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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #585470 it is the complementary color #A7AB8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #585470. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #585470 shade: #5D546B, #6E667E, #7F7891, #908AA4 and #A19CB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #585470. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #585470 shade: #585470, #47425D, #36304A, #251E37 and #140C24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #585470 shade: #57536E, #5E536E, #65536E, #6D536E and #6E5368

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #585470 shade: #57536E and #53536E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #585470 shade matches the following richer shades: #57536E, #4C437E, #40338D, #35249D and #2A14AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #585470 shade: #57536E, #62635E, #6D724F, #78823F and #84922F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #585470 shade: #535E6E, #53566E, #56536E, #5E536E and #65536E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #585470 shade: #322F3F, #444156, #57536E, #696585 and #7E799A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #585470 shade: #585470, #6E5365 and #5A6E53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #585470 shade: #585470, #6E5653 and #536E56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #585470 shade: #585470, #6E5365, #6A6E53 and #536E5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #585470 shade: #585470, #6E535D, #6A6E53 and #536E64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 25 / 0 / 56

HEX #585470

RGB 88 84 112

HSL 248.57, 0.14%, 0.38%

LAB 37.09, 8.15, -15.41

 

Complementary color

CMYK 2 / 0 / 16 / 33

HEX #A7AB8F

RGB 167 171 143

HSL 68.57, 0.14%, 0.62%

LAB 68.99, -6.38, 13.96

 

CMYK 13 / 21 / 0 / 58

HEX #5D546B

RGB 93 84 107

HSL 263.48, 0.12%, 0.37%

LAB 37.35, 8.71, -11.86

 

CMYK 13 / 19 / 0 / 51

HEX #6E667E

RGB 110 102 126

HSL 260, 0.11%, 0.45%

LAB 44.69, 8.27, -12.21

 

CMYK 12 / 17 / 0 / 43

HEX #7F7891

RGB 127 120 145

HSL 256.8, 0.1%, 0.52%

LAB 51.83, 7.89, -12.57

 

CMYK 12 / 16 / 0 / 36

HEX #908AA4

RGB 144 138 164

HSL 253.85, 0.13%, 0.59%

LAB 58.78, 7.55, -12.93

 

CMYK 12 / 15 / 0 / 28

HEX #A19CB7

RGB 161 156 183

HSL 251.11, 0.16%, 0.66%

LAB 65.57, 7.24, -13.31

 

CMYK 21 / 25 / 0 / 56

HEX #585470

RGB 88 84 112

HSL 248.57, 0.14%, 0.38%

LAB 37.09, 8.15, -15.41

 

CMYK 24 / 29 / 0 / 64

HEX #47425D

RGB 71 66 93

HSL 251.11, 0.17%, 0.31%

LAB 29.48, 8.68, -15.23

 

CMYK 27 / 35 / 0 / 71

HEX #36304A

RGB 54 48 74

HSL 253.85, 0.21%, 0.24%

LAB 21.55, 9.32, -15.12

 

CMYK 33 / 45 / 0 / 78

HEX #251E37

RGB 37 30 55

HSL 256.8, 0.29%, 0.17%

LAB 13.22, 10.17, -15.11

 

CMYK 44 / 67 / 0 / 86

HEX #140C24

RGB 20 12 36

HSL 260, 0.5%, 0.09%

LAB 4.87, 9.26, -14.34

 

CMYK 21 / 25 / 0 / 57

HEX #57536E

RGB 87 83 110

HSL 248.89, 0.14%, 0.38%

LAB 36.63, 7.92, -14.88

 

CMYK 15 / 25 / 0 / 57

HEX #5E536E

RGB 94 83 110

HSL 264.44, 0.14%, 0.38%

LAB 37.28, 10.42, -13.82

 

CMYK 8 / 25 / 0 / 57

HEX #65536E

RGB 101 83 110

HSL 280, 0.14%, 0.38%

LAB 37.98, 12.98, -12.69

 

CMYK 1 / 25 / 0 / 57

HEX #6D536E

RGB 109 83 110

HSL 297.78, 0.14%, 0.38%

LAB 38.84, 15.96, -11.32

 

CMYK 0 / 25 / 5 / 57

HEX #6E5368

RGB 110 83 104

HSL 313.33, 0.14%, 0.38%

LAB 38.73, 15.1, -7.75

 

CMYK 21 / 25 / 0 / 57

HEX #57536E

RGB 87 83 110

HSL 248.89, 0.14%, 0.38%

LAB 36.63, 7.92, -14.88

 

CMYK 25 / 25 / 0 / 57

HEX #53536E

RGB 83 83 110

HSL 240, 0.14%, 0.38%

LAB 36.27, 6.52, -15.45

 

CMYK 21 / 25 / 0 / 57

HEX #57536E

RGB 87 83 110

HSL 248.89, 0.14%, 0.38%

LAB 36.63, 7.92, -14.88

 

CMYK 40 / 47 / 0 / 51

HEX #4C437E

RGB 76 67 126

HSL 249.15, 0.31%, 0.38%

LAB 31.94, 19.17, -32.24

 

CMYK 55 / 64 / 0 / 45

HEX #40338D

RGB 64 51 141

HSL 248.67, 0.47%, 0.38%

LAB 27.79, 31.32, -48.27

 

CMYK 66 / 77 / 0 / 38

HEX #35249D

RGB 53 36 157

HSL 248.43, 0.63%, 0.38%

LAB 25.12, 43.57, -62.53

 

CMYK 76 / 88 / 0 / 32

HEX #2A14AD

RGB 42 20 173

HSL 248.63, 0.79%, 0.38%

LAB 23.7, 54.61, -74.6

 

CMYK 21 / 25 / 0 / 57

HEX #57536E

RGB 87 83 110

HSL 248.89, 0.14%, 0.38%

LAB 36.63, 7.92, -14.88

 

CMYK 1 / 0 / 5 / 61

HEX #62635E

RGB 98 99 94

HSL 72, 0.03%, 0.38%

LAB 41.73, -1.41, 2.7

 

CMYK 4 / 0 / 31 / 55

HEX #6D724F

RGB 109 114 79

HSL 68.57, 0.18%, 0.38%

LAB 46.78, -8.21, 18.81

 

CMYK 8 / 0 / 52 / 49

HEX #78823F

RGB 120 130 63

HSL 68.96, 0.35%, 0.38%

LAB 52.19, -14.31, 34.7

 

CMYK 10 / 0 / 68 / 43

HEX #84922F

RGB 132 146 47

HSL 68.48, 0.51%, 0.38%

LAB 57.72, -18.85, 48.65

 

CMYK 25 / 15 / 0 / 57

HEX #535E6E

RGB 83 94 110

HSL 215.56, 0.14%, 0.38%

LAB 39.53, -0.32, -10.5

 

CMYK 25 / 22 / 0 / 57

HEX #53566E

RGB 83 86 110

HSL 233.33, 0.14%, 0.38%

LAB 37.15, 4.63, -14.11

 

CMYK 22 / 25 / 0 / 57

HEX #56536E

RGB 86 83 110

HSL 246.67, 0.14%, 0.38%

LAB 36.54, 7.57, -15.03

 

CMYK 15 / 25 / 0 / 57

HEX #5E536E

RGB 94 83 110

HSL 264.44, 0.14%, 0.38%

LAB 37.28, 10.42, -13.82

 

CMYK 8 / 25 / 0 / 57

HEX #65536E

RGB 101 83 110

HSL 280, 0.14%, 0.38%

LAB 37.98, 12.98, -12.69

 

CMYK 21 / 25 / 0 / 75

HEX #322F3F

RGB 50 47 63

HSL 251.25, 0.15%, 0.22%

LAB 20.32, 5.38, -9.59

 

CMYK 21 / 24 / 0 / 66

HEX #444156

RGB 68 65 86

HSL 248.57, 0.14%, 0.3%

LAB 28.59, 6.36, -12.09

 

CMYK 21 / 25 / 0 / 57

HEX #57536E

RGB 87 83 110

HSL 248.89, 0.14%, 0.38%

LAB 36.63, 7.92, -14.88

 

CMYK 21 / 24 / 0 / 48

HEX #696585

RGB 105 101 133

HSL 247.5, 0.14%, 0.46%

LAB 44.24, 8.82, -17.15

 

CMYK 18 / 21 / 0 / 40

HEX #7E799A

RGB 126 121 154

HSL 249.09, 0.14%, 0.54%

LAB 52.33, 9.03, -17.06

 

CMYK 21 / 25 / 0 / 56

HEX #585470

RGB 88 84 112

HSL 248.57, 0.14%, 0.38%

LAB 37.09, 8.15, -15.41

 

CMYK 0 / 25 / 8 / 57

HEX #6E5365

RGB 110 83 101

HSL 320, 0.14%, 0.38%

LAB 38.62, 14.5, -6.05

 

CMYK 18 / 0 / 25 / 57

HEX #5A6E53

RGB 90 110 83

HSL 104.44, 0.14%, 0.38%

LAB 44.16, -13.07, 12.66

 

CMYK 21 / 25 / 0 / 56

HEX #585470

RGB 88 84 112

HSL 248.57, 0.14%, 0.38%

LAB 37.09, 8.15, -15.41

 

CMYK 0 / 22 / 25 / 57

HEX #6E5653

RGB 110 86 83

HSL 6.67, 0.14%, 0.38%

LAB 38.89, 9.4, 5.52

 

CMYK 25 / 0 / 22 / 57

HEX #536E56

RGB 83 110 86

HSL 126.67, 0.14%, 0.38%

LAB 43.75, -15.18, 10.23

 

CMYK 21 / 25 / 0 / 56

HEX #585470

RGB 88 84 112

HSL 248.57, 0.14%, 0.38%

LAB 37.09, 8.15, -15.41

 

CMYK 0 / 25 / 8 / 57

HEX #6E5365

RGB 110 83 101

HSL 320, 0.14%, 0.38%

LAB 38.62, 14.5, -6.05

 

CMYK 4 / 0 / 25 / 57

HEX #6A6E53

RGB 106 110 83

HSL 68.89, 0.14%, 0.38%

LAB 45.42, -6.57, 14.59

 

CMYK 25 / 0 / 16 / 57

HEX #536E5C

RGB 83 110 92

HSL 140, 0.14%, 0.38%

LAB 43.89, -13.94, 6.85

 

CMYK 21 / 25 / 0 / 56

HEX #585470

RGB 88 84 112

HSL 248.57, 0.14%, 0.38%

LAB 37.09, 8.15, -15.41

 

CMYK 0 / 25 / 15 / 57

HEX #6E535D

RGB 110 83 93

HSL 337.78, 0.14%, 0.38%

LAB 38.36, 12.98, -1.46

 

CMYK 4 / 0 / 25 / 57

HEX #6A6E53

RGB 106 110 83

HSL 68.89, 0.14%, 0.38%

LAB 45.42, -6.57, 14.59

 

CMYK 25 / 0 / 9 / 57

HEX #536E64

RGB 83 110 100

HSL 157.78, 0.14%, 0.38%

LAB 44.1, -12.18, 2.35

 

Description

Color code: HEX #585470 | qconv.com Color code: HEX #585470 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 84 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 84 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 25 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 25% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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