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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #583D79 it is the complementary color #A7C286. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #583D79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #583D79 shade: #5D3D74, #6E4F87, #7F619A, #9073AD and #A185C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #583D79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #583D79 shade: #583D79, #472B66, #361953, #250740 and #14002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #583D79 shade: #583D7A, #693D7A, #793D7A, #7A3D6A and #7A3D5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #583D79 shade: #583D7A, #483D7A and #3D3D7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #583D79 shade matches the following richer shades: #583D7A, #572E88, #551F97, #5410A6 and #5202B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #583D79 shade: #583D7A, #5A4C6B, #5B5B5C, #5D6A4D and #5E783E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #583D79 shade: #3D427A, #483D7A, #583D7A, #683D7A and #793D7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #583D79 shade: #302143, #442F5E, #583D7A, #6C4B95 and #815CAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #583D79 shade: #583D79, #7A3D52 and #3D7A40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #583D79 shade: #583D79, #7A583D and #3D7A58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #583D79 shade: #583D79, #7A3D52, #5E7A3D and #3D7A64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #583D79 shade: #583D79, #7A3D40, #5E7A3D and #3D7A77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 50 / 0 / 53

HEX #583D79

RGB 88 61 121

HSL 267, 0.33%, 0.36%

LAB 31.33, 25.1, -30

 

Complementary color

CMYK 14 / 0 / 31 / 24

HEX #A7C286

RGB 167 194 134

HSL 87, 0.33%, 0.64%

LAB 75.15, -19.67, 27.25

 

CMYK 20 / 47 / 0 / 55

HEX #5D3D74

RGB 93 61 116

HSL 274.91, 0.31%, 0.35%

LAB 31.64, 25.36, -26.33

 

CMYK 19 / 41 / 0 / 47

HEX #6E4F87

RGB 110 79 135

HSL 273.21, 0.26%, 0.42%

LAB 39, 24.47, -26.43

 

CMYK 18 / 37 / 0 / 40

HEX #7F619A

RGB 127 97 154

HSL 271.58, 0.23%, 0.49%

LAB 46.17, 23.66, -26.54

 

CMYK 17 / 34 / 0 / 32

HEX #9073AD

RGB 144 115 173

HSL 270, 0.26%, 0.56%

LAB 53.18, 22.93, -26.67

 

CMYK 16 / 31 / 0 / 25

HEX #A185C0

RGB 161 133 192

HSL 268.47, 0.32%, 0.64%

LAB 60.03, 22.28, -26.82

 

CMYK 27 / 50 / 0 / 53

HEX #583D79

RGB 88 61 121

HSL 267, 0.33%, 0.36%

LAB 31.33, 25.1, -30

 

CMYK 30 / 58 / 0 / 60

HEX #472B66

RGB 71 43 102

HSL 268.47, 0.41%, 0.28%

LAB 23.76, 26.16, -30.03

 

CMYK 35 / 70 / 0 / 67

HEX #361953

RGB 54 25 83

HSL 270, 0.54%, 0.21%

LAB 16.02, 27.2, -29.96

 

CMYK 42 / 89 / 0 / 75

HEX #250740

RGB 37 7 64

HSL 271.58, 0.8%, 0.14%

LAB 8.27, 27.79, -29.47

 

CMYK 56 / 100 / 0 / 82

HEX #14002D

RGB 20 0 45

HSL 266.67, 1%, 0.09%

LAB 3.05, 18.05, -24.05

 

CMYK 28 / 50 / 0 / 52

HEX #583D7A

RGB 88 61 122

HSL 266.56, 0.33%, 0.36%

LAB 31.39, 25.37, -30.53

 

CMYK 14 / 50 / 0 / 52

HEX #693D7A

RGB 105 61 122

HSL 283.28, 0.33%, 0.36%

LAB 33.45, 30.58, -27.15

 

CMYK 1 / 50 / 0 / 52

HEX #793D7A

RGB 121 61 122

HSL 299.02, 0.33%, 0.36%

LAB 35.61, 35.59, -23.6

 

CMYK 0 / 50 / 13 / 52

HEX #7A3D6A

RGB 122 61 106

HSL 315.74, 0.33%, 0.36%

LAB 35.03, 32.9, -14.45

 

CMYK 0 / 50 / 26 / 52

HEX #7A3D5A

RGB 122 61 90

HSL 331.48, 0.33%, 0.36%

LAB 34.42, 30.25, -5.21

 

CMYK 28 / 50 / 0 / 52

HEX #583D7A

RGB 88 61 122

HSL 266.56, 0.33%, 0.36%

LAB 31.39, 25.37, -30.53

 

CMYK 41 / 50 / 0 / 52

HEX #483D7A

RGB 72 61 122

HSL 250.82, 0.33%, 0.36%

LAB 29.71, 20.74, -33.3

 

CMYK 50 / 50 / 0 / 52

HEX #3D3D7A

RGB 61 61 122

HSL 240, 0.33%, 0.36%

LAB 28.73, 17.82, -34.92

 

CMYK 28 / 50 / 0 / 52

HEX #583D7A

RGB 88 61 122

HSL 266.56, 0.33%, 0.36%

LAB 31.39, 25.37, -30.53

 

CMYK 36 / 66 / 0 / 47

HEX #572E88

RGB 87 46 136

HSL 267.33, 0.49%, 0.36%

LAB 28.79, 37.75, -43.43

 

CMYK 44 / 79 / 0 / 41

HEX #551F97

RGB 85 31 151

HSL 267, 0.66%, 0.36%

LAB 27.15, 48.66, -55.4

 

CMYK 49 / 90 / 0 / 35

HEX #5410A6

RGB 84 16 166

HSL 267.2, 0.82%, 0.36%

LAB 26.76, 57.3, -65.18

 

CMYK 55 / 99 / 0 / 29

HEX #5202B5

RGB 82 2 181

HSL 266.82, 0.98%, 0.36%

LAB 27.22, 63.42, -73.44

 

CMYK 28 / 50 / 0 / 52

HEX #583D7A

RGB 88 61 122

HSL 266.56, 0.33%, 0.36%

LAB 31.39, 25.37, -30.53

 

CMYK 16 / 29 / 0 / 58

HEX #5A4C6B

RGB 90 76 107

HSL 267.1, 0.17%, 0.36%

LAB 34.81, 12.66, -15.77

 

CMYK 1 / 1 / 0 / 64

HEX #5B5B5C

RGB 91 91 92

HSL 240, 0.01%, 0.36%

LAB 38.69, 0.21, -0.58

 

CMYK 12 / 0 / 27 / 58

HEX #5D6A4D

RGB 93 106 77

HSL 86.9, 0.16%, 0.36%

LAB 43.02, -10.68, 14.69

 

CMYK 22 / 0 / 48 / 53

HEX #5E783E

RGB 94 120 62

HSL 86.9, 0.32%, 0.36%

LAB 47.18, -20.11, 28.69

 

CMYK 50 / 46 / 0 / 52

HEX #3D427A

RGB 61 66 122

HSL 235.08, 0.33%, 0.36%

LAB 30.14, 14.48, -32.67

 

CMYK 41 / 50 / 0 / 52

HEX #483D7A

RGB 72 61 122

HSL 250.82, 0.33%, 0.36%

LAB 29.71, 20.74, -33.3

 

CMYK 28 / 50 / 0 / 52

HEX #583D7A

RGB 88 61 122

HSL 266.56, 0.33%, 0.36%

LAB 31.39, 25.37, -30.53

 

CMYK 15 / 50 / 0 / 52

HEX #683D7A

RGB 104 61 122

HSL 282.3, 0.33%, 0.36%

LAB 33.32, 30.27, -27.36

 

CMYK 1 / 50 / 0 / 52

HEX #793D7A

RGB 121 61 122

HSL 299.02, 0.33%, 0.36%

LAB 35.61, 35.59, -23.6

 

CMYK 28 / 51 / 0 / 74

HEX #302143

RGB 48 33 67

HSL 266.47, 0.34%, 0.2%

LAB 16.11, 15.57, -18.89

 

CMYK 28 / 50 / 0 / 63

HEX #442F5E

RGB 68 47 94

HSL 266.81, 0.33%, 0.28%

LAB 23.9, 20.47, -24.6

 

CMYK 28 / 50 / 0 / 52

HEX #583D7A

RGB 88 61 122

HSL 266.56, 0.33%, 0.36%

LAB 31.39, 25.37, -30.53

 

CMYK 28 / 50 / 0 / 42

HEX #6C4B95

RGB 108 75 149

HSL 266.76, 0.33%, 0.44%

LAB 38.53, 29.78, -35.68

 

CMYK 25 / 47 / 0 / 32

HEX #815CAD

RGB 129 92 173

HSL 267.41, 0.33%, 0.52%

LAB 46.09, 31.83, -37.85

 

CMYK 27 / 50 / 0 / 53

HEX #583D79

RGB 88 61 121

HSL 267, 0.33%, 0.36%

LAB 31.33, 25.1, -30

 

CMYK 0 / 50 / 33 / 52

HEX #7A3D52

RGB 122 61 82

HSL 339.34, 0.33%, 0.36%

LAB 34.16, 29.06, -0.49

 

CMYK 50 / 0 / 48 / 52

HEX #3D7A40

RGB 61 122 64

HSL 122.95, 0.33%, 0.36%

LAB 46.02, -32.78, 25.74

 

CMYK 27 / 50 / 0 / 53

HEX #583D79

RGB 88 61 121

HSL 267, 0.33%, 0.36%

LAB 31.33, 25.1, -30

 

CMYK 0 / 28 / 50 / 52

HEX #7A583D

RGB 122 88 61

HSL 26.56, 0.33%, 0.36%

LAB 40.33, 10.48, 21.13

 

CMYK 50 / 0 / 28 / 52

HEX #3D7A58

RGB 61 122 88

HSL 146.56, 0.33%, 0.36%

LAB 46.47, -28.24, 12.66

 

CMYK 27 / 50 / 0 / 53

HEX #583D79

RGB 88 61 121

HSL 267, 0.33%, 0.36%

LAB 31.33, 25.1, -30

 

CMYK 0 / 50 / 33 / 52

HEX #7A3D52

RGB 122 61 82

HSL 339.34, 0.33%, 0.36%

LAB 34.16, 29.06, -0.49

 

CMYK 23 / 0 / 50 / 52

HEX #5E7A3D

RGB 94 122 61

HSL 87.54, 0.33%, 0.36%

LAB 47.8, -21.28, 29.98

 

CMYK 50 / 0 / 18 / 52

HEX #3D7A64

RGB 61 122 100

HSL 158.36, 0.33%, 0.36%

LAB 46.75, -25.47, 6.01

 

CMYK 27 / 50 / 0 / 53

HEX #583D79

RGB 88 61 121

HSL 267, 0.33%, 0.36%

LAB 31.33, 25.1, -30

 

CMYK 0 / 50 / 48 / 52

HEX #7A3D40

RGB 122 61 64

HSL 357.05, 0.33%, 0.36%

LAB 33.66, 26.78, 10.34

 

CMYK 23 / 0 / 50 / 52

HEX #5E7A3D

RGB 94 122 61

HSL 87.54, 0.33%, 0.36%

LAB 47.8, -21.28, 29.98

 

CMYK 50 / 0 / 2 / 52

HEX #3D7A77

RGB 61 122 119

HSL 177.05, 0.33%, 0.36%

LAB 47.29, -20.5, -4.46

 

Description

Color code: HEX #583D79 | qconv.com Color code: HEX #583D79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 61 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 61 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 50 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 50% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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