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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #584E96 it is the complementary color #A7B169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #584E96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #584E96 shade: #5D4E91, #6E60A4, #7F72B7, #9084CA and #A196DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #584E96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #584E96 shade: #584E96, #473C83, #362A70, #25185D and #14064A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #584E96 shade: #584E97, #6C4E97, #7F4E97, #934E97 and #974E87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #584E96 shade: #584E97 and #4E4E97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #584E96 shade matches the following richer shades: #584E97, #4A3BAA, #3D28BC, #2F16CF and #2203E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #584E96 shade: #584E97, #656084, #737372, #80855F and #8D984D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #584E96 shade: #4E6B97, #4E5797, #574E97, #6B4E97 and #7E4E97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #584E96 shade: #383161, #48407C, #584E97, #6B61AD and #857CBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #584E96 shade: #584E96, #974E7E and #61974E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #584E96 shade: #584E96, #97574E and #4E9757

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #584E96 shade: #584E96, #974E7E, #8D974E and #4E9766

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #584E96 shade: #584E96, #974E68, #8D974E and #4E977C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 48 / 0 / 41

HEX #584E96

RGB 88 78 150

HSL 248.33, 0.32%, 0.45%

LAB 37.35, 22.65, -38.29

 

Complementary color

CMYK 6 / 0 / 41 / 31

HEX #A7B169

RGB 167 177 105

HSL 68.33, 0.32%, 0.55%

LAB 69.95, -14.82, 35.62

 

CMYK 36 / 46 / 0 / 43

HEX #5D4E91

RGB 93 78 145

HSL 253.43, 0.3%, 0.44%

LAB 37.52, 22.56, -34.96

 

CMYK 33 / 41 / 0 / 36

HEX #6E60A4

RGB 110 96 164

HSL 252.35, 0.27%, 0.51%

LAB 44.75, 21.6, -34.81

 

CMYK 31 / 38 / 0 / 28

HEX #7F72B7

RGB 127 114 183

HSL 251.3, 0.32%, 0.58%

LAB 51.8, 20.77, -34.71

 

CMYK 29 / 35 / 0 / 21

HEX #9084CA

RGB 144 132 202

HSL 250.29, 0.4%, 0.65%

LAB 58.69, 20.04, -34.67

 

CMYK 27 / 32 / 0 / 13

HEX #A196DD

RGB 161 150 221

HSL 249.3, 0.51%, 0.73%

LAB 65.44, 19.4, -34.66

 

CMYK 41 / 48 / 0 / 41

HEX #584E96

RGB 88 78 150

HSL 248.33, 0.32%, 0.45%

LAB 37.35, 22.65, -38.29

 

CMYK 46 / 54 / 0 / 49

HEX #473C83

RGB 71 60 131

HSL 249.3, 0.37%, 0.37%

LAB 29.94, 23.93, -38.57

 

CMYK 52 / 63 / 0 / 56

HEX #362A70

RGB 54 42 112

HSL 250.29, 0.45%, 0.3%

LAB 22.34, 25.46, -38.88

 

CMYK 60 / 74 / 0 / 64

HEX #25185D

RGB 37 24 93

HSL 251.3, 0.59%, 0.23%

LAB 14.61, 27.23, -39.09

 

CMYK 73 / 92 / 0 / 71

HEX #14064A

RGB 20 6 74

HSL 252.35, 0.85%, 0.16%

LAB 6.99, 28.79, -38.71

 

CMYK 42 / 48 / 0 / 41

HEX #584E97

RGB 88 78 151

HSL 248.22, 0.32%, 0.45%

LAB 37.4, 22.95, -38.8

 

CMYK 28 / 48 / 0 / 41

HEX #6C4E97

RGB 108 78 151

HSL 264.66, 0.32%, 0.45%

LAB 39.36, 28.5, -35.57

 

CMYK 16 / 48 / 0 / 41

HEX #7F4E97

RGB 127 78 151

HSL 280.27, 0.32%, 0.45%

LAB 41.52, 34.11, -32.01

 

CMYK 3 / 48 / 0 / 41

HEX #934E97

RGB 147 78 151

HSL 296.71, 0.32%, 0.45%

LAB 44.07, 40.17, -27.84

 

CMYK 0 / 48 / 11 / 41

HEX #974E87

RGB 151 78 135

HSL 313.15, 0.32%, 0.45%

LAB 43.91, 38.46, -18.41

 

CMYK 42 / 48 / 0 / 41

HEX #584E97

RGB 88 78 151

HSL 248.22, 0.32%, 0.45%

LAB 37.4, 22.95, -38.8

 

CMYK 48 / 48 / 0 / 41

HEX #4E4E97

RGB 78 78 151

HSL 240, 0.32%, 0.45%

LAB 36.56, 20.4, -40.2

 

CMYK 42 / 48 / 0 / 41

HEX #584E97

RGB 88 78 151

HSL 248.22, 0.32%, 0.45%

LAB 37.4, 22.95, -38.8

 

CMYK 56 / 65 / 0 / 33

HEX #4A3BAA

RGB 74 59 170

HSL 248.11, 0.48%, 0.45%

LAB 32.89, 37.6, -57.58

 

CMYK 68 / 79 / 0 / 26

HEX #3D28BC

RGB 61 40 188

HSL 248.51, 0.65%, 0.45%

LAB 29.76, 51.89, -73.46

 

CMYK 77 / 89 / 0 / 19

HEX #2F16CF

RGB 47 22 207

HSL 248.11, 0.81%, 0.45%

LAB 28.6, 63.53, -86.58

 

CMYK 85 / 99 / 0 / 12

HEX #2203E1

RGB 34 3 225

HSL 248.38, 0.97%, 0.45%

LAB 29.01, 71.82, -96.32

 

CMYK 42 / 48 / 0 / 41

HEX #584E97

RGB 88 78 151

HSL 248.22, 0.32%, 0.45%

LAB 37.4, 22.95, -38.8

 

CMYK 23 / 27 / 0 / 48

HEX #656084

RGB 101 96 132

HSL 248.33, 0.16%, 0.45%

LAB 42.46, 10.28, -19.31

 

CMYK 0 / 0 / 1 / 55

HEX #737372

RGB 115 115 114

HSL 60, 0%, 0.45%

LAB 48.41, -0.2, 0.55

 

CMYK 4 / 0 / 29 / 48

HEX #80855F

RGB 128 133 95

HSL 67.89, 0.17%, 0.45%

LAB 54.23, -8.55, 19.92

 

CMYK 7 / 0 / 49 / 40

HEX #8D984D

RGB 141 152 77

HSL 68.8, 0.33%, 0.45%

LAB 60.48, -15.59, 37.84

 

CMYK 48 / 29 / 0 / 41

HEX #4E6B97

RGB 78 107 151

HSL 216.16, 0.32%, 0.45%

LAB 44.76, 2.08, -27.26

 

CMYK 48 / 42 / 0 / 41

HEX #4E5797

RGB 78 87 151

HSL 232.6, 0.32%, 0.45%

LAB 39.02, 14.62, -36.28

 

CMYK 42 / 48 / 0 / 41

HEX #574E97

RGB 87 78 151

HSL 247.4, 0.32%, 0.45%

LAB 37.32, 22.69, -38.95

 

CMYK 29 / 48 / 0 / 41

HEX #6B4E97

RGB 107 78 151

HSL 263.84, 0.32%, 0.45%

LAB 39.26, 28.21, -35.74

 

CMYK 17 / 48 / 0 / 41

HEX #7E4E97

RGB 126 78 151

HSL 279.45, 0.32%, 0.45%

LAB 41.4, 33.81, -32.21

 

CMYK 42 / 49 / 0 / 62

HEX #383161

RGB 56 49 97

HSL 248.75, 0.33%, 0.29%

LAB 23.34, 16.36, -27.54

 

CMYK 42 / 48 / 0 / 51

HEX #48407C

RGB 72 64 124

HSL 248, 0.32%, 0.37%

LAB 30.64, 19.4, -33.07

 

CMYK 42 / 48 / 0 / 41

HEX #584E97

RGB 88 78 151

HSL 248.22, 0.32%, 0.45%

LAB 37.4, 22.95, -38.8

 

CMYK 38 / 44 / 0 / 32

HEX #6B61AD

RGB 107 97 173

HSL 247.89, 0.32%, 0.53%

LAB 45.21, 22.66, -39.39

 

CMYK 29 / 34 / 0 / 27

HEX #857CBB

RGB 133 124 187

HSL 248.57, 0.32%, 0.61%

LAB 55.06, 17.65, -31.87

 

CMYK 41 / 48 / 0 / 41

HEX #584E96

RGB 88 78 150

HSL 248.33, 0.32%, 0.45%

LAB 37.35, 22.65, -38.29

 

CMYK 0 / 48 / 17 / 41

HEX #974E7E

RGB 151 78 126

HSL 320.55, 0.32%, 0.45%

LAB 43.56, 36.93, -13.48

 

CMYK 36 / 0 / 48 / 41

HEX #61974E

RGB 97 151 78

HSL 104.38, 0.32%, 0.45%

LAB 57.29, -32.17, 32.77

 

CMYK 41 / 48 / 0 / 41

HEX #584E96

RGB 88 78 150

HSL 248.33, 0.32%, 0.45%

LAB 37.35, 22.65, -38.29

 

CMYK 0 / 42 / 48 / 41

HEX #97574E

RGB 151 87 78

HSL 7.4, 0.32%, 0.45%

LAB 44.16, 25.41, 16.68

 

CMYK 48 / 0 / 42 / 41

HEX #4E9757

RGB 78 151 87

HSL 127.4, 0.32%, 0.45%

LAB 56.53, -36.95, 26.83

 

CMYK 41 / 48 / 0 / 41

HEX #584E96

RGB 88 78 150

HSL 248.33, 0.32%, 0.45%

LAB 37.35, 22.65, -38.29

 

CMYK 0 / 48 / 17 / 41

HEX #974E7E

RGB 151 78 126

HSL 320.55, 0.32%, 0.45%

LAB 43.56, 36.93, -13.48

 

CMYK 7 / 0 / 48 / 41

HEX #8D974E

RGB 141 151 78

HSL 68.22, 0.32%, 0.45%

LAB 60.2, -14.96, 36.99

 

CMYK 48 / 0 / 32 / 41

HEX #4E9766

RGB 78 151 102

HSL 139.73, 0.32%, 0.45%

LAB 56.79, -34.24, 18.95

 

CMYK 41 / 48 / 0 / 41

HEX #584E96

RGB 88 78 150

HSL 248.33, 0.32%, 0.45%

LAB 37.35, 22.65, -38.29

 

CMYK 0 / 48 / 31 / 41

HEX #974E68

RGB 151 78 104

HSL 338.63, 0.32%, 0.45%

LAB 42.8, 33.59, -1.13

 

CMYK 7 / 0 / 48 / 41

HEX #8D974E

RGB 141 151 78

HSL 68.22, 0.32%, 0.45%

LAB 60.2, -14.96, 36.99

 

CMYK 48 / 0 / 18 / 41

HEX #4E977C

RGB 78 151 124

HSL 157.81, 0.32%, 0.45%

LAB 57.28, -29.54, 7.24

 

Description

Color code: HEX #584E96 | qconv.com Color code: HEX #584E96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 78 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 78 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 48 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 48% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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