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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58678B it is the complementary color #A79874. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58678B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58678B shade: #5D6786, #6E7999, #7F8BAC, #909DBF and #A1AFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58678B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58678B shade: #58678B, #475578, #364365, #253152 and #141F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58678B shade: #59688B, #595A8B, #65598B, #73598B and #81598B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58678B shade: #59688B, #595A8B and #59598B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58678B shade matches the following richer shades: #59688B, #46609E, #3459B1, #2151C3 and #0F49D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58678B shade: #59688B, #6C7079, #7E7766, #917F54 and #A38641

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58678B shade: #59838B, #59768B, #59688B, #595B8B and #65598B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58678B shade: #394259, #495572, #59688B, #6D7CA1 and #8693B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58678B shade: #58678B, #86598B and #7C8B59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58678B shade: #58678B, #8B5968 and #688B59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58678B shade: #58678B, #86598B, #8B7C59 and #5E8B59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58678B shade: #58678B, #8B5981, #8B7C59 and #598B63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 26 / 0 / 45

HEX #58678B

RGB 88 103 139

HSL 222.35, 0.22%, 0.45%

LAB 43.71, 3.73, -21.68

 

Complementary color

CMYK 0 / 9 / 31 / 35

HEX #A79874

RGB 167 152 116

HSL 42.35, 0.22%, 0.55%

LAB 63.29, -0.13, 20.99

 

CMYK 31 / 23 / 0 / 47

HEX #5D6786

RGB 93 103 134

HSL 225.37, 0.18%, 0.45%

LAB 43.87, 3.89, -18.4

 

CMYK 28 / 21 / 0 / 40

HEX #6E7999

RGB 110 121 153

HSL 224.65, 0.17%, 0.52%

LAB 51.02, 3.55, -18.59

 

CMYK 26 / 19 / 0 / 33

HEX #7F8BAC

RGB 127 139 172

HSL 224, 0.21%, 0.59%

LAB 58, 3.25, -18.81

 

CMYK 25 / 18 / 0 / 25

HEX #909DBF

RGB 144 157 191

HSL 223.4, 0.27%, 0.66%

LAB 64.81, 2.98, -19.06

 

CMYK 23 / 17 / 0 / 18

HEX #A1AFD2

RGB 161 175 210

HSL 222.86, 0.35%, 0.73%

LAB 71.48, 2.74, -19.33

 

CMYK 37 / 26 / 0 / 45

HEX #58678B

RGB 88 103 139

HSL 222.35, 0.22%, 0.45%

LAB 43.71, 3.73, -21.68

 

CMYK 41 / 29 / 0 / 53

HEX #475578

RGB 71 85 120

HSL 222.86, 0.26%, 0.37%

LAB 36.35, 4.22, -21.61

 

CMYK 47 / 34 / 0 / 60

HEX #364365

RGB 54 67 101

HSL 223.4, 0.3%, 0.3%

LAB 28.74, 4.87, -21.62

 

CMYK 55 / 40 / 0 / 68

HEX #253152

RGB 37 49 82

HSL 224, 0.38%, 0.23%

LAB 20.82, 5.77, -21.72

 

CMYK 68 / 51 / 0 / 75

HEX #141F3F

RGB 20 31 63

HSL 224.65, 0.52%, 0.16%

LAB 12.53, 7.16, -21.96

 

CMYK 36 / 25 / 0 / 45

HEX #59688B

RGB 89 104 139

HSL 222, 0.22%, 0.45%

LAB 44.07, 3.42, -21.11

 

CMYK 36 / 35 / 0 / 45

HEX #595A8B

RGB 89 90 139

HSL 238.8, 0.22%, 0.45%

LAB 40.08, 12.1, -27.31

 

CMYK 27 / 36 / 0 / 45

HEX #65598B

RGB 101 89 139

HSL 254.4, 0.22%, 0.45%

LAB 40.86, 16.44, -26.02

 

CMYK 17 / 36 / 0 / 45

HEX #73598B

RGB 115 89 139

HSL 271.2, 0.22%, 0.45%

LAB 42.24, 20.99, -23.77

 

CMYK 7 / 36 / 0 / 45

HEX #81598B

RGB 129 89 139

HSL 288, 0.22%, 0.45%

LAB 43.76, 25.68, -21.28

 

CMYK 36 / 25 / 0 / 45

HEX #59688B

RGB 89 104 139

HSL 222, 0.22%, 0.45%

LAB 44.07, 3.42, -21.11

 

CMYK 36 / 35 / 0 / 45

HEX #595A8B

RGB 89 90 139

HSL 238.8, 0.22%, 0.45%

LAB 40.08, 12.1, -27.31

 

CMYK 36 / 36 / 0 / 45

HEX #59598B

RGB 89 89 139

HSL 240, 0.22%, 0.45%

LAB 39.8, 12.73, -27.75

 

CMYK 36 / 25 / 0 / 45

HEX #59688B

RGB 89 104 139

HSL 222, 0.22%, 0.45%

LAB 44.07, 3.42, -21.11

 

CMYK 56 / 39 / 0 / 38

HEX #46609E

RGB 70 96 158

HSL 222.27, 0.39%, 0.45%

LAB 41.43, 9.27, -36.68

 

CMYK 71 / 50 / 0 / 31

HEX #3459B1

RGB 52 89 177

HSL 222.24, 0.55%, 0.45%

LAB 39.66, 17.19, -50.82

 

CMYK 83 / 58 / 0 / 24

HEX #2151C3

RGB 33 81 195

HSL 222.22, 0.71%, 0.45%

LAB 38.11, 27.14, -63.92

 

CMYK 93 / 66 / 0 / 16

HEX #0F49D6

RGB 15 73 214

HSL 222.51, 0.87%, 0.45%

LAB 37.34, 38.59, -76.2

 

CMYK 36 / 25 / 0 / 45

HEX #59688B

RGB 89 104 139

HSL 222, 0.22%, 0.45%

LAB 44.07, 3.42, -21.11

 

CMYK 11 / 7 / 0 / 53

HEX #6C7079

RGB 108 112 121

HSL 221.54, 0.06%, 0.45%

LAB 47.18, 0.43, -5.5

 

CMYK 0 / 6 / 19 / 51

HEX #7E7766

RGB 126 119 102

HSL 42.5, 0.11%, 0.45%

LAB 50.2, -0.37, 10.32

 

CMYK 0 / 12 / 42 / 43

HEX #917F54

RGB 145 127 84

HSL 42.3, 0.27%, 0.45%

LAB 53.86, 0.53, 25.89

 

CMYK 0 / 18 / 60 / 36

HEX #A38641

RGB 163 134 65

HSL 42.24, 0.43%, 0.45%

LAB 57.29, 2.68, 40.64

 

CMYK 36 / 6 / 0 / 45

HEX #59838B

RGB 89 131 139

HSL 189.6, 0.22%, 0.45%

LAB 52.09, -12.33, -8.94

 

CMYK 36 / 15 / 0 / 45

HEX #59768B

RGB 89 118 139

HSL 205.2, 0.22%, 0.45%

LAB 48.19, -4.94, -14.81

 

CMYK 36 / 25 / 0 / 45

HEX #59688B

RGB 89 104 139

HSL 222, 0.22%, 0.45%

LAB 44.07, 3.42, -21.11

 

CMYK 36 / 35 / 0 / 45

HEX #595B8B

RGB 89 91 139

HSL 237.6, 0.22%, 0.45%

LAB 40.36, 11.48, -26.87

 

CMYK 27 / 36 / 0 / 45

HEX #65598B

RGB 101 89 139

HSL 254.4, 0.22%, 0.45%

LAB 40.86, 16.44, -26.02

 

CMYK 36 / 26 / 0 / 65

HEX #394259

RGB 57 66 89

HSL 223.13, 0.22%, 0.29%

LAB 28.08, 2.67, -14.9

 

CMYK 36 / 25 / 0 / 55

HEX #495572

RGB 73 85 114

HSL 222.44, 0.22%, 0.37%

LAB 36.23, 3.05, -18.07

 

CMYK 36 / 25 / 0 / 45

HEX #59688B

RGB 89 104 139

HSL 222, 0.22%, 0.45%

LAB 44.07, 3.42, -21.11

 

CMYK 32 / 23 / 0 / 37

HEX #6D7CA1

RGB 109 124 161

HSL 222.69, 0.22%, 0.53%

LAB 52.11, 3.57, -21.6

 

CMYK 24 / 17 / 0 / 31

HEX #8693B1

RGB 134 147 177

HSL 221.86, 0.22%, 0.61%

LAB 60.88, 2.11, -17.22

 

CMYK 37 / 26 / 0 / 45

HEX #58678B

RGB 88 103 139

HSL 222.35, 0.22%, 0.45%

LAB 43.71, 3.73, -21.68

 

CMYK 4 / 36 / 0 / 45

HEX #86598B

RGB 134 89 139

HSL 294, 0.22%, 0.45%

LAB 44.34, 27.37, -20.34

 

CMYK 11 / 0 / 36 / 45

HEX #7C8B59

RGB 124 139 89

HSL 78, 0.22%, 0.45%

LAB 55.55, -14.3, 24.98

 

CMYK 37 / 26 / 0 / 45

HEX #58678B

RGB 88 103 139

HSL 222.35, 0.22%, 0.45%

LAB 43.71, 3.73, -21.68

 

CMYK 0 / 36 / 25 / 45

HEX #8B5968

RGB 139 89 104

HSL 342, 0.22%, 0.45%

LAB 43.7, 22.81, -0.01

 

CMYK 25 / 0 / 36 / 45

HEX #688B59

RGB 104 139 89

HSL 102, 0.22%, 0.45%

LAB 54.16, -22.14, 22.9

 

CMYK 37 / 26 / 0 / 45

HEX #58678B

RGB 88 103 139

HSL 222.35, 0.22%, 0.45%

LAB 43.71, 3.73, -21.68

 

CMYK 4 / 36 / 0 / 45

HEX #86598B

RGB 134 89 139

HSL 294, 0.22%, 0.45%

LAB 44.34, 27.37, -20.34

 

CMYK 0 / 11 / 36 / 45

HEX #8B7C59

RGB 139 124 89

HSL 42, 0.22%, 0.45%

LAB 52.54, 0.27, 21.23

 

CMYK 32 / 0 / 36 / 45

HEX #5E8B59

RGB 94 139 89

HSL 114, 0.22%, 0.45%

LAB 53.56, -25.78, 21.99

 

CMYK 37 / 26 / 0 / 45

HEX #58678B

RGB 88 103 139

HSL 222.35, 0.22%, 0.45%

LAB 43.71, 3.73, -21.68

 

CMYK 0 / 36 / 7 / 45

HEX #8B5981

RGB 139 89 129

HSL 312, 0.22%, 0.45%

LAB 44.54, 27.13, -13.95

 

CMYK 0 / 11 / 36 / 45

HEX #8B7C59

RGB 139 124 89

HSL 42, 0.22%, 0.45%

LAB 52.54, 0.27, 21.23

 

CMYK 36 / 0 / 29 / 45

HEX #598B63

RGB 89 139 99

HSL 132, 0.22%, 0.45%

LAB 53.48, -25.71, 16.2

 

Description

Color code: HEX #58678B | qconv.com Color code: HEX #58678B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 103 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 103 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 26 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 26% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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