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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #583CAE it is the complementary color #A7C351. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #583CAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #583CAE shade: #5D3CA9, #6E4EBC, #7F60CF, #9072E2 and #A184F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #583CAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #583CAE shade: #583CAE, #472A9B, #361888, #250675 and #140062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #583CAE shade: #583BAE, #773BAE, #963BAE, #AE3BA8 and #AE3B89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #583CAE shade: #583BAE and #3B3BAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #583CAE shade matches the following richer shades: #583BAE, #4E28C1, #4415D4 and #3B02E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #583CAE shade: #583BAE, #614E9B, #6B6188, #757475 and #7E8762

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #583CAE shade: #3B5EAE, #3B3FAE, #563BAE, #753BAE and #933BAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #583CAE shade: #392671, #483190, #583BAE, #6C50C3 and #866FCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #583CAE shade: #583CAE, #AE3B7C and #4EAE3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #583CAE shade: #583CAE, #AE563B and #3BAE56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #583CAE shade: #583CAE, #AE3B7C, #93AE3B and #3BAE6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #583CAE shade: #583CAE, #AE3B5A, #93AE3B and #3BAE90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 66 / 0 / 32

HEX #583CAE

RGB 88 60 174

HSL 254.74, 0.49%, 0.46%

LAB 34.73, 40.81, -56.92

 

Complementary color

CMYK 14 / 0 / 58 / 24

HEX #A7C351

RGB 167 195 81

HSL 74.74, 0.49%, 0.54%

LAB 74.72, -26.18, 52.96

 

CMYK 45 / 64 / 0 / 34

HEX #5D3CA9

RGB 93 60 169

HSL 258.17, 0.48%, 0.45%

LAB 34.85, 40.35, -53.71

 

CMYK 41 / 59 / 0 / 26

HEX #6E4EBC

RGB 110 78 188

HSL 257.45, 0.45%, 0.52%

LAB 41.84, 39.06, -53.56

 

CMYK 39 / 54 / 0 / 19

HEX #7F60CF

RGB 127 96 207

HSL 256.76, 0.54%, 0.59%

LAB 48.74, 37.85, -53.36

 

CMYK 36 / 50 / 0 / 11

HEX #9072E2

RGB 144 114 226

HSL 256.07, 0.66%, 0.67%

LAB 55.54, 36.73, -53.16

 

CMYK 34 / 46 / 0 / 4

HEX #A184F5

RGB 161 132 245

HSL 255.4, 0.85%, 0.74%

LAB 62.23, 35.71, -52.98

 

CMYK 49 / 66 / 0 / 32

HEX #583CAE

RGB 88 60 174

HSL 254.74, 0.49%, 0.46%

LAB 34.73, 40.81, -56.92

 

CMYK 54 / 73 / 0 / 39

HEX #472A9B

RGB 71 42 155

HSL 255.4, 0.57%, 0.39%

LAB 27.74, 42.21, -56.93

 

CMYK 60 / 82 / 0 / 47

HEX #361888

RGB 54 24 136

HSL 256.07, 0.7%, 0.31%

LAB 20.89, 43.27, -56.51

 

CMYK 68 / 95 / 0 / 54

HEX #250675

RGB 37 6 117

HSL 256.76, 0.9%, 0.24%

LAB 14.45, 43.25, -55.13

 

CMYK 80 / 100 / 0 / 62

HEX #140062

RGB 20 0 98

HSL 252.24, 1%, 0.19%

LAB 9.24, 39.75, -51.35

 

CMYK 49 / 66 / 0 / 32

HEX #583BAE

RGB 88 59 174

HSL 255.13, 0.49%, 0.46%

LAB 34.52, 41.38, -57.26

 

CMYK 32 / 66 / 0 / 32

HEX #773BAE

RGB 119 59 174

HSL 271.3, 0.49%, 0.46%

LAB 38.03, 47.77, -51.39

 

CMYK 14 / 66 / 0 / 32

HEX #963BAE

RGB 150 59 174

HSL 287.48, 0.49%, 0.46%

LAB 42.26, 54.86, -44.38

 

CMYK 0 / 66 / 3 / 32

HEX #AE3BA8

RGB 174 59 168

HSL 303.13, 0.49%, 0.46%

LAB 45.57, 59.55, -35.34

 

CMYK 0 / 66 / 21 / 32

HEX #AE3B89

RGB 174 59 137

HSL 319.3, 0.49%, 0.46%

LAB 44.14, 54.77, -18.97

 

CMYK 49 / 66 / 0 / 32

HEX #583BAE

RGB 88 59 174

HSL 255.13, 0.49%, 0.46%

LAB 34.52, 41.38, -57.26

 

CMYK 66 / 66 / 0 / 32

HEX #3B3BAE

RGB 59 59 174

HSL 240, 0.49%, 0.46%

LAB 32.06, 36.54, -61.36

 

CMYK 49 / 66 / 0 / 32

HEX #583BAE

RGB 88 59 174

HSL 255.13, 0.49%, 0.46%

LAB 34.52, 41.38, -57.26

 

CMYK 60 / 79 / 0 / 24

HEX #4E28C1

RGB 78 40 193

HSL 254.9, 0.66%, 0.46%

LAB 31.78, 55.1, -73.03

 

CMYK 68 / 90 / 0 / 17

HEX #4415D4

RGB 68 21 212

HSL 254.76, 0.82%, 0.46%

LAB 30.69, 66.16, -85.97

 

CMYK 74 / 99 / 0 / 9

HEX #3B02E7

RGB 59 2 231

HSL 254.93, 0.98%, 0.46%

LAB 31.21, 73.99, -96.04

 

CMYK 49 / 66 / 0 / 32

HEX #583BAE

RGB 88 59 174

HSL 255.13, 0.49%, 0.46%

LAB 34.52, 41.38, -57.26

 

CMYK 37 / 50 / 0 / 39

HEX #614E9B

RGB 97 78 155

HSL 254.81, 0.33%, 0.46%

LAB 38.48, 26.52, -39.46

 

CMYK 21 / 29 / 0 / 47

HEX #6B6188

RGB 107 97 136

HSL 255.38, 0.17%, 0.46%

LAB 43.44, 12.69, -20.17

 

CMYK 0 / 1 / 0 / 54

HEX #757475

RGB 117 116 117

HSL 300, 0%, 0.46%

LAB 48.95, 0.59, -0.42

 

CMYK 7 / 0 / 27 / 47

HEX #7E8762

RGB 126 135 98

HSL 74.59, 0.16%, 0.46%

LAB 54.71, -10.01, 18.84

 

CMYK 66 / 46 / 0 / 32

HEX #3B5EAE

RGB 59 94 174

HSL 221.74, 0.49%, 0.46%

LAB 41.2, 13.97, -46.56

 

CMYK 66 / 64 / 0 / 32

HEX #3B3FAE

RGB 59 63 174

HSL 237.91, 0.49%, 0.46%

LAB 33.01, 34.04, -59.82

 

CMYK 51 / 66 / 0 / 32

HEX #563BAE

RGB 86 59 174

HSL 254.09, 0.49%, 0.46%

LAB 34.32, 41, -57.59

 

CMYK 33 / 66 / 0 / 32

HEX #753BAE

RGB 117 59 174

HSL 270.26, 0.49%, 0.46%

LAB 37.78, 47.33, -51.81

 

CMYK 16 / 66 / 0 / 32

HEX #933BAE

RGB 147 59 174

HSL 285.91, 0.49%, 0.46%

LAB 41.82, 54.16, -45.1

 

CMYK 50 / 66 / 0 / 56

HEX #392671

RGB 57 38 113

HSL 255.2, 0.5%, 0.3%

LAB 21.76, 29.01, -40.45

 

CMYK 50 / 66 / 0 / 44

HEX #483190

RGB 72 49 144

HSL 254.53, 0.49%, 0.38%

LAB 28.35, 35.08, -49.19

 

CMYK 49 / 66 / 0 / 32

HEX #583BAE

RGB 88 59 174

HSL 255.13, 0.49%, 0.46%

LAB 34.52, 41.38, -57.26

 

CMYK 45 / 59 / 0 / 24

HEX #6C50C3

RGB 108 80 195

HSL 254.61, 0.49%, 0.54%

LAB 42.56, 39.44, -56.48

 

CMYK 35 / 46 / 0 / 20

HEX #866FCD

RGB 134 111 205

HSL 254.68, 0.48%, 0.62%

LAB 52.78, 30.32, -45.73

 

CMYK 49 / 66 / 0 / 32

HEX #583CAE

RGB 88 60 174

HSL 254.74, 0.49%, 0.46%

LAB 34.73, 40.81, -56.92

 

CMYK 0 / 66 / 29 / 32

HEX #AE3B7C

RGB 174 59 124

HSL 326.09, 0.49%, 0.46%

LAB 43.63, 53.01, -11.82

 

CMYK 55 / 0 / 66 / 32

HEX #4EAE3B

RGB 78 174 59

HSL 110.09, 0.49%, 0.46%

LAB 63.51, -50.03, 48.86

 

CMYK 49 / 66 / 0 / 32

HEX #583CAE

RGB 88 60 174

HSL 254.74, 0.49%, 0.46%

LAB 34.73, 40.81, -56.92

 

CMYK 0 / 51 / 66 / 32

HEX #AE563B

RGB 174 86 59

HSL 14.09, 0.49%, 0.46%

LAB 46.94, 33.72, 32.05

 

CMYK 66 / 0 / 51 / 32

HEX #3BAE56

RGB 59 174 86

HSL 134.09, 0.49%, 0.46%

LAB 63.24, -51.16, 35.73

 

CMYK 49 / 66 / 0 / 32

HEX #583CAE

RGB 88 60 174

HSL 254.74, 0.49%, 0.46%

LAB 34.73, 40.81, -56.92

 

CMYK 0 / 66 / 29 / 32

HEX #AE3B7C

RGB 174 59 124

HSL 326.09, 0.49%, 0.46%

LAB 43.63, 53.01, -11.82

 

CMYK 16 / 0 / 66 / 32

HEX #93AE3B

RGB 147 174 59

HSL 74.09, 0.49%, 0.46%

LAB 67.12, -25.75, 53.79

 

CMYK 66 / 0 / 37 / 32

HEX #3BAE6D

RGB 59 174 109

HSL 146.09, 0.49%, 0.46%

LAB 63.6, -47.18, 24.18

 

CMYK 49 / 66 / 0 / 32

HEX #583CAE

RGB 88 60 174

HSL 254.74, 0.49%, 0.46%

LAB 34.73, 40.81, -56.92

 

CMYK 0 / 66 / 48 / 32

HEX #AE3B5A

RGB 174 59 90

HSL 343.83, 0.49%, 0.46%

LAB 42.56, 49.21, 7.66

 

CMYK 16 / 0 / 66 / 32

HEX #93AE3B

RGB 147 174 59

HSL 74.09, 0.49%, 0.46%

LAB 67.12, -25.75, 53.79

 

CMYK 66 / 0 / 17 / 32

HEX #3BAE90

RGB 59 174 144

HSL 164.35, 0.49%, 0.46%

LAB 64.34, -39.4, 6.04

 

Description

Color code: HEX #583CAE | qconv.com Color code: HEX #583CAE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 60 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 60 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 66 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 66% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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