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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5874AA it is the complementary color #A78B55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5874AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5874AA shade: #5D74A5, #6E86B8, #7F98CB, #90AADE and #A1BCF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5874AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5874AA shade: #5874AA, #476297, #365084, #253E71 and #142C5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5874AA shade: #5874AB, #585EAB, #6958AB, #7F58AB and #9558AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5874AA shade: #5874AB, #585EAB and #5858AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5874AA shade matches the following richer shades: #5874AB, #446EBF, #3068D3, #1C61E7 and #075BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5874AA shade: #5874AB, #6D7B97, #818182, #95886E and #A98E5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5874AA shade: #58A1AB, #588BAB, #5875AB, #585FAB and #6758AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5874AA shade: #3B4F76, #496191, #5874AB, #748BB9 and #8FA2C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5874AA shade: #5874AA, #9E58AB and #96AB58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5874AA shade: #5874AA, #AB5875 and #75AB58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5874AA shade: #5874AA, #9E58AB, #AB8E58 and #65AB58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5874AA shade: #5874AA, #AB589E, #AB8E58 and #58AB65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 32 / 0 / 33

HEX #5874AA

RGB 88 116 170

HSL 219.51, 0.33%, 0.51%

LAB 48.84, 5.09, -32.01

 

Complementary color

CMYK 0 / 17 / 49 / 35

HEX #A78B55

RGB 167 139 85

HSL 39.51, 0.33%, 0.49%

LAB 59.28, 3.4, 32.71

 

CMYK 44 / 30 / 0 / 35

HEX #5D74A5

RGB 93 116 165

HSL 220.83, 0.29%, 0.51%

LAB 48.93, 4.87, -28.94

 

CMYK 40 / 27 / 0 / 28

HEX #6E86B8

RGB 110 134 184

HSL 220.54, 0.34%, 0.58%

LAB 55.91, 4.33, -28.97

 

CMYK 37 / 25 / 0 / 20

HEX #7F98CB

RGB 127 152 203

HSL 220.26, 0.42%, 0.65%

LAB 62.74, 3.87, -29.03

 

CMYK 35 / 23 / 0 / 13

HEX #90AADE

RGB 144 170 222

HSL 220, 0.54%, 0.72%

LAB 69.44, 3.48, -29.14

 

CMYK 33 / 22 / 0 / 5

HEX #A1BCF1

RGB 161 188 241

HSL 219.75, 0.74%, 0.79%

LAB 76, 3.14, -29.27

 

CMYK 48 / 32 / 0 / 33

HEX #5874AA

RGB 88 116 170

HSL 219.51, 0.33%, 0.51%

LAB 48.84, 5.09, -32.01

 

CMYK 53 / 35 / 0 / 41

HEX #476297

RGB 71 98 151

HSL 219.75, 0.36%, 0.44%

LAB 41.7, 5.9, -32.07

 

CMYK 59 / 39 / 0 / 48

HEX #365084

RGB 54 80 132

HSL 220, 0.42%, 0.36%

LAB 34.37, 6.96, -32.2

 

CMYK 67 / 45 / 0 / 56

HEX #253E71

RGB 37 62 113

HSL 220.26, 0.51%, 0.29%

LAB 26.82, 8.42, -32.38

 

CMYK 79 / 53 / 0 / 63

HEX #142C5E

RGB 20 44 94

HSL 220.54, 0.65%, 0.22%

LAB 19.05, 10.54, -32.59

 

CMYK 49 / 32 / 0 / 33

HEX #5874AB

RGB 88 116 171

HSL 219.76, 0.33%, 0.51%

LAB 48.89, 5.4, -32.52

 

CMYK 49 / 45 / 0 / 33

HEX #585EAB

RGB 88 94 171

HSL 235.66, 0.33%, 0.51%

LAB 42.79, 19.03, -42.15

 

CMYK 39 / 49 / 0 / 33

HEX #6958AB

RGB 105 88 171

HSL 252.29, 0.33%, 0.51%

LAB 42.65, 27.07, -42.3

 

CMYK 26 / 49 / 0 / 33

HEX #7F58AB

RGB 127 88 171

HSL 268.19, 0.33%, 0.51%

LAB 44.85, 33.1, -38.67

 

CMYK 13 / 49 / 0 / 33

HEX #9558AB

RGB 149 88 171

HSL 284.1, 0.33%, 0.51%

LAB 47.38, 39.46, -34.5

 

CMYK 49 / 32 / 0 / 33

HEX #5874AB

RGB 88 116 171

HSL 219.76, 0.33%, 0.51%

LAB 48.89, 5.4, -32.52

 

CMYK 49 / 45 / 0 / 33

HEX #585EAB

RGB 88 94 171

HSL 235.66, 0.33%, 0.51%

LAB 42.79, 19.03, -42.15

 

CMYK 49 / 49 / 0 / 33

HEX #5858AB

RGB 88 88 171

HSL 240, 0.33%, 0.51%

LAB 41.21, 22.8, -44.68

 

CMYK 49 / 32 / 0 / 33

HEX #5874AB

RGB 88 116 171

HSL 219.76, 0.33%, 0.51%

LAB 48.89, 5.4, -32.52

 

CMYK 64 / 42 / 0 / 25

HEX #446EBF

RGB 68 110 191

HSL 219.51, 0.49%, 0.51%

LAB 47.16, 11.46, -46.92

 

CMYK 77 / 51 / 0 / 17

HEX #3068D3

RGB 48 104 211

HSL 219.39, 0.65%, 0.51%

LAB 45.95, 19.72, -60.39

 

CMYK 88 / 58 / 0 / 9

HEX #1C61E7

RGB 28 97 231

HSL 219.61, 0.81%, 0.51%

LAB 45.03, 30.18, -73.27

 

CMYK 97 / 64 / 0 / 1

HEX #075BFC

RGB 7 91 252

HSL 219.43, 0.98%, 0.51%

LAB 45.02, 41.16, -85.08

 

CMYK 49 / 32 / 0 / 33

HEX #5874AB

RGB 88 116 171

HSL 219.76, 0.33%, 0.51%

LAB 48.89, 5.4, -32.52

 

CMYK 28 / 19 / 0 / 41

HEX #6D7B97

RGB 109 123 151

HSL 220, 0.17%, 0.51%

LAB 51.44, 1.53, -16.79

 

CMYK 1 / 1 / 0 / 49

HEX #818182

RGB 129 129 130

HSL 240, 0%, 0.51%

LAB 54.01, 0.2, -0.55

 

CMYK 0 / 9 / 26 / 42

HEX #95886E

RGB 149 136 110

HSL 40, 0.16%, 0.51%

LAB 57.2, 0.59, 15.76

 

CMYK 0 / 16 / 47 / 34

HEX #A98E5A

RGB 169 142 90

HSL 39.49, 0.31%, 0.51%

LAB 60.35, 3.1, 31.41

 

CMYK 49 / 6 / 0 / 33

HEX #58A1AB

RGB 88 161 171

HSL 187.23, 0.33%, 0.51%

LAB 62.09, -20.03, -12.27

 

CMYK 49 / 19 / 0 / 33

HEX #588BAB

RGB 88 139 171

HSL 203.13, 0.33%, 0.51%

LAB 55.56, -8.09, -22.17

 

CMYK 49 / 32 / 0 / 33

HEX #5875AB

RGB 88 117 171

HSL 219.04, 0.33%, 0.51%

LAB 49.18, 4.79, -32.07

 

CMYK 49 / 44 / 0 / 33

HEX #585FAB

RGB 88 95 171

HSL 234.94, 0.33%, 0.51%

LAB 43.06, 18.4, -41.72

 

CMYK 40 / 49 / 0 / 33

HEX #6758AB

RGB 103 88 171

HSL 250.84, 0.33%, 0.51%

LAB 42.47, 26.54, -42.6

 

CMYK 50 / 33 / 0 / 54

HEX #3B4F76

RGB 59 79 118

HSL 219.66, 0.33%, 0.35%

LAB 33.63, 4.02, -24.68

 

CMYK 50 / 33 / 0 / 43

HEX #496191

RGB 73 97 145

HSL 220, 0.33%, 0.43%

LAB 41.23, 5.07, -29.21

 

CMYK 49 / 32 / 0 / 33

HEX #5874AB

RGB 88 116 171

HSL 219.76, 0.33%, 0.51%

LAB 48.89, 5.4, -32.52

 

CMYK 37 / 25 / 0 / 27

HEX #748BB9

RGB 116 139 185

HSL 220, 0.33%, 0.59%

LAB 57.73, 3.36, -26.69

 

CMYK 28 / 18 / 0 / 22

HEX #8FA2C6

RGB 143 162 198

HSL 219.27, 0.33%, 0.67%

LAB 66.33, 1.58, -20.65

 

CMYK 48 / 32 / 0 / 33

HEX #5874AA

RGB 88 116 170

HSL 219.51, 0.33%, 0.51%

LAB 48.84, 5.09, -32.01

 

CMYK 8 / 49 / 0 / 33

HEX #9E58AB

RGB 158 88 171

HSL 290.6, 0.33%, 0.51%

LAB 48.5, 42.1, -32.67

 

CMYK 12 / 0 / 49 / 33

HEX #96AB58

RGB 150 171 88

HSL 75.18, 0.33%, 0.51%

LAB 66.76, -20.49, 40.05

 

CMYK 48 / 32 / 0 / 33

HEX #5874AA

RGB 88 116 170

HSL 219.51, 0.33%, 0.51%

LAB 48.84, 5.09, -32.01

 

CMYK 0 / 49 / 32 / 33

HEX #AB5875

RGB 171 88 117

HSL 339.04, 0.33%, 0.51%

LAB 48.16, 37.24, -0.86

 

CMYK 32 / 0 / 49 / 33

HEX #75AB58

RGB 117 171 88

HSL 99.04, 0.33%, 0.51%

LAB 64.65, -33.11, 36.99

 

CMYK 48 / 32 / 0 / 33

HEX #5874AA

RGB 88 116 170

HSL 219.51, 0.33%, 0.51%

LAB 48.84, 5.09, -32.01

 

CMYK 8 / 49 / 0 / 33

HEX #9E58AB

RGB 158 88 171

HSL 290.6, 0.33%, 0.51%

LAB 48.5, 42.1, -32.67

 

CMYK 0 / 17 / 49 / 33

HEX #AB8E58

RGB 171 142 88

HSL 39.04, 0.33%, 0.51%

LAB 60.52, 3.75, 32.74

 

CMYK 41 / 0 / 49 / 33

HEX #65AB58

RGB 101 171 88

HSL 110.6, 0.33%, 0.51%

LAB 63.83, -38.56, 35.79

 

CMYK 48 / 32 / 0 / 33

HEX #5874AA

RGB 88 116 170

HSL 219.51, 0.33%, 0.51%

LAB 48.84, 5.09, -32.01

 

CMYK 0 / 49 / 8 / 33

HEX #AB589E

RGB 171 88 158

HSL 309.4, 0.33%, 0.51%

LAB 49.62, 43.6, -23.13

 

CMYK 0 / 17 / 49 / 33

HEX #AB8E58

RGB 171 142 88

HSL 39.04, 0.33%, 0.51%

LAB 60.52, 3.75, 32.74

 

CMYK 49 / 0 / 41 / 33

HEX #58AB65

RGB 88 171 101

HSL 129.4, 0.33%, 0.51%

LAB 63.46, -40.53, 28.44

 

Description

Color code: HEX #5874AA | qconv.com Color code: HEX #5874AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 116 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 116 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 32 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 32% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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