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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58632A it is the complementary color #A79CD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58632A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58632A shade: #5D6325, #6E7538, #7F874B, #90995E and #A1AB71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58632A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58632A shade: #58632A, #475117, #363F04, #252D00 and #141B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58632A shade: #58632A, #635F2A, #63502A, #63402A and #63312A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58632A shade: #58632A, #49632A, #3A632A, #2A632A and #2A633A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58632A shade matches the following richer shades: #58632A, #606F1F, #677B13 and #6E8608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58632A shade: #58632A, #515836, #4A4C41, #43414D and #3C3559

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58632A shade: #634F2A, #635F2A, #59632A, #4A632A and #3B632A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58632A shade: #252A12, #3F471E, #58632A, #728037 and #8C9D43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58632A shade: #58632A, #2A6340 and #572A63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58632A shade: #58632A, #2A5963 and #632A59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58632A shade: #58632A, #2A6340, #352A63 and #632A4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58632A shade: #58632A, #2A6351, #352A63 and #632A3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 58 / 61

HEX #58632A

RGB 88 99 42

HSL 71.58, 0.4%, 0.28%

LAB 39.86, -13.68, 30.51

 

Complementary color

CMYK 22 / 27 / 0 / 16

HEX #A79CD5

RGB 167 156 213

HSL 251.58, 0.4%, 0.72%

LAB 67.12, 15.89, -27.6

 

CMYK 6 / 0 / 63 / 61

HEX #5D6325

RGB 93 99 37

HSL 65.81, 0.46%, 0.27%

LAB 40.22, -11.85, 33.6

 

CMYK 6 / 0 / 52 / 54

HEX #6E7538

RGB 110 117 56

HSL 66.89, 0.35%, 0.34%

LAB 47.4, -12.34, 32.44

 

CMYK 6 / 0 / 44 / 47

HEX #7F874B

RGB 127 135 75

HSL 68, 0.29%, 0.41%

LAB 54.39, -12.69, 31.18

 

CMYK 6 / 0 / 39 / 40

HEX #90995E

RGB 144 153 94

HSL 69.15, 0.24%, 0.48%

LAB 61.24, -12.93, 29.93

 

CMYK 6 / 0 / 34 / 33

HEX #A1AB71

RGB 161 171 113

HSL 70.34, 0.26%, 0.56%

LAB 67.94, -13.12, 28.74

 

CMYK 11 / 0 / 58 / 61

HEX #58632A

RGB 88 99 42

HSL 71.58, 0.4%, 0.28%

LAB 39.86, -13.68, 30.51

 

CMYK 12 / 0 / 72 / 68

HEX #475117

RGB 71 81 23

HSL 70.34, 0.56%, 0.2%

LAB 32.45, -13.18, 31.51

 

CMYK 14 / 0 / 94 / 75

HEX #363F04

RGB 54 63 4

HSL 69.15, 0.88%, 0.13%

LAB 24.79, -12.36, 31.6

 

CMYK 18 / 0 / 100 / 82

HEX #252D00

RGB 37 45 0

HSL 70.67, 1%, 0.09%

LAB 16.85, -10.78, 24.06

 

CMYK 26 / 0 / 100 / 89

HEX #141B00

RGB 20 27 0

HSL 75.56, 1%, 0.05%

LAB 8.42, -8.41, 12.45

 

CMYK 11 / 0 / 58 / 61

HEX #58632A

RGB 88 99 42

HSL 71.58, 0.4%, 0.28%

LAB 39.86, -13.68, 30.51

 

CMYK 0 / 4 / 58 / 61

HEX #635F2A

RGB 99 95 42

HSL 55.79, 0.4%, 0.28%

LAB 39.59, -6.3, 30.45

 

CMYK 0 / 19 / 58 / 61

HEX #63502A

RGB 99 80 42

HSL 40, 0.4%, 0.28%

LAB 35.12, 2.67, 25.17

 

CMYK 0 / 35 / 58 / 61

HEX #63402A

RGB 99 64 42

HSL 23.16, 0.4%, 0.28%

LAB 30.61, 12.57, 19.6

 

CMYK 0 / 51 / 58 / 61

HEX #63312A

RGB 99 49 42

HSL 7.37, 0.4%, 0.28%

LAB 26.78, 21.75, 14.67

 

CMYK 11 / 0 / 58 / 61

HEX #58632A

RGB 88 99 42

HSL 71.58, 0.4%, 0.28%

LAB 39.86, -13.68, 30.51

 

CMYK 26 / 0 / 58 / 61

HEX #49632A

RGB 73 99 42

HSL 87.37, 0.4%, 0.28%

LAB 38.74, -20.27, 28.92

 

CMYK 41 / 0 / 58 / 61

HEX #3A632A

RGB 58 99 42

HSL 103.16, 0.4%, 0.28%

LAB 37.83, -26.24, 27.62

 

CMYK 58 / 0 / 58 / 61

HEX #2A632A

RGB 42 99 42

HSL 120, 0.4%, 0.28%

LAB 37.08, -31.57, 26.55

 

CMYK 58 / 0 / 41 / 61

HEX #2A633A

RGB 42 99 58

HSL 136.84, 0.4%, 0.28%

LAB 37.34, -28.84, 17.79

 

CMYK 11 / 0 / 58 / 61

HEX #58632A

RGB 88 99 42

HSL 71.58, 0.4%, 0.28%

LAB 39.86, -13.68, 30.51

 

CMYK 14 / 0 / 72 / 56

HEX #606F1F

RGB 96 111 31

HSL 71.25, 0.56%, 0.28%

LAB 44.17, -17.5, 40.62

 

CMYK 16 / 0 / 85 / 52

HEX #677B13

RGB 103 123 19

HSL 71.54, 0.73%, 0.28%

LAB 48.38, -21.26, 49.02

 

CMYK 18 / 0 / 94 / 47

HEX #6E8608

RGB 110 134 8

HSL 71.43, 0.89%, 0.28%

LAB 52.27, -24.06, 54.89

 

CMYK 11 / 0 / 58 / 61

HEX #58632A

RGB 88 99 42

HSL 71.58, 0.4%, 0.28%

LAB 39.86, -13.68, 30.51

 

CMYK 8 / 0 / 39 / 65

HEX #515836

RGB 81 88 54

HSL 72.35, 0.24%, 0.28%

LAB 35.97, -9.11, 18.82

 

CMYK 3 / 0 / 14 / 70

HEX #4A4C41

RGB 74 76 65

HSL 70.91, 0.08%, 0.28%

LAB 31.82, -3.11, 6.27

 

CMYK 13 / 16 / 0 / 70

HEX #43414D

RGB 67 65 77

HSL 250, 0.08%, 0.28%

LAB 28.14, 3.66, -6.93

 

CMYK 33 / 40 / 0 / 65

HEX #3C3559

RGB 60 53 89

HSL 251.67, 0.25%, 0.28%

LAB 24.41, 12.4, -20.58

 

CMYK 0 / 20 / 58 / 61

HEX #634F2A

RGB 99 79 42

HSL 38.95, 0.4%, 0.28%

LAB 34.83, 3.28, 24.82

 

CMYK 0 / 4 / 58 / 61

HEX #635F2A

RGB 99 95 42

HSL 55.79, 0.4%, 0.28%

LAB 39.59, -6.3, 30.45

 

CMYK 10 / 0 / 58 / 61

HEX #59632A

RGB 89 99 42

HSL 70.53, 0.4%, 0.28%

LAB 39.94, -13.23, 30.63

 

CMYK 25 / 0 / 58 / 61

HEX #4A632A

RGB 74 99 42

HSL 86.32, 0.4%, 0.28%

LAB 38.81, -19.85, 29.02

 

CMYK 40 / 0 / 58 / 61

HEX #3B632A

RGB 59 99 42

HSL 102.11, 0.4%, 0.28%

LAB 37.88, -25.86, 27.7

 

CMYK 12 / 0 / 57 / 84

HEX #252A12

RGB 37 42 18

HSL 72.5, 0.4%, 0.12%

LAB 15.97, -7.03, 14.85

 

CMYK 11 / 0 / 58 / 72

HEX #3F471E

RGB 63 71 30

HSL 71.71, 0.41%, 0.2%

LAB 28.53, -10.56, 23.3

 

CMYK 11 / 0 / 58 / 61

HEX #58632A

RGB 88 99 42

HSL 71.58, 0.4%, 0.28%

LAB 39.86, -13.68, 30.51

 

CMYK 11 / 0 / 57 / 50

HEX #728037

RGB 114 128 55

HSL 71.51, 0.4%, 0.36%

LAB 51.03, -16.63, 37.28

 

CMYK 11 / 0 / 57 / 38

HEX #8C9D43

RGB 140 157 67

HSL 71.33, 0.4%, 0.44%

LAB 61.74, -19.54, 44.21

 

CMYK 11 / 0 / 58 / 61

HEX #58632A

RGB 88 99 42

HSL 71.58, 0.4%, 0.28%

LAB 39.86, -13.68, 30.51

 

CMYK 58 / 0 / 35 / 61

HEX #2A6340

RGB 42 99 64

HSL 143.16, 0.4%, 0.28%

LAB 37.46, -27.61, 14.38

 

CMYK 12 / 58 / 0 / 61

HEX #572A63

RGB 87 42 99

HSL 287.37, 0.4%, 0.28%

LAB 25.51, 30.76, -25.16

 

CMYK 11 / 0 / 58 / 61

HEX #58632A

RGB 88 99 42

HSL 71.58, 0.4%, 0.28%

LAB 39.86, -13.68, 30.51

 

CMYK 58 / 10 / 0 / 61

HEX #2A5963

RGB 42 89 99

HSL 190.53, 0.4%, 0.28%

LAB 35.08, -12.81, -10.65

 

CMYK 0 / 58 / 10 / 61

HEX #632A59

RGB 99 42 89

HSL 310.53, 0.4%, 0.28%

LAB 26.82, 32.5, -16.44

 

CMYK 11 / 0 / 58 / 61

HEX #58632A

RGB 88 99 42

HSL 71.58, 0.4%, 0.28%

LAB 39.86, -13.68, 30.51

 

CMYK 58 / 0 / 35 / 61

HEX #2A6340

RGB 42 99 64

HSL 143.16, 0.4%, 0.28%

LAB 37.46, -27.61, 14.38

 

CMYK 46 / 58 / 0 / 61

HEX #352A63

RGB 53 42 99

HSL 251.58, 0.4%, 0.28%

LAB 21.26, 20.93, -32.19

 

CMYK 0 / 58 / 21 / 61

HEX #632A4E

RGB 99 42 78

HSL 322.11, 0.4%, 0.28%

LAB 26.33, 30.56, -9.93

 

CMYK 11 / 0 / 58 / 61

HEX #58632A

RGB 88 99 42

HSL 71.58, 0.4%, 0.28%

LAB 39.86, -13.68, 30.51

 

CMYK 58 / 0 / 18 / 61

HEX #2A6351

RGB 42 99 81

HSL 161.05, 0.4%, 0.28%

LAB 37.86, -23.56, 4.62

 

CMYK 46 / 58 / 0 / 61

HEX #352A63

RGB 53 42 99

HSL 251.58, 0.4%, 0.28%

LAB 21.26, 20.93, -32.19

 

CMYK 0 / 58 / 39 / 61

HEX #632A3C

RGB 99 42 60

HSL 341.05, 0.4%, 0.28%

LAB 25.67, 27.85, 1.13

 

Description

Color code: HEX #58632A | qconv.com Color code: HEX #58632A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 99 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 99 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 58 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 58% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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