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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #584C8A it is the complementary color #A7B375. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #584C8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #584C8A shade: #5D4C85, #6E5E98, #7F70AB, #9082BE and #A194D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #584C8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #584C8A shade: #584C8A, #473A77, #362864, #251651 and #14043E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #584C8A shade: #584C8A, #684C8A, #794C8A, #8A4C8A and #8A4C79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #584C8A shade: #584C8A and #4C4C8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #584C8A shade matches the following richer shades: #584C8A, #4D3A9B, #4229AC, #3818BE and #2D06CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #584C8A shade: #584C8A, #625D78, #6D6E67, #778056 and #829144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #584C8A shade: #4C618A, #4C518A, #574C8A, #674C8A and #784C8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #584C8A shade: #362E54, #473D6F, #584C8A, #695AA4 and #8175B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #584C8A shade: #584C8A, #8A4C72 and #598A4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #584C8A shade: #584C8A, #8A574C and #4C8A57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #584C8A shade: #584C8A, #8A4C72, #7E8A4C and #4C8A63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #584C8A shade: #584C8A, #8A4C5F, #7E8A4C and #4C8A76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 45 / 0 / 46

HEX #584C8A

RGB 88 76 138

HSL 251.61, 0.29%, 0.42%

LAB 36.14, 20.38, -32.92

 

Complementary color

CMYK 7 / 0 / 35 / 30

HEX #A7B375

RGB 167 179 117

HSL 71.61, 0.29%, 0.58%

LAB 70.69, -14.38, 30.31

 

CMYK 30 / 43 / 0 / 48

HEX #5D4C85

RGB 93 76 133

HSL 257.89, 0.27%, 0.41%

LAB 36.35, 20.46, -29.49

 

CMYK 28 / 38 / 0 / 40

HEX #6E5E98

RGB 110 94 152

HSL 256.55, 0.24%, 0.48%

LAB 43.64, 19.61, -29.43

 

CMYK 26 / 35 / 0 / 33

HEX #7F70AB

RGB 127 112 171

HSL 255.25, 0.26%, 0.55%

LAB 50.73, 18.87, -29.42

 

CMYK 24 / 32 / 0 / 25

HEX #9082BE

RGB 144 130 190

HSL 254, 0.32%, 0.63%

LAB 57.67, 18.22, -29.46

 

CMYK 23 / 29 / 0 / 18

HEX #A194D1

RGB 161 148 209

HSL 252.79, 0.4%, 0.7%

LAB 64.45, 17.64, -29.54

 

CMYK 36 / 45 / 0 / 46

HEX #584C8A

RGB 88 76 138

HSL 251.61, 0.29%, 0.42%

LAB 36.14, 20.38, -32.92

 

CMYK 40 / 51 / 0 / 53

HEX #473A77

RGB 71 58 119

HSL 252.79, 0.34%, 0.35%

LAB 28.64, 21.5, -33.13

 

CMYK 46 / 60 / 0 / 61

HEX #362864

RGB 54 40 100

HSL 254, 0.43%, 0.27%

LAB 20.91, 22.85, -33.4

 

CMYK 54 / 73 / 0 / 68

HEX #251651

RGB 37 22 81

HSL 255.25, 0.57%, 0.2%

LAB 12.99, 24.42, -33.61

 

CMYK 68 / 94 / 0 / 76

HEX #14043E

RGB 20 4 62

HSL 256.55, 0.88%, 0.13%

LAB 5.27, 24.79, -33.02

 

CMYK 36 / 45 / 0 / 46

HEX #584C8A

RGB 88 76 138

HSL 251.61, 0.29%, 0.42%

LAB 36.14, 20.38, -32.92

 

CMYK 25 / 45 / 0 / 46

HEX #684C8A

RGB 104 76 138

HSL 267.1, 0.29%, 0.42%

LAB 37.75, 25.16, -30.27

 

CMYK 12 / 45 / 0 / 46

HEX #794C8A

RGB 121 76 138

HSL 283.55, 0.29%, 0.42%

LAB 39.7, 30.47, -27.07

 

CMYK 0 / 45 / 0 / 46

HEX #8A4C8A

RGB 138 76 138

HSL 300, 0.29%, 0.42%

LAB 41.86, 35.9, -23.54

 

CMYK 0 / 45 / 12 / 46

HEX #8A4C79

RGB 138 76 121

HSL 316.45, 0.29%, 0.42%

LAB 41.14, 32.72, -14.26

 

CMYK 36 / 45 / 0 / 46

HEX #584C8A

RGB 88 76 138

HSL 251.61, 0.29%, 0.42%

LAB 36.14, 20.38, -32.92

 

CMYK 45 / 45 / 0 / 46

HEX #4C4C8A

RGB 76 76 138

HSL 240, 0.29%, 0.42%

LAB 35.08, 17.05, -34.65

 

CMYK 36 / 45 / 0 / 46

HEX #584C8A

RGB 88 76 138

HSL 251.61, 0.29%, 0.42%

LAB 36.14, 20.38, -32.92

 

CMYK 50 / 63 / 0 / 39

HEX #4D3A9B

RGB 77 58 155

HSL 251.75, 0.46%, 0.42%

LAB 31.74, 34.06, -50.39

 

CMYK 62 / 76 / 0 / 33

HEX #4229AC

RGB 66 41 172

HSL 251.45, 0.62%, 0.42%

LAB 28.7, 47.13, -65.67

 

CMYK 71 / 87 / 0 / 25

HEX #3818BE

RGB 56 24 190

HSL 251.57, 0.78%, 0.42%

LAB 27.33, 58.74, -78.69

 

CMYK 78 / 97 / 0 / 19

HEX #2D06CF

RGB 45 6 207

HSL 251.64, 0.94%, 0.42%

LAB 27.28, 67.11, -88.78

 

CMYK 36 / 45 / 0 / 46

HEX #584C8A

RGB 88 76 138

HSL 251.61, 0.29%, 0.42%

LAB 36.14, 20.38, -32.92

 

CMYK 18 / 23 / 0 / 53

HEX #625D78

RGB 98 93 120

HSL 251.11, 0.13%, 0.42%

LAB 40.87, 8.08, -14.48

 

CMYK 1 / 0 / 6 / 57

HEX #6D6E67

RGB 109 110 103

HSL 68.57, 0.03%, 0.42%

LAB 46.15, -1.78, 3.76

 

CMYK 7 / 0 / 33 / 50

HEX #778056

RGB 119 128 86

HSL 72.86, 0.2%, 0.42%

LAB 51.87, -10.81, 21.74

 

CMYK 10 / 0 / 53 / 43

HEX #829144

RGB 130 145 68

HSL 71.69, 0.36%, 0.42%

LAB 57.48, -17.47, 38.6

 

CMYK 45 / 30 / 0 / 46

HEX #4C618A

RGB 76 97 138

HSL 219.68, 0.29%, 0.42%

LAB 41.09, 3.65, -25.2

 

CMYK 45 / 41 / 0 / 46

HEX #4C518A

RGB 76 81 138

HSL 235.16, 0.29%, 0.42%

LAB 36.47, 13.81, -32.45

 

CMYK 37 / 45 / 0 / 46

HEX #574C8A

RGB 87 76 138

HSL 250.65, 0.29%, 0.42%

LAB 36.04, 20.1, -33.07

 

CMYK 25 / 45 / 0 / 46

HEX #674C8A

RGB 103 76 138

HSL 266.13, 0.29%, 0.42%

LAB 37.64, 24.85, -30.44

 

CMYK 13 / 45 / 0 / 46

HEX #784C8A

RGB 120 76 138

HSL 282.58, 0.29%, 0.42%

LAB 39.58, 30.16, -27.27

 

CMYK 36 / 45 / 0 / 67

HEX #362E54

RGB 54 46 84

HSL 252.63, 0.29%, 0.25%

LAB 21.5, 13.7, -21.89

 

CMYK 36 / 45 / 0 / 56

HEX #473D6F

RGB 71 61 111

HSL 252, 0.29%, 0.34%

LAB 28.97, 17.12, -27.54

 

CMYK 36 / 45 / 0 / 46

HEX #584C8A

RGB 88 76 138

HSL 251.61, 0.29%, 0.42%

LAB 36.14, 20.38, -32.92

 

CMYK 36 / 45 / 0 / 36

HEX #695AA4

RGB 105 90 164

HSL 252.16, 0.29%, 0.5%

LAB 42.76, 23.86, -37.98

 

CMYK 28 / 35 / 0 / 30

HEX #8175B3

RGB 129 117 179

HSL 251.61, 0.29%, 0.58%

LAB 52.56, 18.54, -31.2

 

CMYK 36 / 45 / 0 / 46

HEX #584C8A

RGB 88 76 138

HSL 251.61, 0.29%, 0.42%

LAB 36.14, 20.38, -32.92

 

CMYK 0 / 45 / 17 / 46

HEX #8A4C72

RGB 138 76 114

HSL 323.23, 0.29%, 0.42%

LAB 40.88, 31.51, -10.36

 

CMYK 36 / 0 / 45 / 46

HEX #598A4C

RGB 89 138 76

HSL 107.42, 0.29%, 0.42%

LAB 52.75, -29.11, 28.03

 

CMYK 36 / 45 / 0 / 46

HEX #584C8A

RGB 88 76 138

HSL 251.61, 0.29%, 0.42%

LAB 36.14, 20.38, -32.92

 

CMYK 0 / 37 / 45 / 46

HEX #8A574C

RGB 138 87 76

HSL 10.65, 0.29%, 0.42%

LAB 42.37, 19.76, 15.18

 

CMYK 45 / 0 / 37 / 46

HEX #4C8A57

RGB 76 138 87

HSL 130.65, 0.29%, 0.42%

LAB 52.29, -31.62, 21.25

 

CMYK 36 / 45 / 0 / 46

HEX #584C8A

RGB 88 76 138

HSL 251.61, 0.29%, 0.42%

LAB 36.14, 20.38, -32.92

 

CMYK 0 / 45 / 17 / 46

HEX #8A4C72

RGB 138 76 114

HSL 323.23, 0.29%, 0.42%

LAB 40.88, 31.51, -10.36

 

CMYK 9 / 0 / 45 / 46

HEX #7E8A4C

RGB 126 138 76

HSL 71.61, 0.29%, 0.42%

LAB 55.21, -14.6, 31.64

 

CMYK 45 / 0 / 28 / 46

HEX #4C8A63

RGB 76 138 99

HSL 142.26, 0.29%, 0.42%

LAB 52.52, -29.3, 14.79

 

CMYK 36 / 45 / 0 / 46

HEX #584C8A

RGB 88 76 138

HSL 251.61, 0.29%, 0.42%

LAB 36.14, 20.38, -32.92

 

CMYK 0 / 45 / 31 / 46

HEX #8A4C5F

RGB 138 76 95

HSL 341.61, 0.29%, 0.42%

LAB 40.24, 28.56, 0.48

 

CMYK 9 / 0 / 45 / 46

HEX #7E8A4C

RGB 126 138 76

HSL 71.61, 0.29%, 0.42%

LAB 55.21, -14.6, 31.64

 

CMYK 45 / 0 / 14 / 46

HEX #4C8A76

RGB 76 138 118

HSL 160.65, 0.29%, 0.42%

LAB 52.97, -25.08, 4.5

 

Description

Color code: HEX #584C8A | qconv.com Color code: HEX #584C8A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 76 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 76 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 45 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 45% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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