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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #584849 it is the complementary color #A7B7B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #584849. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #584849 shade: #5D4844, #6E5A57, #7F6C6A, #907E7D and #A19090

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #584849. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #584849 shade: #584849, #473636, #362423, #251210 and #140000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #584849 shade: #564748 and #564747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #584849 shade: #564748, #56474C, #564750, #564754 and #544756

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #584849 shade matches the following richer shades: #564748, #633A3C, #702D31, #7D2026 and #8A131B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #584849 shade: #564748, #4A5353, #3D605E, #306D69 and #237A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #584849 shade: #564750, #56474C, #564748, #564A47 and #564E47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #584849 shade: #292222, #403435, #564748, #6D595A and #846C6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #584849 shade: #584849, #545647 and #474E56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #584849 shade: #584849, #485647 and #474856

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #584849 shade: #584849, #545647, #475655 and #494756

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #584849 shade: #584849, #505647, #475655 and #4D4756

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 17 / 65

HEX #584849

RGB 88 72 73

HSL 356.25, 0.1%, 0.31%

LAB 32.24, 6.97, 1.94

 

Complementary color

CMYK 9 / 0 / 1 / 28

HEX #A7B7B6

RGB 167 183 182

HSL 176.25, 0.1%, 0.69%

LAB 73.19, -5.7, -1.39

 

CMYK 0 / 23 / 27 / 64

HEX #5D4844

RGB 93 72 68

HSL 9.6, 0.16%, 0.32%

LAB 32.66, 8.25, 5.81

 

CMYK 0 / 18 / 21 / 57

HEX #6E5A57

RGB 110 90 87

HSL 7.83, 0.12%, 0.39%

LAB 40.11, 7.64, 4.79

 

CMYK 0 / 15 / 17 / 50

HEX #7F6C6A

RGB 127 108 106

HSL 5.71, 0.09%, 0.46%

LAB 47.34, 7.13, 3.89

 

CMYK 0 / 13 / 13 / 44

HEX #907E7D

RGB 144 126 125

HSL 3.16, 0.08%, 0.53%

LAB 54.38, 6.7, 3.07

 

CMYK 0 / 11 / 11 / 37

HEX #A19090

RGB 161 144 144

HSL 0, 0.08%, 0.6%

LAB 61.25, 6.33, 2.3

 

CMYK 0 / 18 / 17 / 65

HEX #584849

RGB 88 72 73

HSL 356.25, 0.1%, 0.31%

LAB 32.24, 6.97, 1.94

 

CMYK 0 / 24 / 24 / 72

HEX #473636

RGB 71 54 54

HSL 0, 0.14%, 0.25%

LAB 24.46, 7.58, 2.91

 

CMYK 0 / 33 / 35 / 79

HEX #362423

RGB 54 36 35

HSL 3.16, 0.21%, 0.17%

LAB 16.34, 8.41, 4.08

 

CMYK 0 / 51 / 57 / 85

HEX #251210

RGB 37 18 16

HSL 5.71, 0.4%, 0.1%

LAB 7.8, 9.58, 4.86

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 17 / 16 / 66

HEX #564748

RGB 86 71 72

HSL 356, 0.1%, 0.31%

LAB 31.7, 6.55, 1.78

 

CMYK 0 / 17 / 17 / 66

HEX #564747

RGB 86 71 71

HSL 0, 0.1%, 0.31%

LAB 31.67, 6.37, 2.38

 

CMYK 0 / 17 / 16 / 66

HEX #564748

RGB 86 71 72

HSL 356, 0.1%, 0.31%

LAB 31.7, 6.55, 1.78

 

CMYK 0 / 17 / 12 / 66

HEX #56474C

RGB 86 71 76

HSL 340, 0.1%, 0.31%

LAB 31.82, 7.33, -0.61

 

CMYK 0 / 17 / 7 / 66

HEX #564750

RGB 86 71 80

HSL 324, 0.1%, 0.31%

LAB 31.95, 8.14, -2.99

 

CMYK 0 / 17 / 2 / 66

HEX #564754

RGB 86 71 84

HSL 308, 0.1%, 0.31%

LAB 32.09, 8.98, -5.35

 

CMYK 2 / 17 / 0 / 66

HEX #544756

RGB 84 71 86

HSL 292, 0.1%, 0.31%

LAB 31.95, 8.62, -6.86

 

CMYK 0 / 17 / 16 / 66

HEX #564748

RGB 86 71 72

HSL 356, 0.1%, 0.31%

LAB 31.7, 6.55, 1.78

 

CMYK 0 / 41 / 39 / 61

HEX #633A3C

RGB 99 58 60

HSL 357.07, 0.26%, 0.31%

LAB 29.43, 18.42, 6.51

 

CMYK 0 / 60 / 56 / 56

HEX #702D31

RGB 112 45 49

HSL 356.42, 0.43%, 0.31%

LAB 28.23, 30.06, 12.4

 

CMYK 0 / 74 / 70 / 51

HEX #7D2026

RGB 125 32 38

HSL 356.13, 0.59%, 0.31%

LAB 28.2, 40.07, 20.05

 

CMYK 0 / 86 / 80 / 46

HEX #8A131B

RGB 138 19 27

HSL 355.97, 0.76%, 0.31%

LAB 29.28, 47.83, 28.98

 

CMYK 0 / 17 / 16 / 66

HEX #564748

RGB 86 71 72

HSL 356, 0.1%, 0.31%

LAB 31.7, 6.55, 1.78

 

CMYK 11 / 0 / 0 / 67

HEX #4A5353

RGB 74 83 83

HSL 180, 0.06%, 0.31%

LAB 34.53, -3.56, -1.22

 

CMYK 36 / 0 / 2 / 62

HEX #3D605E

RGB 61 96 94

HSL 176.57, 0.22%, 0.31%

LAB 38.14, -13.07, -2.87

 

CMYK 56 / 0 / 4 / 57

HEX #306D69

RGB 48 109 105

HSL 176.07, 0.39%, 0.31%

LAB 42.13, -20.69, -3.77

 

CMYK 71 / 0 / 5 / 52

HEX #237A74

RGB 35 122 116

HSL 175.86, 0.55%, 0.31%

LAB 46.36, -26.59, -4.15

 

CMYK 0 / 17 / 7 / 66

HEX #564750

RGB 86 71 80

HSL 324, 0.1%, 0.31%

LAB 31.95, 8.14, -2.99

 

CMYK 0 / 17 / 12 / 66

HEX #56474C

RGB 86 71 76

HSL 340, 0.1%, 0.31%

LAB 31.82, 7.33, -0.61

 

CMYK 0 / 17 / 16 / 66

HEX #564748

RGB 86 71 72

HSL 356, 0.1%, 0.31%

LAB 31.7, 6.55, 1.78

 

CMYK 0 / 14 / 17 / 66

HEX #564A47

RGB 86 74 71

HSL 12, 0.1%, 0.31%

LAB 32.55, 4.47, 3.64

 

CMYK 0 / 9 / 17 / 66

HEX #564E47

RGB 86 78 71

HSL 28, 0.1%, 0.31%

LAB 33.74, 1.96, 5.34

 

CMYK 0 / 17 / 17 / 84

HEX #292222

RGB 41 34 34

HSL 0, 0.09%, 0.15%

LAB 14.01, 3.32, 1.23

 

CMYK 0 / 19 / 17 / 75

HEX #403435

RGB 64 52 53

HSL 355, 0.1%, 0.23%

LAB 23.01, 5.56, 1.37

 

CMYK 0 / 17 / 16 / 66

HEX #564748

RGB 86 71 72

HSL 356, 0.1%, 0.31%

LAB 31.7, 6.55, 1.78

 

CMYK 0 / 18 / 17 / 57

HEX #6D595A

RGB 109 89 90

HSL 357, 0.1%, 0.39%

LAB 39.81, 8.36, 2.5

HEX #6D595A

CMYK 0 / 18 / 17 / 48

HEX #846C6D

RGB 132 108 109

HSL 357.5, 0.1%, 0.47%

LAB 47.92, 9.66, 3.01

HEX #846C6D

CMYK 0 / 18 / 17 / 65

HEX #584849

RGB 88 72 73

HSL 356.25, 0.1%, 0.31%

LAB 32.24, 6.97, 1.94

 

CMYK 2 / 0 / 17 / 66

HEX #545647

RGB 84 86 71

HSL 68, 0.1%, 0.31%

LAB 35.98, -3.81, 8.48

 

CMYK 17 / 9 / 0 / 66

HEX #474E56

RGB 71 78 86

HSL 212, 0.1%, 0.31%

LAB 32.83, -0.88, -5.66

 

CMYK 0 / 18 / 17 / 65

HEX #584849

RGB 88 72 73

HSL 356.25, 0.1%, 0.31%

LAB 32.24, 6.97, 1.94

 

CMYK 16 / 0 / 17 / 66

HEX #485647

RGB 72 86 71

HSL 116, 0.1%, 0.31%

LAB 34.98, -8.79, 6.93

 

CMYK 17 / 16 / 0 / 66

HEX #474856

RGB 71 72 86

HSL 236, 0.1%, 0.31%

LAB 30.99, 2.93, -8.43

 

CMYK 0 / 18 / 17 / 65

HEX #584849

RGB 88 72 73

HSL 356.25, 0.1%, 0.31%

LAB 32.24, 6.97, 1.94

 

CMYK 2 / 0 / 17 / 66

HEX #545647

RGB 84 86 71

HSL 68, 0.1%, 0.31%

LAB 35.98, -3.81, 8.48

 

CMYK 17 / 0 / 1 / 66

HEX #475655

RGB 71 86 85

HSL 176, 0.1%, 0.31%

LAB 35.3, -6.05, -1.37

 

CMYK 15 / 17 / 0 / 66

HEX #494756

RGB 73 71 86

HSL 248, 0.1%, 0.31%

LAB 30.87, 4.34, -8.6

 

CMYK 0 / 18 / 17 / 65

HEX #584849

RGB 88 72 73

HSL 356.25, 0.1%, 0.31%

LAB 32.24, 6.97, 1.94

 

CMYK 7 / 0 / 17 / 66

HEX #505647

RGB 80 86 71

HSL 84, 0.1%, 0.31%

LAB 35.63, -5.5, 7.94

 

CMYK 17 / 0 / 1 / 66

HEX #475655

RGB 71 86 85

HSL 176, 0.1%, 0.31%

LAB 35.3, -6.05, -1.37

 

CMYK 10 / 17 / 0 / 66

HEX #4D4756

RGB 77 71 86

HSL 264, 0.1%, 0.31%

LAB 31.25, 5.88, -7.99

 

Description

Color code: HEX #584849 | qconv.com Color code: HEX #584849 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 72 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 72 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 17 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 17% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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