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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #585AB0 it is the complementary color #A7A54F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #585AB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #585AB0 shade: #5D5AAB, #6E6CBE, #7F7ED1, #9090E4 and #A1A2F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #585AB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #585AB0 shade: #585AB0, #47489D, #36368A, #252477 and #141264

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #585AB0 shade: #585AB0, #6E58B0, #8658B0, #9D58B0 and #B058AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #585AB0 shade: #585AB0 and #5858B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #585AB0 shade matches the following richer shades: #585AB0, #4447C4, #3034D8 and #1D21EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #585AB0 shade: #585AB0, #6C6D9C, #808089, #939375 and #A7A661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #585AB0 shade: #588AB0, #5872B0, #585BB0, #6D58B0 and #8458B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #585AB0 shade: #3A3B7C, #474998, #585AB0, #7476BD and #9091CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #585AB0 shade: #585AB0, #B058A1 and #7EB058

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #585AB0 shade: #585AB0, #B0585B and #5BB058

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #585AB0 shade: #585AB0, #B058A1, #B0AD58 and #58B067

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #585AB0 shade: #585AB0, #B05887, #B0AD58 and #58B081

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 49 / 0 / 31

HEX #585AB0

RGB 88 90 176

HSL 238.64, 0.36%, 0.52%

LAB 42.03, 23.13, -46.3

 

Complementary color

CMYK 0 / 1 / 53 / 35

HEX #A7A54F

RGB 167 165 79

HSL 58.64, 0.36%, 0.48%

LAB 66.28, -11.22, 44.24

 

CMYK 46 / 47 / 0 / 33

HEX #5D5AAB

RGB 93 90 171

HSL 242.22, 0.33%, 0.51%

LAB 42.12, 22.76, -43.19

 

CMYK 42 / 43 / 0 / 25

HEX #6E6CBE

RGB 110 108 190

HSL 241.46, 0.39%, 0.58%

LAB 49.2, 21.65, -42.94

 

CMYK 39 / 40 / 0 / 18

HEX #7F7ED1

RGB 127 126 209

HSL 240.72, 0.47%, 0.66%

LAB 56.13, 20.7, -42.74

 

CMYK 37 / 37 / 0 / 11

HEX #9090E4

RGB 144 144 228

HSL 240, 0.61%, 0.73%

LAB 62.91, 19.89, -42.6

 

CMYK 35 / 34 / 0 / 3

HEX #A1A2F7

RGB 161 162 247

HSL 239.3, 0.84%, 0.8%

LAB 69.56, 19.17, -42.51

 

CMYK 50 / 49 / 0 / 31

HEX #585AB0

RGB 88 90 176

HSL 238.64, 0.36%, 0.52%

LAB 42.03, 23.13, -46.3

 

CMYK 55 / 54 / 0 / 38

HEX #47489D

RGB 71 72 157

HSL 239.3, 0.38%, 0.45%

LAB 34.82, 24.62, -46.64

 

CMYK 61 / 61 / 0 / 46

HEX #36368A

RGB 54 54 138

HSL 240, 0.44%, 0.38%

LAB 27.46, 26.46, -47

 

CMYK 69 / 70 / 0 / 53

HEX #252477

RGB 37 36 119

HSL 240.72, 0.54%, 0.3%

LAB 19.99, 28.69, -47.26

 

CMYK 80 / 82 / 0 / 61

HEX #141264

RGB 20 18 100

HSL 241.46, 0.69%, 0.23%

LAB 12.62, 31.17, -47.08

 

CMYK 50 / 49 / 0 / 31

HEX #585AB0

RGB 88 90 176

HSL 238.64, 0.36%, 0.52%

LAB 42.03, 23.13, -46.3

 

CMYK 38 / 50 / 0 / 31

HEX #6E58B0

RGB 110 88 176

HSL 255, 0.36%, 0.52%

LAB 43.4, 29.79, -44.01

 

CMYK 24 / 50 / 0 / 31

HEX #8658B0

RGB 134 88 176

HSL 271.36, 0.36%, 0.52%

LAB 45.88, 36.29, -39.91

 

CMYK 11 / 50 / 0 / 31

HEX #9D58B0

RGB 157 88 176

HSL 287.05, 0.36%, 0.52%

LAB 48.61, 42.84, -35.42

 

CMYK 0 / 50 / 3 / 31

HEX #B058AB

RGB 176 88 171

HSL 303.41, 0.36%, 0.52%

LAB 50.86, 47.42, -28.8

 

CMYK 50 / 49 / 0 / 31

HEX #585AB0

RGB 88 90 176

HSL 238.64, 0.36%, 0.52%

LAB 42.03, 23.13, -46.3

 

CMYK 50 / 50 / 0 / 31

HEX #5858B0

RGB 88 88 176

HSL 240, 0.36%, 0.52%

LAB 41.51, 24.38, -47.14

 

CMYK 50 / 49 / 0 / 31

HEX #585AB0

RGB 88 90 176

HSL 238.64, 0.36%, 0.52%

LAB 42.03, 23.13, -46.3

 

CMYK 65 / 64 / 0 / 23

HEX #4447C4

RGB 68 71 196

HSL 238.59, 0.52%, 0.52%

LAB 37.34, 37.88, -65.69

 

CMYK 78 / 76 / 0 / 15

HEX #3034D8

RGB 48 52 216

HSL 238.57, 0.68%, 0.52%

LAB 34.07, 53.42, -82.71

 

CMYK 88 / 86 / 0 / 7

HEX #1D21EC

RGB 29 33 236

HSL 238.84, 0.84%, 0.52%

LAB 32.71, 67.21, -96.43

 

CMYK 50 / 49 / 0 / 31

HEX #585AB0

RGB 88 90 176

HSL 238.64, 0.36%, 0.52%

LAB 42.03, 23.13, -46.3

 

CMYK 31 / 30 / 0 / 39

HEX #6C6D9C

RGB 108 109 156

HSL 238.75, 0.2%, 0.52%

LAB 47.66, 10.9, -25.55

 

CMYK 7 / 7 / 0 / 46

HEX #808089

RGB 128 128 137

HSL 240, 0.04%, 0.52%

LAB 53.85, 1.85, -4.86

 

CMYK 0 / 0 / 20 / 42

HEX #939375

RGB 147 147 117

HSL 60, 0.12%, 0.52%

LAB 60.21, -5.26, 15.93

 

CMYK 0 / 1 / 42 / 35

HEX #A7A661

RGB 167 166 97

HSL 59.14, 0.28%, 0.52%

LAB 66.79, -9.99, 35.78

 

CMYK 50 / 22 / 0 / 31

HEX #588AB0

RGB 88 138 176

HSL 205.91, 0.36%, 0.52%

LAB 55.47, -6.02, -25.18

 

CMYK 50 / 35 / 0 / 31

HEX #5872B0

RGB 88 114 176

HSL 222.27, 0.36%, 0.52%

LAB 48.57, 8.18, -35.94

 

CMYK 50 / 48 / 0 / 31

HEX #585BB0

RGB 88 91 176

HSL 237.95, 0.36%, 0.52%

LAB 42.29, 22.5, -45.89

 

CMYK 38 / 50 / 0 / 31

HEX #6D58B0

RGB 109 88 176

HSL 254.32, 0.36%, 0.52%

LAB 43.31, 29.53, -44.16

 

CMYK 25 / 50 / 0 / 31

HEX #8458B0

RGB 132 88 176

HSL 270, 0.36%, 0.52%

LAB 45.66, 35.73, -40.28

 

CMYK 53 / 52 / 0 / 51

HEX #3A3B7C

RGB 58 59 124

HSL 239.09, 0.36%, 0.36%

LAB 28.07, 19.1, -37.26

 

CMYK 53 / 52 / 0 / 40

HEX #474998

RGB 71 73 152

HSL 238.52, 0.36%, 0.44%

LAB 34.75, 22.31, -43.74

 

CMYK 50 / 49 / 0 / 31

HEX #585AB0

RGB 88 90 176

HSL 238.64, 0.36%, 0.52%

LAB 42.03, 23.13, -46.3

 

CMYK 39 / 38 / 0 / 26

HEX #7476BD

RGB 116 118 189

HSL 238.36, 0.36%, 0.6%

LAB 52.22, 16.9, -37.56

 

CMYK 29 / 29 / 0 / 20

HEX #9091CB

RGB 144 145 203

HSL 238.98, 0.36%, 0.68%

LAB 62.08, 12.77, -29.97

 

CMYK 50 / 49 / 0 / 31

HEX #585AB0

RGB 88 90 176

HSL 238.64, 0.36%, 0.52%

LAB 42.03, 23.13, -46.3

 

CMYK 0 / 50 / 9 / 31

HEX #B058A1

RGB 176 88 161

HSL 310.23, 0.36%, 0.52%

LAB 50.43, 45.66, -23.6

 

CMYK 28 / 0 / 50 / 31

HEX #7EB058

RGB 126 176 88

HSL 94.09, 0.36%, 0.52%

LAB 66.67, -32.2, 39.57

 

CMYK 50 / 49 / 0 / 31

HEX #585AB0

RGB 88 90 176

HSL 238.64, 0.36%, 0.52%

LAB 42.03, 23.13, -46.3

 

CMYK 0 / 50 / 48 / 31

HEX #B0585B

RGB 176 88 91

HSL 357.95, 0.36%, 0.52%

LAB 48.22, 36.06, 14.97

 

CMYK 48 / 0 / 50 / 31

HEX #5BB058

RGB 91 176 88

HSL 117.95, 0.36%, 0.52%

LAB 64.95, -43.78, 37.07

 

CMYK 50 / 49 / 0 / 31

HEX #585AB0

RGB 88 90 176

HSL 238.64, 0.36%, 0.52%

LAB 42.03, 23.13, -46.3

 

CMYK 0 / 50 / 9 / 31

HEX #B058A1

RGB 176 88 161

HSL 310.23, 0.36%, 0.52%

LAB 50.43, 45.66, -23.6

 

CMYK 0 / 2 / 50 / 31

HEX #B0AD58

RGB 176 173 88

HSL 57.95, 0.36%, 0.52%

LAB 69.34, -10.81, 43.63

 

CMYK 50 / 0 / 41 / 31

HEX #58B067

RGB 88 176 103

HSL 130.23, 0.36%, 0.52%

LAB 65.05, -42.35, 29.45

 

CMYK 50 / 49 / 0 / 31

HEX #585AB0

RGB 88 90 176

HSL 238.64, 0.36%, 0.52%

LAB 42.03, 23.13, -46.3

 

CMYK 0 / 50 / 23 / 31

HEX #B05887

RGB 176 88 135

HSL 327.95, 0.36%, 0.52%

LAB 49.45, 41.51, -9.68

 

CMYK 0 / 2 / 50 / 31

HEX #B0AD58

RGB 176 173 88

HSL 57.95, 0.36%, 0.52%

LAB 69.34, -10.81, 43.63

 

CMYK 50 / 0 / 27 / 31

HEX #58B081

RGB 88 176 129

HSL 147.95, 0.36%, 0.52%

LAB 65.52, -37.52, 16.11

 

Description

Color code: HEX #585AB0 | qconv.com Color code: HEX #585AB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 90 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 90 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 49 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 49% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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