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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #584A22 it is the complementary color #A7B5DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #584A22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #584A22 shade: #5D4A1D, #6E5C30, #7F6E43, #908056 and #A19269

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #584A22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #584A22 shade: #584A22, #47380F, #362600, #251400 and #140200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #584A22 shade: #584A22, #583B22, #582D22 and #582222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #584A22 shade: #584A22, #575822, #495822, #3A5822 and #2C5822

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #584A22 shade matches the following richer shades: #584A22, #624E18, #6B530E and #755804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #584A22 shade: #584A22, #4E452C, #444036, #3A3B3F and #303749

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #584A22 shade: #582D22, #583B22, #584922, #585822 and #495822

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #584A22 shade: #1C180B, #3A3116, #584A22, #75632D and #937C39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #584A22 shade: #584A22, #255822 and #342258

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #584A22 shade: #584A22, #225849 and #492258

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #584A22 shade: #584A22, #255822, #223058 and #542258

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #584A22 shade: #584A22, #22582E, #223058 and #58224B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 61 / 65

HEX #584A22

RGB 88 74 34

HSL 44.44, 0.44%, 0.24%

LAB 32.01, 0.26, 25.73

 

Complementary color

CMYK 24 / 18 / 0 / 13

HEX #A7B5DD

RGB 167 181 221

HSL 224.44, 0.44%, 0.76%

LAB 73.86, 3.85, -21.69

 

CMYK 0 / 20 / 69 / 64

HEX #5D4A1D

RGB 93 74 29

HSL 42.19, 0.52%, 0.24%

LAB 32.51, 2.32, 29.2

 

CMYK 0 / 16 / 56 / 57

HEX #6E5C30

RGB 110 92 48

HSL 42.58, 0.39%, 0.31%

LAB 39.89, 1.22, 27.8

 

CMYK 0 / 13 / 47 / 50

HEX #7F6E43

RGB 127 110 67

HSL 43, 0.31%, 0.38%

LAB 47.07, 0.4, 26.37

 

CMYK 0 / 11 / 40 / 44

HEX #908056

RGB 144 128 86

HSL 43.45, 0.25%, 0.45%

LAB 54.07, -0.23, 25.03

 

CMYK 0 / 9 / 35 / 37

HEX #A19269

RGB 161 146 105

HSL 43.93, 0.23%, 0.52%

LAB 60.92, -0.74, 23.79

 

CMYK 0 / 16 / 61 / 65

HEX #584A22

RGB 88 74 34

HSL 44.44, 0.44%, 0.24%

LAB 32.01, 0.26, 25.73

 

CMYK 0 / 21 / 79 / 72

HEX #47380F

RGB 71 56 15

HSL 43.93, 0.65%, 0.17%

LAB 24.33, 1.51, 27

 

CMYK 0 / 30 / 100 / 79

HEX #362600

RGB 54 38 0

HSL 42.22, 1%, 0.11%

LAB 16.36, 3.33, 23.88

 

CMYK 0 / 46 / 100 / 85

HEX #251400

RGB 37 20 0

HSL 32.43, 1%, 0.07%

LAB 8.07, 6.28, 12.21

 

CMYK 0 / 90 / 100 / 92

HEX #140200

RGB 20 2 0

HSL 6, 1%, 0.04%

LAB 1.74, 5.23, 2.7

 

CMYK 0 / 16 / 61 / 65

HEX #584A22

RGB 88 74 34

HSL 44.44, 0.44%, 0.24%

LAB 32.01, 0.26, 25.73

 

CMYK 0 / 33 / 61 / 65

HEX #583B22

RGB 88 59 34

HSL 27.78, 0.44%, 0.24%

LAB 27.62, 9.69, 20.49

 

CMYK 0 / 49 / 61 / 65

HEX #582D22

RGB 88 45 34

HSL 12.22, 0.44%, 0.24%

LAB 23.89, 18.49, 15.82

 

CMYK 0 / 61 / 61 / 65

HEX #582222

RGB 88 34 34

HSL 0, 0.44%, 0.24%

LAB 21.34, 24.97, 12.5

 

CMYK 0 / 16 / 61 / 65

HEX #584A22

RGB 88 74 34

HSL 44.44, 0.44%, 0.24%

LAB 32.01, 0.26, 25.73

 

CMYK 1 / 0 / 61 / 65

HEX #575822

RGB 87 88 34

HSL 61.11, 0.44%, 0.24%

LAB 36.22, -8.64, 30.52

 

CMYK 17 / 0 / 61 / 65

HEX #495822

RGB 73 88 34

HSL 76.67, 0.44%, 0.24%

LAB 35.03, -15.2, 28.86

 

CMYK 34 / 0 / 61 / 65

HEX #3A5822

RGB 58 88 34

HSL 93.33, 0.44%, 0.24%

LAB 33.97, -21.73, 27.37

 

CMYK 50 / 0 / 61 / 65

HEX #2C5822

RGB 44 88 34

HSL 108.89, 0.44%, 0.24%

LAB 33.2, -27.04, 26.28

 

CMYK 0 / 16 / 61 / 65

HEX #584A22

RGB 88 74 34

HSL 44.44, 0.44%, 0.24%

LAB 32.01, 0.26, 25.73

 

CMYK 0 / 20 / 76 / 62

HEX #624E18

RGB 98 78 24

HSL 43.78, 0.61%, 0.24%

LAB 34.21, 2.01, 33.7

 

CMYK 0 / 22 / 87 / 58

HEX #6B530E

RGB 107 83 14

HSL 44.52, 0.77%, 0.24%

LAB 36.64, 2.98, 40.45

 

CMYK 0 / 25 / 97 / 54

HEX #755804

RGB 117 88 4

HSL 44.6, 0.93%, 0.24%

LAB 39.19, 4.64, 45.95

 

CMYK 0 / 16 / 61 / 65

HEX #584A22

RGB 88 74 34

HSL 44.44, 0.44%, 0.24%

LAB 32.01, 0.26, 25.73

 

CMYK 0 / 12 / 44 / 69

HEX #4E452C

RGB 78 69 44

HSL 44.12, 0.28%, 0.24%

LAB 29.56, -0.38, 16.51

 

CMYK 0 / 6 / 21 / 73

HEX #444036

RGB 68 64 54

HSL 42.86, 0.11%, 0.24%

LAB 27.19, -0.29, 6.74

 

CMYK 8 / 6 / 0 / 75

HEX #3A3B3F

RGB 58 59 63

HSL 228, 0.04%, 0.24%

LAB 24.91, 0.52, -2.62

 

CMYK 34 / 25 / 0 / 71

HEX #303749

RGB 48 55 73

HSL 223.2, 0.21%, 0.24%

LAB 23.14, 2.07, -12.04

 

CMYK 0 / 49 / 61 / 65

HEX #582D22

RGB 88 45 34

HSL 12.22, 0.44%, 0.24%

LAB 23.89, 18.49, 15.82

 

CMYK 0 / 33 / 61 / 65

HEX #583B22

RGB 88 59 34

HSL 27.78, 0.44%, 0.24%

LAB 27.62, 9.69, 20.49

 

CMYK 0 / 17 / 61 / 65

HEX #584922

RGB 88 73 34

HSL 43.33, 0.44%, 0.24%

LAB 31.7, 0.88, 25.38

 

CMYK 0 / 0 / 61 / 65

HEX #585822

RGB 88 88 34

HSL 60, 0.44%, 0.24%

LAB 36.31, -8.16, 30.65

 

CMYK 17 / 0 / 61 / 65

HEX #495822

RGB 73 88 34

HSL 76.67, 0.44%, 0.24%

LAB 35.03, -15.2, 28.86

 

CMYK 0 / 14 / 61 / 89

HEX #1C180B

RGB 28 24 11

HSL 45.88, 0.44%, 0.08%

LAB 8.34, -0.5, 7.96

 

CMYK 0 / 16 / 62 / 77

HEX #3A3116

RGB 58 49 22

HSL 45, 0.45%, 0.16%

LAB 20.65, -0.17, 18.56

 

CMYK 0 / 16 / 61 / 65

HEX #584A22

RGB 88 74 34

HSL 44.44, 0.44%, 0.24%

LAB 32.01, 0.26, 25.73

 

CMYK 0 / 15 / 62 / 54

HEX #75632D

RGB 117 99 45

HSL 45, 0.44%, 0.32%

LAB 42.6, 0.1, 32.8

 

CMYK 0 / 16 / 61 / 42

HEX #937C39

RGB 147 124 57

HSL 44.67, 0.44%, 0.4%

LAB 52.85, 0.5, 39.15

 

CMYK 0 / 16 / 61 / 65

HEX #584A22

RGB 88 74 34

HSL 44.44, 0.44%, 0.24%

LAB 32.01, 0.26, 25.73

 

CMYK 58 / 0 / 61 / 65

HEX #255822

RGB 37 88 34

HSL 116.67, 0.44%, 0.24%

LAB 32.89, -29.31, 25.84

 

CMYK 41 / 61 / 0 / 65

HEX #342258

RGB 52 34 88

HSL 260, 0.44%, 0.24%

LAB 18.27, 22.49, -29.72

 

CMYK 0 / 16 / 61 / 65

HEX #584A22

RGB 88 74 34

HSL 44.44, 0.44%, 0.24%

LAB 32.01, 0.26, 25.73

 

CMYK 61 / 0 / 17 / 65

HEX #225849

RGB 34 88 73

HSL 163.33, 0.44%, 0.24%

LAB 33.56, -21.99, 3.37

 

CMYK 17 / 61 / 0 / 65

HEX #492258

RGB 73 34 88

HSL 283.33, 0.44%, 0.24%

LAB 21.08, 28.55, -25.08

 

CMYK 0 / 16 / 61 / 65

HEX #584A22

RGB 88 74 34

HSL 44.44, 0.44%, 0.24%

LAB 32.01, 0.26, 25.73

 

CMYK 58 / 0 / 61 / 65

HEX #255822

RGB 37 88 34

HSL 116.67, 0.44%, 0.24%

LAB 32.89, -29.31, 25.84

 

CMYK 61 / 45 / 0 / 65

HEX #223058

RGB 34 48 88

HSL 224.44, 0.44%, 0.24%

LAB 20.67, 7.95, -25.98

 

CMYK 5 / 61 / 0 / 65

HEX #542258

RGB 84 34 88

HSL 295.56, 0.44%, 0.24%

LAB 22.77, 31.86, -22.29

 

CMYK 0 / 16 / 61 / 65

HEX #584A22

RGB 88 74 34

HSL 44.44, 0.44%, 0.24%

LAB 32.01, 0.26, 25.73

 

CMYK 61 / 0 / 48 / 65

HEX #22582E

RGB 34 88 46

HSL 133.33, 0.44%, 0.24%

LAB 32.96, -28.24, 19.1

 

CMYK 61 / 45 / 0 / 65

HEX #223058

RGB 34 48 88

HSL 224.44, 0.44%, 0.24%

LAB 20.67, 7.95, -25.98

 

CMYK 0 / 61 / 15 / 65

HEX #58224B

RGB 88 34 75

HSL 314.44, 0.44%, 0.24%

LAB 22.75, 30.59, -13.57

 

Description

Color code: HEX #584A22 | qconv.com Color code: HEX #584A22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 74 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 74 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 61 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 61% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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