, -32.34

 

CMYK 43 / 62 / 0 / 51

HEX #472F7D

RGB 71 47 125

HSL 258.46, 0.45%, 0.34%

LAB 26.31, 30.32, -40.65

 

CMYK 43 / 63 / 0 / 39

HEX #583A9B

RGB 88 58 155

HSL 258.56, 0.46%, 0.42%

LAB 32.85, 36.42, -48.54

 

CMYK 43 / 62 / 0 / 27

HEX #6946B9

RGB 105 70 185

HSL 258.26, 0.45%, 0.5%

LAB 39.39, 41.71, -55.78

 

CMYK 34 / 49 / 0 / 23

HEX #8164C4

RGB 129 100 196

HSL 258.13, 0.45%, 0.58%

LAB 49.21, 33.06, -46.28

 

CMYK 43 / 62 / 0 / 40

HEX #583B9A

RGB 88 59 154

HSL 258.32, 0.45%, 0.42%

LAB 33, 35.54, -47.69

 

CMYK 0 / 63 / 31 / 39

HEX #9B3A6B

RGB 155 58 107

HSL 329.69, 0.46%, 0.42%

LAB 39.67, 45.47, -7.56

 

CMYK 56 / 0 / 63 / 39

HEX #449B3A

RGB 68 155 58

HSL 113.81, 0.46%, 0.42%

LAB 57.05, -45.47, 42.05

 

CMYK 43 / 62 / 0 / 40

HEX #583B9A

RGB 88 59 154

HSL 258.32, 0.45%, 0.42%

LAB 33, 35.54, -47.69

 

CMYK 0 / 44 / 63 / 39

HEX #9B573A

RGB 155 87 58

HSL 17.94, 0.46%, 0.42%

LAB 44.36, 25.29, 28.86

 

CMYK 63 / 0 / 44 / 39

HEX #3A9B57

RGB 58 155 87

HSL 137.94, 0.46%, 0.42%

LAB 57.1, -43.79, 27.44

 

CMYK 43 / 62 / 0 / 40

HEX #583B9A

RGB 88 59 154

HSL 258.32, 0.45%, 0.42%

LAB 33, 35.54, -47.69

 

CMYK 0 / 63 / 31 / 39

HEX #9B3A6B

RGB 155 58 107

HSL 329.69, 0.46%, 0.42%

LAB 39.67, 45.47, -7.56

 

CMYK 19 / 0 / 63 / 39

HEX #7E9B3A

RGB 126 155 58

HSL 77.94, 0.46%, 0.42%

LAB 60.05, -25.12, 46.22

 

CMYK 63 / 0 / 31 / 39

HEX #3A9B6B

RGB 58 155 107

HSL 150.31, 0.46%, 0.42%

LAB 57.47, -39.9, 16.97

 

CMYK 43 / 62 / 0 / 40

HEX #583B9A

RGB 88 59 154

HSL 258.32, 0.45%, 0.42%

LAB 33, 35.54, -47.69

 

CMYK 0 / 63 / 50 / 39

HEX #9B3A4E

RGB 155 58 78

HSL 347.63, 0.46%, 0.42%

LAB 38.8, 42.17, 9.42

 

CMYK 19 / 0 / 63 / 39

HEX #7E9B3A

RGB 126 155 58

HSL 77.94, 0.46%, 0.42%

LAB 60.05, -25.12, 46.22

 

CMYK 63 / 0 / 12 / 39

HEX #3A9B88

RGB 58 155 136

HSL 168.25, 0.46%, 0.42%

LAB 58.15, -32.96, 1.59

 

Description

Color code: HEX #583B9A | qconv.com Color code: HEX #583B9A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 59 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 59 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 62 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 62% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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