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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58581D it is the complementary color #A7A7E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58581D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58581D shade: #5D5818, #6E6A2B, #7F7C3E, #908E51 and #A1A064

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58581D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58581D shade: #58581D, #47460A, #363400, #252200 and #141000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58581D shade: #57571D, #57481D, #57381D, #57281D and #571D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58581D shade: #57571D, #48571D, #38571D, #28571D and #1D5721

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58581D shade matches the following richer shades: #57571D, #616113, #6A6A0A and #747400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58581D shade: #57571D, #4E4E26, #444430, #3B3B39 and #323243

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58581D shade: #57381D, #57481D, #57571D, #48571D and #38571D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58581D shade: #1A1A08, #393913, #57571D, #767627 and #959531

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58581D shade: #58581D, #1D5729 and #401D57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58581D shade: #58581D, #1D5757 and #571D57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58581D shade: #58581D, #1D5729, #1D1D57 and #571D4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58581D shade: #58581D, #1D573A, #1D1D57 and #571D3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 67 / 65

HEX #58581D

RGB 88 88 29

HSL 60, 0.5%, 0.23%

LAB 36.26, -8.56, 33.11

 

Complementary color

CMYK 26 / 26 / 0 / 11

HEX #A7A7E2

RGB 167 167 226

HSL 240, 0.5%, 0.77%

LAB 70.42, 12.78, -29.68

 

CMYK 0 / 5 / 74 / 64

HEX #5D5818

RGB 93 88 24

HSL 55.65, 0.59%, 0.23%

LAB 36.69, -6.47, 36.02

 

CMYK 0 / 4 / 61 / 57

HEX #6E6A2B

RGB 110 106 43

HSL 56.42, 0.44%, 0.3%

LAB 43.94, -7.39, 35.16

 

CMYK 0 / 2 / 51 / 50

HEX #7F7C3E

RGB 127 124 62

HSL 57.23, 0.34%, 0.37%

LAB 51.01, -8.06, 33.95

 

CMYK 0 / 1 / 44 / 44

HEX #908E51

RGB 144 142 81

HSL 58.1, 0.28%, 0.44%

LAB 57.91, -8.56, 32.67

 

CMYK 0 / 1 / 38 / 37

HEX #A1A064

RGB 161 160 100

HSL 59.02, 0.24%, 0.51%

LAB 64.67, -8.94, 31.42

 

CMYK 0 / 0 / 67 / 65

HEX #58581D

RGB 88 88 29

HSL 60, 0.5%, 0.23%

LAB 36.26, -8.56, 33.11

 

CMYK 0 / 1 / 86 / 72

HEX #47460A

RGB 71 70 10

HSL 59.02, 0.75%, 0.16%

LAB 28.75, -7.52, 33.4

 

CMYK 0 / 4 / 100 / 79

HEX #363400

RGB 54 52 0

HSL 57.78, 1%, 0.11%

LAB 20.98, -5.92, 29.3

 

CMYK 0 / 8 / 100 / 85

HEX #252200

RGB 37 34 0

HSL 55.14, 1%, 0.07%

LAB 12.84, -3.69, 18.91

 

CMYK 0 / 20 / 100 / 92

HEX #141000

RGB 20 16 0

HSL 48, 1%, 0.04%

LAB 4.69, -0.81, 7.01

 

CMYK 0 / 0 / 67 / 66

HEX #57571D

RGB 87 87 29

HSL 60, 0.5%, 0.23%

LAB 35.85, -8.47, 32.65

 

CMYK 0 / 17 / 67 / 66

HEX #57481D

RGB 87 72 29

HSL 44.48, 0.5%, 0.23%

LAB 31.23, 0.57, 27.59

 

CMYK 0 / 36 / 67 / 66

HEX #57381D

RGB 87 56 29

HSL 27.93, 0.5%, 0.23%

LAB 26.57, 10.67, 22.23

 

CMYK 0 / 54 / 67 / 66

HEX #57281D

RGB 87 40 29

HSL 11.38, 0.5%, 0.23%

LAB 22.42, 20.64, 17.2

 

CMYK 0 / 67 / 67 / 66

HEX #571D1D

RGB 87 29 29

HSL 0, 0.5%, 0.23%

LAB 20.02, 26.85, 14.18

 

CMYK 0 / 0 / 67 / 66

HEX #57571D

RGB 87 87 29

HSL 60, 0.5%, 0.23%

LAB 35.85, -8.47, 32.65

 

CMYK 17 / 0 / 67 / 66

HEX #48571D

RGB 72 87 29

HSL 75.52, 0.5%, 0.23%

LAB 34.57, -15.58, 30.88

 

CMYK 36 / 0 / 67 / 66

HEX #38571D

RGB 56 87 29

HSL 92.07, 0.5%, 0.23%

LAB 33.45, -22.59, 29.33

 

CMYK 54 / 0 / 67 / 66

HEX #28571D

RGB 40 87 29

HSL 108.62, 0.5%, 0.23%

LAB 32.6, -28.55, 28.16

 

CMYK 67 / 0 / 62 / 66

HEX #1D5721

RGB 29 87 33

HSL 124.14, 0.5%, 0.23%

LAB 32.23, -31.27, 25.52

 

CMYK 0 / 0 / 67 / 66

HEX #57571D

RGB 87 87 29

HSL 60, 0.5%, 0.23%

LAB 35.85, -8.47, 32.65

 

CMYK 0 / 0 / 80 / 62

HEX #616113

RGB 97 97 19

HSL 60, 0.67%, 0.23%

LAB 39.81, -9.98, 41.14

 

CMYK 0 / 0 / 91 / 58

HEX #6A6A0A

RGB 106 106 10

HSL 60, 0.83%, 0.23%

LAB 43.35, -11.04, 47.17

 

CMYK 0 / 0 / 100 / 55

HEX #747400

RGB 116 116 0

HSL 60, 1%, 0.23%

LAB 47.24, -12.05, 52.81

 

CMYK 0 / 0 / 67 / 66

HEX #57571D

RGB 87 87 29

HSL 60, 0.5%, 0.23%

LAB 35.85, -8.47, 32.65

 

CMYK 0 / 0 / 51 / 69

HEX #4E4E26

RGB 78 78 38

HSL 60, 0.34%, 0.23%

LAB 32.28, -6.64, 23.53

 

CMYK 0 / 0 / 29 / 73

HEX #444430

RGB 68 68 48

HSL 60, 0.17%, 0.23%

LAB 28.32, -3.87, 12.16

 

CMYK 0 / 0 / 3 / 77

HEX #3B3B39

RGB 59 59 57

HSL 60, 0.02%, 0.23%

LAB 24.81, -0.45, 1.23

 

CMYK 25 / 25 / 0 / 74

HEX #323243

RGB 50 50 67

HSL 240, 0.15%, 0.23%

LAB 21.45, 4.44, -10.59

 

CMYK 0 / 36 / 67 / 66

HEX #57381D

RGB 87 56 29

HSL 27.93, 0.5%, 0.23%

LAB 26.57, 10.67, 22.23

 

CMYK 0 / 17 / 67 / 66

HEX #57481D

RGB 87 72 29

HSL 44.48, 0.5%, 0.23%

LAB 31.23, 0.57, 27.59

 

CMYK 0 / 0 / 67 / 66

HEX #57571D

RGB 87 87 29

HSL 60, 0.5%, 0.23%

LAB 35.85, -8.47, 32.65

 

CMYK 17 / 0 / 67 / 66

HEX #48571D

RGB 72 87 29

HSL 75.52, 0.5%, 0.23%

LAB 34.57, -15.58, 30.88

 

CMYK 36 / 0 / 67 / 66

HEX #38571D

RGB 56 87 29

HSL 92.07, 0.5%, 0.23%

LAB 33.45, -22.59, 29.33

 

CMYK 0 / 0 / 69 / 90

HEX #1A1A08

RGB 26 26 8

HSL 60, 0.53%, 0.07%

LAB 8.79, -3.51, 9.81

 

CMYK 0 / 0 / 67 / 78

HEX #393913

RGB 57 57 19

HSL 60, 0.5%, 0.15%

LAB 23.15, -6.15, 23.16

 

CMYK 0 / 0 / 67 / 66

HEX #57571D

RGB 87 87 29

HSL 60, 0.5%, 0.23%

LAB 35.85, -8.47, 32.65

 

CMYK 0 / 0 / 67 / 54

HEX #767627

RGB 118 118 39

HSL 60, 0.5%, 0.31%

LAB 48.2, -10.71, 41.87

 

CMYK 0 / 0 / 67 / 42

HEX #959531

RGB 149 149 49

HSL 60, 0.51%, 0.39%

LAB 59.98, -12.83, 50.58

 

CMYK 0 / 0 / 67 / 65

HEX #58581D

RGB 88 88 29

HSL 60, 0.5%, 0.23%

LAB 36.26, -8.56, 33.11

 

CMYK 67 / 0 / 53 / 66

HEX #1D5729

RGB 29 87 41

HSL 132.41, 0.5%, 0.23%

LAB 32.34, -30, 21.2

 

CMYK 26 / 67 / 0 / 66

HEX #401D57

RGB 64 29 87

HSL 276.21, 0.5%, 0.23%

LAB 18.61, 28.61, -28.41

 

CMYK 0 / 0 / 67 / 65

HEX #58581D

RGB 88 88 29

HSL 60, 0.5%, 0.23%

LAB 36.26, -8.56, 33.11

 

CMYK 67 / 0 / 0 / 66

HEX #1D5757

RGB 29 87 87

HSL 180, 0.5%, 0.23%

LAB 33.49, -18.35, -5.56

 

CMYK 0 / 67 / 0 / 66

HEX #571D57

RGB 87 29 87

HSL 300, 0.5%, 0.23%

LAB 22.28, 35.09, -22.36

 

CMYK 0 / 0 / 67 / 65

HEX #58581D

RGB 88 88 29

HSL 60, 0.5%, 0.23%

LAB 36.26, -8.56, 33.11

 

CMYK 67 / 0 / 53 / 66

HEX #1D5729

RGB 29 87 41

HSL 132.41, 0.5%, 0.23%

LAB 32.34, -30, 21.2

 

CMYK 67 / 67 / 0 / 66

HEX #1D1D57

RGB 29 29 87

HSL 240, 0.5%, 0.23%

LAB 14.56, 20.21, -35.17

 

CMYK 0 / 67 / 13 / 66

HEX #571D4C

RGB 87 29 76

HSL 311.38, 0.5%, 0.23%

LAB 21.68, 33.01, -15.91

 

CMYK 0 / 0 / 67 / 65

HEX #58581D

RGB 88 88 29

HSL 60, 0.5%, 0.23%

LAB 36.26, -8.56, 33.11

 

CMYK 67 / 0 / 33 / 66

HEX #1D573A

RGB 29 87 58

HSL 150, 0.5%, 0.23%

LAB 32.66, -26.51, 11.43

 

CMYK 67 / 67 / 0 / 66

HEX #1D1D57

RGB 29 29 87

HSL 240, 0.5%, 0.23%

LAB 14.56, 20.21, -35.17

 

CMYK 0 / 67 / 33 / 66

HEX #571D3A

RGB 87 29 58

HSL 330, 0.5%, 0.23%

LAB 20.87, 30.09, -4.82

 

Description

Color code: HEX #58581D | qconv.com Color code: HEX #58581D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 88 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 88 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 67 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 67% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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